GLOSSARY OF CHINESE CHARACTERS

Ai ’ erlan Xiju Yundong ᝋ⡮㱝ᡢࢷ䙻अ Bali Sheng You Jingju Tuan ᐤ哾ऍ৻Ӝࢷൈ Bawang Bieji 䵨⦻ࡕလ Baishezhuan ⲭ㳷ۣ Bei Deng 㛼ࠣ Beifang Juyuan ेӜेᯩᰶᴢࢷ䲒 Beijing Jingju Si Tuan ेӜӜࢷഋൈ Beijing Jingju Tuan ेӜӜࢷൈ Beijing Jingju Yuan ेӜӜࢷ䲒 Beijing Jingju Yuan Si Tuan ेӜӜࢷ䲒ഋൈ Beijingshi Xiqu Xuexiao ेӜᐲᡢᴢᆨṑ bu ↕ chang ୡ Chang ’ e Benyue ᄖၕ྄ᴸ Changsheng Dian 䮧⭏⇯ chou с chujiang ࠪሷ Chuanju ᐍࢷ ཷۣ da ᢃ Da Fang བྷᯩ daguo zhanlue བྷ഻ᡠ⮕ Da Jiao Zan ᢃ❖䌺 Da Qing Guo བྷ␵഻

© The Editor(s) (if applicable) and The Author(s) 2016 229 A. Thorpe, Performing on the London Stage, DOI 10.1057/978-1-137-59786-1 230 GLOSSARY OF CHINESE CHARACTERS

Dangdai Chuanqi Juchang ⮦ԓۣཷࢷ๤ Dalian Jingju Tuan བྷ䙓Ӝࢷൈ Damian Gang ᢃ哥㕨 Danao Tiangong བྷ兗ཙᇞ Da Yu Sha Jia ᢃ┱⇪ᇦ dan ᰖ Difangxi ൠᯩᡢ erhu Ҽ㜑 fa Ⲭ Fengyun Hui 付䴢ᴳ Gezaixi ⅼԄᡢ Guoji Yueju Jie ᔓᐎ഻䳋㋥ࢷㇰ Guifei Zuijiu 䋤ླ䞹䞂 guzhuang xin xi ਔ㼍ᯠᡢ Guoju ഻ࢷ Gong Qiu ╒ᇞ⿻ Heping gongchu wuxiang yuanze ઼ᒣޡ㲅ӄ丵৏ࡷ Hongzong Liema ㌵儳⛸俜 Hsiung Shih-yi see Xiong Shiyi Hongdeng Ji ㌵⟸䁈 Honglou Meng ㌵⁃དྷ houdi ৊ᓅ Hua Mei 㣡⛪Ⴢ Huaju 䂡ࢷ Hua Mulan 㣡ᵘ㱝 Huilan Ji ⚠䯼䁈 huqin 㜑⩤ Huo Fenghuang ⚛匣ࠠ Jixiang Juchang ਹ⾕ࢷ๤ Jiyulun ₏䙷䄆 jianyi ㇝㺓 jianzhu shi yishu ᔪㇹᱟ㰍㺃 Jiang Aibing 㭓䵴⿹ jing ␘ jingbai Ӝⲭ Jingju Ӝࢷ Jingju Piaoyou Hui Ӝࢷ⾘৻ᴳ Ju Dagang 䤨བྷ㕨 kaimenqiang 䮻䮰´ GLOSSARY OF CHINESE CHARACTERS 231

Kunju Chuanxisuo ᰶࢷۣ㘂ᡰ Kunju ᰶࢷ laodong gaizao ऎअ᭩䙐 lao sheng 㘱⭏ Lao Sheng Er 㘱⭏ނ liang xiang Ӟ⴨ Li Yu ᵾ⦹ Liang Shanbo yu Zhu Yingtai ằኡ՟㠷⾍㤡ਠ Liu Jipiao ࡈᰒ┲ Liu Jinding Dazhan Yu Hong ࢹ䠁ᇊབྷᡠ։⍚ Lokseoi Mung Wui see Luoshui Meng Hui Long Hu Fengyun Hui 喽㱾付䴢ᴳ long tao 喽྇ ঄ᴳ઼ޡLundun Gonghe Xiehui ٛᮖ ⽮Lundun Jingkun Yanxishe ٛᮖӜᰶ⹄㘂 ⽮㚢ᴢ㰍܁Lundun Qiaosheng Quyishe ٛᮖ Luoshui Meng Hui ⍋≤དྷᴳ mang 㸂 ẵ㱝㣣 Mudanting ⢑ѩӝ nian ᘥ Qingchun ban Mudanting 䶂᱕⡸⢑ѩӝ Qiu Hu Xiqi ⿻㜑ᡢ࿫ qunzi 㼉ᆀ ruxiang ޕ⴨ San Cha Kou йዄਓ San Da Tao Sanchun йᢃ䲦й᱕ San ge Shijie Lilun йػц⭼⨶䄆 sanran й償 Sangyuan Hui ẁൂᴳ Jingju Yuan к⎧Ӝࢷ䲒 shen 䓛 Shiwu Guan ॱӄ䋛 shiyan xiju ሖ傇ᡢࢷ shou ᡻ shuaifa ⭙Ⲭ Shuang Pa Ai 䴉ᙅᝋ shuixiu ≤㻆 Si Da Mai ഋབྷ䌓 232 GLOSSARY OF CHINESE CHARACTERS

