BÄRENREITER URTEXT offering the best CZECHMUSIC of Czech music
BÄRENREITER URTEXT is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text — the musicians’ choice.
Your Music Dealer SPA 314 SPA
SALES CATALOGUE 2021 /2022 Bärenreiter Praha • Praha Bärenreiter Bärenreiter Praha
| www.baerenreiter.cz | [email protected] | www.baerenreiter.com BÄRENREITER URTEXT Other Bärenreiter Catalogues THE MUSICIAN ' S CHOICE
Bärenreiter – Bärenreiter – The Programme 2019/2020 Das Programm 2018/2019 SPA 480 (Eng) SPA 478 (Ger) Bärenreiter's bestsellers for The most comprehensive piano, organ, strings, winds, catalogue for all solo chamber ensembles, and solo instruments, chamber music voice. It also lists study and and solo voice. Vocal scores orchestral scores, facsimiles and study scores are also and reprints, as well as books included. on music.
Bärenreiter – Bärenreiter – Bärenreiter Music for Piano 2019/2020 Music for Organ Music for Organ 2014/2015 SPA 233 (Eng) 2014/2015 SPA 238 (Eng) Bärenreiter's complete Urtext Bärenreiter's Urtext programme for piano as well programme for organ as well as all educational titles and as collections and series. collections for solo and piano You will also find jazz works, four hands. Chamber music transcriptions, works for with piano is also listed. Your Music Dealer: organ and voice, as well as a selection of contemporary music.
Bärenreiter-Verlag · 34111 Kassel · Germany · www.baerenreiter.com · SPA 238 MARTINŮ B Ä R E N R E I T E R U R T E X T Bärenreiter – Bärenreiter – Music for Strings 2018/2019 Choral Music 2018/2019 Nonet č. 2 SPA 234 (Eng) SPA 30 (Eng) Nonet No. 2
Nonett Nr. 2 Bärenreiter's complete Urtext The catalogue includes sacred programme for strings as and secular choral works as H 374 well as all educational titles well as choral collections, and collections. There is an selected facsimiles, and books extensive list of Bärenreiter relating to vocal music. chamber music editions as Bärenreiter well as a list of study scores, books and facsimiles relating to string music. Bärenreiter – Bärenreiter – Chormusik 2017/2018 Musikbücher 2018/2019 SPA 481 (Ger) SPA 494 (Ger) The catalogue includes works The catalogue contains for mixed, male, female and a wide range of books on children's choir a cappella music, facsimiles, and and other choral sacred and reprints of historical secular works. Books relating editions. to choral music are also listed.
YOUR NEXT PERFORMANCE You will find a PDF of these catalogues on www.baerenreiter.com under “Service”. IS WORTH IT Ask for the printed catalogues at your music dealers. BÄRENREITER URTEXT CONTENTS offering the best CZECHMUSIC of Czech music
BÄRENREITER URTEXT is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text — the musicians’ choice. Photo © Pavel Ovsík
Your Music Dealer SPA 314 SPA
SALES CATALOGUE 2021 /2022 Bärenreiter Praha • Praha Bärenreiter Bärenreiter Praha
| www.baerenreiter.cz | [email protected] | www.baerenreiter.com
This catalogue can be downloaded from www.baerenreiter.com www.baerenreiter.cz
www.facebook.com/ baerenreiter www.twitter.com/ Baerenreiter www .youtube.com/ BaerenreiterVerlag www.instagram.com/ baerenreiter
Bennewitz Quartet
Contents French Horn ���������������������������������������33 Trumpet �����������������������������������������������33 Piano / Keyboard �������������������������������3 Trombone �������������������������������������������34 Harpsichord...... 16 Percussion ������������������������������������������34 Organ...... 16 Chamber Ensembles ����������������������35 Accordion ���������������������������������������������17 String Orchestra ����������������������������� 48 Violin...... 18 Chamber Orchestra �����������������������49 Viola...... 23 Symphony Orchestra ���������������������51 Violoncello...... 25 Solo Voice ������������������������������������������ 56 Double Bass �������������������������������������� 28 Childrens’choir ��������������������������������� 62 Harp ����������������������������������������������������� 28 Female Choir ������������������������������������ 62 Contents valid as of March 2021. Guitar �������������������������������������������������� 28 Male Choir ����������������������������������������� 63 Errors excepted and delivery terms subject to change without notice. Recorder ��������������������������������������������� 30 Mixed Choir ��������������������������������������64 Flute ����������������������������������������������������� 30 Choir and Orchestra ���������������������� 70 Printed by Bärenreiter Praha s.r.o., Oboe �����������������������������������������������������31 Opera ����������������������������������������������������73 náměstí Jiřího z Poděbrad 112/19, 130 00 Praha 3, Czech Republic, Clarinet ������������������������������������������������31 Thematic Catalogues ��������������������74 in April 2021. Saxophone �����������������������������������������32 Index of composers ������������������������75 Bassoon �����������������������������������������������32 Index of edition numbers ����������� 76
1 Contacts
Central and Eastern Europe Australia – Hong Kong – Ireland All other countries – Malaysia – New Zealand – Bärenreiter Praha s.r.o. Bärenreiter-Verlag Singapore – South Africa – náměstí Jiřího z Poděbrad 19 Karl Vötterle GmbH & Co. KG United Kingdom 130 00 Praha 3, Czech Republic Heinrich-Schütz-Allee 35-37 Tel.: +420 / 274 001 933 Bärenreiter Ltd 34131 Kassel · Germany +420 / 274 001 918 Burnt Mill, Elizabeth Way, Harlow Tel.: +49 / 561 31 05-0 Fax: +420 / 222 220 829 Essex CM20 2HX, England Fax: +49 / 561 31 05-240 [email protected] Tel.: +44 / 1279 / 82 89 30 [email protected] www.baerenreiter.cz Fax: +44 / 1279 / 82 89 31 www.baerenreiter.com www.baerenreiter.com [email protected] For all inquiries, please use the contact information above or contact your local sheet music retailer.
Abbreviations and key to figures
B Jarmil Burghauser: ADCE Antonín Dvořák Complete Cz Czech Antonín Dvořák. Thematic Edition [Complete Edition Eng English Catalogue of the Works of Antonín Fr French BA Bärenreiter editions Dvořák] Ger German H Bär and its predecessors, AMO Adam Michna z Otradovic It Italian or new titles with – Compositiones Lat Latin contemporary Czech BMCE The Bohuslav Martinů Ru Russian music Complete Edition Sp Spanish H. Harry Halbreich: Bohuslav LJCE Leoš Janáček Complete Martinů. Werkverzeichnis Edition [Complete Critical und Biografie Edition of the Works of arr. arranged TP study score of Bärenreiter Leoš Janáček] ed. / eds. editor / editors editions MAB Musica Antiqua Bohemica IMC International Music MKCE Miloslav Kabeláč Competition Complete Edition maj major [Complete Critical Edition min minor of Miloslav Kabeláč’s rev. revised Works] vol. volume
COPY Authorised copy on request ° Performance material (offered for selected available on sale out-of-print titles) ♦ Performance material • Bärenreiter-Verlag Kassel available on hire production / alternative instruments Contents
2 PIANO / KEYBOARD
Piano Solo two hands
Pieces for Children and Youth / Educational Works / Collections Classics and Their Contemporaries I Dusík, Rejcha, Škroup, Tomášek, Voříšek rev. A. Sarauer, D. Křížková H 4497
Classics and Their Contemporaries II Beethoven, Cimarosa, Clementi, Dvořák Milan Graham Peter Czerny, Dušek, Haslinger, Haydn, (*1934) (*1952) W. A. Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhal Jazz Piano Studies Subversive Etudes (Jinakosti) rev. A. Sarauer, D. Křížková (Cz/Ger/Eng) for piano H 5077 H 5020 vol. 1 illustrations Andrea Tachezy H 7082 vol. 2 BA 9585 Czech Sonatinas J. A. Benda, Dusík, Dušek, Eben Petr These piano miniatures are a L. Koželuh, Mysliveček, Vaňhal, (1929–2007) distinctive and unusual addi- Voříšek The World of Children tion to the teaching literature – MAB I/17, eds. K. Emingerová, (Svět malých) simple and entertaining genre O. Kredba 20 little compositions paintings for open-minded H 1122 rev. I. Hurník teachers and inquisitive kids. H 3211 The pieces in contrasting styles Dusík Jan Ladislav with musical wit and inven- (1760–1812) Three Pieces in C tive sounds and rhythms help H 6421 students not only with finger Twelve Melodic Studies for Piano technique, but also to think in Op. 16 terms of counterpoint and to MAB I/21, ed. V. J. Sýkora develop an expressive delivery. H 907 COPY ● Miniature recital pieces for Dušek František Xaver piano (1731–1799) ● A welcome addition to the Sonata in G piano teaching literature rev. E. Kleinová, A. Fišerová, E. Müllerová ● Easy to moderate level of H 4092 difficulty Dvořák Antonín (1841–1904) Hanuš Jan Largo from Symphony No. 9 in (1915–2004) E min “From the New World” Moments in Nature Op. 95 For Young People from Modern (Vteřiny v přírodě) Op. 18 arr. L. Láska in an easy style Czech Composers cycle of ten miniatures for the H 1810 Blažek, Doubrava, Jirák, Kabeláč, youngest pianists Kaprálová, Krejčí, Martinů, rev. E. Doležalová World-Famous Melodies Rychlík, Schulhoff, .V Štěpán, H 2031 18 excerpts from composer’s D. C. Vačkář works ed. V. Jůzlová The Story of Ten Brothers arr. A. Pokorný in an easy style H 7591 (O deseti bratrech) Op. 32 H 1989 vol. 1 easy exercises and etudes for H 4750 vol. 2 Intermediate-level compositions young fingers of eminent Czech composers of (Cz/Ger/Eng) the first half of the 20th century H 2242
3 PIANO / KEYBOARD
Hradecký Emil Hurník Ilja Quatre Mouvements H. 170 (*1953) (1922–2013) rev. I. Popelka H 6156 A Little Jazz Album Jazz Piccolo (Džezík) (Cz/Ger/Eng) easy piano pieces Spring in the Garden H 7325 (Cz/Ger) (Jaro v zahradě) H. 125 four children’s pieces Jazz Etudes for Young Pianists H 6329 ed. A. Březina ed. Š. Krejčí Studies (Etudy) H 3257 (Cz/Ger/Eng) H 6474 H 7974 Janáček Leoš (1854–1928) Selected Piano Works → page 8
Korte Oldřich F. (1926–2014) Excursion (Exkurse) cycle of instructive pieces (Cz/Ger/Eng) H 7948
Emil Hradecký Martinů Bohuslav Two-Part Piano Miniatures on One Page Zweistimmige Klavierstücke auf einer Seite (1890–1959)
Bärenreiter Praha H 8034 Christmas H. 167 three festive pieces Martinů Bohuslav (1890–1959) Hradecký Emil rev. K. Šolc (*1953) H 8081 Easy Piano Pieces and Dances ed. L. Harasim Berná Two-Part Piano Miniatures on Fables (Bajky) H. 138 BA 9586 One Page (Dvouhlasé klavírní five pieces in moderate level skladbičky na jednu stránku) of difficulty Black Bottom H. 165, Foxtrot 16 simple piano pieces for H 3363 H. 126bis, Crotchets and Quavers beginners (Čtvrtky a osminky) H. 257, One- illustrations Andrea Tachezy step H. 127bis, Foxtrot Born “On (Cz/Ger/Eng) the Corner” (Foxtrot narozený H 8034 „Na růžku”) H. 123bis, Christmas (Vánoce) H. 167 The Czech composer and teacher Emil Hradecký has Though Bohuslav Martinů devoted much of his creative produced a lot of educational output to children and the works for the piano, not all of piano. This album offers them have been published imaginative piano miniatures and many delightful pieces of diverse character and style, have remained unknown. which are easy to play, have interesting melodies, and are ● Six appealing pieces, two of cleverly composed to really them published for the first have just two parts, one for time – Crotchets and Quavers each hand. (1937) and One-step (1921)
● Easy and short performance ● Preface and fingering by the pieces for pianists Film en miniature H. 148 cycle of six pieces editor (Cz/Eng/Ger) ● Another original Czech ed. V. Kafková ● Easy to moderate level of contribution to educational H 5709 difficulty piano literature Puppets (Loutky) I–III → page 9
4 PIANO / KEYBOARD
Slavický Klement (1910–1999) 12 Small Studies NEW 2021 rev. E. Kleinová H 4149
Smetana Bedřich (1824–1884) A Selection of Piano Compositions I rev. V. Štěpán, fingering K. Šolc moderate level of technical difficulty H 1979
Innocence (Nevinnost), Metelka Jakub Metelka Jakub Love (Láska), Polka in E-flat maj (*1986) (*1986) (op. posth.), Album Leaves (Lístky do památníku) Op. 2 Nos. 2, 3, 6, Modern Piano Studies Little Virtuoso (Malý virtuos) Polkas in E maj, E-flat maj, G min, (Moderní etudy pro klavír) 15 Pieces for Piano E min, Idyll (Idyla), Souvenir illustrations Andrea Tachezy illustrations Andrea Tachezy (Vzpomínka), A Pleasant Land- BA 11559 BA 11569 scape (Přívětivá krajina) Are studies meant only for prac- This new piano album by the Treasure of Melodies (II) ticing? This album of 30 short acclaimed Czech pianist, teacher five easy instructive pieces in pieces with original names and and composer Jakub Metelka increasing level of difficulty amusing illustrations proves that contains 15 recital pieces – short, ed. H. Séquardtová studies are in no way boring. The witty, characteristic compositions H 4499 edition covers all the keys, with with flawless melodic, harmonic each study solving a specific and pianistic workmanship. It Sonatinas and Rondos I technical problem while display- allows little virtuosos not only to Clementi, Dusík, Kuhlau ing its own character or even 2 train their technical skills (from rev. V. Kurz telling a little story. With their fairly easy to moderately difficult), H 235 2 3 Děravý okap 3 3 2 4 3 1 3 2 4 1 2 4 1 tuneful Sospirandomelodies and modern but also to sharpen their grasp of 2 1 3 2 1 3 4 2 4 2 sound, thesegliss. studies amount to thegliss. pieces’2 moods and to stretch Suk Josef 2 p miniature 4 recital pieces . Leaky GutterDěravý / UndichteDěravý okaptheir Dachrinne musical okap imagination . (1874–1935) Sospirando p Sospirando 2 1 3 2 1 3 4 2 2 1 3 2 1 3 4 2 4 4 ● Piano2 studies gliss. 2as miniaturegliss. ● gliss. gliss. About Mother5 (De4 maman5 / 4 5 4 4 15 recital pieces 4 O matince) Op. 28 3 1 2 3 3 recital pieces 3 1 3 2 5 1 2 3 1 2 1 2 3 4 2 p p ● Fairly easy to moderately 1 5 2 1 3 1 3 2 “Simple piano pieces for my ● 30 studies2 – 302 technical difficult rit. 4 4 little son” 1. 2. problems to practice 33 5 1 2 1 3 1 rev. B. Selva gliss. ● Audio recordings available COPY ● rit. rit. H 297 All major and minor keys online 5 4 5 5 simile legato 1. 1. 2. 2. 5 5 5 33 33 5 covered 1 2 1 3 1 1 3 1 5 gliss. 1 2 Love Song (Píseň lásky) Op. 7 gliss. ● Ideal complement to Modern No. 1 ● Mostly of moderate technical Piano Studies simile simile legato legato arr. P. Blažek, rev. K. Šolc difficulty H 2424 ● Audio recordings available From: Jakub Metelka, Modern 4 online Piano Studies • BA 11559 Závod lučních kobylek Suková Otilie Agile 1 3 4 (1878–1905) 33 33 4 1 2 3 2 3 2 5 1 2 3 1 2 3 1 2 1 4 4 3 1 3 2 1 3 Piano Pieces 2 → page 12 p 4 4 4 3 5 5 5 Jolly Gnome / Fröhlicher Kobold 33 4 4 Veselý skřítek 2 5 Burlesco Vaňhal Jan3 Křtitel 4 4 1 3 4 1 3 4 1 3 2 4 1 1 2 4 1 1 2 3 33 2 1 3 2 2 5 2 4 3 1 3 3 4 (1739–1813) Veselý skřítekVeselý skřítek Burlescop leggiero Burlesco 3 5 3 23 4 21 4 1 12 1 4 21 4 1 12 1 2 3 Easy Sonatinas 2 2 5 2 4 3 21 4 3 1 2 2 rev. V. Millerová 4 4 4 1 2 3 4 5 1 3 4 1 2 5 4 5 p leggiero p leggiero H 2825 2 5 1. 2. 2 3 1 2 1 3 2 4 3 4 1 4 1 2 3 3 4 3 2 33 4 5 3 2 5 3 4 4 2 3 4 1 2 1 3 1 3 1 1 1 5 1 3 4 1 2 5 4 5 5 1 3 4 1 2 5 4 5 1 1 5 3 2 5 3 2 3 2 5 3 5 3 4 1 2 1 3 5 1 3 2 1 4 3 1 4 4 1 1 2 1 3 1 3 2 1 3 1 1 5 4 5 5 5 5 5 5 2 3 5 4 5 5 4 55 5 5 5 5 5 5 5 5 2 3 5 2 3 PIANO / KEYBOARD
Repertoire Works Benda Jiří Antonín (1722–1795) (including arrangements) Sonate I–XVI MAB I/24, ed. V. J. Sýkora H 1796
Classici boemici II Dusík, Rejcha, Škroup, Tomášek, NEW 2021 Voříšek MAB I/20, ed. V. J. Sýkora H 1356
Czech Piano Music Dusík, Dvořák, Fibich, Janáček, Martinů, V. Novák, Smetana, Suk, Tomášek, Voříšek rev. K. Šolc H 5033
An Expedition into Czech Czech Sonatinas Piano Music J. A. Benda, Dusík, Dušek, L. Koželuh, Mysliveček, Vaňhal, Dušek František Xaver A collection of pieces for early Voříšek (1731–1799) intermediate pianists MAB I/17, eds. K. Emingerová, selection and revision I. Kahánek O. Kredba Complete Sonatas BA 11560 H 1122 for Keyboard to appear in June 2021 Urtext, ed. V. Spurný
Dusík Jan Ladislav BA 11513 vol. I The collection provides a (1760–1812) BA 11514 vol. II cross-section of Czech piano literature from the 18th to the Twelve Melodic Studies for Piano The Czech composer, out- late 20th century. It contains Op. 16 standing pianist and teacher pieces from the Czech clas- MAB I/21, ed. V. J. Sýkora František Xaver Dušek was one sical period (Benda, Dusík), H 907 COPY of the leading figures in the 19th-century and “fin-de- musical life of late 18th century siècle” romanticism (Voříšek, Sonate I–VII Prague. Smetana, Dvořák, Fibich, Suk, MAB I/46, ed. V. J. Sýkora Novák, Janáček) as well as piec- H 3099 COPY ● First complete scholarly-criti- es of various styles from the cal edition latter half of the 20th century Sonate VIII–XVI (Martinů, Vřešťál, Kabeláč, MAB I/53, ed. V. J. Sýkora ● Preface (Cz/Eng/Ger) and Eben, Dlouhý, Sluka). H 3289 COPY critical report (Eng) by the editor Fingering has been supplied by Sonate XVII–XXIII the editor to support pianists MAB I/59, ed. V. J. Sýkora ● Commentary on perfor- in their playing. All the pieces H 3413 mance practice by the editor appear in their original form; Sonate XXIV–XXIX ● they have neither been ar- Concert repertoire suitable MAB I/63, ed. V. J. Sýkora ranged nor adapted. for professionals and ama- H 3756 teurs, ideal for teaching ● Cross-section of Czech piano purposes literature from the 18th to the late 20th century Dvořák Antonín ● Works selected and provided (1841–1904) with fingering by piano virtuoso Ivo Kahánek Dumka Op. 12/1 Furiant Op. 12/2 ● Pieces of easy to moderate Please see Two Little Pearls (Dvě perličky) technical difficulty Bärenreiter's website B 156 (instructive pieces) www.baerenreiter.com ADCE V/3, eds. M. Nový, K. Šolc for more information H 6676 on the individual editions
6 PIANO / KEYBOARD
Dvořák Antonín Slavonic Dances Op. 46 (Series I) (1841–1904) arr. K. Šolc Fišer Luboš H 1359 (1935–1999) Humoresque in G-flat maj Op. 101 No. 7 Slavonic Dances Op. 72 (Series II) Complete Sonatas for Piano Urtext, eds. P. Kvasničková, arr. K. Šolc by one of the most distinctive M. Štědronská H 1428 COPY figures of Czech music of the preface (Cz/Eng/Ger), critical 20th century. His 2nd Sonata report (Cz/Eng) by the editors Suite in A maj Op. 98 (1957) was subsequently re- BA 9503 ADCE V/4, ed. K. Šolc moved from his compositional H 2226 repertoire by the composer Humoresques Op. 101 himself. ADCE V/4, ed. O. Šourek Symphony No. 9 in E min H 7911 Sonata I H 1274 “From the New World” Op. 95 H 7957 Sonata III arr. K. Šolc H 7988 Sonata IV Impromptu B 129, Humoresque H 1110 B 138 H 7757 Sonata V ADCE V/3, eds. J. Burghauser, Tema con variazioni Op. 36 H 7758 Sonata VI “Fras” K. Šolc ADCE V/1, ed. O. Šourek (The Devil) H 2850 rev. and fingering K. Šolc H 7766 Sonata VII H 1126 COPY H 7989 Sonata VIII Mazurkas Op. 56 ADCE V/2, eds. J. Burghauser, Waltzes Op. 54 K. Šolc Fišer Luboš ADCE V/2, eds. A. Pokorný, K. Šolc, (1935–1999) H 2907 J. Burghauser Dreams and Waltzes Piano Compositions 1 H 1498 (Sny a valčíky) H 7040-01 COPY World-Famous Melodies H 7795 18 excerpts from composer’s Dumka Op. 35, Eclogues B 103, works Janáček Leoš Furiants Op. 42, Piano Pieces Op. arr. A. Pokorný in an easy style (1854–1928) 52, Silhouettes Op. 8, Tema con H 1989 vol. 1 In the Mists (V mlhách) variazioni Op. 36, Waltzes Op. 54 H 4750 vol. 2 Urtext, eds. L. Kundera, Piano Compositions 2 J. Burghauser H 7040-02 COPY Eben Petr fingering R. Kvapil (1929–2007) new preface J. Zahrádka Mazurkas Op. 56, Impromptu Universi (Cz/Eng/Ger) in D min B 129, Dumka and Fu- Liturgical Movement for Piano BA 9500 riant Op. 12, Poetic Tone-Pictures Prague Spring IMC Commission Op. 85, Suite in A maj Op. 98, Hu- (2004) On an Overgrown Path moresques Op. 101, Dances: Polka H 7917 (Po zarostlém chodníčku) in E maj B 3, Minuets Op. 28 and Series I–II Scottish Dances Op. 41, Album Veni creator spiritus Urtext, eds. L. Kundera, Leaves B 109/2, B 128a, B 158, Improvisation on the Gregorian J. Burghauser B 109/1/2/4, B 116, Humoresque Theme fingering R. Kvapil in F-sharp maj B 138, Two Little H 7744 new preface J. Zahrádka Pearls B 156, Lullaby, Capriccio (Cz/Eng/Ger) B 188/1, 2 Fibich Zdeněk BA 9502 Piano Compositions Op. 52 (1850–1900) ADCE V/2, eds. A. Čubr, K. Šolc Images, Impressions et Souvenirs Selected Piano Works H 3177 (Nálady, dojmy a upomínky) → page 8 Op. 41 Eclogue, Gigue, Impromptu, rev. K. Šolc Intermezzo H 384 vol. I Sonata 1. X. 1905 H 425 vol. II Urtext, eds. L. Kundera, Poetic Tone-Pictures (Poetické J. Burghauser nálady) Op. 85 H 675 vol. III H 676 vol. IV fingering R. Kvapil ADCE V/3, eds. J. Burghauser, new preface J. Zahrádka A. Čubr (Cz/Eng/Ger) H 338 BA 9501 Silhouettes Op. 8 Thema con variazioni (Zdenkas 12 piano pieces Variations / Zdenčiny variace) ADCE V/1, ed. K. Šolc COPY rev. R. Kvapil H 1763 H 6070-01
7 PIANO / KEYBOARD
Ježek Jaroslav (1906–1942) Klein Gideon 2022 (1919–1945) NEW Bugatti Step The virtuosic piano foxtrot (1931) Piano Sonata was influenced by the com- Urtext, ed. O. Pivoda poser’s fascination with the BA 9580 Bugatti car. to appear in March 2022 H 3156 ● First scholarly-critical edition
Jírovec Vojtěch ● Supplemented by the (1763–1850) composer’s concise 12 Waltzes for Piano melodrama Landscape ed. V. Müllerová (Krajina) for voice and piano, H 4738 published for the first time ever Kabeláč Miloslav (1908–1979) ● Preface (Cz/Eng/Ger) and Janáček Leoš critical report (Eng) by the (1854–1928) Eight Preludes for Piano Op. 30 editor H 2461 COPY Selected Piano Works ● Commentary on performance Urtext, ed. O. Pivoda practice by the Czech pianist BA 11545 Ivo Kahánek
Thema con variazioni, Ej, ● Third volume of the “Terezín danaj!, Moravian Dances: Dance Composers” series from Čeladná, Pilky), Music for Club Swinging, Piano Minia- tures: In Remembrance, [Mod- Korte Oldřich F. erato], [untitled], To the Mrštík (1926–2014) Brothers, Reminiscence, Com- Sonata for Piano positions from the Newspaper H 184 “Lidové noviny”: Christ the Lord Was Born, [Con moto], [Andan- te], From the Autograph Book Koželuch Leopold for Kamila Stösslová: [untitled], (1747–1818) NEW 2020 So That One Could Never Return, Six Easy Sonatas for Piano I Am Waiting for You! The Urtext, ed. Ch. Hogwood Golden Ring BA 11565 Motifs from Exotic Lands The editor has taken the auto- (Cizokrajné motivy) Op. 38 Six delightful sonatas by Leo- graph manuscripts as his prin- MKCE V/4, ed. Z. Nouza pold Koželuch (also Koželuh) cipal sources while consulting H 7906 have been selected from the other accessible sources, such as Seven Pieces for Piano Op. 14 complete edition of his piano historical editions and copyists’ MKCE V/5, ed. Z. Nouza sonatas – namely the easiest, as manuscripts. This series of piano H 7857 this album is specifically aimed miniatures appears for the first at beginner and moderately time in a scholarly-critical edi- Kabeláč Miloslav advanced pianists. The edition tion, the seven-bar composition (1908–1979) includes Piano Sonatas No. 37 in To the Mrštík Brothers is pub- G major, No. 47 in E-flat major, Short Pieces for Piano lished for the first time ever. No. 7 in D major, No. 46 in C (Drobné skladby pro klavír) major, No. 10 in F major and ● Less-known piano miniatures MKCE V/6, ed. Z. Nouza No. 14 in G major, inviting pia- for various occasions, folk H 7842 nists to explore the piano dances, and very personal music of the Viennese Classic. pieces Kalabis Viktor (1923–2006) ● A selection of the easiest ● Welcome addition to the com- pieces from the Complete poser’s masterly repertoire Entrata, aria e toccata Op. 41 Edition (see the next page) H 6354 COPY works for piano ● Invitation to piano music ● Preface (Cz/Eng/Ger) and criti- Piano Sonata No. 3 Op. 57 from the Viennese Classic H 7415 cal report (Eng) by the editor ● Preface by Christopher ● 17 pieces from easy to virtuoso Hogwood and Ryan Mark difficulty (Eng/Cz/Ger)
8 PIANO / KEYBOARD
Martinů Bohuslav Mysliveček Josef (1890–1959) (1737–1781) Christmas H. 167 Six Sonatas three Christmas pieces rev. V. Němec rev. K. Šolc preface O. Zuckerová H 8081 (Cz/Ger/Eng) H 7330 Easy Piano Pieces and Dances → page 4 Novák Vítězslav Film en miniature H. 148 (1870–1949) cycle of six pieces Sonatinas Op. 54 Nos. 1, 2 ed. V. Kafková rev. F. Rauch H 5709 H 475 COPY Youth (Mládí) Op. 55 (selection from the cycle) Koželuch Leopold rev. J. Večtomovová, J. Uxová (1747–1818) H 3902 Complete Sonatas for Keyboard Urtext, ed. Ch. Hogwood Lullaby (Ukolébavka), BA 9511 vol. I Desire (Touha), March (Pochod ) BA 9512 vol. II BA 9513 vol. III BA 9514 vol. IV BA 9515 set of all 4 volumes (special set price)
50 keyboard sonatas from the composer, pianist and piano teacher Leopold Koželuch (also Koželuh), the foremost representative of Czech music in 18th-century Vienna, span Puppets (Loutky) I-III his entire career and mark not H. 137, H. 116, H. 92 only the transition from the ed. A. Březina harpsichord and clavichord manner to the fully idiomatic H 7875 vol. I forte-piano style, but also H 7946 vol. II the evolution of the “classical H 7963 vol. III sonata” during three decades H 7970 all 3 volumes combined Reicha Anton (1773–1806). (1770–1836) The charming pieces composed 36 Fugues for Piano Until now there have been between 1912 and 1925 differ ed. V. J. Sýkora few modern editions of this from one another in mood. preface R. Dykast (Cz/Eng/Ger) music. Our new edition in four They take characters of Italian BA 9541 volumes is the first to present commedia dell’arte as their all of Koželuh’s sonatas for theme: Pierrot, Colombina and The Czech composer Anton solo keyboard. Harlequin. Reicha (also Antonín Rejcha) was famous as both an experimental ● First complete scholarly- ● Detailed preface and critical composer and a teacher and critical edition commentary by the editor theorist. His 36 Fugues for Piano (Cz/Ger/Eng/Fr) ● Fills a gap in Central-European testify to this experimentalism; they can be seen as a type of Classical repertoire ● Fingering by Giorgio Koukl “Well-Tempered Piano of the ● Suitable for amateurs as well new ages”, basing the traditional as professionals; ideal for Baroque fugue on radically new teaching purposes fundaments. Quatre Mouvements H. 170 ● Detailed preface (Eng/Cz/Ger), rev. I. Popelka critical report (Eng) by the H 6156 editor and facsimile pages
9 PIANO / KEYBOARD
Smetana Bedřich (1824–1884) A Selection of Piano Compositions III ed V. Štěpán, rev. K. Šolc H 3374
Macbeth and the Witches (Macbeth a čarodějnice) Op. posth., On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák Album Leaves (Lístky do památníku) Smetana Bedřich Urtext, ed. J. Novotný (1824–1884) fingering .J Novotný Macbeth preface J. Gabrielová Sketch for the scene of Macbeth (Cz/Eng/Ger) and the Witches after Shake- BA 9525 speare Urtext, ed. J. Gabrielová Album Leaves (Lístky do BA 11537 památníku) Opp. 2, 3, Sketches (Črty) Opp. 4, 5, Posthumous Smetana’s piano sketch Schulhoff Erwin Compositions and Compositions Macbeth, also known as (1894–1942) for Various Occasions Macbeth and the Witches, Czech Dances (České tance) originated in 1859 while the Jazz Inspired Works composer was living in Sweden. Urtext, ed. M. Kube Series I–II BA 9559 Urtext, ed. J. Novotný The work’s dark and gloomy fingering .J Novotný mood is also connected with Partita (1922), Cinq études de preface J. Gabrielová the death of Smetana’s wife jazz (1926), Esquisses de jazz: Six (Cz/Eng/Ger) Katharina on 19 April 1859. pièces faciles pour piano (1927), BA 9507 Macbeth only appeared in Hot Music: Ten Syncopated print posthumously in 1912. It Studies (1928), Suite dansante Series I: Polkas in F-sharp min, soon entered the piano reper- en jazz (1931) A min, F maj, B-flat maj, Series II: toire, and in the course of the Furiant, Slepička, Oves, Medvěd, 20th century it was scored for Sonatas Nos. 1–3 Cibulička, Dupák, Hulán, orchestra by Otakar Jeremiáš Urtext, ed. M. Kube Obkročák, Sousedská, Skočná and for piano and orchestra by BA 9560 Jarmil Burghauser. Early Piano Works Erwin Schulhoff was a Prague (Rané klavírní skladby) This Urtext edition proceeds German-speaking composer. Urtext, ed. J. Novotný from the only surviving source, His compositions of the 1920s, fingering .J Novotný Smetana’s pencil sketch. The with their blend of traditional preface J. Gabrielová editor has added as little as genres, jazz syncopations, dance (Cz/Eng/Ger) possible to the musical text rhythms and moderately ex- BA 9527 in order to faithfully recreate panded tonality, were fully at- the challenge of performing tuned to the tenor of the times. Compositions from the a sketch. Missing rests and years 1840–1849: Bagatelles rhythmic ’anomalies’ have ● First Urtext editions et impromptus, Six morceaux been left as in the autograph. caractéristiques Op. 1, Wedding ● Prefaces (Ger/Cz/Eng) and ● Virtuoso concert piece critical report (Eng) by the Scenes (Svatební scény), first in the “Liszt style” editor Polkas: Louisa’s (Louisina), Dahlia (Jiřinková), From the Student ● New Urtext edition Life (Ze studentského života), ● Preface (Cz/Eng/Ger) and Simon Ladislav Souvenir of Plzeň (Vzpomínka critical report (Eng) by the (1929–2011) na Plzeň), Polka in E-flat maj editor Piano Sonata No. 2 H 7445
10 PIANO / KEYBOARD
Smetana Bedřich Six morceaux caractéristiques (1824–1884) Op. 1, The Curious One (Zvědavý), Smetana Bedřich (1824–1884) On the Seashore (Na břehu Forest Emotions and Impressions mořském) / Concert Etude in (Lesní city a dojmy), Waltzes, Rêves (Dreams / Sny) C maj (Koncertní etuda C dur) Album Leaves (Skladby psané Six morceaux caractéristiques / Fantasia on Czech Folksongs do památníku) pour le piano (Fantasie na české národní písně) Piano Compositions 6 Urtext, ed. J. Gabrielová included also Allegro capriccioso ed. J. Novotný BA 9529 and Etude in A min H 7215 Urtext, ed. J. Novotný ● First scholarly-critical edition fingering .J Novotný Dreams (Rêves / Sny), Wed- of Smetana’s distinctive work preface J. Gabrielová ding Scenes (Svatební scény), (Cz/Eng/Ger) Treasury of Melodies I (Poklad ● Preface (Cz/Eng/Ger) and BA 9519 melodií I) critical report (Eng) by the editor Piano Compositions 1 Polkas ed. J. Novotný Urtext, ed. J. Novotný ● With fingering and pedal H 7333 fingering .J Novotný markings by Smetana’s preface J. Gabrielová contemporary, Jindřich Kàan Bagatelles et impromptus and z Albestů other early piano compositions: (Cz/Eng/Ger) Polkas (Betty’s, Louisa’s, Dahlia, BA 9506 Polka in E-flat maj), Duet, Impromp- tu I, Impromptu II, Impromptu III, 14 Polkas from 1852–1860: Three Drawing-Room Polkas (Tři Suk Josef Mazurka – Capriccio, Apparation (1874–1935) at the Ball (Vidění na plese), From salonní polky) Op. 7, Three Poetic the Student Life (Ze studentského Polkas (Tři poetické polky) Op. 8, Love Song (Píseň lásky) Op. 7 života), Souvenir of Plzeň (Vzpo- Souvenir of Bohemia in the Form No. 1 mínka na Plzeň) of Polkas (Vzpomínka na Čechy arr. P. Blažek, rev. K. Šolc ve formě polek) Opp. 12, 13, Polkas H 2424 Piano Compositions 5 from the 1850s: in E maj, G min, ed. J. Novotný A maj, F min Lullabies (Ukolébavky) Op. 33 H 7460 rev. K. Šolc H 4154 Piano Compositions Op. 7 Macbeth rev. K. Šolc COPY Bedřich Smetana H 5766 Love Song (Píseň lásky), [ ] 2 [ ] 4 Humoresque, Recollections (Vzpomínky), Idylls (Idylky), 2 Dumka, Capriccietto 4 Spring (Jaro) Op. 22a five pieces for piano [ ] rev. K. Šolc H 298
