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CHAN 3029 Book Cover.Qxd 24/7/07 4:32 Pm Page 1 CHAN 3029 book cover.qxd 24/7/07 4:32 pm Page 1 CHAN 3029 CHANDOS O PERA I N ENGLISH Sir Charles Mackerras PETE MOOES FOUNDATION CHAN 3029 BOOK.qxd 24/7/07 4:46 pm Page 2 Leosˇ Janácˇek (1854–1928) Osud (Fate) Opera in three acts Libretto by Leosˇ Janácˇek and Fedora Bartosˇová English translation by Rodney Blumer AKG Míla Valková .............................................................................................................. Helen Field Zˇ ivn´y, a composer .............................................................................................. Philip Langridge Míla’s mother ...................................................................................................... Kathryn Harries Act I A poet, A student .................................................................................................... Peter Bronder Dr Suda ........................................................................................................................Stuart Kale First lady .............................................................................................................. Christine Teare Second lady ........................................................................................................ Elizabeth Gaskell Old Slovak woman ................................................................................................ Dorothy Hood Major’s wife .............................................................................................................. Mary Davies Councillor’s wife.................................................................................................... Gaynor Keeble Lhotsky ´ ...................................................................................................................... Barry Mora Konecˇn´y ................................................................................................................ Mark Holland Miss Stuhlá, a schoolmistress.................................................................................... Catriona Bell Miss Pacovská, a student ...................................................................... Rebecca Moseley-Morgan Leosˇ Janácˇek First guest, First young gentleman ................................................................ Gareth Rhys-Davies Second guest, Second young gentleman.......................................................... Philip Lloyd-Evans Waiter ...................................................................................................................... Ralph Mason An engineer ...................................................................................................... Timothy German A young widow.................................................................................................. Frances Manning Fancˇa.................................................................................................................... Cheryl Edwards 2 3 CHAN 3029 BOOK.qxd 24/7/07 4:46 pm Page 4 Act II [p. 00 Act I Time Page Doubek, Míla and Zˇ ivn´y’s son, as a child ................................................................ Samuel Linay 1 Orchestra 1:42 44 2 Orchestra (Music from the bandstand) 3:30 44 Act III ‘Free as a bird I bask in the sunshine’ Hrazda, a student .................................................................................................... Peter Bronder Verva, a student .......................................................................................................... Barry Mora A poet Soucˇková, a student ................................................................................................ Yolande Jones 3 ‘Heavens, it’s him!’ 4:53 45 Kosinská, a student................................................................................................ Christine Teare Míla Doubek, as a student .............................................................................. Michael Preston-Roberts 4 ‘Is it your child you’ve come for?’ 5:57 46 Dr Suda ...................................................................................................................... Stuart Kale Míla Schoolmistresses, Students and Schoolgirls, Guests at the Spa, Students at the Conservatory 5 ‘“Sun in the heavens up on high”’ 1:56 49 Dr Suda Orchestra and Chorus of Welsh National Opera 6 ‘We’re back too late’ 4:39 50 Zˇivn´y Andrew Greenwood chorus master 7 ‘The sun’s vanished’ 5:47 51 Sir Charles Mackerras Míla 8 ‘Never will I forget this fleeting moment!’ 4:46 52 Guide to Czech pronunciation: c=ts, c=ch,ˇ ˇs=sh, z=zh;ˇ the stress falls always on the first syllable of a name or word, all Engineer vowels with accents are lengthened. Act II 9 Orchestra 5:18 54 ‘Slumber on undisturbed in the shadow’ Zˇivn´y 10 Piano 3:08 54 ‘I do, I do!’ Míla 11 ‘We’re married now’ 2:50 55 Zˇivn´y 4 5 CHAN 3029 BOOK.qxd 24/7/07 4:46 pm Page 6 [p. 00 Act I Time Page 12 ‘Mummy, Mummy!’ 2:24 56 Janácˇek: Osud Doubek 13 ‘Unspoken thoughts go far beyond words’ 3:37 56 Míla’s mother Janácˇek’s ‘Fate’: the making of the libretto provided one. Hearing that Janácˇek was a You know that I am looking for a libretto. composer she told him about her previous Act III A modern one. […] encounter with a composer, Ludvík Cˇelansk´y, 35:26 [p. 54] I want to have Act I completely realistic, who in revenge at the termination of their love 14 Orchestra 3:43 57 drawn from life at a spa. There is a wealth of affair by her rich parents had pilloried her in a ‘Listen to the thunder over the horizon’ motifs there! one-act opera, suggestively called Kamila and Students Act II is to be actually a hallucination. No produced in Prague in 1897. Janácˇek was 15 ‘“Endless the pain I must suffer”’ 1:58 57 more reality, instead the mind, provoked almost encouraged to write another opera where she Hrazda to a nervous breakdown, propels the action might be seen in a more favourable light. 16 Orchestra 4:49 58 further to the point where it is hard to say Much of this famous and extraordinary ‘Enough of that!’ whether it is real or a hallucination, a delusion. story has to be speculation, given only the Verva While the setting of Act I is magnificent spa most cryptic comments by Janácˇek himself in 17 ‘“Mummy, Mummy! Do you know what love is?”’ 3:18 59 scenery, Act II ought to reveal the extravagant his autobiography and little other external Verva interior of ladies’ boudoirs, the scenery of evidence, though most of the facts fit and are 18 ‘People said it must have been his falling in love’ 4:23 60 southern landscapes. corroborated by the earliest libretto of Fate. Zˇivn´y Act III will be strange. […] There is no evidence, however, that Janácˇek 19 ‘Bitter memories!’ 5:46 60 This is the earliest scenario of Fate, contained ever contemplated a ‘revenge’ opera (there is Zˇivn´y in a letter from Janácˇek written some time in no sign of any ‘Kamila’ in this first scenario); 20 ‘It seems to be so clear’ 4:11 61 October 1903 to Mrs Kamila Urválková. instead he was inspired by the fact that a real- ˇ Zˇivn´y Janácˇek had met Mrs Urválková that summer life incident had given rise to Celansk´y’s at the Moravian spa of Luhacˇovice, where he Kamila. He set to work imagining an opera TT 78:33 00 had gone to recover after the death of his which would be largely about himself, daughter Olga earlier that year. Jenu˚fa was ‘completely realistic, drawn from life at a spa’. recently finished and awaiting its Brno Here a composer, Zˇivn´y, meets Mrs Míla premiere, and Janácˇek’s mind was open and Valková. Like Janácˇek, Zˇivn´y had a daughter receptive to new impulses. Mrs Urválková who had recently died. Like Kamila Urválková, 6 7 CHAN 3029 BOOK.qxd 24/7/07 4:46 pm Page 8 Míla Valková tells of her love for a composer, Even while he wrote to Mrs Urválková, they are living together with their five-year-old prevarication by the Theatre and even a lawsuit whom she has had to part with because of Janácˇek had already found a librettist, a young son – not just writing letters to one another. (initiated by Janácˇek, though later withdrawn), opposition from her parents. Míla is now schoolteacher called Fedora Bartosˇová. Her Míla’s husband was omitted. Soon after this it remained there unperformed until 1914, unhappily married with a young son. only qualification for the job was that she had stage in the libretto’s development Bartosˇová when Janácˇek bitterly asked for it back. Later, Act II, in Janácˇek’s first scenario, was to written a little poetry, and Janácˇek probably was quietly dropped, having contributed a new when his fortunes changed with the success of bring about a crisis, and in the earliest libretto chose her because she had been a friend of his Act II (which Janácˇek ignored) and a Jenu˚fa in Prague, Janácˇek thought of revising this was provided by the conflict between beloved and much-mourned daughter Olga. monologue for Zˇivn´y intended to open Act III the text and submitted it to literary experts Míla’s husband and the composer Zˇivn´y, who Bartosˇová taught in a neighbouring town so but which Janácˇek adapted to form the such as Jaroslav Kvapil, the librettist of has been writing her love letters. Again the that their collaboration, much of which was backbone of his new Act II. Dvorˇák’s Rusalka, and the writer and translator parallel to Janácˇek’s own life is striking. An carried on by letter, is well documented. Janácˇek completed his score in the early part Max Brod. All shook their heads over it, and intense correspondence between Janácˇek and Janácˇek sent her his prose scenario
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