si da ming dan ഋབྷ਽ᰖ si ren bang ഋӪᒛ Sishui Weilan ↫≤ᗞ♮ Suo Ling Nang 䧆哏೺ suona ఙ੦ Suzhou Kunju Tuan 㰷ᐎᰶࢷൈ Suzhou Shi Jingju Tuan 㰷ᐎᐲӜࢷൈ Ta Ching Kuo see Da Qing Guo taoguang yanghui 丌ݹ伺Ზ Xiju Xueyuan ཙ⍕ᡢࢷᆨ䲒 Tiannü San Hua ཙྣᮓ㣡 tingxi 㚭ᡢ Wang Bao Chuan ⦻ሦᐍ Wang Bao Chuan ⦻ሦ䠗 Wang Ganjiao ⦻䏅㞣 Wang Jiasong ⦻ᇦᶮ Wangjiaban ⦻ᇦ⨝ Wang Xiao Ganjiao ⦻ሿ䏅㞣 Wangzi Fuchou Ji ⦻ᆀᗙӷ䁈 Wuhan Shi Jingju Tuan ↖╒ᐲӜࢷൈ Xiqu ᡢᴢ Xi Xiang Ji 㾯ᓲ䁈 Xi You Ji 㾯䙺䁈 xinbian gudai xi ᯠ㐘ਔԓᡢ Xiong Shiyi ➺ᔿа Xu Pipa 㒼⩥⩦ Xue Shou Ji 㹰᡻䁈 ⵬ Yangmen Nü Jiang ὺ䮰ྣሷ Yezhulin 䟾䊜᷇ yi chao si qiang а䎵ഋᕧ yi xi jiuhuo le yi ge juzhong аࠪᡢᮁ⍫Ҷаػࢷぞ You Long Xi Feng 喽ᡢ匣 Yuwang Chengguo ឮᵋ෾഻ Yuanqu Xuan ݳᴢ䚨 Yuanren Bai Zhong Qu ݳӪⲮぞᴢ Yueju ㋥ࢷ Yueqin ᴸ⩤ 䴢ⲭ GLOSSARY OF CHINESE CHARACTERS 233 yunjian 䴢㛙 Yunnan Sheng Jingju Tuan 䴢ইⴱӜࢷൈ 䴌ࢷ Zai Liu Bei ㏥⁃䝽 zhanmen ㄉ䮰 Zhaoshi Gu Er 䏉∿ᆔނ zhe ᣈ zhezixi ᣈᆀᡢ Zhongguo Jingju Yuan ѝ഻Ӝࢷ䲒 Zhongguo Jingju Yuan San Tuan ѝ഻Ӝࢷ䲒йൈ Zhongguo Jingju Yuan Yi Tuan ѝ഻Ӝࢷ䲒аൈ Zhongguo Xiqu Xueyuan ѝ഻ᡢᴢᆨ䲒 Zhongguo Yunnan Jingju Tuan ѝ഻䴢ইӜࢷൈ zhui guochang 䘭䙾๤ ڊ zuo

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A B Amherst (Lord), xiv, 53 Baishezhuan . See White Snake, The ‘ancient costume new drama’ Barmé, Geremie, 199 ( guzhuang xin xi ) , 119, Barrie, James, 108, 127 206n27 Baudrillard, Jean, 209 Anglo-Chinese College, xiv, 55 Bawang Bieji . See King Bids Farewell to Anthology of Yuan Plays. See Yuanqu His Favourite , The Xuan Beijing Jingju Opera Troupe, Art Deco, xvi, 85–6, 88, 90 xviii, 199 Asian-American . See also Chinatown, Beijing opera . See Peking opera in San Francisco Benrimo, (Joseph) Henry, 70, 72, British understanding of, 69–70 73, 76, 78, 81 diaspora, 6, 118 Bevin, Ernest, 139 identity of practitioners, 87, 96, Bhabha, Homi, 5, 7, 107, 171 98–9, 138, 213 Bin Qun , 61 Association of Chinese Theatre Blood-stained Hands , The ( Xue Shou Workers, 144 Ji ) , 193–95 Astonishing Adventures of Pang , The , Brecht, Bertolt, 86, 122, 125, 192 133 Britain-China Friendship Association At the Crossroads ( San Cha Kou ) , (BCFA), 144–45, 149–50, 152, 150, 157n8, 178n3, 185, 154, 155, 156, 186 199, 200 British East India Company, xiv, xv, Atlee, Clement, 141 53, 57, 82n1

Note: Page numbers with “n” denote notes.