Things Lived and Dreamt (Životem a snem) Op. 30 4 ten pieces for piano [ ] Urtext, ed. J. Gabrielová BA 9561 ● Magnum opus of Suk’s piano music
7 ● First ever scholarly-critical edition ● Preface (Cz/Eng/Ger) and [ ] [ ] critical report (Eng) by the editor 12 From: Bedřich Smetana, Macbeth [ ] • BA 11537 [ ] [ ] [ ] [ ] 11 BA 11537 © 2018 by Bärenreiter Praha PIANO / KEYBOARD
Tomášek Václav Jan (1774–1850) Piano Duet Eclogues pour le pianoforte I four hands (Opp. 35, 39, 47, 51) MAB I/73, ed. A. Borková Pieces for Children and COPY H 4872 Youth / Educational Works Eclogues pour le pianoforte II (Opp. 63, 66, 83) Dvořák Antonín MAB I/74, ed. A. Borková (1841–1904) H 5390 COPY Scottish Dances Op. 41 Vaňhal Jan Křtitel arr. of the original piece for two (1739–1813) hands with fingering, pedal markings Twelve Sonatines and dynamics (Dodici Sonatine) eds. A. Fišerová, E. Müllerová Suková Otilie rev. V. Němec H 5851 (1878–1905) preface O. Zuckerová (Cz/Ger/Eng) Eben Petr Piano Pieces H 7461 Urtext, ed. E. Prchalová (1929–2007) BA 11557 Voříšek Jan Václav Hugo The Little Green Forest (1791–1825) (Hájíčku zelený) Humoresque (Humoreska), Composizioni per piano solo arr. of folk songs with introducto- Lullaby (Ukolébavka), Joey on MAB I/52, ed. O. Zuckerová ry words by the author the Horsie (Pepča na koníčku), H 3237 (Cz/Ger/Eng) To Dear Daddy (Drahému rev. J. Němcová, V. Němec tatíčkovi) Impromptus Op. 7 H 6657 MAB I/1, ed. V. Helfert Otilie Suková, the daughter of H 2182 Hradecký Emil Antonín Dvořák and the wife (*1953) of Josef Suk, was a very gifted XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I–VI) musician; she played the piano Jazz Pieces for Twenty Fingers MAB I/78, ed. V. J. Sýkora and wrote several compositions piano four hands arrangements H 6036 of her own. Four of her piano of popular dances – Waltz, pieces have survived; Suk wrote XII rhapsodies pour le pianoforte Ragtime, Samba, Tango etc. them down after his wife’s Op. 1, Vol. II (Rhapsodies VII–XII) (Cz/Ger/Eng) performance. Three of them MAB I/79, ed. V. J. Sýkora H 7975 were published four years after H 6114 COPY Otilie’s death as a supplement to the periodical Zlatá Praha. Sonata in B-flat min Op. 20 The piece To Dear Daddy ap- MAB I/4, ed. O. Zuckerová pears here for the first time in H 7133 print. It is based on two sources – the first is Suk’s manuscript, 7 the second is Otilie’s clean copy of Suk’s manuscript. Pepča na koníčku/Joey on the Horsie/Joschi auf dem Pferdchen
● First scholarly-critical edition Allegro vivo of the sole surviving compo- 2 4 sitions of Dvořák’s daughter p p Otilie 2 4 ● Mood pieces both pianist and simile audience will like, To Dear Dad- dy published for the first time 7 ● Moderate technical difficulty, also suitable for advanced students ● Preface (Cz/Eng/Ger) and criti-
cal report (Eng) by the editor 13 From: Otilie Suková, Joey on the Horsie in Piano Pieces • BA 11557 12
18
23 sostenuto a tempo mp pp PIANO / KEYBOARD
Hurník Ilja Kabeláč Miloslav (1922–2013) (1908–1979) Playing with Four Hands Small Suite (Malá suita) Op. 42 (Cz/Ger) H 3598 COPY H 6155
Kopelent Marek (*1932) Two (Dva) H 6474
Repertoire Works
Smetana Bedřich (1824–1884) Vltava (The Moldau) symphonic poem from the cycle Slavonic Dances (Slovanské My Country (Má vlast) in the tance) Op. 46 and Op. 72 original version for piano duet ed. J. Burghauser Urtext, ed. H. Macdonald BA 9547 Op. 46 / Series I preface O. Mojžíšová BA 9548 Op. 72 / Series II (Cz/Eng/Ger) BA 9549 ● Unique concert masterpieces of European music for piano four hands
● New preface by H.-J. Hin- Concertos and Dvořák Antonín richsen and I. Rentsch Concertante Works (1841–1904) (Ger/Eng/Cz) for Piano From the Bohemian Forest (Ze Šumavy) Op. 68 cycle of six characteristic pieces Fibich Zdeněk ed. A. Čubr (1850–1900) Dvořák Antonín BA 9565 (1841–1904) Sonata in B-flat maj Op. 28 Concerto in G min for Piano In the Spinning-room (Na eds. A. Pokorný, K. Šolc and Orchestra Op. 33 přástkách), By the Black Lake H 3879 COPY → page 14 (U Černého jezera), Walpurg’s Night (Noc filipojakubská), In Hurník Ilja the Wait (Na čekání), Silent (1922–2013) Woods (Klid), From Troublous Fišer Luboš Innocenza (1935–1999) Times (Z bouřlivých dob) rev. J. Němcová, V. Němec H 7717 Concerto da camera per piano ● Popular piano miniatures, ed orchestra which can also be played Hurník Lukáš 2 flutes, 2 oboes, 2 clarinets, individually and are ideal as (*1967) 2 bassoons, 2 French horns, encore pieces Hot-Suite 2 trumpets and strings H 5422 score ♦ ● New preface by H.-J. Hinrich- rev. J. Němcová, V. Němec sen and I. Rentsch H 7638 (Ger/Eng/Cz) Leoš Janáček (1854–1928) Legends (Legendy) Op. 59 Moravian Folk Dances ADCE V/6, eds. F. Bartoš, (Národní tance na Moravě) A. Pokorný, K. Šolc rev. B. Štědroň ♦ Performance material H 1801 COPY H 1089 available on hire
13 PIANO / KEYBOARD
Dvořák’s piano concerto in its authentic form stylisations of their own. Our Urtext edition re-evaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The original piano reduction by Robert Keller is so Janáček Leoš full of mistakes that the editor (1854–1928) decided instead to present the Dvořák Antonín version by Karel Šolc. Capriccio for Piano Left Hand (1841–1904) and Wind Ensemble ● New Urtext edition of Dvořák’s flute / piccolo, 2 trumpets, Concerto in G min for Piano only piano concerto 3 trombones, tenor tuba ossia and Orchestra Op. 33 French horn Urtext, ed. R. van Steijn ● Solo part free of all unauthoris- LJCE E/5, eds. L. Faltus, BA 10420 score ♦ ed amendments J. Procházková BA 10420-90 piano reduction ● Piano reduction by Karel Šolc BA 6856•/ H 7826-01 (Karel Šolc) adapted to fit this new edition cloth bound score with parts Composed in 1876, Dvořák’s ● Preface (Eng/Cz/Ger) by D. R. Urtext, eds. L. Faltus, only piano concerto has been Beveridge and critical report J. Procházková overshadowed by his other (Eng) by the editor new preface J. Procházková two concertos, for violin and (Cz/Eng/Ger) violoncello. Performers and ● Commentary on performance BA 9535 score and parts editors have often attempted practice by Czech pianist Ivo in slipcover (French to upgrade this pianistically Kahánek (Eng/Cz/Ger) horn part included) unassuming work by adding The Capriccio was written in the autumn of 1926 at the 74 > > suggestion of the pianist Otakar 486 > . . 8va nú ú nœ. œ. œ. œ œ nœ œ œ œ œ œ œ g ú ú œ œ œ œ œ œ œ œ œ b g nú úú œ. œ œ œ œ œ œ œn œ œ œ œ œ nœ œ œ œ œ œ Hollmann, an invalid from the & b g œ œ œ œ œ œ g Œ nœ ‰Œ œ nœ. œ œ g œ œ œ. Pfte. g œn J J First World War. Janáček wrote g J > g > g nú ú j œ a four-movement work with ? g ú ú œ ? œ œ œ œ œ ? œ œ œ œ# œ bb œ œ ‰ œœn ‰ & œ œ œ œ œ œn & œ œ œ œn œ œ# œ œ œb Œ œ ‰Œ œ Œ œ œ. nœ œ. œ. œn œ œn œ œ œ œ# associations to military music. Jœ Jœ Jœ . œb œ ° ° °
@490 . @ Concertino œ bœ œ œ œ œn œ œ# œ œn œb œ œb œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ# œn œn œ œ# œn œn œb œ# œ œn œb œ# œ b nœ œ œ œ œ œb œ œ œ 6 6 & b œ œ œ œ œ œ œ œ 6 6 for piano, 2 violins, viola, clarinet, Pfte. 3 œn œn œ œ# œ œ œ œ# œ œ œ. 3 French horn and bassoon œ œ# œn œ œ œ g nœ ? ? b œ œn œ œ œn œ œb œ# œ œn g# œ & œn œb œ œ# œn œn œb b œ# œn œb œ g 3 œ œb œ œb H 4342 score with parts œ œ J 3
@ Martinů Bohuslav 493 nœ. œ È @ œn œ# œ œn œb œ# œ œn œb œ œb Ÿ~~~~~~~~~~~~~~~~~~~~~ . . j Ÿ~~~~~~~~~~~~~~~~~~ œn œb œn œ œ# œ œn œb œ > >œ œb œ œ œ œ wn (1890–1959) b œn 6 6 œ# j w œ œ & b 6 6 œ 3 ^ Pfte. ^ ^ j œ œn . œb . . . . ‰ j ‰ j ‰ œ Œ g nœ œ œb œ œn . œb . œ. . . . > œn œ > > >œb œ œ Incantation (Concerto for Piano ? b g# œ 3 œ# œn œ# ú ú œ œ œ œ b g œ 3 3 œn œ œ œ œ œ œ ú ú J # œ > > and Orchestra No. 4) H. 358 ° TP 122• study score ♦ 8va BA 4318-90• piano reduction @497 . . . . œ œ œ. œ. @ > >œ œ œ œ. œ. œ œn j œ œ œ œ œ œ# nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b œn œ œ œ# œ œ œ# œ œ & b œ (Karel Šolc) ^ Pfte. ^ ^ j j j ^ ‰ j ‰ j ‰ œb Œ ‰ j ‰ œ# ‰ œn Œ ^ ^ j œ œ œ ^ ^ ^ j j ^ ^ œ ? b ú bú ú ú œ# œn œ œ œ œ œ œ œ œ ú ú j j j œ œ j j ? ‰ œ# b & ‰ œ# ‰ œ ‰ œ ú‰ œ‰ œ# ‰ œ ‰ œ# œ ú ú ú œ œ œ • Bärenreiter-Verlag Kassel production
4 3 501 4 @ ♦ @ 3 Performance material Dvořák’s cadenzaœ œ œ œ inœ œ œ theœ 1st movement of the concerto b œ œ# œœ œ œ# œœ œ œ œ œ œ œ œ œn œ œœœœœœœœœœœœœ b œ œ œ œ 5 5 & œ œ# œœœœ œ œ œ# available on hire Pfte. 5 5 #œ œ œ œ ŸÈ~~~~~~~ œ œ œ œ œ œ œ œ ? g œ œœ œ# œœ œ# œ œ œ# œ œ œ œn œ œ bb g œ ‰ŒÓ œœœœ œ œ œ œ bw œ œ œ œ œ œ œ œ & œ œ œœ œ# œœœœœœœœœœœœ J œ œ# œ œ wb n œ œ 14 Ÿ~~~~~~
poco a poco ritard. @506 n @ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ UŸ~~~~~~~~~~ b œ œ œ œ œ œ œ œ œ œ ú ú #ú nú Ÿ & b 5 5 nú bú bú ú #ú w œn œ# Pfte. dim. p π 5 5 Ÿ U ú œ# œb œ œ œ œ œ b ? œ œ# œ œb œ œ œ œ ú & b œ œ œ# œ œ œ œ œ œ œ œ œn ú. œ œ œ œn ú w Œ ú. œ ú. œ #ú u PIANO / KEYBOARD
Rediscovered piano concerto from the Viennese Classical period his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925.
Now Rösler’s second Piano NEW 2020 Concerto is appearing in print for the first time. This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatoire archive. In this Urtext edition Hönigová Martinů Bohuslav takes into account the distinctive (1890–1959) features of Rösler’s handwriting Piano Concertos Nos. 4 and 5 and the division of parts in the BMCE III/1/5, ed. I. Kalina Tabak score, as befits the performance BA 10579-01 cloth bound score Rösler Johann Joseph (1771–1812) practice of his day. Incantation (Concerto for Concerto for Pianoforte and ● First publication of a rediscov- Piano and Orchestra No. 4) Orchestra No. 2 in E-flat maj ered piano concerto from the H. 358, Fantasia Concertante Urtext, ed. A. Hönigová Viennese Classical period (Concerto in B-flat for Piano BA 11550 score ♦ and Orchestra No. 5) H. 366 BA 11550-90 piano reduction ● Idiomatic piano reduction with The fourth piano concerto of (Petr Koronthály) figured bass realisation in the Bohuslav Martinů Incantation solo part (1956) boasts an unusual two- Johann Joseph Rösler was a -movement structure. It was composer, conductor and pianist ● Preface (Cz/Eng/Ger) and criti- written for the composer’s who was active in Prague and cal report (Eng) by the editor, friend Rudolf Firkušný, who Vienna. Later he was in the pianist and musicologist Alena played the piece from his copy service of Prince Franz Joseph von Hönigová of the manuscript until 1970, Lobkowitz. His Piano Concerto when the work was finally No. 2 in E-flat major of 1803 is a published. fitting companion to the piano concertos of Beethoven; indeed, The subsequent Concerto in B-flat for Piano and Orchestra (1957–8), known as Fantasia 50 51 482 Concertante , was created on the II Fl. impetus of the Swiss pianist Andantino 3 Margrit Weber, and its formal Flauto 8 three-movement structure and p I 3 I Oboe 8 Ob. II II techniques show no relation to I 3 its predecessor. Fagotto 8 II
Corno I 3 This volume of the BMCE is 8 I in Sib/B II Fag. II based mainly on contemporary Andantino pizz. arco 3 Violini I 8 copies with markings by p rfz Martinů himself. pizz. a 2 3 Cor. I Violini II 8 in Mib/Es II ● Preface and critical report p rfz pizz. 3 by the editor (Eng/Cz) Viole 8 p rfz Trba. I ● New findings on the genesis 3 in Mib/Es II 8 of the works rfz Pianoforte solo p ● 3 Assessment of early perfor- 8 Timp. mance practice Violoncelli 3 8 → the BMCE volumes pp. 40 –41 e Contrabbassi Viol. I solo 13 Fl. I Ob. 15 II Viol. II p I Fag. II p Viol. I Vle. pp arco Viol. II pp arco pizz. Vle. Pft. solo Pft. solo pizz. Vc. e Cb. Vc. e Cb. mf HARPSICHORD / ORGAN
Dvořák Antonín Eben Petr Harpsichord Solo (1841–1904) (1929–2007) Largo from the Symphony No. 9 Ten Chorale Preludes Repertoire Works in E min “From the New World” H 7845 Op. 95 Gemrot Jiří Windows (Okna) (*1957) arr. M. Kampelsheimer in an easy style Four movements for Trumpet Plays for Harpsichord H 1809 and Organ after Marc Chagall (Hry pro cembalo) → page 33 Prague Spring IMC Commission Preludes and Fugues for Organ B 302 Fišer Luboš (2005) (1935–1999) H 7896 ADCE VII/3, eds. J. Burghauser, A. Čubr Relief H 6334 Rychlík Jan ed. P. Rajnoha (1916–1964) Symphony No. 9 in E min H 7967 “From the New World” Op. 95 Hommaggi gravicembalistici transcription for organ Janáček Leoš per cembalo arr. Z. Szathmáry (1854–1928) rev. K. Šrom BA 8472• H 5318 Organ Works LJCE F/2, eds. M. Buček, L. Faltus BA 6852-01• cloth bound score Eben Petr Urtext, eds. M. Buček, L. Faltus Harpsichord Concertos (1929–2007) preface J. Zahrádka (Cz/Eng/Ger) Musica dominicalis BA 9524 Benda Jiří Antonín (Nedělní hudba) H 3761 Three Pieces for Organ from (1722–1795) Prague Studies in 1874–1875 (Overture, Varyto, Choral Fan- Concerto in G min for ● Eben’s most famous composi- Harpsichord and Strings tion for organ tasy), Two Pieces for Organ violin I II, viola, violoncello / self-published in 1884, Postludi- double bass ● Revised edition with notes um – the penultimate part of MAB I/10, ed. V. Bělský on interpretation by Jan Hora the Glagolitic Mass H 7438 score with parts ♦ in cooperation with the composer Due concerti per cembalo ♦ Performance material violin I II, viola, violoncello / available on hire double bass • Bärenreiter-Verlag Kassel production in F maj, G maj MAB I/77, ed. V. Bělský H 5805 score ♦ COPY I Tre concerti per cembalo MKiloslav abeláč, op. 32 violin I II, viola, violoncello / Maestoso h = 69–72 (1908–1979) Ï Ï double bass 3 ww ww 4 ÏÏ Ï ww 3 ww ww 4 ÏÏ Ï ww 3 &2 î w î w 2 î Ï Ïb w 2 î w î w 2 î Ï Ïb w 2 ff in F min, B min, G maj I. molto tenuto 3 4 3 4 3 MAB I/45, ed. V. Bělský { 2 2 2 2 2 î î î Ï î î î Ï COPY & ww ww ÏÏ Ï ww ww ww ÏÏ Ï ww H 2981 score w Ï bÏ w Ï bÏ +16’ w w w w (♦only F min and B min) 3 ™ ™ 4 ™ 3 ™ ™ 4 ™ 3 ? 2 w w 2 w ú 2 w w 2 w úb 2 ff
Organ Solo Pochettino piú mosso h = h. = 80 7 ™ ™ ™ ™ w™ ú™ ú™ ú™ Ï (with another instrument) 3 ww 2 úú w™ 6 ú™ ú™ ú™ Ï &2 î w 2 î ú w 8 ú ú ú JÏ ä ä Î ä ·
3 2 6 Repertoire Works { 2 î 2 î ™ ? 8 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# & ww úú w (including arrangements) w ú 3 ™ 2 6 ? 2 w 2 î 8 ™ ™ ™ jä ä Î ä · Černohorský Bohuslav Matěj w w ú ú ú Ï
(1684–1742) Pořizování jakýchkoli kopií je podle zákona zakázáno. Pořizování jakýchkoli kopií je podle zákona zakázáno. © 2017 Bärenreiter Praha © 2017 Bärenreiter Praha Vervielfältigungen jeglicher Art sind gesetzlich verboten. ISMNVervielfältigungen 979-0-2601-0776-2 jeglicher Art wird gerichtlich verboten. HH 8028 Any unauthorized reproductionISMN 979-0-2601-0776-2is prohibited by law. Composizioni per organo Any unauthorised reproduction is prohibited by law. MAB I/3, ed. J. Šafařík H 4346 COPY From: Miloslav Kabeláč, Fantasy in D minor • H 8028
16 ORGAN / ACCORDION
Slavický Milan (1947–2009) Miloslav Miloslav KABELÁČ KABELÁČ Sursum corda
SOUBORNÉ KRITICKÉ VYDÁNÍ SOUBORNÉ KRITICKÉ VYDÁNÍ H 7873 KRITISCHE GESAMTAUSGABE KRITISCHE GESAMTAUSGABE V/12 COMPLETE CRITICAL EDITION V/13 COMPLETE CRITICAL EDITION Dvě fantazie Čtyři preludia Zwei Fantasien Vier Präludien Two Fantasies Four Preludes op. 32 op. 48 ORGAN ORGAN
H 8028 H 8022 BÄRENREITER PRAHA BÄRENREITER PRAHA
Kabeláč Miloslav Kabeláč Miloslav (1908–1979) (1908–1979) Two Fantasies Op. 32 Four Preludes Op. 48 No. 1 in D min, No. 2 in G min MKCE V/13, ed. J. Hora MKCE V/12, ed. J. Hora afterword by the editor afterword by the editor (Cz/Eng/Ger) (Cz/Ger/Eng) H 8022 H 8028
Fantasy in D minor was the composer’s first work for solo organ, which Štědroň Miloš he wrote in 1957, the same year that he completed his cult compositions (*1942) Mystery of Time and Symphony No. 3 (with organ). The following year he completed a commission for Fantasy in G minor (No. 2) for the 1st Inter- Claudio Monteverde: Praga 1595 national Organ Competition of Prague Spring 1958. Kabeláč joined both Prague Spring IMC Commission the Fantasies into a single opus 32, but as yet they had always been (2006) published separately. This is the first edition to place bothFantasies H 7969 together in one volume. Teml Jiří The succinct Four Preludes Op. 48 were written in 1964 as a commission (*1935) for the 2nd International Organ Competition of Prague Spring 1966. The Alchemists (Alchymisté) The work is written in proportional notation with graphically expressed preface J. Hora (Cz/Ger/Eng) durations, which had been used by the composer from 1961. For prac- H 7976 tical reasons, the editor decided to provide the present edition with standard notation. The original musical text is also available via facsimiles of the work. Organ Concertos
● Kabeláč’s organ compositions (his only ones for solo organ) – perma- Brixi František Xaver nent repertoire for organists worldwide (1732–1771)
● Both publications edited by Jan Hora, the eminent Czech organist and Concerto Fa maggiore per expert on Kabeláč’s organ works organo principale 2 French horns, violin I II, viola, ● Both Fantasies Op. 32 published in one volume for the first time violoncello / double bass and harpsichord ● Four Preludes Op. 48 in practical standard notation for the first time, MAB I/26, ed. J. Reinberger supplemented with facsimiles of the original notation H 1852 score ♦ Due concerti per organo in D maj, G maj Novák Jan Organ Compositions of Old Czech 2 French horns (G maj), 2 clarinos (1921–1984) Masters in D, violin I II, viola, violoncello František X. Brixi, Jan K. Vaňhal, and double bass Iubilationes per organo Jan K. Kuchař, Karel F. Pitsch MAB I/75, ed. V. Bělský H 7865 ed. B. Geist, rev. M. Kampelsheimer H 4923 score ♦ H 4506 Old Czech Organ Christmas Josef Seger, Jakub V. Paus, Accordion Seger Josef Ferdinand Norbert František X. Brixi, Jiří I. Linek, (1716–1782) Jan K. Vaňhal, Jan K. Kuchař, Havlíček Ilja – Machalíčková Karel B. Kopřiva Composizioni per organo Františka – Ondruš Ján ed. J. Smolka (Preludi e fughe) H 7690 MAB I/56, ed. V. Bělský School of Accordion Playing H 3364 COPY (Cz/Ger) H 3204
17 VIOLIN
Ševčík’s principal works in new Bärenreiter editions based on authentic sources, tradition and continuity pozor kod v K.-černá 1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva 1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer
pozor kod v K.-černá 1/1 - líc: HKS 41 K, rub: barva papíru Salzer 1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer
pozor kod v K.-černá 1/1 - líc: HKS 41 K, rub: barva papíru Salzer ŠEVČÍK 1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer ŠEVČÍK 1/1 - líc: HKS 41 K, rub: barva papíru Salzer ŠEVČÍK ŠEVČÍK Škola houslové techniky Škola smyčcové techniky School of Violin Technique School of Bowing Technique Schule der Violintechnik ŠEVČÍK Schule der Bogentechnik ŠEVČÍK Škola houslové techniky Škola smyčcové techniky op. 1 School of Violin Technique op. 2 Sešit 1 / Book 1 / Heft 1 School of Bowing Technique Schule der Violintechnik Sešit 1 / Book 1 / Heft 1 ŠEVČÍK Schule der Bogentechnik Škola houslové techniky Škola smyčcové techniky op. 1 School of Violin Technique op. 2 School of Bowing Technique 1. poloha / 1st Position / 1. Lage Sešit 2 / Book 2 / Heft 2 Schule der Violintechnik Sešit 2 / Book 2 / Heft 2 Cvičení pro pravou ruku Schule der Bogentechnik Škola houslové techniky Exercises for the Right Arm op. 1 Übungen für den rechten Arm School of Violin Technique op. 2 2.– 7. poloha / 2nd– 7th Position / 2.– 7. LageSešit 3 / Book 3 / Heft 3 Schule der Violintechnik Cvičení zápěstí I Sešit 3 / Book 3 / Heft 3 Exercises for the Wrist I BA 9552 BA 9591 Übungen für das Handgelenk I Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 op. 1 Škola smyčcové techniky / School of Bowing Technique / Schule der Bogentechnik · op. 2 Sešit 1 / Book 1 / Heft 1 Sešit 1 / Book 1 / Heft 1 Výměny poloh / Changing Positions / LagenwechselSešit 4 / Book 4 / Heft 4 ISMN 979-0-2601-0711-3 ISMN 979-0-2601-0724-3 Cvičení zápěstí II Exercises for the Wrist II BA 9553 BA 9592 Übungen für das Handgelenk II Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Škola smyčcové techniky / School of Bowing Technique / Schule der Bogentechnik · op. 2 Bärenreiter Praha · www.baerenreiter.cz Sešit 2 / Book 2 / Heft 2 Bärenreiter Praha · www.baerenreiter.cz Sešit 2 / Book 2 / Heft 2 Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter Cvičení dvojhmatová a flažoletová Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter ISMN 979-0-2601-0712-0 ISMN 979-0-2601-0725-0 1 · 14 Exercises in Double Stops1 · 14 and Harmonics Übungen mit Doppelgriffen und Flageolett -Tönen BA 9554 BA 9593 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Ševčík, Škola smyčcové techniky / School of Bowing Technique / Schule der Bogentechnik · op. 2 Bärenreiter Praha · www.baerenreiter.cz Sešit 3 / Book 3 / Heft 3 Bärenreiter Praha · www.baerenreiter.cz Sešit 3 / Book 3 / Heft 3 Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter ISMN 979-0-2601-0721-2 ISMN 979-0-2601-0726-7 1 · 14 1 · 14
BA 9555 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Bärenreiter Praha · www.baerenreiter.cz Sešit 4 / Book 4 / Heft 4 Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter ISMN 979-0-2601-0722-9 1 · 14 1 · 14
Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter
1 · 14
School of Violin Technique Op. 1 School of Bowing Technique Op. 2 ed. J. Foltýn ed. J. Foltýn BA 9552 Book 1: 1st Position BA 9591 Book 1: Exercises for the Right Arm BA 9553 Book 2: 2nd–7th Position BA 9592 Book 2: Exercises for the Wrist I BA 9554 Book 3: Changing Positions BA 9593 Book 3: Exercises for the Wrist II BA 9555 Book 4: Exercises in Double Stops and Harmonics
ŠEVČÍK ŠEVČÍK ŠEVČÍK
Čtyřicet variací pro housle Průprava k trylku a výcvik Výměny poloh a průprava prstového úhozu ke cvičení stupnic Forty Variations for the Violin Preparatory Trill Studies and Changes of Position and the Development of Double-Stopping Preparatory Scale Studies Vierzig Variationen für Violine Triller-Vorstudien und Entwicklung Lagenwechsel und Tonleiter-Vorstudien op. 3 des Finger-Anschlags
op. 7 op. 8
BA 9556 Ševčík, Průprava k trylku a výcvik prstového úhozu / BA 9557 Preparatory Trill Studies and the Development of Double-Stopping / Ševčík, Výměny poloh a průprava ke cvičení stupnic / Changes of Position and Preparatory Scale Studies / Triller-Vorstudien und Entwicklung des Finger-Anschlags · op. 7 Lagenwechsel und Tonleiter-Vorstudien · op. 8
ISMN 979-0-2601-0760-1 ISMN 979-0-2601-0727-4
Bärenreiter Praha · www.baerenreiter.cz Bärenreiter Praha · www.baerenreiter.cz Bärenreiter Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter Bärenreiter-Verlag · Kassel · www.baerenreiter.com Bärenreiter
1 · 15 1 · 15
Forty Variations for the Violin Preparatory Trill Studies and Changes of Position and Op. 3 the Development of Double- Preparatory Scale Studies Op. 8 ed. P. Kudelásek Stopping Op. 7 ed. J. Foltýn BA 11521 ed. J. Foltýn BA 9557 BA 9556
● Legendary Czech violin school, on which whole generations of musicians have grown up all over the world
● Popular, widespread, and effective practice method even after 130 years
● Open to everyone irrespective of their needs, abilities, or level of maturity
● Pragmatic selection of exercises and adequate application – the basis for success
● Each book with preface and valuable methodical commentaries by the editor (Cz/Eng/Ger)
18 VIOLIN
Ševčík Otakar Loudová Ivana Violin Solo (1852–1934) (1941–2017) (with accompaniment) Changes of Position and Canto solitario Preparatory Scale Studies Op. 8 for violin solo Educational Works ← page 18 Prague Spring IMC Commission (2003) Forty Variations for the Violin H 7859 Op. 3 ← page 18 Šporcl Pavel Preparatory Trill Studies (*1973) and the Development of Where Is My Home Double-Stopping Op. 7 (Kde domov můj) ← page 18 virtuoso variations on the Czech national anthem for violin solo Preparatory Exercises in H 8039 Double-Stopping Op. 9 ed. N. Kubát H 2090 School of Violin Technique Op. 1 ← page 18 2 Violins Solo (with accompaniment) School of Bowing Technique Op. 2 ← page 18 Educational Works Violin School for Beginners Op. 6 Micka Josef Gola Zdeněk ed. N. Kubát (1903–1993) (*1929) H 257 Book 1 H 54 Book 4 Elementary Studies Violin Technique for violin with the 2nd violin (Cz/Ger/Eng) H 55 Book 5 H 258 Book 7 accompaniment BA 9550 vol. 1 H 5450 BA 9551 vol. 2
● New method for practising Repertoire Works Repertoire Works left-hand technique (including arrangements) ● Around 500 position combi- Benda František nations (1709–1786) Dvořák Antonín (1841–1904) ● Progressive method for Caprice achieving, renewing and for violin solo Humoresque in G-flat maj maintaining confidence in rev. J. Čeleda Op. 101 No. 7 both positioning and into- H 3133 COPY for two violins nation arr. J. Žemla Fišer Luboš H 1591-03 parts ● Preface and commentaries (1935–1999) to the exercises (Cz/Ger/Eng) Feld Jindřich Crux ● Advanced level of technical (1925–2007) for violin, timpani and bells difficulty reproduction of the autograph Sonatina for Two Violins from the property of I. Štraus H 1927 parts H 7966 performance score Krůček Václav Kramář-Krommer František Vincenc (*1927) Hanuš Jan (1759–1831) (1915–2004) School of Violin Studies I Six Duettini 1st Position A Zest for Life (Chuť žít) Op. 127 for soprano and alto recorders / (Cz/Ger) A Fantasy Variation for Solo Violin 2 violins / 2 clarinets H 5993 vol. 1, 2 in Response to Pierre Teilhard de arr. L. Daniel Chardin’s Thoughts H 5862 score with 1 part School of Violin Studies II preface Cz/Ger/Eng (alto recorder) Playing in Positions rev. P. Maceček (Cz/Ger) H 7881 H 6187 vol. 3, 4
19 VIOLIN
Suk Josef Dusík Jan Ladislav Dvořák Antonín (1874–1935) (1760–1812) (1841–1904) Melody Sonatas Op. 69 Nos. 1, 2 Capriccio B 81 for two violins MAB I/41, eds. J. Štědroň, Concert Rondo ed. Z. Nouza B. Štědroň ADCE IV/1, eds. J. Burghauser, H 7951 score H 2704 score with part A. Čubr H 5543 score with part Tůma František Ignác Antonín (1704–1774) Humoresque in G-flat maj Op. 101 No. 7 Composizioni strumentali rev. A. Pokorný, L. Láska Sonatas / Partitas / Sinfonias H 1592 score with part for two violins and basso con- tinuo Largo from Symphony No. 9 MAB I/69, ed. V. Bělský in E min “From the New World” H 4376 score Op. 95 arr. A. Pokorný H 1811 score with part Mazurek Op. 49 Violin and Piano ADCE IV/1, eds. J. Hanuš, K. Šolc H 1550 score with part Pieces for Children and Youth
Jansa Leopold Dvořák Antonín (1795–1875) (1841–1904) Concertino in D maj Op. 54 Romance Op. 11 for violin and piano arrangement for violin and H 2642 score with part COPY piano by the composer Urtext, ed. J. Hájek Matys Jiří BA 9571 score with part (1927–2016) Capriccio Romance for violin, one of violin part rev. B. Kotmel Dvořák’s most delightful sin- H 5317 score with part gle-movement instrumental compositions, was written Suk Josef between 1873–1877 originally Romantic Pieces (1874–1935) with orchestral accompani- (Romantické kusy) Op. 75 ment, and in this version was eds. A. Pokorný, K. Šolc Compositions for Violin and published by F. Simrock in 1879. new preface D. R. Beveridge Piano Our edition publishes Dvořák’s fingering .J Micka arr. J. A. Suk, J. Kocian in an easy own piano version for the BA 9576 score with part style first time. It differs from the (arrangement for viola and piano H 7823 score with part orchestral version in several on p. 24) important respects and is also Slavonic Dances Op. 46 Nos. 1–4 Melody (Melodie), Bagatelle one bar shorter. (Bagatela), Lullaby (Ukolébavka), arr. A. Pokorný Evening Mood (Večerní nálada), H 3235 score with part ● First-ever publication of a Village Serenade (Vesnická sere- piano version based on the Sonata in F maj Op. 57 náda), Song of Love (Píseň lásky) composer’s autograph piano ADCE IV/1, eds. A. Pokorný, K. Šolc arrangement violin part rev. S. Novák H 2178 score with part COPY Repertoire Works ● New edition serves as a piano Sonatina in G maj Op. 100 (including arrangements) reduction of the orchestral ADCE IV/1, ed. A. Čubr version with a more authen- Benda František violin part rev. J. Feld tic approach than other, H 1364 score with part (1709–1786) common piano reductions Quatro sonate Two Waltzes Op. 54 Nos. 1, 4 ● Detailed preface by D. R. for violin / viola and piano in A maj, A min, G maj, A maj Beveridge (Cz/Eng/Ger) and MAB I/57, eds. J. Štědroň, arr. J. Kocian, viola part rev. critical report (Eng) by the K. Moravec B. Štědroň editor H 3578 score with part H 1890 score (violin version) with viola part
20 VIOLIN
Eben Petr Dumka Two Compositions for Violin (1929–2007) revised version based on com- and Piano Op. 17 Nos. 1, 2 poser’s autograph of the violin Serenade in G maj, Humoresque Sonatina semplice part violin part rev. V. Snítil for violin / flute and piano ed. A. Němcová H 7802 score with part rev. B. Purger (violin part), V. Žilka H 7743 score with part (flute part) H 2414 score with both parts Works for Violin and Piano Romance, Dumka, Sonata Fibich Zdeněk LJCE E/1, eds. J. Krejčí, A. Němcová (1850–1900) BA 6849• cloth bound score Idyll (Selanka) Op. 16 with part for clarinet / violin and piano violin transcription by the com- poser clarinet part rev. M. Kostohryz H 3754 score with both parts Sonatina Op. 27 violin part rev. V. Snítil H 1442 score with part
Korte Oldřich F. (1926–2014) Dialoghi filosofici (Philosofical Dialogues) violin part rev. I. Štraus H 6582 score with part Works for Violin and Piano Romance, Dumka, Sonata Kubelík Jan Urtext, eds. J. Krejčí, A. Němcová (1880–1940) BA 11512 score with part Burlesque violin part rev. V. Snítil ● With a revised version of H 7914 score with part Dumka based on composer’s autograph of the violin part Minuet and with original dynamic H 7817 score with part Fišer Luboš markings (1935–1999) Kubička Miroslav Hands (Ruce) ● New preface by A. Němcová (*1951) (Cz/Eng/Ger) Sonata for Violin and Piano Sonata violin part rev. I. Štraus H 7916 score with part H 3884 score with part Kocian Jaroslav (1883–1950) Martinů Bohuslav Hanuš Jan (1890–1959) (1915–2004) Serenade in D maj violin part rev. V. Snítil Impromptu H. 166 Suite to the Paintings of Mánes H 7938 score with part three compositions for violin (Suita podle Mánesových and piano obrazů) Op. 22 Three Compositions for Violin ed. I. Popelka rev. S. Šorm and Piano Op. 19 Nos. 1, 2, 3 H 5906 score with part H 465 score with part H 7874 score with part Intermezzo H. 261 Janáček Leoš Mélodie, Chanson printanière, four compositions for violin (1854–1928) Lullaby with piano accompaniment violin part rev. V. Nopp A Blown-Away Leaf (Lístek Trois pièces d’impression pour piano part rev. K. Šolc odvanutý) violin et piano Op. 18 Nos. 1, 2, 3 H 5259 score with part from the piano cycle On an H 7825 score with part Overgrown Path Sonatina H. 262 arr. by J. Štědroň Méditation du soir, Inter- violin part rev. V. Nopp H 2043 score with part mezzo pittoresque, Hymne au H 2172 score with part printemps
21 VIOLIN
Novák Jan (1921–1984) Concertos and Concertante Works for Violin Sonata super “Hoson Zes…” for violin / flute and piano ed. J. Čižmář New Urtext edition H 7855 score with both parts of a Romantic concerto masterpiece Ondříček František (1857–1922) issued by the publisher Fritz Scherzo capriccioso Op. 18 Simrock, Berlin in 1883. Its pre- violin part rev. V. Snítil miere took place in October of H 7915 score with part that same year with František Ondříček as soloist.
This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and DVOŘÁK B Ä R E N R E I T E R U R T E X T orchestral parts). It also takes into consideration Dvořák’s autograph, Koncert a moll pro housle a orchestr which served as a master copy for Concerto in A minor for Violin and Orchestra the engraving. A fresh assessment Konzert a-Moll für Violine und Orchester of Dvořák’s manuscript made it op. 53 possible to reconstruct several variants ignored in the first and subsequent editions. Bärenreiter An important component of our Dvořák Antonín Urtext edition is the original (1841–1904) piano reduction, which probably stems from Dvořák himself, and in Smetana Bedřich Concerto in A min for Violin which Joseph Joachim’s fingering (1824–1884) and Orchestra Op. 53 is published. Urtext, ed. I. Cividini From the Homeland BA 10422 score ° ● First Urtext edition of the origi- (Z domoviny) BA 10422-90 piano reduction nal piano reduction two duets for violin and piano with solo part Urtext, eds. F. Bartoš, J. Plavec, TP 422 study score ● Variants in the solo part ren- K. Šolc dered as ossia passages violin part rev. I. Štraus Dvořák’s Violin Concerto was new preface M. Ottlová composed between 1879 and ● Preface on the work’s genesis (Cz/Eng/Ger) 1882, with the active assistance (Ger/Cz/Eng) and detailed criti- BA 9526 score with part of Joseph Joachim, and was cal report (Eng) by the editor Vaňhal Jan Křtitel
(1739–1813) Violino solo Joseph Joachim zugeeignet Koncert pro housle Sonata per il pianoforte con Violin Concerto violino obligato Konzert für Violine
rev. by J. Panocha, A. Dítětová Allegro ma non troppo I Antonín Dvořák, op. 53 Viol. I H 5445 score with part c Voříšek Jan Václav Hugo f 33 6 33 (1791–1825) f Sonata in G maj Op. 5 cresc. 66 55 MAB I/30, eds. J. Štědroň, rit. 11 B. Štědroň H 2078 score with part COPY 33 66 66 14 in tempo 4 33 dim. Performance material available f 33 ° 23 55 66 66 on sale 33 cresc. 22 rit. A 27 in tempo 22 Viol. I, II 33 ff 54 § 33 33 f 59 33
33 33 ff
63 33 66 ff # B 66 1 33 cresc.
BA 10422-90 © 2017 by Bärenreiter Praha VIOLIN / VIOLA
Feld Jindřich Slavický Milan (1925–2007) (1947–2009) Concerto for Violin and The Way of the Heart Orchestra (Cesta srdce) H 6696 piano reduction ♦ for violin solo, winds, percussion, celesta and harp Janáček Leoš H 6931 score – facsimile ♦ (1854–1928) Vranický Antonín The Wandering of a Little Soul (1761–1820) (Putování dušičky) Concerto in B-flat maj for Violin Violin Concerto and Orchestra critical reconstruction of the MAB I/16, eds. F. Krejčí, V. Straka score violin part rev. F. Krejčí LJCE H/4, eds. L. Faltus, H 916 piano reduction M. Štědroň H 7738 score ♦ H 7504 piano reduction Viola Solo (Leoš Faltus) Repertoire Works Kalabis Viktor (1923–2006) Martinů Bohuslav (1890–1959) Concerto No. 2 for Violin and Concerto No. 1 for Violin Piano Op. 49 and Orchestra H. 226 violin part rev. J. Suk violin part rev. J. Suk ♦ H 6674 score BA 6720 / H 5798 score ♦ BA 11527-90 piano reduction Kaprálová Vítězslava (Karel Šolc) (1915–1940) Concerto No. 2 for Violin and Concertino for Violin, Clarinet Orchestra H. 293 and Orchestra Op. 21 violin part rev. B. Bělčík based on the composer’s draft BA 11529-90 piano reduction realised by M. Štědroň, L. Faltus (Karel Šolc) ♦ H 7919 score ♦ COPY ● Key violin concertos of the 20th century in newly engraved piano reductions Vycpálek Ladislav Martinů Bohuslav (1882–1969) (1890–1959) ● Solo parts of both concertos revised by leading Czech Suite for Viola Solo Op. 21 Concerto da Camera H. 285 violinists and internationally H 3729 for violin, string orchestra, respected performers of piano and percussion Martinů’s music The Suite from 1929 is one of the major works of the viola BMCE III/1/ 8, eds. S. Bergman- ● Both concertos with new nová, A. Březina, P. Žůrek literature of the 20th century, prefaces by Martinů scholar alongside the compositions of (in one volume with Rhapsody- S. Bergmannová (Cz/Eng/Ger) -Concerto for Viola and Orchestra Paul Hindemith. H. 337, eds. P. Silverthorne, A. Březina, J. Zichová) Martinů Bohuslav BA 10578-01 cloth bound score (1890–1959) Viola and Piano Concerto for Two Violins and Orchestra H. 329 Repertoire Works BA 3842• study score ♦ (arrangements inclusive) BA 3842-90• piano reduction (Karel Šolc) Dvořák Antonín (1841–1904) Duo Concertante for Two Violins • Bärenreiter-Verlag Kassel production and Orchestra H. 264 Romantic Pieces Op. 75 ♦ COPY arr. for viola and piano by Bella BA 4317• study score ♦ Performance material BA 4317-90• piano reduction and Semjon Kalinowsky available on hire (Karel Šolc) → page 24
23 VIOLA
Feld Jindřich Martinů Bohuslav (1925–2007) (1890–1959) Concertante Music for Viola and Rhapsody-Concerto for Viola and Piano Orchestra H. 337 H 7528 score with part BA 4316• study score ♦ BA 4316-90• piano reduction (Jürgen Sommer) Viola Concertos
Feld Jindřich (1925–2007) Concerto for Viola and Orchestra H 7987 piano reduction ♦
Martinů Bohuslav Dvořák Antonín (1890–1959) (1841–1904) Rhapsody-Concerto for Viola Romantic Pieces and Orchestra H. 337 (Romantické kusy) Op. 75 BMCE III/1/8, eds. P. Silverthorne, arr. for viola and piano by Bella A. Březina, J. Zichová and Semjon Kalinowsky (in one volume with Concerto da BA 10437 score with part Camera H. 285, eds. S. Bergman- (original version for violin and nová, A. Březina, P. Žůrek) Vaňhal Jan Křtitel piano on p. 20) BA 10578-01 cloth bound score (1739–1813) Since the first edition with While Concerto da Camera for Concerto in C maj for Viola and Simrock in 1887, Romantic Pieces violin, string orchestra, piano Orchestra have become some of Dvořák’s and percussion (1941) was the viola part rev. by J. Plichta most popular works for violin culmination of Martinů’s Ba- BA 11531-90 piano reduction ♦ and piano. Now they are being roque concerto grosso-inspired (Vilém Blažek) made available for violists as years, the 11-years-younger well. Rhapsody-Concerto for Viola The Bohemian composer Jan and Orchestra (1952) heralded Křtitel Vaňhal/Johann Baptist Bella and Semjon Kalinowsky the author’s fantastic period, Vanhal (1739–1813) settled in have arranged the four pieces characterised by free-flowing Vienna around 1763. There according to the ADCE. The pi- forms and expanded tonality. he wrote several concertos ano part of the original version for various instruments, of remains, while the violin part This edition is the first to in- which two for viola have has been adapted for viola. clude significant amendments survived. Both are evidently the composer made to Concerto not original compositions, but ● Dvořák’s popular work now da Camera, especially the solo arrangements of Vaňhal’s own arranged for viola and piano violin, in the time before its first works by his contemporaries. publication. Rhapsody-Concerto The Viola Concerto in C major ● Viola part with fingering and is impacted by the recent dis- is based on Vaňhal’s cello bowing marks covery of previously unknown concerto in the same key. performance materials. ● Preface by the arrangers ● Popular repertoire piece from ● Preface and critical report (Cz/Eng/Ger) (Eng/Cz) the Viennese Classical period available once again ● New findings on the gen- esis of the works and the ● Solo part with cadenzas for Dvořák Antonín circumstances of their first each movement (1841–1904) publication ● New preface by P. Schmidt (Ger/Cz/Eng) Two Waltzes Op. 54 Nos. 1, 4 ● Reception of both works in for violin / viola and piano the composer’s lifetime arr. J. Kocian, viola part rev. K. Moravec → the BMCE volumes Bärenreiter-Verlag Kassel production H 1890 score (violin version) pp. 40 –41 •
with viola part ♦ Performance material available on hire
24 VIOLONCELLO
Violoncello Solo Educational Works / Pieces (2 Violoncellos) for Children and Youth
Key work for right-hand violin technique in a new arrangement for violoncello DVOŘÁK
· Dumky op. 90 ŠEVČÍK
DVOŘÁK ● New arrangement for violon-
· Dumky op. 90 ŠEVČÍK cello of one of the most Škola smyčcové techniky DVOŘÁK pro violoncello significant violin tutors for · Dumky op. 90 ŠEVČÍK School of Bowing Technique Škola smyčcové techniky for Violoncello pro violoncello the right hand
Schule der Bogentechnik School of Bowing Technique Škola smyčcové techniky für Violoncello for Violoncello pro violoncello ● Preface and valuable methodo-
op. 2 Schule der Bogentechnik School of Bowing Technique logical commentaries by the Sešit I a II / Sections I and II / Heft I und II für Violoncello for Violoncello
op. 2 Schule der Bogentechnik arranger (Cz/Eng/Ger) Sešit III a IV / Sections III and IV / Heft III und IV für Violoncello
op. 2
Bärenreiter ● Exercises in ascending order Sešit V a VI / Sections V and VI / Heft V und VI Bärenreiter of difficulty: easy – moderate Bärenreiter
Bärenreiter – difficult Bärenreiter
Bärenreiter ● Practical three-volume edition
● Insert (in BA 11547) with the themes of the exercises Ševčík Otakar This famous tutor has remained from all 6 sections for easier (1852–1934) in use to the present day and is practice of different bowing School of Bowing Technique equally valued by players of other variants for Violoncello Op. 2 string instruments. arr. T. Jamník The distinguished cellist Tomáš BA 11547 Sections I and II Jamník has arranged the School BA 11548 Sections III and IV of Bowing Technique for the BA 11549 Sections V and VI violoncello, taking into account its differences from the violin. He An example from Etude No. 7: Ševčík’s Opus 2 is a fundamental has transcribed individual exer- The transposition into C major tutor for teaching the violin. It cises for the violoncello without corresponds to Ševčík’s choice of focuses on the elementary prob- neglecting Ševčík’s original peda- the key of G major for violinists, lems of right-hand technique gogical aims. As a result, this allowing the use of the lowest which Ševčík practises in 4,000 edition differs fundamentally two left-hand positions on the variants of systematically from the only known cello ar- cello, which correspond to the organised exercises for all rangement of this opus by Louis original first position on the bowings. R. Feuillard. violin.
25 VIOLONCELLO
teacher, as the upper part is compli- Kohout, the founder of the fa- cated by its extended range, which mous Smetana Quartet, and his Jiří PAUER includes higher positions in the tre- daughter Máša. Dvanáct duet ble clef. The duets give players the pro dvě violoncella opportunity to use techniques such ● 12 recital pieces of moderate as sul ponticello, sul tasto, pizzicato, difficulty, suitable for cellists Twelve Duets for Two Violoncellos tremolo and staccato. with four or more years of Zwölf Duette für zwei Violoncelli training Our edition is based on the auto- graph score with added recommen- ● Presents various playing tech- dations for fingering and bowing. niques on the violoncello Composed in 1969, this collection 3 ● Dvanáct duet pro dvě Fingering,violoncella bowing and preface 19 which has a duration of 15 minutes 2 Twelve Duets for Two Violoncellosby the editor (Cz/Eng/Ger) Bärenreiter Praha is dedicated to the cellist Antonín BA 11561 Zwölf Duette für zwei Violoncelli I 3 2 4 1 Pauer Jiří Jiří Pauer 3 4 mf (1919–2007) 4 2 1 q = 132 f 4 Twelve Duets for Two 4 23 energico pp agitato 3 Violoncellos f ed. H. Velická 4 4 BA 11561 score pp 3 2 4 f Twelve Duets for Two Violon- 55 55 f cellos by the renowned Czech mf 3 composer Jiří Pauer captivate 5 2 2 27 4 with their harmonic and timbral 2 55 55 pp combinations and their drama- , f tic expression. These moderately difficult pieces are ideal for re- pp citals and can be performed by two students or a student and f poco f
3 4 ( ) 4 4 33 9 1 3 Repertoire Works Violoncello and Piano f Dvořák Antonín 3 4 1(1841–1904) 4 1 2 4 1 1 3 Repertoire Works Fišer Luboš Slavonic Dances Op. 46 (1935–1999) (includingf arrangements) mp sul ponticello for violoncello and piano f arr. J. Gemrot 1 2 1 Sonata for Violoncello Solo Dvořák14 Antonín 37 4 1 3 1 2 BA 9568 score with part 2 2 → page 27 (1841–1904) f Cello Compositionsmolto cresc. ● First complete edition of the Slavonic Dances Op. 46 Nos. 3, 8, 4 2 Kukal Ondřej first set of Slavonic Dances Polonaise in A maj B 94 arranged for violoncello and (*1964) molto cresc. ADCE IV/3, ed. J. Burghauser pianoff by Jiří Gemrot BA 11561 © 2019 by Bärenreiter Praha f nat. Violoncelliana – 2nd Rhapsody cello part rev. J. Chuchro for Solo Violoncello Op. 32 H 5305 score with part ● Includes Dvořák’s own Prague Spring IMC Commission arrangement of Slavonic Polonaise in A maj Op. post. Dance No. 8 (2012) (B 94) H 8021 ed. K. Storck ● With fingering and bowing BA 6965• score with part by T. Jamník Tichý Vladimír (*1946) Rondo in G min Op. 94 ● Preface by E. Velická ADCE IV/3b, ed. A. Čubr (Cz/Eng/Ger) Exclamation H 1487 score with part for violoncello solo ● A welcome addition to the Prague Spring IMC Commission Silent Woods (Klid) Op. 68 No. 5 violoncello repertoire (2006) ADCE IV/3, ed. A. Čubr H 7949 H 1532 score with part Performance material available ° on sale • Bärenreiter-Verlag Kassel production 26 VIOLONCELLO
Eben Petr Janáček Leoš (1929–2007) (1854–1928) Concertos and Suita balladica Works for Violoncello and Piano Concertante Works H 2156 score with part Urtext, eds. J. Fukač, B. Havlík, for Violoncello J. Zahrádka BA 9509 score with part Dvořák Antonín (1841–1904) LUBOŠ FIŠER A Tale (Pohádka), Presto Concerto in A maj for Violoncello ● With the four-movement and Orchestra B 10 version of A Tale in Supplement ADCE VII/2, eds. J. Burghauser, SONÁTY PRO VIOLONCELLO (score and part) SONATEN FÜR VIOLONCELLO K. Šolc SONATAS FOR VIOLONCELLO ● Preface by J. Zahrádka cello part rev. M. Sádlo (Cz/Eng/Ger) H 5674 piano reduction ♦ COPY (Antonín Dvořák)
PARTITURA A HLASY PARTITUR UND STIMMEN Concerto in B min for Violoncello SCORE AND PARTS and Orchestra Op. 104 Urtext, ed. J. Del Mar BÄRENREITER PRAHA BA 9045• score ° BA 9045-40• critical commen- Fišer Luboš tary by the editor (1935–1999) (Eng) BA 9045-90• piano reduction Sonatas for Violoncello (Antonín Dvořák) H 8025 score with parts TP 620• study score Sonata for Violoncello and ● With Dvořák’s final and defin- Piano (1975), Sonata for Two itive version of the solo cello Violoncellos and Piano (1980), part Sonata for Violoncello Solo Kabeláč Miloslav (1985–86) ● With hundreds of corrections (1908–1979) in the solo cello part as well Luboš Fišer was one of the most Sonata for Violoncello and Piano as the orchestral parts distinctive figures of twenti- Op. 9 ● Preface in the score by the eth-century Czech music, an MKCE IV/3, ed. Z. Nouza artist of universal talent who editor (Eng/Cz/Ger), preface in cello part rev. D. Veis the study score by J. Smaczny created exquisite music to H 7793 score with part dozens of films while experi- (Eng/Cz/Ger) menting with artificial music Kaprálová Vítězslava and combining traditional and (1915–1940) Concerto in B min for Violoncello proportional notation. His three Ritornel Op. 25 and Orchestra Op. 104 roughly eight-minute sonatas ADCE III/12, ed. F. Bartoš offer intensely dramatic, expres- eds. M. Štědroň, L. Faltus H 7827 score with part cello part rev. L. Zelenka sive music with a highly repeti- piano part rev. K. Šolc tive character. Kopelent Marek H 1598 score ♦ COPY All three compositions are effec- (*1932) H 1200 piano reduction tive concert pieces. The edition (Antonín Dvořák) is based on the first printed edi- Karrak tions while taking other sources cello part rev. J. Bárta Martinů Bohuslav into account. H 7725 score (facsimile) (1890–1959) with part ● Effective concert pieces Sonata da Camera H. 283 Martinů Bohuslav for violoncello and chamber ● Fingering and bowing in (1890–1959) orchestra Sonata for Violoncello Solo BA 4319-90• piano reduction ♦ by the cellist M. Jerie Sonata No. 3 for Violoncello BA 4319• study score and Piano H. 340 ● Preface by J. Hájek (Cz/Eng/Ger) ed. A. Březina Vaňhal Jan Křtitel cello part rev. M. Sedlák (1739–1813) H 7893 score with part Concerto in A maj for Violoncello Variations on a Slovakian Theme and Orchestra ♦ Performance material H. 378 H 6973 piano reduction available on hire BA 3969• score with part (Josef Rut)
27 DOUBLE BASS / HARP / GUITAR
Double Bass Solo Double Bass and Piano Harp Educational Works Repertoire Works Repertoire Works Černý František Kubička Miroslav Dusík Jan Ladislav (1861–1940) (*1951) (1760–1812) Technical Studies for Double Bass Fierce and Frolicsome Six Sonatinas for Harp (Cz/Ger) (Hrátky hravé i dravé) MAB I/22, ed. M. Zunová H 4179 Rondo for Double Bass and Piano H 1748 H 7982 score with part Teml Jiří (*1935) Calligrams (Kaligramy) seven compositions for harp rev. M. Šimečková-Spitzerová H 7414
Guitar Solo (2 Guitars)
NEW 2020 Educational Works / Pieces for Children and Youth Jirmal Jiří (*1925) Hertl František Hertl František (1906–1973) (1906–1973) School of Guitar Playing for Beginners Sonata Four Pieces (Čtyři skladby) (Cz/Ger) for double bass and piano for double bass and piano H 5194 double bass part rev. J. Hudec double bass part rev. S. Schäfer BA 11530 score with part BA 11556 score with part
The renowned Czech double bass player, composer and conductor František Hertl led the double bass section of the Czech Philharmonic during the Václav Talich era and served as the artistic director of the famous Czech Nonet for 15 years. He later taught at the Prague Con- servatoire and the Academy of Music. An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities. He also wrote successful concerto and teaching pieces for his instrument.
● New editions of major repertoire works for double bass
● Sonata (1946) in three movements – a work of artistic and technical challenges
● Solo part in the Sonata revised by respected Czech double bass vir- Rak Štěpán tuoso Jiří Hudec, preface to the Sonata (Cz/Eng/Ger) by Jan Balcar, (*1945) Hertl’s last pupil Minute Solos (Minutová sóla) ● Concertante Four Pieces (Prelude, Burlesque, Nocturne, Tarantella) short pieces for guitar beginners from 1968 maintains its popularity to the present day H 7236
● Revision of the solo part in Four Pieces and preface (Cz/Eng/Ger) by German double bass player Stefan Schäfer, solo bassist of the Hamburg Philharmonic State Orchestra
28 GUITAR
its technical features (Cz/Eng/ ● Guitar playing made easy Ger). Several are composed in ● A fun way to learn to read music an open-ended form that allows and to enhance musical creativity players to define the rhythm or to add an accompaniment on ● Wide range of styles and open bass strings. In this way playing techniques the author grants leeway to the ● Extraordinary contribution learners’ creativity and stimu- to performance repertoire of lates their musical imagination. guitar beginners
5
Bärenreiter Praha Naughty Pup BA 11555 Der unartige Hund
Sommer Lukáš (*1984) I Want to Be a Guitarist (Chci být kytaristou) Easy Pieces for Guitar illustrations Jitka Němečková BA 11555
This children’s collection by renowned Czech composer-gui- tarist Lukáš Sommer reflects the latest trends in playing and Relax your right thumb, emphasise the Povol melody over the accompaniment. palec pravé ruky, teaching the guitar. It is suitable Lockere den Daumen melodii zahraj silneji der rechten Hand, spiele než doprovod. die Melodie stärker als for the first three years of les- die Begleitung. sons. Some of the pieces have even been performed by children and young guitar students at competitions and concerts in Europe.
Each of these little programme pieces is written in a different style with brief explanations of
Zelenka Milan – Obrovská Jana Hybler Martin Prelude in Jazz / Canzonetta (*1939 / 1930–1987) (*1977) Prelude in Jazz for solo guitar Canzonetta for solo guitar with Collection for Guitar I Taste of Burnt Shadows the 2nd guitar ad lib. (Album pro kytaru I) (Vůně vyhaslých stínů) Op. 14 H 7828 short performance pieces for for guitar solo guitar solo from easy to H 7876 Suite Azure advanced level of difficulty (Recuerdos para Laurindo H 6415 Jirmal Jiří Almeida) (*1925) for guitar solo Guitar Duets (Kytarová dueta) H 7869 Repertoire Works Smetana, Fibich, Janáček arr. J. Jirmal Losy Jan Antonín (including arrangements) H 7797 (1650–1721) Czech and Slovak Guitar and Lute Happy Waltz Pièces de guitare Music for guitar solo MAB I/38, ed. J. Pohanka for guitar solo H 7792 H 2498 selection, transcription from Joy of Bossa Nova tablature and editing J. Jirmal for guitar solo H 5132 H 7796
29 WINDS
Kramář-Krommer František Vincenc Recorder / 2– 3 Recorders Pieces for Children and Youth / Educational Works (1759–1831) (solo / with accompaniment) Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets or Latin by the British flautist arr. L. Daniel Alan Davis. H 5862 score with 1 part (alto recorder) The set includes compositions for solo recorder or with accom- Nykl Jan paniment (guitar, piano/harp- sichord) and numerous other 35 Studies for Soprano Recorder combinations for 2–3 recorders. for intermediate players The accompaniments for piano/ H 7132 harpsichord and guitar are freely PUTOVÁNÍ OD STŘEDOVĚKU ALBUM SKLADEB PO SOUČASNOST PRO SOPRÁNOVOU accessible on the publisher’s ZOBCOVOU FLÉTNU Flute Solo A JOURNEY FROM THE MIDDLE AGES A SELECTION website, together with record- TO THE PRESENT DAY OF COMPOSITIONS FOR DESCANT RECORDER ings of 32 of the pieces with (2 Flutes) EINE ZEITREISE VOM MITTELALTER SPIELBUCH BIS ZUR GEGENWART FÜR SOPRANBLOCKFLÖTE various tempos and instrument combinations (harpsichord, mp3 on-line BA 11544 Bärenreiter Praha Repertoire Works piano, lute, guitar, viola da gam- (including arrangements) A Journey from the Middle Ages ba, percussion). The recorded accompaniments can also be to the Present Day Kabeláč Miloslav used separately for any kind of (Putování od středověku (1908–1979) performance. po současnost) Compositions for Flute Solo a selection of compositions for ● For descant recorder with MKCE IV/5, ed. Z. Nouza descant recorder various combinations of H 7910 ed. J. Kvapil instruments and composi- BA 11544 tional styles Short Suite (Partita piccola) Op. 13, Improvisation on the Own The renowned Czech flautist and ● Welcome addition to repertoire Theme Op. 29b (from Six Lullabies author of successful recorder of pre-intermediate and inter- Op. 29 No. 3) teaching methods Jan Kvapil has mediate players compiled an album for pre-inter- ● Accompaniments (guitar and Smetana Bedřich mediate to intermediate players piano/harpsichord) in PDF (1824–1884) with a selection of more than 60 format and recordings of both Moldau tried-and-true historical compo- compositions and separate ac- for two flutes sitions (Medieval, Renaissance, companying instruments freely arr. J. Seubel Baroque) and 13 contemporary available for download BA 10929 score works in the style of blues, jazz, • Flute (Piccolo) / 2 Flutes 38 57 Le Meguet and Piano Philibert de Lavigne (c. 1700–1750) Légèrement 2 S 4 Pieces for Children and Youth 2 S 4 Eben Petr 7 (1929–2007) Sketch for C. B. (Skica pro C. B.) for 2 flutes and piano H 7135 score with duet part Fine Hradecký Emil 14 (*1953) Jazz Winds for flute (oboe / violin) / trumpet (clarinet / saxophone) / trom- bone (bassoon / violoncello) 20 with piano accompaniment H 7931 score with parts 30 27 32 D.C. al Fine WINDS
Repertoire Works Novák Jan Pelikán Jaroslav (1921–1984) (*1970) Eben Petr Sonata super “Hoson Zes…” Sonatina for Oboe and Piano (1929–2007) for violin / flute and piano Prague Spring IMC Commission Sonatina semplice ed. J. Čižmář (2008) for violin / flute and piano H 7855 score with both parts H 7991 score with part rev. B. Purger (violin part), V. Žilka (flute part) Other chamber works with flute – Slavický Klement H 2414 score with both parts see CHAMBER ENSEMBLES (1910–1999) Suite for Oboe and Piano Feld Jindřich H 3723 score with part (1925–2007) Flute Concertos Three Compositions Other chamber works with oboe – for oboe / flute / clarinet and Benda František see CHAMBER ENSEMBLES piano (1709–1786) H 4557 score with parts Tre concerti per flauto traverso ed orchestra da camera Oboe Concertos Hlaváč Miroslav in G maj, E min, A maj (1923–2008) violin I II, viola, violoncello, Kramář-Krommer František Vincenc Two Pastorales double bass and harpsichord (1759–1831) for flute and piano MAB I/80, ed. V. Bělský H 7149 score with part H 6211 score COPY Concerto in F maj for Oboe (♦ only G maj, A maj) and Orchestra Op. 52 Hurník Ilja flute, oboe I II, bassoon I II, (1922–2013) Feld Jindřich French horn I II, trumpet I II, (1925–2007) timpani and strings Partita in A per flauto e piano Concerto for Flute MAB I/27, ed. F. Suchý H 3819 score with part ♦ and string orchestra, piano, harp H 1933 piano reduction and percussion (František Suchý) H 3869 piano reduction ♦
Fils Antonín Clarinet Solo (1733–1760) (2 Clarinets) Concerto Re maggiore per flauto ed orchestra MAB I/18, eds. H. Kašlík, F. Suchý Pieces for Children and cadenza by F. Suchý Youth / Educational Works H 53 piano reduction ♦ (František Suchý) Kramář-Krommer František Vincenc (1759–1831) Mysliveček Josef Six Duettini (1737–1781) for soprano and alto recorders / Concerto in D maj for Flute 2 violins / 2 clarinets and Orchestra arr. L. Daniel Janáček Leoš H 5862 score with 1 part (alto (1854–1928) oboe I II, French horn I II and strings recorder) March of the Blue-Birds ed. M. Munclinger (Pochod modráčků) H 4721 score ♦ Teml Jiří for piccolo and piano (*1935) H 4876 score with part Chap-Book (Špalíček) Oboe and Piano easy pieces for two clarinets Kubička Miroslav rev. J. Krejčí (*1951) Repertoire Works H 7830 score Sonatina for Flute and Piano H 7890 score with part Feld Jindřich Zákostelecký Bedřich (1925–2007) (*1942) • Bärenreiter-Verlag Kassel production Three Compositions School of Clarinet Playing for oboe / flute / clarinet and (Cz/Ger) ♦ Performance material piano H 5631 vol. 1 available on hire H 4557 score with parts H 6339 vol. 2
31 WINDS
Repertoire Works Concertos and Bassoon and Piano Husa Karel Concertante Works (1921–2016) Repertoire Works for Clarinet Three Studies for Solo Clarinet Gemrot Jiří Prague Spring IMC Commission Kaprálová Vítězslava (*1957) (2008) (1915–1940) H 7992 Rapsodia per fagotto Concertino for Violin, Clarinet e pianoforte and Orchestra Op. 21 H 7406 score with part Clarinet and Piano based on the composer’s draft, realised by M. Štědroň, L. Faltus Other chamber works with Repertoire Works H 7919 score ♦ COPY bassoon – see CHAMBER (arrangements inclusive) ENSEMBLES Kramář-Krommer František Vincenc Feld Jindřich (1759–1831) (1925–2007) Concerto in E-flat maj for Bassoon Concertos Three Compositions Clarinet and Orchestra Op. 36 for oboe / flute / clarinet and flute, oboe I II, bassoon I II, piano French horn I II, trumpet I II, H 4557 score with parts timpani and strings practical edition based on Fibich Zdeněk MAB I/13, ed. J. Kratochvíl PAUER (1850–1900) clarinet part rev. J. Kratochvíl Idyll (Selanka) Op. 16 ♦ Koncert H 888 piano reduction pro fagot a orchestr for clarinet / violin and piano (Ladislav Simon) Concerto for Bassoon and Orchestra
violin transcription by the com- Konzert poser Kukal Ondřej für Fagott und Orchester clarinet part rev. M. Kostohryz (*1964) NEW 2020 H 3754 score with both parts Clarinettino – Concertino Klavírní výtah / Piano reduction / Klavierauszug BA 11530 for Clarinet andHertl, Strings Sonáta pro kontrabas a klavír / Sonata for Double Bass and Piano / Sonate für Kontrabass und Klavier Janáček Leoš H 7898 piano reduction ♦ (1854–1928) (Radek Škeřík) Bärenreiter Sonata for Clarinet and Piano (after the Sonata for Violin and Saxophone Piano) Pauer Jiří arr. S. Brill (1919–2007) BA 9581 score with part Educational Works Concerto for Bassoon and ● Welcome addition to the clari- Gruber Rudolf Orchestra nettist’s repertoire (1944–2011) bassoon part rev. O. Šindelář BA 11567-90 piano reduction ♦ ● Janáček’s masterpiece in a Etudes for Saxophone (Jiří Pauer) convincing arrangement for (Cz/Ger) clarinet based on the LJCE E/1 H 5215 Although technically very de- manding, the concerto is writ- Klusák Jan ten with a detailed knowledge (*1934) Bassoon Solo of the bassoon's character and Recitativo e canto per clarinetto possibilities, making full use of e piano Educational Works the instrument's wide range of Prague Spring IMC Commission expression. (2002) Pivoňka Karel H 7867 score with part (1907–1986) ● One of the most frequently played concertos of the Matějů Zbyněk Rhytmical Etudes for Bassoon 20th century repertoire for (*1958) H 3291 bassoon
Smorfia (Grimace / Škleb) Virtuoso Etudes for Bassoon ● Piano reduction of the final for clarinet and piano H 1217 version H 7788 score with part ● Includes a solo part revised Other chamber works with by Ondřej Šindelář clarinet – see CHAMBER ♦ Performance material ENSEMBLES available on hire
32 WINDS
Neruda Jan Křtitel Jiří (1707–1780) Trumpet and Concerto Do maggiore Piano / Organ STAM ITZ B Ä R E N R E I T E R U R T E X T per fagotto ed archi ed. E. Drápela Pieces for Children Koncert C dur pro fagot a orchestr H 7567 score and Youth Concerto in C major COPY for Bassoon and Orchestra H 7646 piano reduction Konzert C-Dur (Julie Drápelová) für Fagott und Orchester Hradecký Emil (*1953) NEW 2021 Pelikán Jaroslav (*1970) Jazz Winds Partitura / Score / Partitur for flute (oboe / violin) / trumpet Concertino (clarinet / saxophone) / trombone
Bärenreiter Variazioni per fagotto, orchestra (bassoon / violoncello) d’archi, arpa e timpani with piano accompaniment Prague Spring IMC Commission H 7931 score with parts (2002) Stamitz Carl H 7854 piano reduction (1745–1801) (Miloš Bok) Repertoire Works Concerto for Bassoon and Orchestra in C major 2 oboes, 2 French horns, violin French Horn Solo I II, viola I II, violoncello with (2 French Horns) Eben Petr double bass (1929–2007) Urtext, ed. O. Šindelář Educational Works Windows (Okna) BA 11563 score ♦ Four Movements for Trumpet BA 11563-90 piano reduction Kaucký Emanuel – Petr Miloš and Organ after Marc Chagall (Petr Koronthály) (1904–1953 / 1933–2001) trumpet part rev. L. Kozderka to appear in June 2021 organ part rev. M. Šlechta Short Studies for Horn H 6390 score with part The compositional legacy of 50 studies by E. Kaucký Carl Stamitz includes seven 10 studies by M. Petr ● One of the composer’s most concertos for bassoon and H 6837 frequently performed pieces orchestra. The Concerto in C worldwide since its creation major was last published by in 1976 Breitkopf & Härtel between Repertoire Works 1782 and 1784, after which it ● Both instruments retain a vanished into oblivion and has Kalabis Viktor great deal of independence, never been reissued since. (1923–2006) progressing in their own Invocation Op. 90 rhythmic patterns, inter- Now Ondřej Šindelář, the bas- for French horn solo secting in places soonist of the Czech Philhar- H 7804 ● Inspired by Chagall’s stained- monic, has unearthed the his- glass windows for the syna- toric parts of this work as well Stich-Punto Jan Václav gogue in Jerusalem as other unique sources, such (1746–1803) as the manuscript of a version for cello. Our Urtext edition is 24 Duets for French Horns based on these sources. ed. and rev. F. Šolc Kučera Jan H 4422 score (*1977) ● First modern Urtext edition Other chamber works with The Joker ● Based on newly discovered French horn – see CHAMBER for trumpet and piano sources ENSEMBLES Prague Spring IMC Commission (2010) ● New managable piano H 8001 score with part reduction French Horn Concertos
● Welcome addition to the bassoonists' concert Pauer Jiří repertoire (1919–2007) Please see Bärenreiter's website Concerto for French Horn and www.baerenreiter.com Orchestra for more information H 2955 piano reduction ♦ (Jiří Pauer) on the individual editions
33 WINDS / PERCUSSION
Trombone Solo Percussion Educational Works Repertoire Works Kurz Ivan (*1947) A Soloist’s Sustenance (Sólistův chléb) for tenor trombone Prague Spring IMC Commission (2011) rev. J. Sušický H 8019
Trombone and Piano Pieces for Children and Youth Hradecký Emil (*1953) Chmura Tomáš Chmura Tomáš NEW 2020 Jazz Winds (*1961) (*1961) for flute (oboe / violin) / trumpet (clarinet / saxophone) / trom- On the Meadow (Na louce) The Wilderness (Divočina) bone (bassoon / violoncello) for the Beginner on the Snare for the Beginner on Orchestral with piano accompaniment Drum Percussion H 7931 score with parts with piano accompaniment with piano accompaniment H 8046 H 8052 Playground (Dětské hřiště) In a Dancing Mood for the Beginner on the Timpani (V taneční náladě) Repertoire Works with piano accompaniment for the Beginner on the Drum Kit Simon Ladislav H 8047 with piano accompaniment (1929–2011) H 8053 Fantasia per trombone e pianoforte As an experienced and respected teacher, Tomáš Chmura uses the Prague Spring IMC Commission play-along method of teaching: recordings make it easier for beginners (2004) to read the notation, get a sense of the composition as a whole and H 7913 score with part facilitate practising.
Other chamber works with ● Four albums with performance repertoire for beginners on timpani trombone – see CHAMBER and various percussion instruments ENSEMBLES ● Five compositions per album with a duration of about one minute each
Trombone Concertos ● Digital recordings (mp3) available on our website
Matěj Josef (1922–1992) Kubánek Libor Tuzar Josef (*1964) Concerto No. 1 for Trombone and Studies for Side Drum Orchestra School of Percussion Playing H 4156 H 2726 piano reduction ♦ COPY (Cz/Ger) (Josef Matěj) H 7745 School of Side Drum Playing (Cz/Ger) easy to advanced level of ♦ Performance material difficulty available on hire H 7753
34 CHAMBER ENSEMBLES
Repertoire Works Hanuš Jan Piano Trio (1915–2004) Fišer Luboš Frescoes (Fresky) Op. 51 (1935–1999) (piano, violin, violoncello – if not stated otherwise) H 7860 score with parts Crux for violin, timpani and bells Martinů Bohuslav Dvořák Antonín reproduction of the autograph (1890–1959) (1841–1904) from the property of Ivan Štraus Concertino for Piano Trio and H 7966 performance score Dumky Op. 90 String Orchestra H. 232 Urtext, ed. Ch. Flamm H 284 score ♦ COPY Ištvan Miloslav BA 9567 score with parts (1928–1990) Capriccio ● Dvořák’s magnum opus in for vibraphone, marimba and the piano trio genre percussion ● New Urtext edition based H 7932 score with parts on the original Simrock print while carefully confronting the various reissues with the autograph and taking note of Dvořák’s sketches as well as his later four-hand piano ar- rangement
● Detailed preface (Ger/Cz/Eng) and critical report (Eng) by the editor ● Supplemented by the initial, Smetana Bedřich draft version of dumka No. 3 (1824–1884) Piano Trio in G min Piano Trio in B-flat maj Op. 21 Urtext, eds. F. Bartoš, J. Plavec, ed. A. Čubr K. Šolc new preface D. R. Beveridge new preface M. Ottlová (Eng/Cz/Ger) (Cz/Eng/Ger) BA 9578 score with parts BA 9518 score with parts Kabeláč Miloslav (1908–1979) Piano Trio in G min Op. 26 Suk Josef eds. A. Pokorný, K. Šolc (1874–1935) 8 invenzioni Op. 45 new preface E. Velická per strumenti a percussione (Cz/Eng/Ger) Elegy Op. 23[a] for 6 players BA 9538 score with parts “Under the Influence of Zeyer’s MKCE IV/10, ed. Z. Nouza Vyšehrad” H 7993 score Piano Trio in F min Op. 65 the composer’s own arrange- ed. F. Bartoš ment for piano trio 8 ricercari Op. 51 new preface H.-J. Hinrichsen and H 7807 score with parts per strumenti a percussione I. Rentsch (Ger/ Cz/ Eng) (original version for chamber for 1–6 players BA 9564 score with parts ensemble – see Miscellaneous MKCE IV/11, ed. Z. Nouza Ensembles on p. 45) H 7994 score Feld Jindřich (1925–2007) Škroup František Jan ● 8 invenzioni – one of the (1801–1862) composer’s most famous Trio for Violin / Flute, Violoncello works and Piano Trio in E-flat maj Op. 27 H 7962 score with parts for piano, clarinet / violin and ● 8 ricercari – first printed violoncello edition Urtext, ed. M. Harlow Fišer Luboš BA 9521 score with parts ● Both compositions written (1935–1999) for and premiered by Les ● First Urtext edition Percussions de Strasbourg Sonata for Two Violoncellos and Piano ● Two alternative scorings of → more in the Violoncello the work section on p. 27 ● Preface (Eng/Ger/Cz ) and criti- cal report (Eng) by the editor
35 CHAMBER ENSEMBLES
Suk Josef Piano Quartet Piano Quintet (1874–1935) (piano, violin, viola, violoncello – (piano, 2 violins, viola, violoncello Quintet Op. 8 if not stated otherwise) – if not stated otherwise) for two violins, viola, violoncello and piano Dvořák Antonín ed. by V. Musil (1841–1904) H 5330 score with parts COPY Bagatelles (Maličkosti) Op. 47 for two violins, violoncello and piano / harmonium String Duo ADCE IV/10, eds. A. Pokorný, K. Šolc Kukal Ondřej H 2271 score with parts (*1964) Present – Duo for Violin Piano Quartet in D maj Op. 23 and Violoncello Urtext, ed. R. Tait H 7964 score with parts BA 9574 score and parts in slipcover Pauer Jiří ● New Urtext edition (1919–2007) Dvořák Antonín ● Detailed preface by Dvořák (1841–1904) Twelve Duets for Two scholar D. R. Beveridge Violoncellos (Eng/Cz/Ger) Piano Quintet in A maj Op. 5 → page 26 eds. J. Burghauser, K. Šolc ● Critical report by the editor new preface D. R. Beveridge (Eng) (Eng/Cz/Ger) BA 11539 score and parts String Trio in slipcover Piano Quartet in E-flat maj In 1887 Dvořák revised several of Dvořák Antonín Op. 87 his works from the 1860s and (1841–1904) eds. A. Pokorný, K. Šolc 1870s, most of them he then new preface (Cz/Eng/Ger) published for the first time. Miniatures (Drobnosti) Op. 75a / E. Velická He thoroughly revised also his Gavotte B 164 BA 9537 score and parts Piano Quintet in A major Op. 5, Miniatures – for two violins and in slipcover but he declined to publish it. viola Instead, he wrote a new one Gavotte – for three violins Fibich Zdeněk in the same key – the famous ADCE IV/4 (1850–1900) Op. 81. Dvořak’s firstPiano H 3392-01 parts in slipcover Quartet Op. 11 Quintet in A major was never Terzetto in C maj Op. 74 for violin, viola, violoncello and published during his lifetime. for two violins and viola piano composed as an occasional H 3331 score with parts COPY Piano Quintet in A maj Op. 81 composition for amateurs ed. A. Čubr ed. J. Burghauser new preface D. R. Beveridge BA 9543 parts in slipcover Suk Josef (Eng/Ger/Cz) (1874–1935) BA 9573 score and parts Martinů Bohuslav (1890–1959) Piano Quartet in A min Op. 1 in slipcover Urtext, ed. Z. Nouza Eben Petr Serenade No. 2 H. 216 BA 9546 score with parts (1929–2007) for two violins and viola H 1501 parts COPY ● First scholarly-critical edition Piano Quintet H 6508 score COPY H 7719 score with parts ● Preface (Cz/Eng/Ger) and String Trio No. 1 H. 136 critical report (Eng) by the Fibich Zdeněk for violin, viola and violoncello editor (1850–1900) ed. E. Velická Quintet in D maj Op. 42 preface and critical report by the for violin I, clarinet / violin II, editor (Cz/Ger/Eng/Fr) French horn / viola, violoncello H 7965-22 parts in slipcover and piano H 7965 study score H 3998 score with parts COPY
36 CHAMBER ENSEMBLES
Mysliveček Josef String Quartet No. 2 in B-flat (1737–1781) maj B 17 eds. A. Pokorný, K. Šolc Trio in G maj original Burghauser’s preface for violin, violoncello and double updated and expanded by bass H. Schick (Cz/Eng/Ger) COPY H 5649 score with parts BA 9540 parts in slipcover Teml Jiří TP 540 study score (*1935) String Quartet No. 3 in D maj B 18 DVOŘÁK B Ä R E N R E I T E R U R T E X T Koledníček ADCE IV/5 H 3813 parts in slipcover Smyčcový kvartet č. 10 Es dur popular Czech and Moravian String Quartet No. 10 in E-flat major Christmas songs for 2 violins / String Quartet No. 4 in E min B 19 Streichquartett Nr. 10 Es-Dur op. 51 clarinets and violoncello ADCE IV/5 string parts rev. M. Škampa H 4592 parts in slipcover H 7852 parts in slipcover String Quartet No. 5 in F min Op. 9 Bärenreiter String Quartet eds. J. Burghauser, A. Čubr original Burghauser’s preface Dvořák Antonín Bořkovec Pavel updated and expanded by (1841–1904) (1894–1972) H. Schick (Cz/Eng/Ger) BA 9545 parts in slipcover String Quartet No. 10 in E-flat String Quartet No. 4 TP 535 study score maj Op. 51 H 79 parts in slipcover Urtext, ed. H. Schick String Quartet No. 6 in A min BA 11523 parts in slipcover Dvořák Antonín Op. 12 TP 523 study score (1841–1904) ADCE IV/5 H 6549 parts in slipcover Cypresses (Cypřiše) B 152 When Antonín Dvořák started ADCE IV/7, ed. F. Bartoš String Quartet No. 7 in A min composing his String Quartet H 6663 parts in slipcover Op. 16 No. 10 in late 1878, none of his H 2306 study score (pocket ADCE IV/6 quartets had yet been per- score) H 2849 parts in slipcover formed. However, this new work quickly achieved international Quartet Movement in F maj String Quartet No. 8 in E maj renown and has remained B 120 Op. 80 among one of the most popular ADCE IV/7 ADCE IV/6 string quartets by Dvořák. H 6902-01 parts in slipcover H 1834 parts in slipcover H 1835 study score The authoritative Dvořák String Quartet No. 1 in A maj scholar Hartmut Schick has String Quartet No. 9 in D min Op. 2 consulted all accessible sources, Op. 34 eds. J. Burghauser, A. Čubr most notably the printed score ADCE IV/6 original Burghauser’s preface published by Simrock and the H 1481 parts in slipcover updated and expanded by autograph. In comparison to the H. Schick (Cz/Eng/Ger) From: Antonín Dvořák, String old Supraphon edition of 1955, BA 9539 parts in slipcover the new publication edited TP 539 study score Quartet No. 10 in E-flat major Op. 51 • TP 523 early versions of the middle movements in the appendix. An Jean Becker.Becker. ● First critical edition of this SmyčcovýSmyčcový kvartet Es dur significant work in decades StringString Quartet Quartet in E-flat E-flat major major StreichquartettStreichquartett Es-Dur Es-Dur ● Audible alteration in the 4th I movement (in the viola part) Antonín Dvořák, op. 51 Allegro ma non troppo q = 108 ● Early versions (the endings of c Violino I the 2nd movement, “Dumka” p dolce and the 3rd movement, Violino II c “Romance”) included in the p appendix c Viola ● Detailed preface (Ger/Cz/Eng) p and critical report (Eng) by the editor Violoncello c p
5 37 cresc. cresc. f cresc. fz cresc. f cresc. f cresc. f
10 dim. p dim. pp
dim. p dim. pp dim. p dim. pp dim. p dim. pp
TP 523 © 2019 by Bärenreiter Praha CHAMBER ENSEMBLES
Dvořák Antonín Dvořák Antonín (1841–1904) (1841–1904) String Quartet No. 11 in C maj String Quartet No. 12 in F maj Op. 61 Op. 96 “American” ADCE IV/7 ADCE IV/7, ed. O. Šourek H 1791 parts in slipcover H 1594 parts in slipcover (will be replaced with BA 11538) H 1304 study score DVOŘÁK Bärenreiter Notes B Ä R E N R E I T E R U R T E X T (will be replaced with TP 538)
Smyčcový kvartet č. 12 F dur String Quartet No. 13 in G maj String Quartet No. 12 in F major Streichquartett Nr. 12 F-Dur Op. 106
op. 96 ADCE IV/7 NEW 2021 H 1732 parts in slipcover String Quartet No. 14 in A-flat
Bärenreiter maj Op. 105 ADCE IV/7 H 1569 parts in slipcover Dvořák Antonín (1841–1904) Two Waltzes Op. 54 No. 1 in A maj, No. 4 in D-flat maj String Quartet No. 12 in F maj ADCE IV/6 Op. 96 H 2803 parts in slipcover BA 8100-21 Dvořák-orange Urtext, ed. M. Kube BA 11538 parts in slipcover Feld Jindřich ● Universal notebook with (will replace H 1594) (1925–2007) handy small format TP 538 study score (will replace H 1304) String Quartet No. 6 ● Ideal student lesson book in preparation H 7764 score with parts (pages alternate between ruled and music paper) Antonín Dvořák composed his Fibich Zdeněk twelfth String Quartet in F maj (1850–1900) ● Practical gift for every Op. 96, called “American”, dur- musician ing his summer holiday stay in String Quartet in A maj Spillville, Iowa, in June 1893. It H 100 parts COPY became one of Dvořák’s most popular compositions ever. It was published by Simrock in Berlin in 1894, having been proofread by Johannes Brahms himself. The absence of an engraver’s copy complicated the assess- ment of all the differences between the autograph score and the printed edition of the score and parts. The complex task was taken up by the expe- rienced editor Michael Kube. Following modern practice, the present edition abandons the octave-higher treble clef in the cello part and replaces it with Fišer Luboš the tenor clef. (1935–1999)
● New Urtext edition Variations on an Unknown BA 8100-29 Bach-blue Theme (Variace na neznámé BA 8100-27 Debussy-blue ● Preface (Ger/Cz/Eng) and téma) BA 8100-24 Telemann-green critical report (Eng) by the for string quartet BA 8100 Mozart-red editor first printed edition H 8023 score with parts format A6 (14.8 x 10.5 cm) / ● Standard notation of the 32 pages cello part
38 CHAMBER ENSEMBLES
Janáček Leoš one of the most talented pupils (1854–1928) of Leoš Janáček. In this string
DVOŘÁK On an Overgrown Path quartet, expanded in the fourth · Dumky op. 90 HAAS (Po zarostlém chodníčku) B Ä R E N R E I T E R U R T E X T movement to include percussion arr. J. Burghauser ad libitum, Haas weaves elements Smyčcový kvartet č. 2 H 6173 score with parts „Z Opičích hor“ of Janáček’s compositional tech-
String Quartet No. 2 “From the Monkey Mountains” nique with jazz. String Quartet No. 1 “Inspired by Streichquartett Nr. 2 Tolstoy’s Kreutzer Sonata” „Von den Affenbergen“ HAAS B Ä R E N R E I T E R U R T E X T op. 7 The new edition provides the Urtext, eds. L. Faltus, M. Štědroň Smyčcový kvartet č. 2 very first critical treatment of the BA 9520 parts in slipcover „Z Opičích hor“ String Quartet No. 2 work with the assessment of all TP 520 study score Hlasy / Parts / Stimmen “From the Monkey Mountains” Streichquartett Nr. 2 relevant sources, from sketches to „Von den Affenbergen“ String Quartet No. 2 “Intimate Bärenreiter
op. 7 the definitive version of the score, Bärenreiter Letters” to contemporary performance materials. The editor newly sep- LJCE E/4, eds. L. Faltus, M. Štědroň Bärenreiter arated the percussive version, BA 6857 / H 7832 cloth bound which was performed at the 1926 score with parts premiere in Brno, from the purely Haas Pavel Urtext, eds. L. Faltus, M. Štědroň quartet arrangement based on (1899–1944) BA 9533 parts in slipcover the composer’s revision in later String Quartet No. 2 Op. 7 years. The reconstructed original TP 533 study score “From the Monkey Mountains” version from 1926 includes music (“Z Opičích hor”) previously unpublished. Urtext, ed. O. Pivoda BA 11525 parts in slipcover ● First title in the “Terezín Com- TP 525 study score posers” series JANÁČEK
● Preface (Cz/Eng/Ger) and criti- Mládí String Quartet No. 2 “From the úprava pro smyčcové kvarteto
Monkey Mountains” (1925) repre- cal report (Eng) by the editor Youth arrangement for String Quartet
sents the first peak of the oeuvre Die Jugend ● First-ever published passages Bearbeitung für Streichquartett of Pavel Haas, a Czech composer in the premiere version of Jewish descent, who was
Hlasy / Parts / Stimmen IV Divá noc/A Wild Night/Wilde Nacht Bärenreiter Vivace e con fuoco (q = 104) c 6 1 6 2 6 Violino I 4 4 4 4 4 f f § § § # # b c 6 1 6 2 6 Violino II 4 4 4 4 4 Janáček Leoš mf sul pont. f mf f (1854–1928) 6 1 6 2 6 Viola c 4 4 4 4 4 mf f mf f Youth (Mládí) c 6 1 6 2 6 Violoncello 4 4 4 4 4 for string quartet 6 1 6 2 6 Batteria c 4 4 4 4 4 [ad lib.] (after the wind sextet Youth) arr. K. Mařatka [sul pont.] [nat.] [sul pont.] [nat.] BA 11543 parts in slipcover 6 6 1 6 2 6 TP 521 study score 4 4 4 4 4 f sfz f sfz § # # 6 1 6 2 6 Kryštof Mařatka (b. 1972) was 4 4 4 4 4 f f [nat.] able to transform the zestful 6 1 6 2 6 4 4 4 4 4 nature of the winds into the f f 6 1 6 2 6 vibrant timbre of strings, thus 4 4 4 4 4 f f creating the “third string quar-
tet” of Leoš Janáček. 10 # # b 6 1 6 ● 4 4 4 A welcome addition to the f f § string quartet repertoire 6 1 6 4 4 4 f f ff ● Janáček’s wind sextet master- 6 1 6 4 4 4 piece in a convincing arrange- f ff f pizz. arco sul pont. sul pont. ment for string quartet 6 1 6 4 4 4 f ff f ● Preface by the arranger (Cz/Eng/Ger)
39 K LAVÍR BOHUSLAV MARTINŮ
THE COMPLETE EDITION
Bärenreiter publishes The Bohuslav Martinů Complete Edition (BMCE), a scholarly-critical edition that presents the complete oeuvre of this major twentieth century composer for the first time, encompassing Martinů’s works in all their versions and arrangements, including newly discovered and previously unpublished compositions.
The Team The Structure Commissioned by the Approximately 100 volumes Bohuslav Martinů (indicated by Arabic numerals) Foundation in Prague, are divided into seven series Edited by the Bohuslav (indicated by Roman numerals): Martinů Institute in Prague Director of the Institute: I Stage works and film music Aleš Březina (approx. 43 volumes) II Orchestral music Editorial Board (approx. 16 volumes) as of March 2021 III Concertos and other Peter Ackermann, Aleš concertante works Březina, Jarmila Gabrielová, (approx. 17 volumes) Jonáš Hájek, Denis Herlin, IV Chamber music Martin Ledvinka, Kateřina (approx. 9 volumes) Each cloth-bound volume Maýrová, Marek Pechač, V Keyboard works (25.5 x 32.5 cm) includes Daniela Philippi, Ivana (approx. 3 volumes) a detailed Foreword and Rentsch, Giselher Schubert, VI Choral works and songs a Critical Report, both in Arne Stollberg, Eva Velická, (approx. 8 volumes) English and Czech, some- Paul Wingfield, Jitka Zichová, VII Supplements and varia times also an Appendix. Vít Zouhar, Pavel Žůrek (approx. 1 volume)
40 KLAVÍR as of March 2021 Series VI/2/1 The Epic of Gilgamesh H 351, ed. Aleš Březina already published BA 10571-01 Series II/1/4 Symphony No. 4 H 305, ed. Sharon Andrea Choa already published BA 10572-01 Series VI/2/2 The Spectre’s Bride H 214A, Field Mass H 279, ed. Paul Wingfield already published BA 10573-01 Series IV/4/1 Chamber Music for 6–9 Instruments I, ed. Jitka Zichová Les Rondes H 200, Serenade No. 1 H 217, Serenade No. 3 H 218, Stowe Pastorals H 335, Nonet No. 2 H 374 already published BA 10574-01 Series VI/2/3 Chamber Cantatas, ed. Vít Zouhar Opening of the Springs H 354, The Legend of the Smoke from Potato Tops H 360, A Dandelion Romance H 364, Mikesh from the Mountains H 375 already published BA 10575-01 Series IV/3/2 String Quartets II, ed. Aleš Březina et al. String Quartets No. 4 H 256, No. 5 H 268, No. 6 H 312, No. 7 (Concerto da Camera) H 314 already published BA 10576-01 Series III/2/4 Quadruple Concertos, eds. Christopher Hogwood, Pavel Žůrek, Marek Pechač String Quartet with Orchestra H 207, Sinfonia Concertante No. 2 H 322 already published BA 10577-01 Series III/1/8 Concerto da Camera / Rhapsody-Concerto, eds. Sandra Bergmannová, Aleš Březina, Paul Silverthorne, Jitka Zichová, Pavel Žůrek Concerto da Camera for Violin, String Orchestra, Piano and Percussion H 285, Rhapsody-Concerto for Viola and Orchestra H 337 already published BA 10578-01 Series III/1/5 Piano Concertos Nos. 4 and 5, ed. Ivana Kalina Tabak Incantation (Concerto for Piano and Orchestra No. 4) H 358, Fantasia Concertante (Concerto in B-flat for Piano and Orchestra No. 5) H 366 already published BA 10579-01 Series I/1/12 Ariane, lyric opera in one act H 370, ed. Robert Simon to appear in June 2021 BA 10580-01 Series II/2/7 Les Fresques de Piero della Francesca H 352, Les Parables H 367, ed. Arne Stollberg to appear in 2022 BA 10582-01 Series II/3/3 Toccata e Due Canzoni H 311, Sinfonietta La Jolla H 328, ed. Marek Pechač in preparation BA 10583-01 Series III/1/10 Concerto for Violoncello and Orchestra No. 1 H 196 (versions I–III), ed. Giselher Schubert in preparation BA 10584-01 Series I/1/8 Mariken de Nimègue H 236/2I, Alexandre bis H 255, eds. Pavel Žůrek, Jitka Zichová in preparation BA 10586-01
Information on individual volumes can be found in this catalogue.
The Subscription The volumes are available for a reduced price with a complete or partial sub- scription by series. They can also be purchased individually.
41 CHAMBER ENSEMBLES
Kukal Ondřej String Quartet No. 6 (*1964) Prague Spring IMC Commission (2005) String Quartet Op. 9 H 7944-22 parts in slipcover H 7958 score with parts H 7944 study score
Martinů Bohuslav (1890–1959) String Quartet with Orchestra H. 207 BMCE III/2/4 Quadruple Concertos eds. Ch. Hogwood, P. Žůrek (in one volume with Sinfonia Concertante No. 2 H. 322, eds. Ch. Hogwood, M. Pechač) BA 10577-01 cloth bound score Martinů Bohuslav (1890–1959) Working on his String Quartet with Orchestra (1931) meant String Quartets II a turning point in the oeuvre BMCE IV/3/2, ed. A. Březina et al. of Martinů. The composition Smetana Bedřich is the first of the concertante String Quartet No. 4 H. 256 (1824–1884) works acknowledged by the (1937), String Quartet No. 5 H. 268 (1938), String Quartet String Quartet No. 1 in E min composer as being inspired by “From My Life” the Baroque form of concerto No. 6 H. 312 (1946), Concerto da Camera (String Quartet No. 7) Urtext, eds. F. Bartoš, J. Plavec, grosso and as deliberately ex- K. Šolc perimenting with this genre. H. 314 (1947) eds. A. Březina, J. Franková, new preface M. Ottlová (Cz/Eng/Ger) ● First scholarly-critical edition J. Honzíková, J. Zichová, P. Žůrek. BA 10576-01 cloth bound score BA 9516 parts in slipcover TP 516 study score ● Detailed preface by P. Žůrek and M. Pechač, critical report With eight string quartets, by the editors (Eng/Cz) Martinů is one of the major representatives of the genre → the BMCE volumes pp. 40 –41 in twentieth-century music. The present critical edition differs considerably from all the previous practical editions, Martinů Bohuslav including the recent Urtext (1890–1959) ones, as it was preceded by String Quartet No. 4 H. 256 thorough heuristic research, eds. A. Březina, I. Štraus which helped uncover numer- H 7844-22 parts in slipcover ous new musical and non-mu- H 7844 study score sical sources.
String Quartet No. 5 H. 268 ● First scholarly-critical edition eds. A. Březina, A. Klemens H 7941-22 parts in slipcover ● Detailed preface by Aleš H 7941 study score Březina and critical report String Quartet No. 2 in D min by the editors (Eng/Cz) Urtext, eds. F. Bartoš, J. Plavec, String Quartet No. 6 H. 312 K. Šolc eds. A. Březina, I. Štraus → the BMCE volumes pp. 40 –41 new preface M. Ottlová H 7968-22 parts in slipcover (Cz/Eng/Ger) H 7968 study score BA 9517 parts in slipcover Matys Jiří TP 517 study score (1927–2016) Please see Suk Josef Bärenreiter's website String Quartet No. 1 Op. 21 (1874–1935) www.baerenreiter.com H 6428 score with parts Minuet for more information String Quartet No. 3 Op. 37 for string quartet on the individual editions H 3986 score with parts ed. M. Nový H 6967 score with parts COPY
42 CHAMBER ENSEMBLES
Suk Josef String Quintet in G maj Op. 77 (1874–1935) for 2 violins, viola, violoncello and double bass String Quartet No. 1 in B-flat eds. F. Bartoš, A. Pokorný maj Op. 11 new preface D. R. Beveridge Urtext, ed. Z. Nouza (Eng/Cz/Ger) BA 9530 parts in slipcover BA 9577 parts in slipcover TP 530 study score TP 577 study score
● First Urtext edition ● Dvořák’s famous quintet ● Includes both versions of the with double bass in a newly 4th movement – the original engraved practical format one from 1896 and the late re- ● Intermezzo from the original vision from 1915, which could five-movement version of be played also separately as the quintet included an encore
● Preface (Cz/Eng/Ger) and String Quintet in E-flat maj critical report (Eng) by the Op. 97 editor Suk Josef for 2 violins, 2 violas and violon- (1874–1935) String Quartet No. 2 Op. 31 cello Urtext, ed. Z. Nouza ed. F. Bartoš Meditation on the Old Czech BA 9536 parts in slipcover new preface D. R. Beveridge Hymn “St Wenceslas” Op. 35a TP 536 study score (Eng/Cz/Ger) for string quartet BA 9542 parts in slipcover Urtext, ed. Z. Nouza ● First Urtext edition TP 532 study score BA 9583 parts in slipcover TP 583 study score ● Preface (Cz/Eng/Ger) and Kubička Miroslav (version for string orchestra critical report (Eng) by the (*1951) on p. 48) editor Dialogues (Rozhovory) The one-movement composi- for string quintet tion inspired by the old Czech H 7923 score with parts hymn St Wenceslas was written Vranický Pavel (1756–1808) Mysliveček Josef in connection with the outbreak (1737–1781) of World War I. It was premiered Quartetti per archi II by the Bohemian Quartet on Op. 16 Nos. 1–6 Tre quintetti d’archi IV–VI 27 September 1914; the variant MAB I/84, ed. S. Ondráček for 2 violins, 2 violas and double for string orchestra was first preface O. Zuckerová bass performed on 22 November 1914 (Cz/Ger/Eng) MAB I/83, ed. V. Bělský by the Czech Philharmonic. The H 7481 score H 7037 score COPY work was published that very (parts for each individual quartet year by Fr. A. Urbánek, including available upon request) arrangements for piano and organ. Zámečník Evžen String Sextet (1939–2018) The first Urtext edition was (2 violins, 2 violas, 2 violoncellos) prepared by the musicologist Meditation Zdeněk Nouza (1929–2016) for for string quartet Dvořák Antonín both variants of the work. The H 6406 score with parts (1841–1904) orchestral stylisation differs from the quartet version in String Sextet in A maj Op. 48 details related to the addition eds. J. Burghauser, A. Čubr of the double bass. String Quintet BA 9566 parts in slipcover
● First Urtext edition Schulhoff Erwin Dvořák Antonín (1894–1942) ● Informative preface (Cz/Eng/ (1841–1904) Ger) and critical report (Eng) Sextet by the editor String Quintet in A min Op. 1 ed. M. Rische for 2 violins, 2 violas and violon- BA 7488-22• parts in slipcover ● Two versions (chamber and cello BA 7488• study score orchestral) published in two ADCE IV/9 separate editions H 6782-22 parts in slipcover • Bärenreiter-Verlag Kassel production 43 CHAMBER MUSIC
Hanuš Jan Wind Ensembles (1915–2004)
with / without piano DVOŘÁK Music of the Tower (Hudba věže)
· Dumky op. 90 HAAS B Ä R E N R E I T E R U R T E X T Op. 88 Blatný Pavel (Tribute to Bohuslav Martinů) Dechový kvintet (*1931) for 2 trumpets, French horn and Wind Quintet 2 trombones Scena con ottoni Bläserquintett H 6477 score with parts (Scéna pro žestě) op. 10 for 2 trumpets, 2 trombones and HAAS Janáček Leoš B Ä R E N R E I T E R U R T E X T French horn (1854–1928) H 6214 score with parts Hlasy / Parts / StimmenDechový kvintet Wind Quintet Capriccio for Piano Left Hand Bärenreiter Bläserquintett and Wind Ensemble Bärenreiter Dušek František Xaver op. 10 (flute / piccolo, 2 trumpets, (1731–1799) 3 trombones and tenor tuba Six Parthias ossia French horn) NEW 2021 → more in the Piano Concertos for 2 oboes and bassoon Bärenreiter ed. and rev. M. Klement section on p. 14 H 5628 score with parts Haas Pavel (1899–1944) Dvořák Antonín Wind Quintet Op. 10 (1841–1904) Urtext, ed. R. Simon Fanfares B 167 BA 11524 parts for the festive opening of the TP 524 study score Regional Jubilee Exhibition in to appear in June 2021 Prague in 1891 H 8018 score with parts Pavel Haas, one of Leoš Janáček’s most talented pupils, composed ● A lesser known piece by Dvořák his Wind Quintet op. 10 in 1929. with a duration of one minute This work was issued by the Prague publisher Edition Sádlo ● Edition in practical landscape in 1934, and is one of the few format (21 cm x 14,8 cm) compositions that was printed during his lifetime. With its Youth (Mládí) relative brevity and standard Wind Sextet for flute / piccolo, Eben Petr instrumentation, it is currently (1929–2007) oboe, clarinet, French horn, gaining in popularity among bassoon and bass clarinet Music for Oboe, Bassoon and wind ensembles. Urtext, eds. J. Doležal, L. Faltus Piano new preface J. Zahrádka H 7452 score with parts This first Urtext edition of the (Cz/Eng/Ger) Wind Quintet is based on the BA 9528 parts in slipcover Quintetto original print which was proof- TP 528 study score (Variations on chorale) read by the composer in 1935, for 2 trumpets, French horn and as well as the autograph score Kabeláč Miloslav 2 trombones and a copyist’s manuscript. (1908–1979) H 5166 score with parts COPY ● First Urtext edition of a popu- Wind Sextet Op. 8 Quintetto per stromenti a fiato lar work for wind quintet for flute, English horn, 2 clarinets, for flute, oboe, clarinet, French French horn and bassoon horn and bassoon ● Preface (Cz/Eng/Ger) and H 2023 study score ♦ COPY H 4397 score with parts COPY critical report (Eng) Kalabis Viktor Sketch for C. B. (Skica pro C. B.) ● Second volume of the (1923–2006) “Terezín Composers” series for 2 flutes and piano Piccola musica da camera Op. 27 H 7135 score with duet part for flute, oboe, clarinet, French horn and bassoon Feld Jindřich Hanuš Jan H 4757 score with parts (1925–2007) (1915–2004) Wind Quintet No. 2 Impromptus Op. 45 for flute, oboe, clarinet, French for trumpet / flute, oboe, clarinet horn and bassoon and piano ♦ Performance material H 5196 score with parts COPY H 3843 score with parts COPY available on hire
44 CHAMBER ENSEMBLES
Kramář-Krommer František Vincenc Serenate Boëme, partite e notturni Fiala Josef (1759–1831) Antonín Kammel, Jiří Družecký, (1748–1816) Trio in F maj and Variations on František X. Dušek, Vincenc Two Duets Pleyel’s Theme Mašek for oboe and viola / violoncello for 2 oboes and French horn for 2 oboes, 2 French horns and ed. and rev. M. Klement ed. and rev. M. Klement bassoon H 7787 score with parts H 5808 score with parts COPY MAB I/35, ed. V. Bělský H 2304 score Two Oboe Quartets Mysliveček Josef in E-flat maj, F maj (1737–1781) Stich-Punto Jan Václav for oboe, violin, viola and vio- (1746–1803) loncello Tre ottetti ed. and rev. by M. Klement in E-flat maj, E-flat maj, B-flat 24 Duets for French Horns H 4203 score with parts COPY maj for 2 oboes, 2 clarinets, 2 ed. and rev. F. Šolc French horns and 2 bassoons H 4422 score Fibich Zdeněk MAB I/55, ed. C. Schoenbaum (1850–1900) H 3406 score with parts COPY Trojan Václav Quintet in D maj Op. 42 (1907–1983) for violin I, clarinet / violin II, Nudera Vojtěch Divertimento per quintetto French horn / viola, violoncello (1746–1811) a fiato and piano Four Polonaises for flute, oboe, clarinet, French eds. A. Pokorný, K. Šolc for 3 basset horns / 3 clarinets horn and bassoon H 3998 score in first instrumen- ed. J. Kratochvíl H 6250 score with parts COPY tal version and all parts H 7750 score with parts (including alternatives) Vranický Antonín COPY Old Hunting Fanfare (1761–1820) Marches for Wind Instruments Fišer Luboš Anonymous, Ondřej Anton, (1935–1999) Leopold Koželuh, Albín Mašek, for 2 oboes, 2 clarinets, 2 French Leopold E. Měchura horns, trumpet, 2 bassoons and Crux for four French horns contrabassoon for violin, timpani and bells ed. O. Zuckerová, rev. J. Štefan ed. A. Myslík copy of the autograph from the H 4562 score H 4890 score with parts property of Ivan Štraus H 7966 performance score
Hurník Ilja Miscellaneous Ensembles (1922–2013) with / without piano Sonata da camera for flute, oboe / violin, violoncel- Dvořák Antonín lo, harpsichord / piano (1841–1904) H 3002 score with parts Fanfares B 167 for 4 trumpets and timpani → more on p. 44 Serenade in D min Op. 44 for wind instruments, violoncello and double bass → more on p. 49 Reicha Anton Feld Jindřich (1770–1836) (1925–2007) Tre quintetti Trio for Violin / Flute, Violoncello Op. 88, No. 3 in G maj, Op. 91 and Piano No. 9 in D maj and No. 11 in A maj H 7962 score with parts for flute, oboe, clarinet, French horn and bassoon MAB I/33, eds. R. Hertl, V. Smetáček Hurník Lukáš H 2323 score (*1967) Part I – Op. 88 No. 3 in G maj Fusion Music MAB I/33a, rev. M. Špeťko for oboe, clarinet, bassoon and
H 7140 parts in slipcover COPY ♦ Performance material piano available on hire H 7863 score with parts
45 CHAMBER ENSEMBLES
Janáček Leoš Martinů Bohuslav (1854–1928) (1890–1959) Concertino Chamber Music for 6–9 MARTINŮ for piano, 2 violins, viola, clarinet, Instruments I B Ä R E N R E I T E R U R T E X T French horn and bassoon BMCE IV/4/1, ed. J. Zichová Nonet č. 2 rev. O. Šourek BA 10574-01 cloth bound score Nonet No. 2 H 4342 score with parts Nonett Nr. 2 septet Les Rondes H. 200 H 374 Kalabis Viktor [with piano], Serenade No. 1 (1923–2006) H. 217, Serenade No. 3 H. 218,
nonet Stowe Pastorals (Pastorely Bärenreiter Nonet No. 2 “In Honour of ze Stowe) H. 335, Nonet No. 2 Nature” Op. 44 H. 374 for flute, oboe, clarinet, bassoon, Nonet No. 2 H. 374 French horn, violin, viola, violon- The compositions in this volu- for flute, oboe, clarinet, bas- cello and double bass me for mixed wind and string soon, French horn, violin, viola, H 6465 score ♦ ensembles were written in violoncello and double bass the period from 1930 to 1959. Urtext, ed. J. Zichová Apart from Nonet No. 2 H. 374, TP 440 study score ♦ the performing forces consist of uncommon combinations; Martinů wrote Nonet No. 2 in but extraordinary ensemble the last year of his life as a com- choices are not unusual in mission for the Czech Nonet, Martinů’s oeuvre, especially in which gave the world premiere his Paris period in the 1920s and at the Salzburger Festspiele on 30s, which is characterised by 27 July 1959. Nonet No. 2 was experimentation with sound published posthumously in and form. autumn later that year.
● First scholarly-critical edition The main source for the edition is the autograph score. Unlike ● Detailed preface and critical the BMCE version, this edition report by the editor (Eng/Cz) transposes the clarinet part to B-flat. ● Facsimiles of key pages ● First Urtext edition based on Kramář-Krommer František Vincenc → the BMCE volumes (1759–1831) the BMCE IV/4/1 (Chamber pp. 40 –41 Music for 6–9 Instruments I) Two Oboe Quartets in C maj, F maj ● Clarinet part transposed to for oboe, violin, viola and vio- B-flat loncello MAB I/42, ed. J. Pohanka Serenáda č. 3 / Serenade No. 3 / Serenade Nr. 3 H 2705 score with parts Serenáda č. 3 / Serenade No. 3 / Serenade Nr. 3 Serenáda č. 3 / SerenadeI No. 3 / Serenade Nr. 3 Martinů Bohuslav Serenáda č. 3 / SerenadeI No. 3 / Serenade Nr. 3 (1890–1959) BohuslavBohuslav Martinů Martinů Poco allegro h = 108 II Oboe ¡ . . . . . . . . . . Les Rondes H. 200 BohuslavBohuslav Martinů Martinů . . suite of dances for oboe, clarinet, Pocop allegro h = 108 Clarinetto ¡ . . Oboe . . . . . . . . bassoon, trumpet, 2 violins and (Sib/Bb) ¢ p. . . . . . . . piano p ...... Clarinetto H 208 study score ♦ (Sib/Bb) ¡¢ . . Violino I p...... . ...... . (pocket format) Ó Ó . . Ó Ó . . p . .
Promenades H. 274 Violino III ¡ . . Ó Ó Ó Ó p. . . . . . for flute, violin and harpsichord p ...... BA 3327• score with parts Violino III II Ó Ó Ó Ó Ó Ó Ó Ó p. . . . . . . . Sonata for Flute, Violin and Violino IV Violino III Ó Ó Ó Ó p. . Piano H. 254 p. . . . . . . . . . . . . . . . . . . . BA 3326• score with piano VioloncelloViolino IV Ó Ó. Ó Ó. ¢ p. . . . p. . . . . . . . . . . . . . . . . . . . Violoncello . . ¢ . . . . = p From: Bohuslav Martinů, Serenade No. 3 H. 218 • TP 442 5 . = . . . . . . ¡ ...... . . . 46 mf poco f 5 . . . . . . ¡ . . . . . . . . . . . . . . . . . . ¢ . poco . . . . . . mf f . . . . . . . . . ¢ ...... poco. f ¡ ...... mf . Ó ∑ ∑ Ó mf ...... ¡ . ...... . . . . . . . . Ó ∑ ∑ Ó Ó . poco mf mf mf . . . ...... . . . . Ó ∑ Ó ∑ Ó p...... . poco mf mf . Ó . . ∑. . . . ∑ Ó ∑ Ó . p mf...... mf . . . . . . . ][ . . . . . . . . . . . . . . . Ó ∑ ∑ Ó ¢ . poco mf mf...... poco. f ...... . . . ][ . . . . . . . . . . . . . . . TP 442 © 2021 by Bärenreiter Praha ¢ . poco mf poco. f . . TP 442 © 2021 by Bärenreiter Praha
TP 442 © 2021 by Bärenreiter Praha TP 442 © 2021 by Bärenreiter Praha CHAMBER ENSEMBLES
Suk Josef (1874–1935) Bagatelle “Carrying a Bouquet” MARTINŮ („S kyticí v ruce“) B Ä R E N R E I T E R U R T E X T for flute / violin ad lib., violin and
Serenáda č. 1 piano Serenade No. 1 H 7820 score with parts
Serenade Nr. 1 Elegy Op. 23 H 217
BÄRENREITER URTEXT Bärenreiter Urtext je pečetí kvality vědecko-kritických edic. “Under the Influence of Zeyer’s Zaručuje, že notový text odpovídá současnému stavu bádání a je připraven podle jasně formulovaných edičních zásad. MARTINŮ Bärenreiter Urtext: výraz pro autentickou podobu díla. B Ä R E N R E I T E R U R T E X T Vyšehrad” T BÄRENREITER URTEXT Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, Hlasy / Parts / Stimmen for violin solo, violoncello solo, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text – the musicians’ choice. Serenáda č. 1
T Serenade No. 1 string quartet, harmonium and BÄRENREITER URTEXT Bärenreiter Urtext ist ein Qualitätssiegel für wissenschaftlich-kritische Ausgaben. Es garantiert Notentexte auf dem aktuellen Stand der Forschung, ediert nach klar formulierten Editionsrichtlinien. Serenade Nr. 1 Bärenreiter Urtext: der Begriff für authentische Textgestalt der Werke. Bärenreiter harp H 217 ed. M. Svobodová all parts rev. K. Řehák H 7404 score with parts NEW 2020 NEW 2021 (composer’s arrangement for Bärenreiter piano trio on p. 35) Village Serenade Martinů Bohuslav Martinů Bohuslav (Vesnická serenáda) s. op. (1890–1959) (1890–1959) for 2 clarinets, 3 violins, viola, Serenade No. 1 H. 217 Serenade No. 3 H. 218 violoncello and double bass for clarinet, French horn, for oboe, clarinet, 4 violins the composer’s own arrange- 3 violins and viola and violoncello ment (originally for piano solo) Urtext, ed. J. Zichová Urtext, ed. J. Zichová ed. and preface M. Nový BA 11541 parts BA 11542 parts (Cz/Ger/Eng) (replaces H 1500) (replaces H 1502) suitable for amateur musicians TP 441 study score TP 442 study score H 7952 score with parts (replaces H 362) (replaces H 365) Škroup František Jan Unusual instrumentations were by no means the exception in the (1801–1862) chamber music works of Bohuslav Martinů, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his Trio in E-flat maj Op. 27 experimentation with sound and form. It is from this period that for piano, clarinet / violin and four short serenades also originate (1932), each with a different violoncello instrumentation. The serenades were issued by the Prague publishing Urtext, ed. M. Harlow house Melantrich in 1949. BA 9521 score with parts
● Both serenades in Urtext edition for the first time ● First Urtext edition
● Based on the BMCE IV/4/1 (Chamber Music for 6–9 Instruments I) ● Two alternative scorings of the work ● Prefaces by the editor (Cz/Eng/Ger) ● Preface (Eng/Ger/Cz ) and critical report (Eng) by the Mysliveček Josef Reicha Anton editor (1737–1781) (1770–1836) Teml Jiří Four Sonatas Tre quartetti Op. 98 Nos. 4–6 (*1935) for flute, violin and violoncello in E min, A maj, D maj ed. M. Klement for flute, violin, viola and Koledníček H 6033 score with parts COPY violoncello popular Czech and Moravian MAB I/85, I/85a, ed. S. Ondráček Christmas songs for 2 violins / Reicha Anton H 7800-22 parts in slipcover clarinets and violoncello (1770–1836) H 7800 score string parts rev. M. Škampa H 7852 parts in slipcover Tre quartetti Op. 98 Nos. 1–3 Rössler-Rosetti František Antonín in G min, C maj, G maj (1746–1792) for flute, violin, viola and violoncello Notturno in D
MAB I/65a, ed. K. Janetzki, for flute, violin, viola, violoncello ♦ Performance material rev. J. Ruis and Frech horn in D available on hire H 3917-22 parts in slipcover MAB I/32, ed. V. Bělský H 3917 score COPY H 2171 score COPY • Bärenreiter-Verlag Kassel production 47 ORCHESTRA
Nocturno in B maj Op. 40 Feld Jindřich String Orchestra for string orchestra (1925–2007) ADCE III/24, eds. J. Burghauser, (violin I II, viola, violoncello, double Sinfonietta da camera per archi M. Nový ♦ bass – if not stated otherwise) H 6590 score with parts H 5643 score concertos and concertante works (will be replaced with BA 11564) with string orchestra – see individual Suk Josef instruments (1874–1935) Ella-Polka for string orchestra and triangle in composer’s arrangement ed. M. Nový H 7953 score and parts
NEW 2021
Dvořák Antonín Dvořák Antonín (1841–1904) (1841–1904) Serenade in E maj Op. 22 Nocturne in B maj Op. 40 for string orchestra for string orchestra Urtext, ed. R. Tait Urtext, ed. J. Hájek BA 10423 score ° BA 11564 score with set of parts Suk Josef (replaces H 971 – now available (will replace H 6590) (1874–1935) on hire) parts also available on sale separately Meditation on the Old Czech to appear in September 2021 Hymn “St Wenceslas” Op. 35a for string orchestra Serenade in E major (1875) is one Nocturne in B major Op. 40 was Urtext, ed. Z. Nouza of Dvořák’s most popular and published by Bote & Bock in BA 9584 score ° frequently played works. This 1883. The editor of this edition (version for string quartet edition, based on the composer’s discovered a missing source in on p. 43) autograph score, corrects nu- private ownership – the second merous mistakes in articulation authorised manuscript copy This first Urtext edition was and dynamic markings that the of the work, which was used prepared in two scorings – one composer himself noted into as the engraver’s copy for the for string quartet and another his own Bote & Bock (1st edition first print. The present edition for string orchestra. The orches- 1879) copy of the work. thus overcomes the confusion tral arrangement differs from caused by many versions of the quartet version in some ● Dvořák’s original concept pre- the piece and provides the details in connection with the sented for the first time authentic text of this graceful added part for double bass. supplement to the famous ● Included Vi-de passages (in Serenade in E major. ● First Urtext edition both score and parts) omitted ● Informative preface (Cz/Eng/ by the composer in the auto- ● Newly discovered source graph score Ger) and critical report (Eng) by the editor ● Preface by Dvořák expert ● Detailed preface (Cz/Eng/Ger) D. R. Beveridge (Eng/Cz/Ger) ● Two versions published in by Kateřina Nová, Head of the two separate editions Dvořák Museum in Prague, ● Critical report by the editor and critical report (Eng) by the (Eng) editor Performance material available ° on sale
48 ORCHESTRA
Suk Josef Koželuch Leopold (1874–1935) (1747–1818) Sousedská Tre sinfonie [a type of Czech folk dance] in D maj, F maj, G min for strings (violin I–V, double bass 2 oboes, 2 bassoons, 2 French / violoncello), cymbals, triangle, horns and strings snare drum and bass drum MAB I/72, ed. M. Poštolka ed. Z. Nouza H 4585 score ♦ H 7954 score and parts Martinů Bohuslav Šesták Zdeněk (1890–1959) (*1925) Divertimento (Serenade No. 4) Concerto per orchestra d’archi H. 215 H 6429 score violin solo, viola solo, 2 oboes, piano and strings Vodička Václav Dvořák Antonín H 1503 parts (1720–1774) (1841–1904) H 366 study score COPY Sinfonia in C (pocket format) Serenade Op. 44 (also available on hire) violin I II, viola, violoncello, dou- for wind instruments, ble bass, harpsichord violoncello and double bass rev. H. Krupka, J. Snížková Urtext, ed. R. Tait ♦ H 3740 score BA 10424 score Martinů Bohuslav BA 10424-22 set of parts in (1890–1959) Zach Jan slipcover (1699–1773) Sinfonia Concertante No. 2 In 1878 Dvořák visited Vienna H. 322 Cinque sinfonie d’archi and was so impressed by a for violin, oboe, bassoon, violon- violin I II, viola, double bass performance of Mozart’s Wind cello and small orchestra MAB I/43, ed. J. Pohanka Serenade in B-flat major K. 361 eds. Ch. Hogwood, M. Pechač H 2852 score and parts that he wrote his own wind in one volume with String serenade within the space of Quartet with Orchestra H. 207, two weeks after his return. eds. Ch. Hogwood, P. Žůrek Our new Urtext edition draws BMCE III/2/4 “Quadruple Chamber Orchestra on the first print by Simrock Concertos”, eds. Ch. Hogwood, while using the autograph to P. Žůrek, M. Pechač concertos and concertante works correct a number of mistakes BA 10577-01 cloth bound score with chamber orchestra – see and above all inconsistencies individual instruments in articulation. The concerto grosso is the ● First Urtext edition of formal basis of both concer- Benda Jiří Antonín tante compositions for four (1722–1795) Dvořák’s popular wind serenade solo instruments and orchestra Sinfonie I–III included in this volume of the ● Detailed preface (Eng/Cz/ BMCE. The works were written in D maj, G maj, C maj Ger) by Dvořák expert D. R. flute, oboe, 2 French horns, violin nearly twenty years apart and Beveridge and critical report are quite different in style. I II, viola, violoncello, double bass, (Eng) by the editor harpsichord The Sinfonia Concertante No. 2 MAB I/58, ed. J. Pohanka from 1949 is clear and con- H 3555 score and parts Fils Antonín vincing evidence of Martinů’s (1733–1760) “Haydnesque” liberated Sinfonie IV–VI Sei sinfonie per orchestra creative approach. in F maj, G maj, E-flat maj 2 flutes, 2 French horns, violin I II, 2 flutes, 2 oboes, 2 French horns, viola, double bass ● First scholarly-critical edition violin solo, violin I II, viola, violon- MAB I/44, ed. J. Pohanka cello, double bass, harpsichord ● Detailed preface by P. Žůrek H 2958 score ♦ MAB I/62, ed. J. Pohanka and M. Pechač, critical report H 3789 score and parts Korte Oldřich F. by the editors (Eng/Cz) (1926–2014) Concerto grosso → the BMCE volumes pp. 40 –41
2 trumpets, 2 flutes, piano and ♦ Performance material strings available on hire H 7554 study score ♦
49 Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma FrantišekORCHESTRACHAMBER Ignác Antonín MUSIC • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda FrantišekMUSICA • Benda Jiří ANTIQUA Antonín • Brixi František BOHEMICA Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- na AdamThe z Otradovic Musica Antiqua • Mysliveček Bohemica Josef • Plánickýof the Josef 17th Antonínand 18th century• Rejcha and Antonín • InRössler-Rosetti 1969 this instrumental František series Antonín • Seger Josef Ferdinand(MAB) edition Norbert series • Tůma is a collection František Ignácat Antonínthe courts • Vejvanovskýof their domestic Pavel Josef •was Voříšek complemented Jan Václav byHugo another, • Vranický Antonín • Vranickýof Pavel the compositions • Zach Jan • Zelenkaof various Jan Dismasnobility • Benda. The František series has • Bendapublished Jiří Antonínvocal • Brixi one, František which includes Xaver signifi- • Brixi Šimon • Dusík authors of Czech origin ranging critical editions of the works of Jiří cant representations of works by Jan Ladislavfrom • the Dušek Baroque František period Xaver to that • Fils of AntonínAntonín • Koželuh Benda, LeopoldAntonín Rejcha,• Kramář-Krommer Jan Dismas František Zelenka Vincenc and Jiří • Linek Anto -Jiří Ignác • Losy Jan earlyAntonín Romanticism • Michna. ItAdam was begun z Otradovic •František Mysliveček Xaver Josef Dušek, • Plánický the most Josef Antonínnín Benda; • Rejcha the Antonínyoungest • author Rössler-Rosetti Fran- tišek Antonínin 1934 • bySeger the BrnoJosef musicologist Ferdinand Norbert revelational • Tůma František editorial Ignác impact Antonín can • Vejvanovskýchronologically Pavel isJosef Jan Václav • Voříšek Hugo Jan Václav Hugo • VranickýVladimír AntonínHelfert; after • Vranický a wartime Pavel • Zachbe Janseen • inZelenka the multi-volume Jan Dismas • Benda FrantišekVoříšek (1791–1825) • Benda Jiří. Antonín • Brixi František Xaver • Brixibreak Šimon and the • Dusíkdeath Janof the Ladislav origi- • Dušekinclusions František of XaverJan Ladislav • Fils AntonínDusík, • Koželuh Leopold • Kramář-Krommer František Vincenc nal• Linek editor, Jiří it Ignác was taken • Losy up Jan by Antonínthe • MichnaPavel Josef Adam Vejvanovský, z Otradovic Jan •Václav Mysliveček Although Josef • Plánický it is merely Josef an incompleteAntonín • Rejcha Antonín Prague• Rössler-Rosetti publisher Supraphon František andAntonín • SegerHugo Voříšek,Josef Ferdinand and other Norbert authors • Tůma studyFrantišek on Czech Ignác music Antonín history, • Vejvanovský the Pavel Josef • Voříšeklater Bärenreiter Jan Václav Praha, Hugo and • Vranický its last Antonínwho had• Vranický previously Pavel been • Zach largely Jan • ZelenkaMAB Jan edition Dismas series • Bendaconstitutes František a • Benda Jiří volume was published in 2003. underestimated. It comprises unique anthology of compositions Antonín • Brixi František Xaver • Brixi Šimon •compositions Dusík Jan Ladislav of all genres, • Dušek ranging František Xaverof the •given Fils Antonín period, thus • Koželuh acting asLeopold a • Kra- mář-KrommerThe first, František instrumental Vincenc series • Linek maps Jiří Ignácfrom • pianoLosy Jan and Antonín violin works • Michna to Adambasic z Otradovic guideline • Myslivečekfor further research Josef • Plánický Josef Antonínthe life • andRejcha work Antonín of Czech • compoRössler-Rosetti- chamber František music Antonín and symphonic • Seger Josef Ferdinandin this field, Norbert especially • Tůma in Františekthe region Ignác Anto- nín • Vejvanovskýsers both in Pavel European Josef metropolises • Voříšek Jan Václavscores Hugo. • Vranický Antonín • Vranickýof PavelCentral • ZachEurope Jan. • Zelenka Jan Dismas •
Benda František3 přímé barvy - viz VZOR!!! • Benda Jiří Antonín • Brixi3 přímé barvy - viz VZOR!!! František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan 3 přímé barvy - viz VZOR!!! M3 přímé barvyUSICA - viz VZOR!!! ANTIQUA MUSICA ANTIQUA • Zelenka Jan Dismas • Benda František • BendaBOHEMICA Jiří Antonín • Brixi FrantišekBOHEMICA Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold48 • Kramář-Krommer FrantišekSERIA VincencII • Linek Jiří Ignác • Losy Jan Antonín • Mich- 5 PAVEL JOSEF VEJVANOVSKÝ na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • RejchaJAN Antonín DISMAS ZELENKA • Rössler-Rosetti František Antonín • Seger
Josef3 přímé Ferdinandbarvy - viz VZOR!!! Norbert • Tůma FrantišekMUSICA COMPOSIZIONIIgnác 3A příméNTIQUA barvy -Antonín viz VZOR!!! • Vejvanovský PavelMPSALMIUSICA Josef ANTIQUA • Voříšek Jan Václav Hugo • Vranický Antonín • per orchestra ET Vranický Pavel • Zach Jan • Zelenka Jan DismasBOHEMICA • Benda František • BendaMAGNIFICAT JiříB AntonínOHEMICA • Brixi František Xaver • Brixi Šimon • Dusík 48 PARTITURA SERIA II Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-KrommerPARTITURA 5 František Vincenc • Linek Jiří Ignác • PAVEL JOSEF VEJVANOVSKÝParte seconda Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický JosefJAN DISMAS Antonín ZELENKA • Rejcha Antonín • Rössler-Rosetti Fran- 3 přímé barvy - viz VZOR!!! MUSICACOMPOSIZIONI ANTIQUA3 přímé barvy - viz VZOR!!! MPSALMIUSICA ANTIQUA tišek Antonín • Seger Josef Ferdinand Norbertper orchestra • Tůma František Ignác Antonín • ETVejvanovský Pavel Josef • Voříšek Jan Václav BOHEMICA MAGNIFICATBOHEMICA Hugo • Vranický Antonín • Vranický Pavel •48 PARTITURAZach Jan • Zelenka Jan Dismas • Benda SERIAFrantišek II • Benda Jiří Antonín • Brixi František PARTITURA 5 ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín JAN• Koželuh DISMAS ZELENKA Leopold • Kramář-Krommer František EDITIO SUPRAPHON BÄRENREITER PRAHA 9790260102484 9790260102484 H 4974 3 přímé barvyVincenc - viz VZOR!!! • Linek Jiří Ignác • Losy JanM USICAAntonínCOMPOSIZIONI ANTIQUA • Michna3 přímé barvy Adam - viz VZOR!!! z Otradovic • MyslivečekMPSALMIUSICA Josef ANTIQUA • Plánický Josef Antonín • Rejcha per orchestra ET Antonín • Rössler-Rosetti František AntonínBOHEMICA • Seger Josef Ferdinand Norbert • TůmaMAGNIFICATBOHEMICA František Ignác Antonín • Vejvanovský Pavel 48 PARTITURA SERIA II Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • ZelenkaPARTITURA 5 Jan Dismas • Benda František • Benda Jiří ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 JAN DISMAS ZELENKA EDITIO SUPRAPHON BÄRENREITER PRAHA 9790260102484 9790260102484 Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek FrantišekH 4974 Xaver • Fils Antonín • Koželuh Leopold • Kra- 3 přímé barvy - viz VZOR!!! MUSICACOMPOSIZIONI ANTIQUA 3 přímé barvy - viz VZOR!!! MPSALMIUSICA ANTIQUA mář-Krommer František Vincenc • Linekper orchestra Jiří Ignác • Losy Jan Antonín • Michna Adam zET Otradovic • Mysliveček Josef • Plánický BOHEMICA MAGNIFICATBOHEMICA
Josef Antonín • Rejcha Antonín • Rössler-Rosetti48 PARTITURA František Antonín • Seger Josef FerdinandSERIA II Norbert • Tůma František Ignác Anto- PARTITURA 5 ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • VranickýJAN PavelDISMAS ZELENKA • Zach Jan • Zelenka Jan Dismas • EDITIO SUPRAPHON BÄRENREITER PRAHA 9790260102484 9790260102484 H 4974 3 přímé barvy - viz VZOR!!! Benda František • Benda JiříM AntonínUSICACOMPOSIZIONI ANTIQUA • Brixi František Xaver3 přímé barvy - viz• VZOR!!! Brixi Šimon • Dusík Jan LadislavMPSALMIUSICA ANTIQUA • Dušek František Xaver • Fils Anto- per orchestra ET nín • Koželuh Leopold • Kramář-KrommerBOHEMICA František Vincenc • Linek Jiří Ignác • Losy JanMAGNIFICAT AntonínBOHEMICA • Michna Adam z Otradovic • 48 PARTITURA SERIA II Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František AntonínPARTITURA 5 • Seger Josef Ferdinand Norbert • ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 JAN DISMAS ZELENKA EDITIO SUPRAPHON BÄRENREITER PRAHA 9790260102484 9790260102484 Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • VranickýH 4974 Antonín • Vranický Pavel • Zach Jan 3 přímé barvy - viz VZOR!!! MUSICACOMPOSIZIONI ANTIQUA 3 přímé barvy - viz VZOR!!! MPSALMIUSICA ANTIQUA • Zelenka Jan Dismas • Benda Františekper orchestra • Benda Jiří Antonín • Brixi František Xaver • Brixi ŠimonET • Dusík Jan Ladislav • Dušek BOHEMICA MAGNIFICATBOHEMICA
František Xaver • Fils Antonín •48 PARTITURAKoželuh Leopold • Kramář-Krommer František Vincenc • Linek SERIAJiří II Ignác • Losy Jan Antonín • Mich- PARTITURA 5 ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-RosettiJAN DISMAS ZELENKA František Antonín • Seger EDITIO SUPRAPHON BÄRENREITER PRAHA 9790260102484 9790260102484 H 4974 3 přímé barvy - viz VZOR!!! Josef Ferdinand NorbertMUSICA COMPOSIZIONI• Tůma ANTIQUA František Ignác Antonín • Vejvanovský3 přímé barvy - viz VZOR!!! Pavel Josef • Voříšek MJanPSALMIUSICA Václav ANTIQUA Hugo • Vranický Antonín • per orchestra M ET Vranický Pavel • Zach JanBOHEMICA • Zelenka Jan Dismas • Benda FrantišekA • Benda Jiří Antonín • BrixiMAGNIFICAT FrantišekBOHEMICA Xaver • Brixi Šimon • Dusík 48 PARTITURA B SERIA II Jan Ladislav • Dušek František Xaver • Fils Antonín● A• Koželuhunique collection Leopold of• Kramář-Krommer FrantišekPARTITURA 5 Vincenc • Linek Jiří Ignác • ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 JAN DISMAS ZELENKA EDITIO SUPRAPHON compositions from Central BÄRENREITER PRAHA 9790260102484 9790260102484 Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • RejchaH 4974 Antonín • Rössler-Rosetti Fran- 3 přímé barvy - viz VZOR!!! MUSICACOMPOSIZIONI ANTIQUA 3 přímé barvy - viz VZOR!!! MPSALMIUSICA ANTIQUA tišek Antonín • Seger Josefper orchestra Ferdinand Norbert • Tůma-European František music Ignác of theAntonín 17th, • Vejvanovský PavelET Josef • Voříšek Jan Václav BOHEMICA 18th, and early 19th century MAGNIFICATBOHEMICA Hugo • Vranický Antonín48 •PARTITURA Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • BendaSERIA Jiří II Antonín • Brixi František PARTITURA 5 ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh LeopoldJAN • DISMAS Kramář-Krommer ZELENKA František EDITIO SUPRAPHON ● BÄRENREITER PRAHA 9790260102484 All genres of instrumental9790260102484 H 4974 Vincenc • Linek JiříMUSICACOMPOSIZIONI Ignác ANTIQUA • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • PlánickýMPSALMIUSICA Josef ANTIQUA Antonín • Rejcha per orchestra music and choral works ET Antonín • Rössler-RosettiBOHEMICA František Antonín • Seger Josef Ferdinand Norbert • Tůma František IgnácMAGNIFICAT AntonínBOHEMICA • Vejvanovský Pavel
48 PARTITURA SERIA II Josef • Voříšek Jan Václav Hugo • Vranický Antonín● Each• Vranický publication Pavel includes • Zach Jan a • Zelenka Jan DismasPARTITURA • Benda5 František • Benda Jiří ISMN 979-0-2601-0248-4 PAVEL JOSEF VEJVANOVSKÝParte seconda ISMN 979-0-2601-0248-4 JAN DISMAS ZELENKA EDITIO SUPRAPHON BÄRENREITER PRAHA 979026Antonín0102484 • Brixi František Xaver • Brixi Šimon • Dusíkdetailed Jan Ladislav preface • byDušek 97the9026010248 4 editor, František Xaver • Fils Antonín • Koželuh Leopold • Kra- H 4974 COMPOSIZIONI PSALMI mář-Krommer Františekper orchestra Vincenc • Linek Jiří Ignác • aLosy list ofJan sources Antonín and • relevantMichna Adam z Otradovic • MyslivečekET Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Františekliterature, Antonín and a critical • Seger Josef Ferdinand Norbert MAGNIFICAT• Tůma František Ignác Anto- PARTITURA commentary (Cz/Ger/Eng) PARTITURA ISMN 979-0-2601-0248-4 nín • Vejvanovský PavelParte seconda Josef • Voříšek Jan Václav Hugo • Vranický AntonínISMN 979-0-2601-0248-4 • Vranický Pavel • Zach Jan • Zelenka Jan Dismas •
EDITIO SUPRAPHON BÄRENREITER PRAHA 9790260102484 9790260102484 Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • DušekH 4974 František Xaver • Fils Anto- nín • Koželuh50 Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • ISMN 979-0-2601-0248-4 ISMN 979-0-2601-0248-4
Tůma František IgnácEDITIO SUPRAPHONAntonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický AntonínBÄRENREITER • Vranický PRAHA Pavel • Zach Jan 9790260102484 9790260102484 H 4974 • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan ORCHESTRA • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Reicha Anton (1770–1836) Symphony Orchestra Dvořák Antonín Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • (1841–1904) Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Symphony in E-flat maj Op. 41 concertos and concertante works Symphony No. 7 in D min Op. 70 Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • flute, 2 oboes, 2 bassoons, 2 with symphony orchestra – see Urtext, ed. J. Del Mar Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran- French horns, timpani, strings individual instruments MAB I/76, ed. V. Bělský BA 10417• score ° tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav BA 10417-40• critical commen- Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František H 5270 score ♦ Dvořák Antonín (1841–1904) tary (Eng) Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František TP 617• study score Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Teml Jiří Czech Suite Op. 39 (replaces TP 507) (*1935) Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel ADCE III/17, ed. O. Šourek H 519 score ♦ COPY Dvořák’s Symphony No. 7 re- Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Concerto grosso (Hommage ceived its premiere on 22 April Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra- à Haendel) Josef Kajetán Tyl Op. 62 1885 in London conducted by mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický 2 flutes, 2 oboes, clarinet, 2 bas- incidental music to the epony- the composer himself. The fol- Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto- soons, 2 French horns, 2 trum- mous play by F. F. Šamberk lowing June the 2nd movement nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • pets, timpani and strings with melodramatic text underlay was shortened by some 40 bars H 7531 study score (Cz/Ger) and the work was published in Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- ADCE I/9, eds. J. Burghauser, nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • this form in 1885 by Simrock. Tomášek Václav Jan J. Hanuš The editor of this new scholar- Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • ♦ (1774–1850) H 5849 score ly-critical edition has drawn on Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan Slavonic Rhapsody in D maj all the available sources includ- • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek Symphony in D maj Op. 30 → see Symphony Orchestra Op. 45/1 ing letters. František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- → page 53 na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger ● First Urtext edition Vejvanovský Pavel Josef Slavonic Rhapsody in G min Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • (1640–1693) ● Original London version of the Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Op. 45/2 2nd movement in the appen- → page 53 Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Composizioni per orchestra dix of the score as well as in Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran- MAB 1/47–49, ed. J. Pohanka Slavonic Rhapsody in A-flat maj the performance material H 3079 vol. 1 score ♦ Op. 45/3 tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav ● Detailed preface (Cz/Eng/ H 3171 vol. 2 score ♦ → page 53 Ger) and separately published Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František H 3230 vol. 3 score ♦ Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Suite in A maj Op. 98b critical commentary (Eng) by Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Serenate e sonate per orchestra ADCE III/17 the editor Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel 2 clarinos, strings and basso H 2307 score ♦ continuo Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Symphony No. 1 in C min B 9 Dvořák Antonín MAB I/36, ed. J. Pohanka Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra- “The Bells of Zlonice” (1841–1904) H 2334 score ♦ mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický („Zlonické zvony“) ed. F. Bartoš Symphony No. 8 in G maj Op. 88 Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto- Voříšek Jan Václav Hugo Urtext, ed. J. Del Mar TP 501• study score ♦ nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • (1791–1825) BA 10418• score ° Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- Symphony No. 2 in B-flat maj BA 10418-40• critical commen- nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Symphony in D maj Op. 4 tary (Eng) Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • → see Symphony Orchestra ed. F. Bartoš TP 618• study score TP 502• study score ♦ (replaces TP 508) Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan Zelenka Jan Dismas • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek (1679–1745) Symphony No. 3 in E-flat maj The performance material František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- Op. 10 available up till now for Dvořák’s na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Composizioni per orchestra I ed. F. Bartoš sun-filled cheerful Symphony Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • MAB I/61, eds. C. Schoenbaum, TP 503• study score ♦ No. 8 has been notorious for its O. Pulkert Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Symphony No. 4 in D min Op. 13 myriad mistakes. The challenge H 3788 score ♦ Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • ed. F. Bartoš of correcting it has now been Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran- TP 504• study score ♦ taken over by the editor Jona- Sinfonia, Hipocondrie, than Del Mar. tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Capriccio I–V Symphony No. 5 in F maj Op. 76 Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František ed. F. Bartoš ● Score and orchestral parts in Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František TP 505• study score ♦ an enlarged format Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Symphony No. 6 in D maj Op. 60 ● Informative preface (Eng/Cz/ Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel ed. F. Bartoš Ger) and separately published Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří TP 506• study score ♦ critical commentary (Eng) on Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra- • Bärenreiter-Verlag Kassel production sources and alternative read- ings by the editor mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Performance material available ♦ Performance material Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto- ● With facsimile pages ° on sale available on hire nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • 51 Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek ORCHESTRA
Dvořák Antonín Hanuš Jan Two Dances (1841–1904) (1915–2004) Cossack Dance (Kozáček), Serbian Reel (Srbské kolo) Symphony No. 9 in E min Op. 95 Symphony No. 3 Op. 38 ed. J. Burghauser “From the New World” H 2741-66 study score ♦ BA 6171 / H 4657 score ♦ ed. F. Bartoš (pocket format) TP 509• study score ♦ Lachian Dances (Lašské tance) Symphony No. 4 for Large LJCE D/4, eds. J. Burghauser, Orchestra Op. 49 R. Eliška H 3506 study score ♦ BA 6845• cloth bound score ♦ ♦ Hurník Ilja H 6571 score (1922–2013) (practical edition) H 6065 piano reduction Con brio per orchestra (Jindřich Máslo) H 7803 score ♦ Entr’actes from the opera The Cunning Little Vixen (Meziaktní hudba z opery Příhody lišky Bystroušky) arr. F. Jílek H 7505 study score Suite from the opera From the House of the Dead (Suita z opery Z mrtvého domu) arr. F. Jílek Dvořák Antonín H 7506 study score (1841–1904) Sinfonietta Symphony No. 9 in E min Op. 95 H 7741 piano reduction ♦ “New World” for four hands Urtext, ed. J. Del Mar (František Jílek) BA 10419• score ° Janáček Leoš The “New World” Symphony, (1854–1928) a jewel of the symphonic rep- ertoire, is finally available in a The Danube (Dunaj) dependable scholarly-critical symphony (with soprano solo) edition. Yet again Jonathan Del critical reconstruction of the Mar has managed to untangle composer’s unfinished sym- a complex network of surviving phony sources, some of which have LJCE H/3, eds. L. Faltus, never been taken into account M. Štědroň before. BA 6861 / H 7950 cloth bound score ♦ ● Groundbreaking Urtext Taras Bulba edition taking new sources The Danube symphony with four Rhapsody for Orchestra into consideration movements was written inter- LJCE D/7, eds. J. Burghauser, mittently over the course of five J. Hanuš ● Offers solutions for controver- years from 1923 to 1928. Janáček’s BA 6842• cloth bound score ♦ sial musical questions death prevented it from being H 3616 score ♦ finished. Based on the compos- (practical edition) ● With an informative preface Urtext, eds. J. Burghauser, (Eng/Cz/Ger) and a detailed er’s autograph draft and other sources, the score was completed J. Hanuš critical report (Eng) by the new preface J. Zahrádka editor by leading Janáček experts and eminent editors of the LJCE, Mi- (Cz/Eng/Ger) loš Štědroň and Leoš Faltus. This TP 842 study score ♦ is the first time the complete Feld Jindřich score was published in print. (1925–2007) Symphony No. 2 • Bärenreiter-Verlag Kassel production H 7178 score ♦
♦ Performance material Performance material available available on hire ° on sale
52 ORCHESTRA
Trilogy of Slavonic Rhapsodies in new Urtext edition
DVOŘÁK DVOŘÁK DVOŘÁK B Ä R E N R E I T E R U R T E X T B Ä R E N R E I T E R U R T E X T B Ä R E N R E I T E R U R T E X T
Slovanská rapsodie D dur Slovanská rapsodie g moll Slovanská rapsodie As dur
Slavonic Rhapsody in D major Slavonic Rhapsody in G minor Slavonic Rhapsody in A-flat major
Slawische Rhapsodie D-Dur Slawische Rhapsodie g-Moll Slawische Rhapsodie As-Dur
op. 45/ 1 op. 45/ 2 op. 45/ 3
Bärenreiter Bärenreiter Bärenreiter
Dvořák Antonín Slavonic Rhapsody in G min Slavonic Rhapsody in A-flat maj (1841–1904) Op. 45/2 Op. 45/3 Urtext, ed. R. Simon Urtext, ed. R. Simon Slavonic Rhapsody in D maj BA 10402 score ° BA 10403 score ° Op. 45/1 TP 542 study score TP 543 study score Urtext, ed. R. Simon BA 10401 score ° TP 541 study score 11
11 Dvořák composed the Slavonic Grandioso 86 . > > > œ Rhapsodies in 1878, launching Fl. picc. # ú œ œ œ ú ú œ & # ∑ ∑ ∑ his so-called “Slavonic period”. a 2 ƒ #ú. ú. ú. ú œ I ú. ú. ú. Fl. # œ œ œ œ œ œn œ œ œœn œnœ œœ œ When they were issued by the II & # Œ Œ Œ Œ Œ Œ
. . ƒ publisher Simrock the following > > > œ I œ . œ . œ . œ . œ œ œ œ ú. œ œ œ ú ú Ob. # œ œ œn œ œn œ ú. ú. ú. ú œ year, these three self-contained II & # ú œ ú œ ú œ ú œ ú œ ú œ ...... ƒ œ . œ . œ . œ . œ œ. œ œ. ú orchestral pieces in D major, Clar. I œ œ bœ œ bœ œ nú. ú. ú. ú œ (La/A) II & b œ œ œ œ œ œ œ œb œ œ œ œ œ œb œ œ œ œ ú. G minor and A-flat major were a 2 . . . . ƒ I ...... Fag. ? # œ œ œ œ œ œ œ œn œ œ œ œ œ œn œ œ œ ú. ú. gathered together into a single II # œ œ ú. ú. . ú. ú. ú. ú Opus 45. ƒ ...... > > > Cor. I œ œ œ œ œ œ œ œb œ œ œ œ œ œb œ œ œ œ ú. œú. œ œ ú. ú œ The Slavonic Rhapsodies are now (Re/D) II & ú. ú. ú. ú. ú. ú œ . ƒ Cor. III ^ available in separate scholarly- (Mi/E) IV bú. bú. & w. w. ú. ú œ ú. ú bú. . . . bú. ú. . aw 2 w ú ú œ ƒ -critical editions, and editor > > > Trba. I œ (Re/D) II & ú. ú. ú. ú. ú. ú œ ú. œú. œ œ ú. ú œ Robert Simon has taken the > > > > ƒ I Trbne. # ú ú œ original print as the principal II B # ú. ú. ú. ú. ú. ú œ ú. ú. ú. ú. ú ú nú ú nú ú #>ú > > ƒ > source, which was authorised by > > > > Trbne. III ? ## ú. ú. ú. ú. the composer. To complement ú. ú. nú. ú. nú. ú œ these editions, Bärenreiter now ƒ Timp. ? æ æ æ w. w. publishes study scores to each w. w. w. æ æ ƒ rhapsody. Pti. ? G. C. ∑ ∑ ∑ ú Œ ú Œ ú Œ ú Œ ● Work that marks the beginning fGrandioso œ ú. >œ >œ >œ ú œ ú œ of Dvořák’s Slavonic period > > > > Viol. I # ú œ ú œ nú œ ú œ nú œ œ œ œ & # ƒ ● ú. ú New Urtext editions based on œ ú. >œ >œ >œ œ Viol. II ## all known sources & œ œ œ œ œ œ œ œ œ œ œ œ œnœ œ œ œ œ œ œ œ œ œ œ œ œnœ œ œ œ œ œ œ œ œ œ œ ƒ œ ú. >œ >œ >œ ú. ú ● Va. B ## #ú. œ œ œ ú. ú œ All three rhapsodies available œ œ œ œ œ œ œ œ œ œ œ œ œnœ œ œ œ œ œ œ œ œ œ œ œ œnœ œ œ œ œ œ œ œ œ œ œ ƒ as scores, complete perfor- ^ ^ ^ Vc. ? ## ú. ú. ú. mance materials, and now also ú œ ú œ nú œ ú œ nú œ ú œ ú. > > > > ƒ > as study scores ^ ^ ^ Cb. ? # ú. # œ œ œ œ œ œ ú. ú. . ú ú nú ú nú ú >ú ● Prefaces (Eng/Cz/Ger) and > > > > ƒ critical reports in scores (Eng) by the editor From: Antonín Dvořák, Slavonic Rhapsody in D major Op. 45/1 • TP 541
53 ORCHESTRA
Janáček Leoš Slavický Klement (1854–1928) (1910–1999) The Fiddler’s Child Moravian Dance Fantasias (Šumařovo dítě) (Moravské taneční fantazie) Ballad for Orchestra ed. J. Hanuš LJCE D/6, eds. J. Burghauser, H 1211-66 study score ♦ R. Eliška (pocket format) BA 6848• cloth bound score ♦ H 6798-02 score ♦ Rhapsodic Variations NEW 2022 (Rapsodické variace) Kabeláč Miloslav for large orchestra (1908–1979) H 2888 study score ♦ (pocket format) Mystery of Time (Mysterium času) Op. 31 Symfonietta III Passacaglia per grande orchestra Concerto per orchestra H 2799 study score ♦ COPY H 7004 score ♦ (pocket format) Martinů Bohuslav (1890–1959) Smetana Bedřich Kalabis Viktor Les Fresques de Piero della (1824–1884) (1923–2006) Francesca H. 352 Les Parables H. 367 My Country (Má vlast) Symphony No. 2 – Sinfonia pacis BMCE II/2/7, ed. A. Stollberg cycle of six symphonic poems Op. 18 BA 10582-01 cloth bound score Urtext, ed. F. Bartoš H 3759 study score ♦ in preparation new preface M. Ottlová (Cz/Eng/Ger) Korte Oldřich F. ● First ever scholarly-critical TP 557 study score (1926–2014) edition My Country (Má vlast) The Story of the Flutes ● Detailed preface and critical cycle of six symphonic poems (Příběh fléten) report by the editor (Eng/Cz) ed. J. Burghauser symphonic drama practical performance revision of H 3684 study score ♦ COPY each of the poems based on the critical edition Koželuch Leopold Martinů Bohuslav (1747–1818) (1890–1959) Vyšehrad H 6427-01 score ♦ COPY Tre sinfonie Symphony No. 4 H. 305 in D maj, F maj, G min BMCE II/1/4, ed. S. A. Choa Vltava → see Chamber Orchestra BA 10572-01 cloth bound score H 6427-02 score ♦ COPY Symphony No. 4 (1945) is the Krejčí Iša Šárka most joyful of the author’s H 6427-03 score ♦ COPY (1904–1968) six works in the genre. While XX variazioni per orchestra working on the third move- From Bohemian Woods and to an original theme in folk song ment, Bohuslav Martinů re- Fields (Z českých luhů a hájů) style ceived news of the capitulation H 6427-04 score ♦ COPY of Germany. H 5553 score Tábor ● First ever scholarly-critical H 6427-05 score ♦ COPY Martinů Bohuslav edition (1890–1959) Blaník ● Detailed preface and critical H 6427-06 score ♦ COPY Inventions H. 234 report by the editor (Eng/Cz) for large orchestra March for Shakespeare H 335-S study score ♦ ● Extensive Facsimile and Celebrations (Pochod (pocket format) Appendix with original ke slavnosti Shakespearově) version of certain sections Memorial to Lidice ed. F. Bartoš H 3096-66 study score ♦ (Památník Lidicím) H. 296 → the BMCE volumes pp. 40 –41 for symphony orchestra (pocket format) ♦ COPY H 276-S score Prague Carnival
Reicha Anton (Pražský karneval) (1770–1836) ed. F. Bartoš Symphony in E-flat maj Op. 41 ♦ ♦ Performance material H 4054-66 study score → see Chamber Orchestra available on hire (pocket format)
54 ORCHESTRA
Suk Josef Masterpieces of symphonic repertoire (1874–1935) Radúz and Mahulena Op. 13 New critical edition music to a Slovak fairy tale in 4 acts by Julius Zeyer H 1879 piano reductin (Roman Veselý) Scherzo fantastique Op. 25 rev. V. Musil H 5183 score Symphony in C min “Asrael” Op. 27 → page 56 The Winter’s Tale (Pohádka zimního večera) Op. 9 concert overture for large orchestra rev. J. Vogel HM 941 score ♦ COPY
Tomášek Václav Jan (1774–1850) Symphony in D maj Op. 30 All the symphonic poems were flute, 2 oboes, 2 clarinets, 2 bas- first published by Urbánek, soons, 2 French horns, 2 clarinos, initially in the composer’s timpani and strings arrangement for four-hands ed. Š. Jedličková piano (1879–80). The scores and H 7568 score ♦ orchestral parts 3 příméof barvy -Vyšehrad viz VZOR!!! and Vltava were issued in 1880 with Smetana’s supervision, the score of From Bohemian Woods and Fields followed in 1881, and the MUSICA ANTIQUA BOHEMICA
remaining three poems (Šárka, 34
Tábor, and Blaník) were not JAN VÁCLAV (HUGO) VOŘÍŠEK printed until the composer’s SINFONIA death. Re maggiore
Smetana Bedřich PARTITURA (1824–1884) ● Prefaces by eminent Smetana scholar O. Mojžíšová (Cz/Eng) Vyšehrad Urtext, ed. H. Macdonald ● Editorial notes (Cz/Eng/Ger) BA 11534 score ♦ ISMN 979-0-2601-0248-4 and detailed critical report 9790260102484 Vltava / The Moldau (Eng) by the editor Urtext, ed. H. Macdonald Voříšek Jan Václav Hugo BA 9558 score Tábor and Blaník in the new ° (1791–1825) TP 558 study score edition will be available on hire (the composer’s own version for in 2021. Symphony in D maj piano four hands – see section 2 flutes, 2 oboes, 2 clarinets, Piano Duet) 2 bassoons, 2 French horns, 2022 Šárka NEW 2 trumpets, timpani, strings MAB I/34, ed. F. Bartoš Urtext, ed. H. Macdonald My Country (Má vlast) H 2262 score ♦ BA 11532 score ♦ cycle of six symphonic poems H 7323 piano reduction for four Urtext, ed. H. Macdonald From Bohemian Woods and hands (Karel Šolc) Fields (Z českých luhů a hájů) TP 559 study score Urtext, ed. H. Macdonald (will replace TP 557) BA 11533 score ♦ complete cycle in a new critical edition Performance material available ° on sale
55 ORCHESTRA / SOLO VOICE
Solo Voice (Voices) with piano / with other accompaniment SUK · Symphony in C minor “Asrael” · Op. 27 SUK hřbet 168 stran/ 10mm B Ä R E N R E I T E R U R T E X T hřbet 168 stran/ 10mm in New York in 1894. While still Symfonie c moll Symphony in C minor in New York, Dvořák prepared Symphonie c-Moll DVOŘÁK orchestral arrangement of the „Asrael“ B Ä R E N R E DVOŘÁKI T E R U R T E X T first five songs in the first January op. 27 B Ä R E N R E I T E R U R T E X T Biblické písně week of 1895. The original piano vyšší hlas Biblické písně version of the cycle was first Biblical Songsnižší hlas high voice published by Simrock in Berlin in Partitura / Score / Partitur Biblical Songs Biblische Liederlow voice hohe Stimme early 1895. Biblische Lieder Bärenreiter op. 99 tiefe Stimme
Bärenreiter The principal source for this new op. 99 2021 NEW edition is the Simrock first print,
BA 11517 Dvořák, Písně II (vyšší hlas) / Songs II (high voice) / Lieder II (hohe Stimme) which contains a separate music
BA 11517 Dvořák, Písně II (vyšší hlas) / Songs II (high voice) / Lieder II (hohe Stimme) staff with altered notation for Bärenreiter the German and English transla- Bärenreiter tions. This solution, sanctioned Suk Josef by the composer himself, reflects (1874–1935) Dvořák’s essential view of linguis- Symphony in C min “Asrael” Dvořák Antonín tic declamation and has been Op. 27 (1841–1904) adopted by our edition. Urtext, ed. J. Hájek Biblical Songs BA 9532 score ♦ ● New Urtext edition based on (Biblické písně) Op. 99 the original print (1895), in two for voice and piano Roughly eight months after the authorized versions for high Urtext, ed. E. Velická and low voice death of Antonín Dvořák (1 May vocal text: Cz/Eng/Ger 1904), his son-in-law Josef Suk BA 10425 for high voice ● Detailed preface by David R. began to compose a funeral (replaces H 1758-96) Beveridge (Cz/Eng/Ger) and symphony. While he was work- BA 10426 for low voice critical report by the editor (Eng) ing on it fate struck a second (replaces H 1560-97) –––––––––––––––––––––––––– time with the death of his be- orchestral arrangement by loved wife, Otilie. He dedicated The ten Biblical Songs are the A. Dvořák (the first five songs) the five-movement symphony culmination of Antonín Dvořák’s and by J. Burghauser with J. Hanuš to Dvořák and his daughter song output. This unique cycle, (the second five songs) based on Otilie and named it after the based on Czech Psalm texts from AD Complete Edition available on Angel of Death “Asrael”. the Kralice Bible, was composed hire (only for low voice) The principal source for our edition is the first edition of Biblické písně/Biblical Songs/Biblische Lieder the score (1907), supplemented I Antonín Dvořák, op. 99 by the corrections Suk entered Andantino f p 3 at the suggestion of conductor 8 Clouds and dark - ness are round a - bout Him, Václav Talich (1921). The most Um ihn her ist Wol - ken und Dun - kel, significant change was the f p 3 expansion of the orchestra to 8 include ad libitum parts for the Ob-lak a mrá- ko - ta jest vů - kol Ně- ho, 3 fifth and sixth horns. 8 f fz ● First scholarly-critical edition 3 8 ● With Suk’s later corrections, 8 including ad libitum parts for the fifth and sixth horns Right - eous - ness and judg - ment, these are His hab - i - sei - nes Thro - nes Ve - ste, Recht und Ge - rech - tig - ● Detailed preface (Cz/Eng/ Ger) and critical report (Eng) by the editor spra - ve-dl-nost a soud zá- klad trů- nu f p fp fz fz 15 f - ta- tion. From His pre - sence go - eth fire and con- 56 - keit. Feu - er ge - het vor ihm her und ver- f Je- ho. O - heň před- chá - zí Jej a za- pa-lu - je ff ffz BA 10426 © 2021 by Bärenreiter Praha SOLO VOICE
Dvořák Antonín Russian Songs (Ruské písně) (1841–1904) tenor Gustav Walter, a member for two female voices and piano of the Vienna Court Opera, to 16 Russian songs from Songs of Cypresses (Cypřiše) B 11 whom the cycle is dedicated. for tenor and piano the Russian People arranged by Dvořák wrote the music directly the composer song cycle to words by Gustav for the German translations of Pfleger-Moravský vocal text: Cz/Ru the poems, which were provided ADCE VII/5, eds. L. Láska, vocal text: Cz for this purpose by the poet Urtext, ed. A. Frese O. Nebuška, K. Šolc himself. The songs were first H 441 COPY BA 9569 published by Simrock in German in summer 1880; the same pub- ● First ever Urtext edition of 18 lisher released another version love songs by young Dvořák including vocal text in Czech ● Literal translations of the vocal and English a year later. Editor text included (Eng/Ger) Veronika Vejvodová chose the first edition as the main source. ● Detailed preface by D. R. Beve- ridge (Eng/Ger/Cz) and critical ● Third volume (from five) of report (Eng) by the editor the new Urtext edition of Evening Songs (Večerní písně) Dvořák’s complete songs for Opp. 3, 9 voice and piano NEW 2022 for voice and piano ● One of the most popular and to words by Vítězslav Hálek most famous Romantic song vocal text: Cz/Eng cycles ADCE VI/1, ed. A. Čubr H 553 COPY ● Detailed preface (Cz/Eng/Ger) (will be replaced with the new and critical report (Eng) by edition as part of the volume the editor Dvořák Antonín Songs I – BA 11515, BA 11516) –––––––––––––––––––––––– (1841–1904) orchestral arrangement by J. Teml available on hire (only Songs I (Písně I) for low voice) for voice and piano vocal text: Cz/Eng/Ger Urtext, ed. V. Vejvodová BA 11515 for high voice Dvořák Antonín BA 11516 for low voice (1841–1904) in preparation Love Songs (Písně milostné) Two Songs for Baritone (Dvě Op. 83 písně pro baryton) s. op. (B 13), to words by Gustav Pfleger- Songs to Words by Eliška Krásno- Moravský horská (Písně na slova Elišky now as part of the new Urtext Krásnohorské) s. op. (B 23), The volume Songs II – BA 11517, BA Orphan (Sirotek) Op. 5, Rosemary 11518 (replaces the old edition (Rozmarýna) s. op. (B 24bis), Four H 2227) Songs to the Words of Serbian Moravian Duets (Moravské Folk Poems (Čtyři písně na slova dvojzpěvy) Opp. 20, 32, 38 srbské lidové poezie) Op. 6, Dvořák Antonín for two voices (soprano and Songs from the Dvůr Králové (1841–1904) tenor / soprano and alto) and Manuscript (Písně z Rukopisu Gypsy Songs (Cigánské melodie) piano to the words of Moravian královédvorského) Op. 7, Evening Op. 55 folk songs Songs (Večerní písně) Opp. 3, 9, 31 vocal text: Cz/Ger/Eng for voice and piano The volume Songs I includes to words by Adolf Heyduk ADCE VI/3, ed. A. Čubr H 337 songs from Dvořák’s early pe- vocal text: Cz/Eng/Ger riod, many of them are almost Urtext, ed. V. Vejvodová Rusalka’s Song to the Moon unknown and rarely performed. BA 10431 for high voice (Píseň Rusalky o měsíčku) Some songs were previously BA 10432 for low voice aria for soprano and piano from unpublished. Now they appear the 1st act of the opera Rusalka in the first Urtext edition. Dvořák composed the song vocal text by Jaroslav Kvapil cycle Gypsy Songs to the words (Cz/Ger/Eng) of Czech poet Adolf Heyduk H 4460 vocal score ♦ ♦ Performance material in early 1880 by request of the (Karel Šolc) available on hire
57 SOLO VOICE
Dvořák Antonín (1841–1904) Songs from the Dvůr Králové Manuscript (Písně z Rukopisu královedvorského) Op. 7 for voice and piano vocal text: Cz/Ger/Eng ADCE VI/1, ed. A. Čubr H 3082 COPY (will be replaced with the new edition as part of the volume Songs I – BA 11515, BA 11516) Songs on Poems by Gustav Pfleger-Moravský (Písně na slova Gustava Pflegra-Moravského) Op. 2 now as part of the new Urtext Eben Petr Dvořák Antonín volume Songs II – BA 11517, (1929–2007) (1841–1904) BA 11518 (replaces H 2829) Nursery Songs Songs II (Písně II) Songs to Words by Eliška (Říkanky) for voice and piano Krásnohorská B 23 for high voice (children’s) and vocal text: Cz/Eng/Ger for voice and piano piano Urtext, ed. V. Vejvodová vocal text: Cz/Ger/Eng six songs to the words of English BA 11517 for high voice ADCE VI/1, eds. J. Burghauser, limericks BA 11518 for low voice A. Čubr vocal text: Eng/Cz Three Modern Greek Songs H 2632 COPY children’s favourite songs, (Tři novořecké básně) Op. 50 (will be replaced with the new suitable for teaching English (B 84a, B 84b), Songs on Poems edition as part of the volume H 7810 score with part Songs I – BA 11515, BA 11516) by Gustav Pfleger-Moravský Secret Songs (Písně na slova Gustava Pflegra- Three Spiritual Songs (Písně nejtajnější / Heimliche Moravského) Op. 2 (B 123–124), (Tři duchovní zpěvy) Op. 19b Lieder) Two Czech Folk Poems (Dvě písně for low voice and organ for low voice and piano na lidové texty) s. op. (B 142), vocal text: Lat love songs to words by various In Folk Style (V národním tónu) ADCE VI/1, eds. J. Burghauser, authors Op. 73 (B 146), Four Songs (Čtyři A. Čubr vocal text: Cz/Ger písně) Op. 82 (B 157), Love Songs H 4956 H 3533 (Písně milostné) Op. 83 (B 160), Lullaby (Ukolébavka) s. op. Ave Maria, Hymnus ad laudes (B 160), Song from The Smith in festo SS. Trinitatis, Ave maris of Lešetín (Zpěv z Lešetínského stella kováře) op. posth. (B 204) The volume Songs II comprises 100 mature works from Dvořák’s Ukolébavka/Lullaby/Wiegenlied late period. Besides the well- known cycle Love Songs, the volume also contains some less- Andante Antonín Dvořák, B 194 p known or entirely unknown and 3 previously unpublished pieces. 8 Spi, mé zla - té bou - be - le - té ma - lé dě - ťá - tko; ● Sleep, my ten - der lit - tle gol - den che - rub, child of mine. Second volume of the new Schlaf,mein gol - dnes wo - nne-vo - lles klei - nes Kin - de - lein; five-volume Urtext edition of 3 Dvořák’s complete songs for 8 voice and piano p ● First Urtext edition with de- 3 tailed preface (Cz/Eng/Ger) 8 and critical report (Eng) by the editor
● First-ever print of some of rit. 7 mf p the songs From: Antonín Dvořák, Lullaby (published for the first time) in the volume Songs II • BA 11517 noc se tem - ná kva-pem blí - ží, spá - nek ví - čka ma - lá tí - Night has fal - len dark and som - bre, eye - lids droop with hea - vy slum - 58 dun - kle Nacht kommt ei - lig nä - her, Schlaf be - schwert die Au - gen - lie - mf p
in tempo rit. 14 pp - ží, spi, mé pou - pát - ko! - ber, sleep, my ce - lan - dine! - der, schlaf, mein Her - ze - lein! pp SOLO VOICE
So lasst mich scheinen, Des Harfners Ballade – Was hör’ ich FIBICH draußen vor dem Tor?, Lied des B Ä R E N R E I T E R U R T E X T Harfners – Wer sich der Einsam- Písně keit ergibt na texty Johanna Wolfganga von Goethe
Songs on Texts by Johann Wolfgang von Goethe The Czech composer Zdeněk Lieder auf Texte von Johann Wolfgang von Goethe Fibich had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to
BA 11517 Dvořák, Písně II (vyšší hlas) / Songs II (high voice) / Lieder II (hohe Stimme) texts by Johann Wolfgang von Goethe while still a student at Bärenreiter the Leipzig Conservatoire.
Between 1865 and 1871 he com- Eben Petr Fibich Zdeněk posed 15 songs on texts by this (1929–2007) (1850–1900) famous German author for voice Six Songs of Love Songs and piano. Ten of them have (Šestero piesní milostných / on texts by Johann Wolfgang von survived: the song An den Mond Sechs Minnelieder) Goethe (To the Moon), dating from 1869, for low voice and piano for voice and piano and nine further songs from six songs to medieval love poetry Urtext, ed. B. Kubečková Goethe’s novel Wilhelm Meister’s in original languages (see indi- vocal text: Ger Apprenticeship were written vidual songs) BA 11558 immediately after Fibich’s return H 2464 to Prague in 1871. All ten now ap- An den Mond, Aus Goethes pear in the first scholarly-critical Noc milá (Cz/Ger), Summer is Wilhelm Meisters Lehrjahren: edition; some of them are being Come (Eng/Cz), Unter der Linden Lied der Mignon – Heiß mich published for the first time ever. (Ger/Cz), Du bist mÎn (Ger/Cz), nicht reden, Mignon – Kennst du Non mi mandar messaggi (It/Cz), das Land, Lied der Mignon – Nur ● First Urtext edition of Fibich’s Ballade des Dames du temps jadis wer die Sehnsucht kennt, Lied des Goethe songs (Fr/Cz) Harfners – An die Türen will ich ● Literal translations of the vocal Songs from Teschen schleichen, Lied des Harfners – text included (Cz/Eng) (Písně z Těšínska / Lieder aus Wer nie sein Brot mit Tränen aß, dem Teschnerland) Philinens Lied – Singet nicht in ● Preface (Cz/Eng/Ger) and criti- for low voice and piano Trauertönen, Lied der Mignon – cal report (Eng) by the editor to the words of Silesian folk songs vocal text: Cz/Ger An den Mond H 5311 Zdeněk Fibich, Hud. 116 Tranguillo assai p c Songs for a Lute (Písně k loutně) for voice and guitar Fül-lest wie- der Busch und Tal still mit Ne --bel six songs to medieval love poetry c in original languages (see indi- p vidual songs) sempre legato c rev. J. Tichota H 6300 Milovánie bez vídánie (Cz/ Ger), I Dare Not Ask (Eng/Cz), Quand ce beau printemps (Fr/ 6 Cz), Ach Gott, wie weh tut schei- den (Ger/Cz), Jakž sem tě najprv glanz lö- sest end- lich auch ein- mal mei- ne See - le ganz; poznal (Cz/Ger), Stratilať sem milého (Cz/Ger) ● A small pendant to the cycle Six Songs of Love ● Suitable for an amateur singer and guitarist in one
11 59 brei- test ü- ber mein Ge- fild lin- dernd dei-nen Blick, wie des
BA 11558 © 2018 by Bärenreiter Praha SOLO VOICE
Foerster Josef Bohuslav (1859–1951) Erotikon Op. 23 four songs for high voice and piano to words by August Heinrich Hoffmann von Fallersleben, Wil- helm Osterwald and Karl Stieler vocal text: Cz/Ger H 7849
Hanuš Jan (1915–2004) Umbrella from Piccadilly (Deštník z Piccadilly) Op. 103 Kalabis Viktor three songs for bass and large (1923–2006) orchestra Janáček Leoš Five Romantic Songs about Love to words by Jaroslav Seifert (1854–1928) vocal text: Cz (with literal English to Words by R. M. Rilke and German translations) The Diary of One Who (Pět romantických písní o lásce H 7439 study score ♦ Disappeared (Zápisník na slova R. M. Rilka) Op. 38 zmizelého) for high voice and piano Janáček Leoš for tenor, alto, three female vocal text: Ger/Cz (1854–1928) voices and piano H 7841 to words by Ozef Kalda composer's version for string Four Ballads (Čtyři balady) vocal text: Cz/Eng/Ger orchestra on hire for medium voice and piano Urtext, ed. J. Zahrádka to the words of folk poetry BA 9575 score Kaprálová Vítězslava vocal text: Cz/Ger arrangement for chamber (1915–1940) rev. J. Trojan orchestra by M. Štědroň and Love Carol (Koleda milostná) H 6497 M. Orson Štědroň available for medium / high voice and piano on hire (together with Love Carol H. 259 by Bohuslav Martinů) Janáček’s intimate chamber- vocal text: Cz/Ger -music drama about the pas- ed. I. Popelka sionate love of a simple farm H 5585 boy for a beautiful gypsy girl is one of his great vocal master- Kopelent Marek pieces. This cycle of 22 songs (*1932) was composed in 1917–1919 Excited Song (Zjitřený zpěv) and premiered in Brno in 1921 for baritone and brass quintet from a manuscript prepared (2 trumpets, French horn, by Gustav Homola. The same 2 trombones) manuscript served as a basis to words by Josef Hora for the first edition with the vocal text: Cz Brno publisher Oldřich Pazdírek H 7791 score with instrumental in 1921 as well as for this Bären- parts reiter Urtext edition. Martinů Bohuslav Moravian Folk Poetry in Songs ● First Urtext edition (1890–1959) (Moravská lidová poezie v Four Songs on Czech Folk Poetry písních) ● Detailed preface (Cz/Eng/ for voice and piano (Čtyři písně na slova české lidové Ger) and critical report (Eng) poezie) H. 282bis vocal text: Cz/Ger by the editor H 4570 for voice and piano ● Numbers IX to XI which vocal text: Cz/Ger/Eng Silesian Songs (Slezské písně) include the alto and three ed. A. Březina for low voice and piano female voices also available H 7809 to the words from a collection of online Horses on a Fallow Field folk songs by Helena Salichová (Koníčky na ouhoře), My Little vocal text: Cz Lost Shoe (Ztracený pantoflíček), rev. B. Štědroň ♦ Performance material H 1403 A Song Religious (Píseň nábožná), available on hire An Invitation (Pozvání)
60 SOLO VOICE
Martinů Bohuslav (1890–1959) Bohuslav Martinů Love Carol (Koleda milostná) H. 259 for medium / high voice and piano Adam Michna (together with Love Carol by z Otradovic LIEDER AUF EINER SEITE Vítězslava Kaprálová) SONGS ON ONE PAGE Bohuslav Martinů LOUTNA ČESKÁ Canto e Piano vocal text: Cz/Ger THE CZECH LUTE ed. I. Popelka Bärenreiter Urtext H 5585
BÄRENREITER PRAHA H 5094 New Chap-Book H 8040 Bärenreiter Praha (Nový Špalíček) H. 288 LIEDER AUF ZWEI SEITEN for voice and piano SONGS ON TWO PAGES eight songs to Moravian folk Canto e Piano Michna z Otradovic Adam poetry (ca 1600–1676) vocal text: Cz/Ger The Czech Lute (Loutna česká) ed. I. Popelka BÄRENREITER PRAHA H 5095 a collection of 13 songs for two H 6132 voices, two violins (in the last Songs on One Page song three violas) and (Písničky na jednu stránku) Songs on Two Pages (Písničky basso continuo H. 294 na dvě stránky) H. 302 to words by the composer for high voice and piano for high voice and piano vocal text: Cz (with literal seven songs to Moravian folk seven songs to Moravian folk English translation) poetry poetry eds. P. Daněk, A. Viktora, vocal text: Cz/Eng vocal text: Cz/Eng T. Daňková H 5094 H 5095 H 8040 complete set in slip- orchestral arrangement by J. Teml cover: score, short Two Songs to the Text of Negro available on hire score (particell) and Folk Poetry (Dvě písně na texty instrumental parts negerské poezie) H. 232bis (particell also available for voice and piano separately) vocal text: Cz/Ger ed. I. Popelka The Czech Lute from 1653 in- H 5988 cludes 13 strophic songs, each introduced by an instrumental ritornello. This cycle marks the first instance of the ritornello Loutna česká song in the Czech language. I. Předmluva Until recently the nature of Ritornello Adam Václav Michna these ritornellos was unknown, ¡ as the first and second violin Violino I 6 ª Ï Ï Ï ú Ïb Ï ª &b4 î ÎÎ ÏÏ ú Ï Ï ÏÏ Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï parts had disappeared. A copy J of the first violin part was Violino II b6 îª ÎÎ Ï Ï Ï ú Ï Ï ª j discovered in 2014. This unique ¢& 4 Ï ú Ï# Ï Ï Ï Ï Ïb Ïn Ï Ï Ï Ï Ï Ï Ï source allowed to present a via- ble reconstruction of the work. Organo 6 ª Ï ú ª ?b4 î ÎÎ Ï úb ú Ï Ï Ï Ï Ïb Ï Ï Ï # 7 b 6 3 ú ● Most famous song collection ª of the Czech Baroque ¡ ú Ï Ï ú Ï Ï Ï Ï Ï Ï ú WU b ú Ï Ïn Ïb Ï úb Ï Ï J ● Reconstruction of the work & based on the newly discov- Ï ª U ú Ï Ïb Ï Ï# Ïn Ï ú W ered first violin part ¢&b ú Ï Ï Ï ú Ï Ï Ï Ï Ïn ú Ïb Ï J Ïb ● First-ever edition of instru- U mental ritornellos with ? ª Ï Ï úb Ï Ï Ïn ú Ï úª b ú ú Ï Ï Ï ú W reconstructed second violin b 6§ 7 3# part (A. Viktora) and basso continuo realization ¡ (P. Kornfeld) From:Canto Adam I Michna6 ª z Otradovic, introductory instrumentalú Ï ritornelloú ÏbofÏ the &b4 î ÎÎ Ï Ï ú Ï ú Ï ú Ï ú Ï first song in the collectionKdo The byCzech tě chváLute- li• - tiH 8040žá- dal, Ma- ri - a, Mat- ko Canto II b6 îª ÎÎ ú ú Ï ¢& 4 Ï ú Ï úb Ï ú Ï Ï ú Ï 61 Organo ? 6 ª Ï ú úb ú Ï Ïb b4 î ÎÎ Ï Ï ú ú Ï ú Ï § ¡ U b Ϫ Ï Ï ú Ï Ïn ú Ïb ú Ï ú ú Ï Ï ª j & J Ï ú Ï ú Ï Ï Ï Ï ú W Bo- ží, ten by ne- mož - né -ho žá- dal ú- čast - ný bý- ti zbo- ží. U b ª j ú Ï Ï ú Ï ú ª j ¢& Ï Ï Ï Ï ú Ï úb Ï ún Ï# ú Ï Ï Ï# Ï Ï ú W ª U ? ú ª Ïn Ï ú úb Ïb ª b ú ú Ï Ï Ï Ï ú Ï Ï Ï ú ú W 3 b 6 4§ 6# 3# 2 H 8040 © 2018 by Bärenreiter Praha SOLO VOICE / CHOIR
Mysliveček Josef (1737–1781) Children’s Choir Female Choir Tre notturni a cappella / with a cappella / with for 2 sopranos, 2 clarinets, instrumental accompaniment instrumental accompaniment 2 French horns and strings vocal text: It both secular and sacred works both secular and sacred works MAB II/7, ed. V. Bělský Eben Petr H 5182 score ♦ COPY Dvořák Antonín (1929–2007) (1841–1904) NEW 2021 Plánický Josef Antonín Alleluia (1691–1732) for children’s and mixed choirs Five Moravian Duets (Pět and organ moravských dvojzpěvů) B 107 Opella ecclesiastica organ version arr. Ph. Brunelle for four female voices a cappella twelve sacred cantatas vocal text: Greek to the words of Moravian folk for soprano, alto and bass solo, H 7900 score songs 2 bassoons, strings and organ vocal text: Cz/Ger/Eng vocal text: Lat Urtext, ed. K. Nová MAB II/3, ed. J. Sehnal BA 10439 score H 4496 score in preparation
Rychlík Jan Forsaken (Holub na javoře), (1914–1964) Omens (Zelenaj se, zelenaj), The Wild Rose (Šípek), Speed South Bohemian Folk Songs Thee, Birdie (Veleť, vtáčku), The (Jihočeské písně a písničky) Slighted Heart (Dyby byla kosa for voice, violin, clarinet, bass nabróšená) clarinet and piano vocal text: Cz/Ger ● Composer’s own arrangement H 5489 score with parts of the popular Moravian Duets Sluka Luboš (*1928) ● Welcome new repertoire for both professional and ama- Renaissance Songs The Twig Grows Green teur women’s choirs (Písně renesanční) (Zelená se snítka) three songs for mezzo-soprano / 14 songs for children’s choir and ● First-ever print edition baritone and piano piano vocal text: Cz/Ger to the words of Czech poets Eben Petr H 3402 vocal text: Cz/Ger (1929–2007) H 2335 score Of Swallows and Girls Smetana Bedřich Hurník Ilja (O vlaštovkách a dívkách) (1824–1884) (1922–2013) nine folk songs for female choir Evening Songs (Večerní písně) a cappella Children’s Choruses to the words of folk songs five songs for low voice and a cappella piano vocal text: Cz vocal text: Cz H 4233 choral score to words by Vítězslav Hálek H 7136 choral score vocal text: Cz/Ger/Eng vocal text: Ger arr. J. E. Zelinka, rev. K. Šolc Missa Vinea Crucis BA 4985• choral score COPY H 2844 for children’s / female choir and Greek Dictionary (Řecký slovník) orchestra / organ nine female choruses with harp / vocal text: Lat piano accompaniment H 7768 score (organ version) to single Greek words orchestral version on hire harp part rev. L. Váchalová Pololáník Zdeněk H 6145 score (*1935) Hurník Ilja Cantus laetitiae (1922–2013) for children’s / female choir Missa Vinea Crucis a cappella for children’s / female choir and Bärenreiter-Verlag Kassel production • to the text of Psalms Nos. 104 orchestra / organ and 150 vocal text: Lat ♦ Performance material vocal text: Lat H 7768 score (organ version) available on hire H 7885 choral score orchestral version on hire
62 CHOIR
Janáček Leoš Wolf-tracks (Vlčí stopa) (1854–1928) for female choir and piano Male Choir to words by Jaroslav Vrchlický Caspar Rutsky (Kašpar Rucký) a cappella / with vocal text: Cz/Ger Ballad for female choir a cappella H 4515 score instrumental accompaniment with soprano solo to words by František S. Procházka both secular and sacred works vocal text: Cz/Ger H 6001 choral score Janáček Leoš (1854–1928) Janáček Leoš Ave Maria (1854–1928) for male choir a cappella Female Choruses (Ženské sbory) to words by Lord Byron for female choir with instru- vocal text: Cz mental accompaniment / ed. J. Trojan a cappella H 6276 choral score COPY vocal text: Cz/Ger/Eng LJCE/C/3, eds. M. Orson Echoes of Folk Songs (Ohlas Štědroň, J. Zahrádka národních písní) BA 6865-01 / H 8041 cloth for male choir a cappella bound score vocal text: Cz ed. J. Trojan Wolf-tracks (Vlčí stopa), H 5951 choral score Songs of Hradčany (Hradčanské Martinů Bohuslav písničky): 1. Golden Lane (Zlatá (1890–1959) True Love (Láska opravdivá), I Am Most Astonished (Divím se ulička) 2. The Weeping Fountain Opening of the Wells (Plačící fontána) 3. Belvedere milému), The Sunken Garland (Otvírání studánek) H. 354 (Vínek stonulý) (Belveder), Caspar Rutsky Cantata for soloists (soprano, (Kašpar Rucký) alto, baritone, reciter), female Four Male Partsongs choir and instrumental accompa- The contents of this LJCE volu- (Čtveřice mužských sborů) niment (2 violins, viola, piano) me were taken from the for male choir a cappella to words by Miloslav Bureš original 2002 Editio Janáček to the words of folk poetry (1.–3.) vocal text: Cz/Eng/Ger edition based on a licensing and by Jaroslav Tichý (4.) H 2122 score with instrumental agreement. vocal text: Cz and Ger separately parts H 2486 choral score (Cz) ● Musical text of all composi- H 2486-01 choral score (Ger) tions critically treated accord- Pololáník Zdeněk ing to the editorial principles (*1935) The Threat (Výhrůžka), Oh of the LJCE Love! (Ó lásko), Oh, Army (Ach, Cantus laetitiae vojna, vojna), Your Beautiful Eyes ● Preface (Cz/Eng/Ger) by for children’s / female choir (Krásné oči tvé) J. Zahrádka and critical report a cappella (Eng) by the editors to the text of Psalms Nos. 104 Four Moravian Male Choruses and 150 (Čtvero mužských sborů ● Includes the autograph vocal text: Lat moravských) version of Belvedere and the H 7885 choral score for male choir a cappella diplomatic transcription of to the words of Moravian folk Caspar Rutsky Smetana Bedřich poetry (1824–1884) vocal text: Cz Janáček Leoš H 7769 choral score (1854–1928) Female Choruses three three-part female choruses You Know (Dež viš), Mosqui- Hradčany Songs a cappella toes (Komáři), The Evening Witch (Hradčanské písničky) to words by Bedřich Peška (1.) and (Klekánica), Parting (Rozloučení) for female choir with flute and Josef V. Sládek (2. and 3.) harp accompaniment vocal text: Cz to words by František Serafínský H 7811 choral score Procházka vocal text: Cz/Ger/Eng 1. Má hvězda, 2. Přiletěly H 4248 score vlaštovičky, 3. Za hory slunce zapadá Golden Lane (Zlatá ulička), The Weeping Fountain (Plačící fontána), Belvedere (Belveder)
63 CHOIR
Janáček Leoš Mosquitoes (Komáři), The Evening (1854–1928) Witch (Klekánica), Parting Mixed Choir (Rozloučení), Halfar the School- Male Choruses I (Mužské sbory I) a cappella / with master (Kantor Halfar), Maryčka for male choir a cappella Magdónova (1st version), Maryč- instrumental accompaniment vocal text: Cz/Ger/Eng ka Magdónova (2nd version), The LJCE C/1, eds. L. Faltus, P. Oliva Seventy Thousand (Sedmdesát both secular and sacred works BA 6847 cloth bound score • tisíc), The Eiderdown (Perina), The Czech Legion (Česká legie), The Dvořák Antonín Ploughing (Orání), Fickleness Wandering Madman (Potulný (1841–1904) of Love (Nestálost lásky), Lone- šílenec), Our Flag (Naše vlajka), some without Solace I (Osamělá In Nature’s Realm (V přírodě) Chorus for laying the foundation bez těchy I), True Love (Láska Op. 63 stone of the Masaryk University opravdivá), I Am Most Astonished for mixed choir a cappella in Brno, various supplements (Divím se milému), The Sunken to words by Vítězslav Hálek Garland (Vínek stonulý), Wailing The Wandering Madman vocal text: Cz Melancholy (Zpěvná duma), You (Potulný šílenec) ADCE VI/4, eds. O. Šourek, A. Čubr Cannot Escape from Fate (Osudu for male choir a cappella with H 522 choral score neujdeš), Two Doves in a Fir Tree soprano solo Mass in D maj Op. 86 (Na košatej jedli), At the Ferry (Na to words by Rabindranath Tagore for soloists, mixed choir and prievoze), Four Male Partsongs vocal text: Cz/Ger organ (Čtveřice mužských sborů): The H 6003 choral score vocal text: Lat Threat (Výhrůžka), Oh Love! ADCE II/7, eds. J. Burgauser, (Ó lásko), Oh, Army (Ach, vojna, The Seventy Thousand A. Čubr vojna), Your Beautiful Eyes (Krás- (Sedmdesát tisíc) H 4952 score né oči tvé), Parting (Loučení), The for mail choir a cappella (has been replaced with Dove (Holubička), The Jealous to words by Petr Bezruč BA 10434) Lover (Žárlivec), Birch Tree (Což ta vocal text: Cz BA 7511 vocal score naše bříza), Seek Repose (Odpočiň H 6002 choral score (has been replaced with si), Festive Chorus (Slavnostní BA 10434-90) sbor), Lonesame without Solace II True Love (Láska opravdivá) → orchestral version on p. 70 (Osamělá bez těchy II) for male choir a cappella to the words of folk poetry vocal text: Ger/Eng Six Moravian Duets H 3026 choral score (Šest moravských dvojzpěvů) for mixed choir and piano Wailing Melancholy to the words of Moravian folk (Zpěvná duma) songs for male choir a cappella arr. L. Janáček, with original to words by František L. Čela- piano part kovský ed. V. Němec vocal text: Cz/Ger vocal text: Cz/Ger ed. J. Trojan H 7718 choral score H 6256 choral score Eben Petr Martinů Bohuslav (1929–2007) (1890–1959) Alleluia Brigand Songs (Zbojnické písně) Epilogue from the composer’s H. 361 oratorio Apologia Sokratus ten male choruses a cappella for children’s and mixed choirs to the words of Moravian folk and organ Male Choruses II poetry organ version arr. Ph. Brunelle (Mužské sbory II) vocal text: Cz/Ger/Eng) vocal text: Greek for male choir a cappella H 2880 choral score COPY H 7900 score vocal text: Cz/Ger/Eng LJCE C/2, eds. L. Faltus, P. Oliva Smetana Bedřich Love and Death (Láska a smrt) BA 6858 / H 7840 cloth bound (1824–1884) for mixed choir a cappella score to the words of folk poetry Festive Chorus (Slavnostní sbor) vocal text: CZ/Ger Ave Maria, The Wreath for male choir a cappella H 3863 choral score COPY (Vínek), Four Moravian Male- to words by Emanuel Züngel Voice Choruses on Moravian folk vocal text: Cz poetry (Čtvero mužských sborů H 5561 choral score COPY moravských): You Know (Dež viš),
64 CHOIR
violoncello and double bass part, which allows the Mass to be performed with or without the string instruments.
● First Urtext edition with newly discovered violoncello and NEW 2020 double bass part edited for the first time
● Most authentic organ version of the Mass
● Preface (Eng/Cz/Ger) and criti- cal report (Eng) by the editor
● Easy to perform also by ama- Dvořák Antonín teur church choirs with choir (1841–1904) members as soloists Mass in D maj Op. 86 for soloists, mixed choir and organ with authentic part for violon- cello and double bass ad lib. Mše D dur/Mass in D major/Messe D-Dur vocal text: Lat Kyrie Urtext, ed. H. Utidjian Andante con moto p Antonín Dvořák, op. 86 BA 10434 score 6 Soprani 4 (replaces H 4952) Ky - ri - e e- lei -- son, e- lei ---- BA 10434-82 v ioloncello and 6 double bass part Alti 4 BA 10434-90 vocal score 6 p Tenori 4 (replaces BA 7511) Ky - ri - e e--- lei → orchestral version on p. 70 6 Bassi 4 Dvořák composed the Mass in D Andante con moto 6 major in 1887 at the suggestion 4 of his patron Josef Hlávka for the Organo pp inauguration of the Lužany castle 6 4 chapel. It is written for choir and organ with sporadic passages for Violoncelli e 6 soloists, uses simple expressive Contrabbassi 4 devices and makes light techni- cal demands. Thus, this work is 5 p mf easy to perform, also by amateur S church choirs; all that is needed - son, Ky - ri - e e- lei - [ p ] mf is a small choir and the solo parts A can be sung by members of the Ky - ri - e e - lei -- son, Ky -- ri - e e-- lei choir. mf T son, e lei son, The full score includes an optional -son, e- lei ------p violoncello and double bass part B edited for the first time. Dvořák Ky - ri - e e- lei -- son, e-- lei had penned this part himself in a copy of the organ version. Org. This new edition presents the most authentic and mature form Ped. of the work before its instrumen- Vc./Cb. tation for orchestra. Besides the p f score and separate string part, the BA 10434 © 2019 by Bärenreiter Praha edition also includes a practical “organ reduction” free of the
65 LEOŠ JANÁČEK THE COMPLETE CRITICAL EDITION
The Complete Critical Edition of the Works of Leoš Janáček (LJCE) was launched with a volume of piano compositions as a joint project of the erstwhile Czechoslovak state publishing house Supraphon and Bärenreiter back in 1978, and it continues by the sole care of Bärenreiter to this day. Some of the new volumes are being prepared through licences with other Janáček publishers.
The publishing project comprises eight series with roughly 45 expected volumes and covers the whole of Janáček’s musical oeuvre. The editors are leading Czech experts of international repute with years of experience researching Janáček, who prepare authentic versions and variants of the compositions using all available sources. The musical texts of our new Urtext publications as well as new performance materials are mostly based on the complete critical edition.
Each of the 22 volumes published so far contains a multilingual preface, critical report, and various facsimiles. The volumes are cloth bound (26.5 x 33.3 cm); some of the older titles (pre-2009) are also available in paperback.
The volumes are available for a reduced price with a complete or partial subscription by series. They can also be purchased individually.
Information on individual LJCE volumes can be found in this catalogue.
66 CHOIR
Eben Petr Mass in B-flat maj (1929–2007) for mixed choir and organ according to “Messe pour orgue” Salve Regina / Cantico delle by F. Liszt creature vocal text: Lat Canticle of the Sun of Francis of ed. J. Burghauser Assisi H 6239 score for mixed choir a cappella vocal text: Lat/It (Umbrian) Mass in E-flat maj BA 6429• choral score (Unfinished Mass) The Night (Noc) for soloists, mixed choir and for mixed choir a cappella organ to words by Karel Hynek Mácha vocal text: Lat vocal text: Cz/Ger/Eng ed. J. Trojan H 7847 choral score Credo completed by V. Petrželka H 5086 score ♦ Ubi caritas et amor orchestral arrangement for mixed choir a cappella by Vilém Petrželka on hire Martinů Bohuslav to words by anonymous (1890–1959) vocal text: Lat/It Lord Have Mercy upon Us BA 5404• choral score (Hospodine!) Legend from the Smoke of for soloists, 2 mixed choirs with Potato Fires (Legenda z dýmu Fišer Luboš accompaniment (4 trumpets, bramborové nati) H. 360 (1935–1999) trombone, tuba, harp and organ) cantata for soloists (soprano, vocal text: Cz/Ger alto, baritone), mixed choir and Caprichos ed. J. Trojan instrumental ensemble (flute, double-chorus composition H 4700 score (with harp part) ♦ clarinet, French horn, accordion, a cappella BA 6079• score piano) for chamber and mixed choirs ° to words by Miloslav Bureš to the words of Goya’s etchings The Lord’s Prayer (Otčenáš) vocal text: Cz/Eng/Ger vocal text: Sp for mixed choir with tenor solo, H 2996 score H 4439 score harp and organ H 2996-22 instrumental parts vocal text: Cz/Ger Janáček Leoš ed. B. Štědroň Madrigals (Part-Song Book) (1854–1928) H 3712 score H. 380 ° four madrigals for mixed choir Elegy on the Death of My H 3712-64 harp part a cappella Daughter Olga Three Mixed Choruses to the words of Moravian folk (Elegie na smrt dcery Olgy) for mixed choir a cappella poetry cantata for tenor solo, mixed to the words of Jaroslav Vrchlický, vocal text: Ger choir and piano a folk song and Svatopluk Čech to words by Maria N. Veverica respectively 1. Am Donaustrom (Tam s tej vocal text: Cz/Ger/Eng vocal text: Cz/Ger strany Dunaja) ed. T. Straková ed. J. Trojan BA 3755• choral score H 2572 score BA 6389 / H 6154 choral score • 2. Ej, steht ein Wäldchen (Ej, Festive Chorus (Slavnostní sbor) jeden hájek) 1. Píseň v jeseni (Herbstlied), 2. for male solo quartet, female and BA 3756 choral score COPY male choirs with piano Kačena divoká (Die Wildente), 3. • to words by Karel Kučera Naše píseň (Unser Lied) 3. Auf der Erde hat nichts Weile vocal text: Cz/Ger (Na tom světě nic stálého) ed. J. Trojan Madelka Simon Bar Jona BA 3757• choral score COPY H 5264 score (ca 1550–1598) 4. Glaubst du, daß ich wohl Graduale in festo Purificationis Seven Penitential Psalms nichts wüßte? (A ty si myslíš) B. V. M. (Sedm kajících žalmů) BA 3758• choral score COPY for mixed choir a cappella for five-part mixed choir with vocal text: Lat instrumental accompaniment ed. J. Trojan ad lib. H 4698 choral score vocal text: Lat Hail Mary (Zdrávas Maria) ed. M. Klement Ave Maria for soprano / tenor, H 7999 choral score Bärenreiter-Verlag Kassel production mixed choir ad lib., violin, piano • / organ vocal text: Cz/Ger ° Performance material available ♦ Performance material ed. B. Bakala on sale available on hire H 6252 score 67 CHOIR
Mikesh from the Hills Romance from the Dandelions Michna z Otradovic Adam (Mikeš z hor) H. 375 (Romance z pampelišek) H. 364 (ca 1600–1676) cantata for solo soprano and cantata for mixed choir with Czech Marian Music tenor, mixed choir, 2 violins, viola soprano solo (Česká mariánská muzika) and piano to words by Miloslav Bureš Cantilenae sacre bohemicae ad to words by Miloslav Bureš vocal text: Cz/Eng/Ger honorem Beatae Mariae Virginis vocal text: Cz/Eng/Ger H 2997 choral score three-book collection of 64 sim- H 2992 score H 2992-22 instrumental parts ple strophic four-part songs with continuo accompaniment ad lib. to words by the composer vocal text: Cz “Bureš Cantatas” – AMO 1, ed. J. Sehnal (musical Martinů choral masterpieces text), L. Štukavec (literary text) H 7240 choral score (four-part now also in complete edition series homophony) Martinů Bohuslav Holy Year Music (1890–1959) (Svatoroční muzika) Opening of the Springs Cantiones sacre per tempus (Otvírání studánek) H. 354 totius anni The Legend of the Smoke from 118 four-part songs for various Potato Tops (Legenda z dýmu liturgical seasons and feasts of bramborové nati) H. 360 the church year A Dandelion Romance to words by the composer (Romance z pampelišek) H. 364 vocal text: Cz Mikesh from the Mountains AMO 5, eds. F. Malý, J. Sehnal (Mikeš z hor) H. 375 (musical text), L. Štukavec vocal text: Cz (with English literal (literary text) translation) H 7824 choral score (four-part BMCE VI/2/3, ed. V. Zouhar homophony) BA 10575-01 cloth bound score Officium vespertinum: Psalmi I for soloists, mixed choir and organ All four cantatas, composed proofreading of Opening of the vocal text: Lat between 1955–59 to words by Springs. The previous editions of AMO 6, eds. V. Bělský, J. Sehnal Miloslav Bureš, Martinů’s fellow these works contained numerous H 7837 score native from Polička, express minor errors, inconsistencies and the composer’s deep feeling of solutions that went against the Officium vespertinum: Psalmi II homesickness, especially in the intentions of the composer. for soloists, mixed choir and organ Opening of the Springs, the most vocal text: Lat known and popular of them. ● First ever scholarly-critical AMO 7, eds. V. Bělský, J. Sehnal edition H 7880 score The need for a critical edition ● Detailed preface and critical of these cantatas stems from report by the editor (Eng/Cz) the fact that the composer did not participate in the publica- ● Facsimile of important sources tion of any of them, aside from his cursory post-publication → the BMCE volumes pp. 40 –41
68 CHOIR
Officium vespertinum: Sacra et litaniae – pars V: Sacra et litaniae – pars VII, VIII, Compositiones ad honorem Missa V IX: B . M. V., Falsi burdoni a due cori for bass solo, mixed choir, organ, Litaniae de SS. nomine Jesu, for soloists, mixed choir and organ basso continuo, violin I II and Litaniae B. M. V., Te Deum (Falsi burdoni with instrumental trombone for soloists, mixed choir, organ, accompaniment ad lib.) vocal text: Lat basso continuo and instrumental vocal text: Lat AMO 10, eds. V. Bělský, J. Sehnal ensemble ad lib. (violin I II, viola AMO 8, eds. V. Bělský, J. Sehnal H 7995 score ♦ I–IV / trombone I–III) H 7979 score vocal text: Lat Sacra et litaniae – pars VI: AMO 12, eds. V. Bělský, J. Sehnal Sacra et litaniae – pars I: Missa I Missa pro defunctis H 7997 score ♦ for soloists, mixed choir, organ, for soloists, mixed choir, organ, basso continuo, violin I II, viola I–III basso continuo, violin I II, trom- vocal text: Lat bone I–III AMO 2, eds. V. Bělský, J. Sehnal vocal text: Lat H 7332 score ♦ AMO 11, eds. V. Bělský, J. Sehnal ♦ Performance material H 7996 score ♦ available on hire
Repertorium troporum This editorial project introduces bohemiae medii aevi, pars I–IV the texts and musical editions vocal text: Lat of mass tropes from Czech ed. H. Vlhová-Wörner sources from the 11th–16th cen- turies. Mass tropes are among Tropi proprii missae – pars I the most intriguing repertoire H 7878 types of Czech plainsong. Tropi ordinarii missae – pars II Kyrie eleison The tropes are edited along Gloria in excelsis Deo with their native chants; as H 7959 such, these publications will interest both the academic Tropi ordinarii missae – pars III community and practical Sanctus musicians. H 8017 Tropi ordinarii missae – pars IV Many of the texts and melo- Agnus Dei dies are made accessible for H 8030 the very first time. The edition contains numerous commen- taries, introductory studies (Cz/ Eng) and enclosed facsimilies. Sacra et litaniae – pars II: Missa II for soloists, mixed choir, organ, basso continuo, violin I II, trom- bone I–III vocal text: Lat AMO 3, eds. V. Bělský, J. Sehnal H 7595 score ♦ Sacra et litaniae – pars III: Missa III for mixed choir, organ with dou- ble bass and violin I II vocal text: Lat AMO 4, eds. V. Bělský, J. Sehnal H 7808 score ♦ Sacra et litaniae – pars IV: Missa IV for soloists, mixed choir, organ, basso continuo and instrumental ensemble ad lib. (violin I II, viola I–III / trombone I–III) vocal text: Lat AMO 9, eds. V. Bělský, J. Sehnal H 7990 score ♦
69 CHOIR
Slavický Klement Psalm 149 (Žalm 149) Op. 79 (1910–1999) for mixed choir and orchestra vocal text: Cz/Ger/Eng Psalmi ADCE II/6 for solo voices, mixed choir and H 4508 vocal score ♦ (Karel Šolc) organ vocal text: Lat Requiem Op. 89 H 7383 score for soloists, mixed choir and orchestra Šesták Zdeněk vocal text: Lat (*1925) ADCE II/4 H 2924-90 vocal score ♦ Laudate Dominum, omnes (Karel Šolc) gentes for mixed choir a cappella Requiem Op. 89 vocal text: Lat for soloists, mixed choir and H 7924 choral score chamber orchestra arr. J. Linckelmann The Spectre’s Bride vocal text: Lat (Svatební košile) Op. 69 BA 9582 score ° for soloists, mixed choir and orchestra Choir and Orchestra ● Standard choral work with a female / male / mixed choir manageable reduced orches- ballad to words by Karel Jaromír tration Erben vocal text: Cz/Ger/Eng both secular and sacred works ● A stylistically appropriate ADCE II/2, eds. F. Bartoš, A. Čubr as well as tried and tested Brixi Šimon new preface D. Philippi arrangement (1693–1735) (Ger/Eng/Cz) BA 9544-90 vocal score ♦ ● In keeping with the vocal Magnificat score H 2924-90 (Karel Šolc) cantata for mixed choir, 2 clarinos, strings and organ Eben Petr vocal text: Lat St Ludmila (Svatá Ludmila) Op. 71 (1929–2007) MAB II/2, ed. V. Bělský oratorio for soloists, mixed choir In honorem Caroli H 4151 score and orchestra to words by Jaroslav Vrchlický cantata for male choir and vocal text: Cz/Ger/Eng orchestra Dvořák Antonín ADCE II/3 to the words from the Founda- (1841–1904) H 4027 vocal score ♦ tion Charter of Charles University Hymnus Op. 30 (František Bartoš) vocal text: Cz/Lat/Ger H 6615 score ♦ cantata for mixed choir and Stabat Mater Op. 58 orchestra cantata for soloists, mixed choir to the words from the poem Janáček Leoš and orchestra (1854–1928) Heirs of the White Mountain vocal text: Lat (Dědicové Bílé Hory) by Vítězslav ADCE II/1, ed. A. Čubr Amarus Hálek H 2268 study score ♦ COPY cantata for soloists, mixed choir vocal score: Cz/Ger/Eng H 1882 vocal score (Karel Šolc) and orchestra ADCE II/5, ed. J. Berkovec, to words by Jaroslav Vrchlický Stabat Mater Op. 58 J. Burghauser, J. Clapham, A. Čubr vocal text: Cz/Ger/Eng ♦ COPY cantata for soloists, mixed choir H 3530 score LJCE B/1, eds. L. Faltus, M. Kuče- COPY and orchestra H 3750 vocal score rová, M. Štědroň vocal text: Lat (Karel Šolc) BA 6851 cloth bound score ♦ Urtext, eds. J. Kachlík, M. Srnka • H 7382-01 score ♦ H 7920 vocal score ♦ Mass in D maj Op. 86 H 2261 choral score COPY (Antonín Dvořák) for soloists, mixed choir and H 7735 vocal score compatible with the study score orchestra (Zdeněk Král) vocal text: Lat and performance material of the ADCE II/7, eds. J. Burghauser, ADCE – H 2268 (see above) A. Čubr Te Deum Op. 103 H 4839 score ♦ COPY for soloists (soprano, bass), → organ version in a new Urtext mixed choir and orchestra edition on p. 65 vocal text: Lat ADCE II/6, eds. F. Bartoš, A. Čubr H 4522 score ♦ COPY H 4523-90 vocal score ♦ Performance material (Karel Šolc) available on hire
70 CHOIR
Čarták on Soláň The Eternal Gospel (Na Soláni čarták) (Věčné evangelium) cantata for male choir and cantata for soloists, mixed choir orchestra and orchestra to words by Martin Kurt to words by Jaroslav Vrchlický (pseudonym of Maxmilián vocal text: Cz/Ger/Eng Kunert) LJCE B/4, eds. L. Faltus, vocal text: Cz/Ger/Eng M. Štědroň LJCE B/3, eds. J. Hanuš, M. BA 6860• cloth bound score ♦ Štědroň H 7736-01 score ♦ BA 6844• cloth bound score ♦ Urtext, eds. L. Faltus, M. Štědroň H 6450 study score ♦ preface (Cz/Eng/Ger) J. Trojan H 2576-90 vocal score BA 6860-90 vocal score ♦ (Břetislav Bakala) (Leoš Faltus)
Kopřiva Václav Jan (1708–1789) Offertorium ex D “Vox clamantis Martinů Bohuslav in deserto” (1890–1959) for mixed choir, chamber or- chestra (2 clarinos, strings) and Field Mass (Polní mše) H. 279 organ The Spectre´s Bride (Svatební vocal text: Lat košile) H. 214A ed. Z. Šesták BMCE VI/2/2, ed. P. Wingfield H 7442 score vocal text: Cz BA 10573-01 cloth bound score
● First scholarly-critical edition
● Preface and critical report by the editor (Eng/Cz) → the BMCE volumes pp. 40–41
Glagolitic Mass (Glagolská mše / Mša glagolskaja) for soloists, mixed choir, organ Martinů Bohuslav and orchestra (1890–1959) NEW 2021 vocal text: Old Church Slavonic Field Mass (Polní mše) H. 279 for male choir with baritone final authorised version solo, wind and percussion LJCE B/5–I, eds. L. Faltus, instruments, harmonium J. Zahrádka and piano Preface (Cz/Ger/Eng/Fr/Ru) by to words by Jiří Mucha J. Zahrádka and critical report Linek Jiří Ignác vocal text: Cz (with literal (Cz/Ger) by the editors (1725–1791) translations into Eng/Ger) BA 6862 / H 7935 cloth bound Urtext, ed. P. Wingfield score ♦ Missa pastoralis ex F / Pastorella BA 10581 chor al score (with Urtext, eds. L. Faltus, J. Zahrádka for soloists, mixed choir, 2 French solo baritone part) preface J. Zahrádka (Cz/Eng/Ger) horns, strings and organ TP 573 study score ♦ literal translations of the vocal vocal text: Lat (Missa), Cz/Ger in preparation text in the vocal score (Cz/Ger/ (Pastorella) Eng) MAB II/13, ed. J. Berkovec ● Musical text based on the TP 862 study score ♦ H 7226 score ♦ Bohuslav Martinů Complete BA 6862-90 vocal score Edition VI/2/2 (Martin Zehn) Martinů Bohuslav (1890–1959) ● Supplemented with the per- “September 1927” version formable early original version LJCE B/5–II, ed. J. Zahrádka Field Mass (Polní mše) H. 279 of the finale of the Mass with (without preface or critical for male choir with baritone solo a quotation of the Medieval report) and small orchestra Czech hymn Jezu Kriste, štědrý BA 6863 / H 8 020 cloth bound to words by Jiří Mucha kněže score ♦ vocal text: Cz (with literal trans- lations into Ru/Eng/Fr) ● Preface (Eng/Cz/Ger) by the H 277 score ♦ COPY editor • Bärenreiter-Verlag Kassel production 71 CHOIR
Michna z Otradovic Adam (ca 1600–1676) Missa Sancti Wenceslai for soloists, mixed choir, organ with double bass, 2 clarinos, violin I II / cornett I II, viola I–IV vocal text: Lat MAB II/1, ed. J. Sehnal H 4035 score ♦
Ryba Jakub Jan (1765–1815) Czech Christmas Mass (Česká mše vánoční) for soloists, mixed choir, orchestra and organ the most popular Czech Martinů Bohuslav Christmas mass of all times (1890–1959) vocal text: Cz/Ger Zelenka Jan Dismas The Epic of Gilgamesh H 5572 vocal score ♦ (1679–1745) (Josef Hercl) (Epos o Gilgamešovi) H. 351 Missa Divi Xaverii ZWV 12 oratorio for soloists, narrator, for soloists, mixed choir and mixed choir and orchestra Smetana Bedřich orchestra libretto in original English ver- (1824–1884) vocal text: Lat sion Czech Song (Česká píseň) Urtext, ed. V. Luks BMCE VI/2/1, ed. A. Březina cantata for mixed choir and BA 9594 score BA 10571-01 cloth bound score orchestra BA 9594-90 vocal score ♦ to words by Jan z Hvězdy (Pablo Kornfeld) For fourteen long years Mar- vocal text: Cz + Ger tinů mused over a composition H 7402 vocal score (Cz) ♦ Missa Divi Xaverii ZWV 12 marks “of the genre of Cavalieri’s (Karel Šolc) a highlight in Zelenka’s œuvre. ’Rappresentatione di anima e di H 7402n vocal score (Ger) ♦ It was composed in 1729 while corpo’”, before finally compos- (Karel Šolc) he was working at the Dresden ing his masterly choral work at court. The principal source of the turn of December 1954 and this first edition is the damaged January 1955, thus creating one autograph score which had of the most impressive choral long been kept under lock and scores of the 20th century. He key. Passages missing because compiled the libretto from of its damaged condition have the texts of one of the oldest been supplemented using extant works of literature, the secondary sources or recon- Ancient Babylonian Epic of structed by Václav Luks. Gilgamesh. ● Masterwork of Zelenka and The greatest contribution of European Baroque music this critical edition is the dis- covery and first publication of ● Published for first time ever the composer’s detailed re- quirements for a semi-theatri- ● Significant addition to reper- cal staging of the work and the toire of sacred music extension of the narrator’s role in accordance with Martinů’s Voříšek Jan Václav Hugo ● Also suitable for ambitious original intentions. (1791–1825) amateur choirs Missa in B (Missa solemnis ● First scholarly-critical edition ● Preface (Cz/Eng/Ger) by Op. 24) eminent Zelenka researcher for soloists, mixed choir and ● Detailed preface and critical J. Stockigt and critical report orchestra report by the editor (Eng/Cz) (Eng) by the editor vocal text: Lat → the BMCE volumes pp. 40 –41 MAB II/15, eds. J. Berkovec, O. Zuckerová H 7739 score ♦ ♦ Performance material H 7739a orchestral parts available on hire
72 OPERA
Zelenka Jan Dismas Janáček Leoš (1679–1745) (1854–1928) NEW 2020 Psalmi et Magnificat The Cunning Little Vixen for mixed choir, orchestra and (Příhody lišky Bystroušky) organ opera in three acts after the vocal text: Lat prose of Rudolf Těsnohlídek MAB II/5, ed. V. Bělský libretto by Leoš Janáček H 4974 score (♦ selection) vocal text: Cz/Ger/Eng LJCE A/8, ed. J. Zahrádka Sub olea pacis et palma virtutis BA 6867-01 cloth bound score Melodrama de Sancto Wenceslao vocal text: Lat This volume of the complete MAB II/12, ed. V. Bělský edition reprints the critical edi- H 6825 score COPY tion by Jiří Zahrádka, which was published by Universal Edition in Janáček Leoš 2010. The present edition newly (1854–1928) includes transcriptions of the Opera libretto in three languages (Cz/ Fate (Osud) Eng/Ger) and a detailed critical opera in 3 acts report (Eng), draws on all extant Dvořák Antonín libretto by Leoš Janáček and sources. (1841–1904) Fedora Bartošová vocal text: Cz/Eng/Ger Kate and the Devil (Čert a Káča) ● Time-proven critical edition LJCE A/5, ed. J. Zahrádka Op. 112 of the opera with a preface preface by the editor (Cz/Eng/ opera in 3 acts by the editor Ger) libretto by Adolf Wenig (Cz/Ger) BA 9562-01 / H 8038-01 cloth ● Notation with performance ADCE I/11, eds. J. Burghauser, bound score ♦ markings by Sir Charles A. Pokorný Urtext, ed. J. Zahrádka Mackerras H 454 vocal score COPY BA 9562-90 vocal score ♦ (Rasmus Baumann) orchestral suite from the opera Janáček Leoš by Tomáš Ille on hire (1854–1928) The Makropulos Case (Věc Makropulos) Janáček Leoš 2021 opera in 3 acts after a comedy (1854–1928) NEW by Karel Čapek Musiche per drammi libretto by Leoš Janáček fragments of music drama “Brno version” vocal text: Cz vocal text: Cz/Eng/Ger LJCE A/11, eds. M. Štědroň, English translation G. Turner V. Vejvodová German translation K. Lücker BA 6868-01 cloth bound score LJCE A/9, eds. T. Hanus, J. Hájek, A. Thein The volume contains the torsos preface M. Štědroň of the unfinished operas BA 9579-01 / H 8042 cloth The Mint Master’s Wife (after ♦ Rusalka Op. 114 bound score Ladislav Stroupežnický), Anna lyric fairy tale in 3 acts Karenina (after Leo Tolstoy), ● Reconstruction of the opera libretto by Jaroslav Kvapil Gazdina roba (after Gabriela version premiered in Brno vocal text: Cz/Ger/Eng Preissová), The Living Corpse new preface J. Gabrielová (after Leo Tolstoy) and the ● Practical performance Urtext, ed. J. Burghauser scenic music Schluck und Jau instructions by the editor, BA 9510-90 vocal score ♦ to the eponymous play by renowned Czech conductor (Karel Šolc) Gerhart Hauptmann. Tomáš Hanus The Jacobin (Jakobín) Op. 84 ● Welcome alternative to opera in 3 acts The contents of this LJCE previous editions of the libretto by Marie Červinková- volume were taken from the opera Riegrová original 2010 Editio Janáček vocal text: Cz/Ger edition based on a licensing ADCE I/10, eds. F. Bartoš, agreement.
A. Pokorný ♦ Performance material H 3955 score (2 volumes) available on hire
73 OPERA / THEMATIC CATALOGUES
Smetana Bedřich (1824–1884) The Kiss (Hubička) opera in 2 acts libretto by Eliška Krásnohorská vocal text: Cz ed. F. Bartoš H 2819 vocal score COPY (Bedřich Smetana)
NEW 2021 The Secret (Tajemství) opera in 3 acts libretto by Eliška Krásnohorská vocal text: Cz Smetana Bedřich ed. F. Bartoš
(1824–1884) H 1630 vocal score (Karel Šolc) Martinů Bohuslav The Bartered Bride (1890–1959) (Prodaná nevěsta) Ariane H. 370 comic opera in 3 acts lyric opera in one act libretto by Karel Sabina libretto by Bohuslav Martinů vocal text: Cz/Ger after the play Le Voyage de new preface M. Ottlová Thésée by Georges Neveux Urtext, ed. F. Bartoš vocal text: Fr BA 9534-90 vocal score ♦ BMCE I/1/12, ed. R. Simon (Bedřich Smetana) BA 10580-01 cloth bound score to appear in June 2021 Thematic Catalogues NEW 2022 Martinů composed the one-act opera Ariane over the course Burghauser Jarmil Pivoda Ondřej – Spurný Lubomír of a single month, in June (1921–1997) (*1984 / *1965) 1958. He prepared the libretto Antonín Dvořák. Thematic Pavel Haas. Thematic Catalogue himself according to his Catalogue ca. 180 pages (Eng) friend Georges Neveux’s play 844 pages (Cz/Ger/Eng) H 8054 The Voyage of Theseus (1943). bibliography by J. Burghauser, in preparation Both the full score and the J. Clapham vocal score (arranged by the H 7755 The first complete enumeration composer) were published in of Haas’s oeuvre draws on the Hudec Vladimír Bärenreiter posthumously in newest scholarly findings. Be- (1929–2003) 1960. The premiere took place sides finished works, it encom- at the municipal theatre in Zdeněk Fibich. Thematic passes film music, fragments, Gelsenkirchen in 1961. Catalogue lost compositions, and the 854 pages (Cz/Ger/Eng) composer’s literary estate. The The main source of this schol- H 7843 volume includes a foreword and arly-critical edition is the photographic illustrations. autograph score, while the Nouza Zdeněk – Nový Miroslav vocal parts are also based on (1929–2016 / 1924–2005) the autograph vocal score as Schnierer Miloš a referential source. Josef Suk. Thematic Catalogue (*1934) of the Works Vítězslav Novák. The Thematic ● First operatic volume of the 550 pages (Cz/Eng) Bohuslav Martinů Complete H 7955 and Bibliographical Catalogue Edition 522 pages (Cz/Eng) Padrta Karel rev. L. Peřinová ● Preface and critical report (*1926) H 7814 (Eng/Cz) by the editor Franz Krommer (1759–1831). Zuckerová Olga ● Original beginning of the Thematischer Katalog seiner (*1933) opera in the Appendix and musikalischen Werke as a facsimile 428 pages (Ger) Jan Hugo Voříšek (1791–1825). H 7759 Thematic Catalogue → the BMCE volumes pp. 40–41 96 pages (Eng) H 7777
74 INDEX OF COMPOSERS AND COLLECTION
I N Composers Ištvan Miloslav 35 Neruda Jan Křtitel Jiří 33 B J Novák Jan 17, 22, 31 Benda František 19, 20, 31 Janáček Leoš 4, 7, 8, 13, 14, 16, 21, Novák Vítězslav 9 Benda Jiří Antonín 6, 16, 49 23, 27, 31, 32, 39, 44, 46, 52, 54, 60, Nudera Vojtěch 45 63, 64, 67, 70, 71, 73 Blatný Pavel 44 Nykl Jan 30 Jansa Leopold 20 Bořkovec Pavel 37 O Ježek Jaroslav 8 Brixi František Xaver 17 Ondříček František 22 Jirmal Jiří 28, 29 Brixi Šimon 70 P Jírovec Vojtěch 8 C Pauer Jiří 26, 32 K Chmura Tomáš 34 Pelikán Jaroslav 31, 33 Kabeláč Miloslav 8, 13, 17, 27, 30, Pivoňka Karel 32 Č 35, 44, 46, 54 Plánický Josef Antonín 62 Černohorský Bohuslav Matěj 16 Kalabis Viktor 8, 23, 33, 44, 46, Pololáník Zdeněk 62, 63 Černý František 28 54, 60 D Kaprálová Vítězslava 23, 27, 32, 60 R Dusík Jan Ladislav 3, 6, 20, 28 Kaucký Emanuel – Petr Miloš 33 Rak Štěpán 28 Dušek František Xaver 3, 6, 44 Klein Gideon 8 Reicha Anton 9, 45, 47, 51, 54 Dvořák Antonín 3, 6, 7, 12, 13, 14, Klusák Jan 32 Rösler Johann Joseph 15 16, 19, 20, 22, 23, 24, 26, 27, 35, 36, Kocian Jaroslav 21 Rössler-Rosetti František Antonín 47 37, 38, 43, 44, 46, 48, 49, 51, 52, 53, Kopelent Marek 13, 27, 60 56, 57, 58, 62, 64, 65, 70, 73 Ryba Jakub Jan 72 Kopřiva Václav Jan 71 Dvořák Milan 3 Rychlík Jan 16, 62 Korte Oldřich F. 4, 8, 21, 49, 54 E Koželuch Leopold 8, 9, 49, 54 S Eben Petr 3, 7, 12, 16, 21, 27, 30, 31, Kramář-Krommer František Seger Josef Ferdinand Norbert 17 33, 36, 44, 58, 59, 62, 64, 67, 70 Vincenc 19, 30, 31, 32, 45, 46 Schulhoff Erwin 10, 43 F Krejčí Iša 54 Simon Ladislav 10, 34 Feld Jindřich 19, 23, 24, 31, 32, 35, Krůček Václav 19 Slavický Klement 5, 31, 54, 70 38, 44, 45, 46, 48, 53 Kubánek Libor 34 Slavický Milan 17, 23 Fiala Josef 45 Kubelík Jan 21 Sluka Luboš 62 Fibich Zdeněk 7, 13, 21, 32, 36, 38, Kubička Miroslav 21, 28, 31, 43 Smetana Bedřich 5, 10, 11, 13, 22, 45, 59 Kučera Jan 33 30, 35, 42, 54, 55, 62, 63, 64, 72, 74 Fils Antonín 31, 49 Kukal Ondřej 26, 32, 36, 42 Sommer Lukáš 29 Fišer Luboš 7, 13, 16, 19, 21, 26, 27, Kurz Ivan 34 Stamitz Carl 33 35, 38, 45, 67 Stich-Punto Jan Václav 33, 45 L Foerster Josef Bohuslav 60 Suk Josef 5, 11, 20, 35, 36, 42, 43, 47, Linek Jiří Ignác 71 G 48, 49, 55, 56 Losy Jan Antonín 29 Gemrot Jiří 16, 32 Suková Otilie 5, 12 Loudová Ivana 19 Gola Zdeněk 19 Š M Graham Peter 3 Šesták Zdeněk 49, 70 Madelka Simon Bar Jona 67 Gruber Rudolf 32 Ševčík Otakar 18, 19, 25 Martinů Bohuslav 4, 9, 14, 15, 21, H Škroup František Jan 35, 47 23, 24, 27, 35, 36, 42, 46, 47, 49, Haas Pavel 39, 44 54, 60, 63, 64, 67, 68, 71, 74 Šporcl Pavel 19 Hanuš Jan 3, 19, 21, 35, 44, 52, 60 Matěj Josef 34 Štědroň Miloš 17 Havlíček Ilja – Machalíčková Matějů Zbyněk 32 T Františka – Ondruš Ján 17 Matys Jiří 20, 42 Teml Jiří 17, 28, 31, 37, 47, 51 Hertl František 28 Metelka Jakub 5 Tichý Vladimír 26 Hlaváč Miroslav 31 Micka Josef 19 Tomášek Václav Jan 12, 55 Hradecký Emil 4, 12, 30, 33, 34 Michna z Otradovic Adam 61, 68, 72 Trojan Václav 45 Hurník Ilja 4, 13, 31, 45, 52, 62 Mysliveček Josef 9, 31, 37, 43, 45, Tůma František Ignác Antonín 20 Hurník Lukáš 13, 45 47, 62 Tuzar Josef 34 Husa Karel 32 Hybler Martin 29
75 INDEX OF COMPOSERS AND COLLECTION / INDEX OF EDITION NUMBERS
V BA BA 9511...... 9 Vaňhal Jan Křtitel 5, 12, 22, 24, 27 BA 9512...... 9 Vejvanovský Pavel Josef 51 BA 3326...... 46 BA 9513...... 9 BA 3327...... 46 BA 9514...... 9 Vodička Václav 49 BA 3755...... 67 BA 9515...... 9 Voříšek Jan Václav Hugo 12, 22, BA 3756...... 67 BA 9516...... 42 51, 55, 72 BA 3757...... 67 BA 9517...... 42 Vranický Antonín 23, 45 BA 3758...... 67 BA 9518...... 35 Vranický Pavel 43 BA 3842-90...... 23 BA 9519...... 11 Vycpálek Ladislav 23 BA 3842...... 23 BA 9520...... 39 BA 3969 Z ...... 27 BA 9521...... 35, 47 BA 4316-90...... 24 BA 9524...... 16 Zach Jan 49 BA 4316...... 24 BA 9525...... 10 Zákostelecký Bedřich 31 BA 4317-90...... 23 BA 9526...... 22 Zámečník Evžen 43 BA 4317...... 23 BA 9527...... 10 Zelenka Jan Dismas 51, 72, 73 BA 4318-90...... 14 BA 9528...... 44 Zelenka Milan – Obrovská Jana 29 BA 4319-90...... 27 BA 9529...... 11 BA 4319...... 27 BA 9530...... 43 BA 4985...... 62 BA 9532...... 56 Collections BA 5404...... 67 BA 9533...... 39 BA 6079...... 67 BA 9534-90...... 74 A Journey from the Middle Ages to BA 6171 / H 4657...... 52 BA 9535...... 14 the Present Day (recorder) 30 BA 6389 / H 6154...... 67 BA 9536...... 43 An Expedition into Czech BA 6429...... 67 BA 9537...... 36 Piano Music 6 BA 6720 / H 5798...... 23 BA 9538...... 35 Classici boemici II (piano) 6 BA 6842...... 52 BA 9539...... 37 BA 6844...... 71 Classics and Their BA 9540...... 37 BA 6845...... 52 Contemporaries I (piano) 3 BA 9541...... 9 BA 6847...... 64 BA 9542...... 43 Classics and Their BA 6848...... 54 BA 9543...... 36 Contemporaries II (piano) 3 BA 6849...... 21 BA 9544-90...... 70 Czech and Slovak Guitar BA 6851...... 70 BA 9545...... 37 and Lute Music 29 BA 6856 / H 7826-01...... 14 BA 9546...... 36 Czech Piano Music 6 BA 6857 / H 7832...... 39 BA 9547...... 13 Czech Sonatinas (piano) 3, 6 BA 6858 / H 7840...... 64 BA 9548...... 13 For Young People from Modern BA 6860...... 71 BA 9549...... 13 Czech Composers (piano) 3 BA 6860-90...... 71 BA 9550...... 19 Old Czech Organ Christmas 17 BA 6861 / H 7950...... 52 BA 9551...... 19 BA 6862 / H 7935...... 71 BA 9552...... 18 Old Hunting Fanfare BA 6862-90...... 71 BA 9553...... 18 (four French horns) 45 BA 6863 / H 8020...... 71 BA 9554...... 18 Organ Compositions BA 6865-01 / H 8041...... 63 BA 9555...... 18 of Old Czech Masters 17 BA 6867-01...... 73 BA 9556...... 18 Repertorium troporum bohemiae BA 6868-01...... 73 BA 9557...... 18 medii aevi (choral music) 69 BA 6965...... 26 BA 9558...... 55 Serenate Boëme, partite BA 7488-22...... 43 BA 9559...... 10 e notturni (wind ensemble) 45 BA 7488...... 43 BA 9560...... 10 Sonatinas and Rondos I (piano) 5 BA 7511...... 64 BA 9561...... 11 BA 8472...... 16 BA 9562-01 / H 8038-01...73 BA 9045-40...... 27 BA 9562-90...... 73 BA 9045-90...... 27 BA 9564...... 35 BA 9045...... 27 BA 9565...... 13 BA 9500...... 7 BA 9566...... 43 BA 9501...... 7 BA 9567...... 35 BA 9502...... 7 BA 9568...... 26 BA 9503...... 7 BA 9569...... 57 BA 9506...... 11 BA 9571...... 20 BA 9507...... 10 BA 9573...... 36 BA 9509...... 27 BA 9574...... 36 BA 9510-90...... 73 BA 9575...... 60
76 INDEX OF EDITION NUMBERS
BA 9576...... 20 BA 11521...... 18 H 366...... 49 H 1933...... 31 BA 9577...... 43 BA 11523...... 37 H 384...... 7 H 1979...... 5 BA 9578...... 35 BA 11524...... 44 H 425...... 7 H 1989...... 3, 7 BA 9579-01...... 73 BA 11525...... 39 H 441...... 57 H 2023...... 44 BA 9580...... 8 BA 11527-90...... 23 H 454...... 73 H 2031...... 3 BA 9581...... 32 BA 11529-90...... 23 H 465...... 21 H 2043...... 21 BA 9582...... 70 BA 11530...... 28 H 475...... 9 H 2078...... 22 BA 9583...... 43 BA 11531-90...... 24 H 519...... 51 H 2090...... 19 BA 9584...... 48 BA 11532...... 55 H 522...... 64 H 2122...... 63 BA 9585...... 3 BA 11533...... 55 H 553...... 57 H 2171...... 47 BA 9586...... 4 BA 11534...... 55 H 675...... 7 H 2172...... 21 BA 9591...... 18 BA 11537...... 10 H 676...... 7 H 2178...... 20 BA 9592...... 18 BA 11538...... 38 H 888...... 32 H 2182...... 12 BA 9593...... 18 BA 11539...... 36 H 907...... 3, 6 H 2226...... 7 BA 9594...... 72 BA 11541...... 47 H 916...... 23 H 2242...... 3 BA 9594-90...... 72 BA 11542...... 47 H 1089...... 13 H 2261...... 70 BA 10401...... 53 BA 11543...... 39 H 1110...... 7 H 2262...... 55 BA 10402...... 53 BA 11544...... 30 H 1122...... 3, 6 H 2268...... 70 BA 10403...... 53 BA 11545...... 8 H 1126...... 7 H 2271...... 36 BA 10417...... 51 BA 11547...... 25 H 1200...... 27 H 2304...... 45 BA 10417-40...... 51 BA 11548...... 25 H 1211-66...... 54 H 2306...... 37 BA 10418...... 51 BA 11549...... 25 H 1217...... 32 H 2307...... 51 BA 10418-40...... 51 BA 11550...... 15 H 1274...... 7 H 2323...... 45 BA 10419...... 52 BA 11550-90...... 15 H 1304...... 38 H 2334...... 51 BA 10420...... 14 BA 11555...... 29 H 1356...... 6 H 2335...... 62 BA 10420-90...... 14 BA 11556...... 28 H 1359...... 7 H 2414...... 21, 31 BA 10422...... 22 BA 11557...... 12 H 1364...... 20 H 2424...... 5, 11 BA 10422-90...... 22 BA 11558...... 59 H 1403...... 60 H 2461...... 8 BA 10423...... 48 BA 11559...... 5 H 1428...... 7 H 2464...... 59 BA 10424...... 49 BA 11560...... 6 H 1442...... 21 H 2486...... 63 BA 10424-22...... 49 BA 11561...... 26 H 1481...... 37 H 2486-01...... 63 BA 10425...... 56 BA 11563...... 33 H 1487...... 26 H 2498...... 29 BA 10426...... 56 BA 11563-90...... 33 H 1498...... 7 H 2572...... 67 BA 10431...... 57 BA 11564...... 48 H 1500...... 47 H 2576-90...... 71 BA 10432...... 57 BA 11565...... 8 H 1501...... 36 H 2632...... 58 BA 10434...... 65 BA 11567-90...... 32 H 1502...... 47 H 2642...... 20 BA 10434-82...... 65 BA 11569...... 5 H 1503...... 49 H 2704...... 20 BA 10434-90...... 65 H 1532...... 26 H 2705...... 46 BA 10437...... 24 H H 1569...... 38 H 2726...... 34 BA 10439...... 62 H 1591-03...... 19 H 2741-66...... 52 BA 10571-01...... 72 H 53...... 31 H 1592...... 20 H 2799...... 54 BA 10572-01...... 54 H 54...... 19 H 1594...... 38 H 2803...... 38 BA 10573-01...... 71 H 55...... 19 H 1598...... 27 H 2819...... 74 BA 10574-01...... 46 H 79...... 37 H 1630...... 74 H 2825...... 5 BA 10575-01...... 68 H 100...... 38 H 1732...... 38 H 2844...... 62 BA 10576-01...... 42 H 184...... 8 H 1748...... 28 H 2849...... 37 BA 10577-01...... 42, 49 H 208...... 46 H 1763...... 7 H 2850...... 7 BA 10578-01...... 23, 24 H 235...... 5 H 1791...... 38 H 2852...... 49 BA 10579-01...... 15 H 257...... 19 H 1796...... 6 H 2880...... 64 BA 10580-01...... 74 H 258...... 19 H 1801...... 13 H 2888...... 54 BA 10581...... 71 H 276-S...... 54 H 1809...... 16 H 2907...... 7 BA 10582-01...... 54 H 277...... 71 H 1810...... 3 H 2924-90...... 70 BA 10929...... 30 H 284...... 35 H 1811...... 20 H 2955...... 33 BA 11512...... 21 H 297...... 5 H 1834...... 37 H 2958...... 49 BA 11513...... 6 H 298...... 11 H 1835...... 37 H 2981...... 16 BA 11514...... 6 H 335-S...... 54 H 1852...... 17 H 2992...... 68 BA 11515...... 57 H 337...... 57 H 1879...... 55 H 2992-22...... 68 BA 11516...... 57 H 338...... 7 H 1882...... 70 H 2996...... 67 BA 11517...... 58 H 362...... 47 H 1890...... 20, 24 H 2996-22...... 67 BA 11518...... 58 H 365...... 47 H 1927...... 19 H 2997...... 68
77 INDEX OF EDITION NUMBERS
H 3002...... 45 H 4035...... 72 H 5270...... 51 H 6415...... 29 H 3026...... 64 H 4054-66...... 54 H 5305...... 26 H 6421...... 3 H 3079...... 51 H 4092...... 3 H 5311...... 59 H 6427-01...... 54 H 3082...... 58 H 4149...... 5 H 5317...... 20 H 6427-02...... 54 H 3096-66...... 54 H 4151...... 70 H 5318...... 16 H 6427-03...... 54 H 3099...... 6 H 4154...... 11 H 5330...... 36 H 6427-04...... 54 H 3133...... 19 H 4156...... 34 H 5390...... 12 H 6427-05...... 54 H 3156...... 8 H 4179...... 28 H 5422...... 13 H 6427-06...... 54 H 3171...... 51 H 4203...... 45 H 5445...... 22 H 6428...... 42 H 3177...... 7 H 4233...... 62 H 5450...... 19 H 6429...... 49 H 3204...... 17 H 4248...... 63 H 5489...... 62 H 6450...... 71 H 3211...... 3 H 4342...... 14, 46 H 5543...... 20 H 6465...... 46 H 3230...... 51 H 4346...... 16 H 5553...... 54 H 6474...... 4, 13 H 3235...... 20 H 4376...... 20 H 5561...... 64 H 6477...... 44 H 3237...... 12 H 4397...... 44 H 5572...... 72 H 6497...... 60 H 3257...... 4 H 4422...... 33, 46 H 5585...... 60, 61 H 6508...... 36 H 3289...... 6 H 4439...... 67 H 5628...... 44 H 6549...... 37 H 3291...... 32 H 4460...... 57 H 5631...... 31 H 6571...... 52 H 3331...... 36 H 4496...... 62 H 5643...... 48 H 6582...... 21 H 3363...... 4 H 4497...... 3 H 5649...... 37 H 6590...... 48 H 3364...... 17 H 4499...... 5 H 5674...... 27 H 6615...... 70 H 3374...... 10 H 4506...... 17 H 5709...... 4, 9 H 6657...... 12 H 3392-01...... 36 H 4508...... 70 H 5766...... 11 H 6663...... 37 H 3402...... 62 H 4515...... 63 H 5805...... 16 H 6674...... 23 H 3406...... 45 H 4522...... 70 H 5808...... 45 H 6676...... 6 H 3413...... 6 H 4523-90...... 70 H 5849...... 51 H 6696...... 23 H 3506...... 52 H 4557...... 31, 32 H 5851...... 12 H 6782-22...... 43 H 3530...... 70 H 4562...... 45 H 5862...... 19, 30, 31 H 6798-02...... 54 H 3533...... 58 H 4570...... 60 H 5906...... 21 H 6825...... 73 H 3555...... 49 H 4585...... 49 H 5951...... 63 H 6837...... 33 H 3578...... 20 H 4592...... 37 H 5988...... 61 H 6902-01...... 37 H 3598...... 13 H 4698...... 67 H 5993...... 19 H 6931...... 23 H 3616...... 52 H 4700...... 67 H 6001...... 63 H 6967...... 42 H 3684...... 54 H 4721...... 31 H 6002...... 64 H 6973...... 27 H 3712...... 67 H 4738...... 8 H 6003...... 64 H 7004...... 54 H 3712-64...... 67 H 4750...... 3, 7 H 6033...... 47 H 7037...... 43 H 3723...... 31 H 4757...... 44 H 6036...... 12 H 7040-01...... 7 H 3729...... 23 H 4839 ...... 70 H 6065...... 52 H 7040-02...... 7 H 3740...... 49 H 4872...... 12 H 6070-01...... 7 H 7082...... 3 H 3750...... 70 H 4876...... 31 H 6114...... 12 H 7132...... 30 H 3754...... 21, 32 H 4890...... 45 H 6132...... 61 H 7133...... 12 H 3756...... 6 H 4923...... 17 H 6145...... 62 H 7135...... 30, 44 H 3759...... 54 H 4952...... 64 H 6155...... 13 H 7136...... 62 H 3761...... 16 H 4956...... 58 H 6156...... 4, 9 H 7140...... 45 H 3788...... 51 H 4974...... 73 H 6173...... 39 H 7149...... 31 H 3789...... 49 H 5020...... 3 H 6187...... 19 H 7178...... 52 H 3813...... 37 H 5033...... 6 H 6211...... 31 H 7215...... 11 H 3819...... 31 H 5077...... 3 H 6214...... 44 H 7226...... 71 H 3843...... 44 H 5086...... 67 H 6239...... 67 H 7236...... 28 H 3863...... 64 H 5094...... 61 H 6250...... 45 H 7240...... 68 H 3869...... 31 H 5095...... 61 H 6252...... 67 H 7323...... 55 H 3879...... 13 H 5132...... 29 H 6256...... 64 H 7325...... 4 H 3884...... 21 H 5166...... 44 H 6276...... 63 H 7330...... 9 H 3902...... 9 H 5182...... 62 H 6300...... 59 H 7332...... 69 H 3917...... 47 H 5183...... 55 H 6329...... 4 H 7333...... 11 H 3917-22...... 47 H 5194...... 28 H 6334...... 16 H 7382-01...... 70 H 3955...... 73 H 5196...... 44 H 6339...... 31 H 7383...... 70 H 3986...... 42 H 5215...... 32 H 6354...... 8 H 7402...... 72 H 3998...... 36, 45 H 5259...... 21 H 6390...... 33 H 7402n...... 72 H 4027...... 70 H 5264...... 67 H 6406...... 43 H 7404...... 47
78 INDEX OF EDITION NUMBERS
H 7406...... 32 H 7804...... 33 H 7932...... 35 H 8052...... 34 H 7414...... 28 H 7807...... 35 H 7938...... 21 H 8053...... 34 H 7415...... 8 H 7808...... 69 H 7941...... 42 H 8054...... 74 H 7438...... 16 H 7809...... 60 H 7941-22...... 42 H 8081...... 4, 9 H 7439...... 60 H 7810...... 58 H 7944...... 42 HM 941...... 55 H 7442...... 71 H 7811...... 63 H 7944-22...... 42 H 7445...... 10 H 7814...... 74 H 7946...... 9 TP H 7452...... 44 H 7817...... 21 H 7948...... 4 H 7460...... 11 H 7820...... 47 H 7949...... 26 TP 122...... 14 H 7461...... 12 H 7823...... 20 H 7951...... 20 TP 422...... 22 H 7481...... 43 H 7824...... 68 H 7952...... 47 TP 440...... 46 H 7504...... 23 H 7825...... 21 H 7953...... 48 TP 441...... 47 H 7505...... 52 H 7827...... 27 H 7954...... 49 TP 442...... 47 H 7506...... 52 H 7828...... 29 H 7955...... 74 TP 501...... 51 H 7528...... 24 H 7830...... 31 H 7957...... 7 TP 502...... 51 H 7531...... 51 H 7837...... 68 H 7958...... 42 TP 503...... 51 H 7554...... 49 H 7841...... 60 H 7959...... 69 TP 504...... 51 H 7567...... 33 H 7842...... 8 H 7962...... 35, 45 TP 505...... 51 H 7568...... 55 H 7843...... 74 H 7963...... 9 TP 506...... 51 H 7591...... 3 H 7844...... 42 H 7964...... 36 TP 509...... 52 H 7595...... 69 H 7844-22...... 42 H 7965...... 36 TP 516...... 42 H 7638...... 13 H 7845...... 16 H 7965-22...... 36 TP 517...... 42 H 7646...... 33 H 7847...... 67 H 7966...... 19, 35, 45 TP 520...... 39 H 7690...... 17 H 7849...... 60 H 7967...... 16 TP 521...... 39 H 7717...... 13 H 7852...... 37, 47 H 7968...... 42 TP 523...... 37 H 7718...... 64 H 7854...... 33 H 7968-22...... 42 TP 524...... 44 H 7719...... 36 H 7855...... 22, 31 H 7969...... 17 TP 525...... 39 H 7725...... 27 H 7857...... 8 H 7970...... 9 TP 528...... 45 H 7735...... 70 H 7859...... 19 H 7974...... 4 TP 530...... 43 H 7736-01...... 71 H 7860...... 35 H 7975...... 12 TP 532...... 43 H 7738...... 23 H 7863...... 45 H 7976...... 17 TP 533...... 39 H 7739...... 72 H 7865...... 17 H 7979...... 69 TP 535...... 37 H 7739a...... 72 H 7867...... 32 H 7982...... 28 TP 536...... 43 H 7741...... 52 H 7869...... 29 H 7987...... 24 TP 538...... 38 H 7743...... 21 H 7873...... 17 H 7988...... 7 TP 539...... 37 H 7744...... 7 H 7874...... 21 H 7989...... 7 TP 540...... 37 H 7745...... 34 H 7875...... 9 H 7990...... 69 TP 541...... 53 H 7750...... 45 H 7876...... 29 H 7991...... 31 TP 542...... 53 H 7753...... 34 H 7878...... 69 H 7992...... 32 TP 543...... 53 H 7755...... 74 H 7880...... 68 H 7993...... 35, 46 TP 557...... 54 H 7757...... 7 H 7881...... 19 H 7994...... 35, 46 TP 558...... 55 H 7758...... 7 H 7885...... 62, 63 H 7995...... 69 TP 559...... 55 H 7759...... 74 H 7890...... 31 H 7996...... 69 TP 573...... 71 H 7764...... 38 H 7893...... 27 H 7997...... 69 TP 577...... 43 H 7766...... 7 H 7896...... 16 H 7999...... 67 TP 583...... 43 H 7768...... 62, 62 H 7898...... 32 H 8001...... 33 TP 617...... 51 H 7769...... 63 H 7900...... 62, 64 H 8017...... 69 TP 618...... 51 H 7777...... 74 H 7906...... 8 H 8018...... 44 TP 620...... 27 H 7787...... 45 H 7910...... 30 H 8019...... 34 TP 842...... 52 H 7788...... 32 H 7911...... 7 H 8021...... 26 TP 862...... 71 H 7791...... 60 H 7913...... 34 H 8022...... 17 H 7792...... 29 H 7914...... 21 H 8023...... 38 H 7793...... 27 H 7915...... 22 H 8025...... 27 H 7795...... 7 H 7916...... 21 H 8028...... 17 H 7796...... 29 H 7917...... 7 H 8030...... 69 H 7797...... 29 H 7919...... 23, 32 H 8034...... 4 H 7800...... 47 H 7920...... 70 H 8039...... 19 H 7800-22...... 47 H 7923...... 43 H 8040...... 61 H 7802...... 21 H 7924...... 70 H 8046...... 34 H 7803...... 52 H 7931...... 30, 33, 34 H 8047...... 34
79 INDEX OF EDITIONBärenreiter NUMBERS Urtext NOTES
“The Musician’s Notes” featuring these motifs is a practical notebook which is ideal as a student lesson book, a general notebook or a gift. The pages alternate with musical staves on the left and writing lines on the right.
BA 8400-1 violoncello BA 8400-2 clarinet BA 8400-3 double bass BA 8400-4 violin BA 8400-5 piano format A 5 (21.0 x 14.7 cm) / 32 pages
80 BÄRENREITER URTEXT Other Bärenreiter Catalogues THE MUSICIAN ' S CHOICE
Bärenreiter – Bärenreiter – The Programme 2019/2020 Das Programm 2018/2019 SPA 480 (Eng) SPA 478 (Ger) Bärenreiter's bestsellers for The most comprehensive piano, organ, strings, winds, catalogue for all solo chamber ensembles, and solo instruments, chamber music voice. It also lists study and and solo voice. Vocal scores orchestral scores, facsimiles and study scores are also and reprints, as well as books included. on music.
Bärenreiter – Bärenreiter – Bärenreiter Music for Piano 2019/2020 Music for Organ Music for Organ 2014/2015 SPA 233 (Eng) 2014/2015 SPA 238 (Eng) Bärenreiter's complete Urtext Bärenreiter's Urtext programme for piano as well programme for organ as well as all educational titles and as collections and series. collections for solo and piano You will also find jazz works, four hands. Chamber music transcriptions, works for with piano is also listed. Your Music Dealer: organ and voice, as well as a selection of contemporary music.
Bärenreiter-Verlag · 34111 Kassel · Germany · www.baerenreiter.com · SPA 238 MARTINŮ B Ä R E N R E I T E R U R T E X T Bärenreiter – Bärenreiter – Music for Strings 2018/2019 Choral Music 2018/2019 Nonet č. 2 SPA 234 (Eng) SPA 30 (Eng) Nonet No. 2
Nonett Nr. 2 Bärenreiter's complete Urtext The catalogue includes sacred programme for strings as and secular choral works as H 374 well as all educational titles well as choral collections, and collections. There is an selected facsimiles, and books extensive list of Bärenreiter relating to vocal music. chamber music editions as Bärenreiter well as a list of study scores, books and facsimiles relating to string music. Bärenreiter – Bärenreiter – Chormusik 2017/2018 Musikbücher 2018/2019 SPA 481 (Ger) SPA 494 (Ger) The catalogue includes works The catalogue contains for mixed, male, female and a wide range of books on children's choir a cappella music, facsimiles, and and other choral sacred and reprints of historical secular works. Books relating editions. to choral music are also listed.
YOUR NEXT PERFORMANCE You will find a PDF of these catalogues on www.baerenreiter.com under “Service”. IS WORTH IT Ask for the printed catalogues at your music dealers. BÄRENREITER URTEXT offering the best CZECHMUSIC of Czech music
BÄRENREITER URTEXT is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text — the musicians’ choice.
Your Music Dealer SPA 314 SPA
SALES CATALOGUE 2021 /2022 Bärenreiter Praha • Praha Bärenreiter Bärenreiter Praha
| www.baerenreiter.cz | [email protected] | www.baerenreiter.com