© The Editor(s) (if applicable) and The Author(s) 2016 255 A. Thorpe, Performing China on the London Stage, DOI 10.1057/978-1-137-59786-1 256 INDEX

British Foreign Offi ce . See Foreign distinction from Chinese opera- Offi ce (British) inspired theatre , 4–5 British Museum, 74, 75, 93 fi rst performance in London, Buddhism , 216–19 66–7 origins of term in English usage, 9n3 C represented in exhibitions, 59–67, Campbell, J. Duncan, 61–3 75 ( see also exhibitions) Cantonese opera (Yueju ) , 187, 232 resource for Western theatre, 9, 56, amateur performances in London, 76, 81, 106–7, 129, 131, 207, xvii, xviii, 164–7 212, 213, 214, 216 source for Western theatrical role in constructing Chinese invention, 71 national identity , 1–2, 7, 8, Caucasian Chalk Circle , The , 86 118–21, 125, 151, 162, 164, Chang E Ben Yue. See Chang E Escapes 167, 169, 171, 177, 226–28 to the Moon ( see also Chineseness) Chang E Escapes to the Moon ( Chang E translation for Xiqu , 4 Ben Yue ) , 120 Chinese Orphan : An Historical Changsheng Dian . See Palace of Tragedy , The , xiv, 32–4 Eternal Youth , The Chinese rites controversy, 28 Charles II, xiii, 18 Chinese Tale , A , 32 Chen Shizeng, 208, 211–13, 220 Chineseness, 1–2, 76, 99, 101, 107, Chen, Jack, 143–4 118, 124, 167, 170, 171, 173, Chiang Yee, 111, 132 174, 177, 222,223, 228. See also China Campaign Committee (CCC), Chinese opera, chinoiserie 144 chinoiserie, 21, 27, 35, 48, 49, 73, Chinatown, 126 . See also Chineseness, in Liverpool, 115 exhibitions in London, 69, 88, 93, 99, 114, exotic nature of, 113, 120, 132–3, 164, 165, 208 222, 223 in San Francisco, xvi, 69–72, 76, 81 fashion, 25, 43, 44, 86, 97–100, Chinese : A General Description of 130. (see also costume) China , The , 55, 56 feminine concern, 32, 43, 88, Chinese Exhibition, The . See 98–100 exhibitions foil for British self-analysis, 32, Chinese Festival , The , 35, 37, 38 98, 99 Chinese opera (Xiqu ) . See also France, as source for chinoiserie, xiv, Cantonese opera, Kun opera, 25, 28, 31, 36–39, 120, 165, Peking opera 183, 187, 212 in the Asian-American diaspora, lacquer, 76, 86, 89, 90, 95, 106 69–73, 76, 118 luxury goods, 26–7, 43, 64 described in early travel literature, source for Western modernity, xvi, 16–20, 21–2 85–6, 90, 99, 106 INDEX 257

Christianity, 28, 35, 60 . See also Deng Xiaoping, xviii, 8, 183–185, missionaries 189, 193 Chu Chin Chow , 6 diaspora, 2, 6, 7, 8, 69, 99–101, 118, Circle of Chalk , The ( Huilan Ji ) , xvi, 161–78, 227 . See also See also 85–101 Clark, (Ernest) Holman, 73, 79 , A ( Hong Classical Theatre of China – The Lou Meng ) , 202 Operatic Group of the Republic of Drunken Imperial Concubine , The China , The , xvii ( Guifei Zuijiu ) , 176 Classical Theatre of China , The , xvii, Dryden, John, 29 150–52, 155 Du Halde, Jean-Baptiste, xiv, 28, Cold War, The, 138–42, 182, 30–4, 38, 40, 55 183, 185 Dutch East India Company . See Communist Party of Great Britain Vereenigde Oost-Indische (CPGB), 143–145 Compagnie Confucianism, xiv, 27, 29, 39, 45, 46, 68 contact zones, 51, 65, 74 E costume, 21–2, 40–2, 44, 59, 75–77, Eden, Anthony, 141, 149 . See also 86, 89, 94, 97, 113, 119, 125, Lady Eden 126, 128, 131, 132, 148, 165, exhibitions, 59, 217–18 166, 170, 175, 196, 211, 213, Chinese Exhibition, The, 106 214, 216, 220, 135n11 Great Exhibition, xv, 60–1, 217 cultural diplomacy, 9, 138, 142–50, International Fisheries Exhibition, 181, 201–2 xvi, 61–4 , xvii, 156, 181, International Health Exhibition, xvi, 182, 185, 186, 188, 190, 192, 64–5 193, 208 Stereoscope exhibition for The Yellow Jacket , 75 Ten Thousand Chinese Things, xv, D 59–60, 63 Da Yu Sha Jia. See Fishermen’s Exposition Arts Décoratifs et Revenge , The Industriels Modernes, xvi, 85 Dalian Circus Troupe, 213 Dalian Peking Opera Troupe, 198–99, 202 F Danao Tiangong. See Havoc in Farewell My Concubine (fi lm), 169. See Heaven also King Bids Farewell to His Daubeny, Peter, 149, 154 Favourite , The Davis, John Francis, xiv, xv, 10n3, Fashion . See chinoiserie 55–7, 82, 226 Fighting Tao Sanchun Three De Certeau, Michel, 217 Times ( San Da Tao Sanchun ) , Dean, Basil, 87–9, 91, 93–5 187–90 258 INDEX

Filippi, Rosina, 100 Heavenly Maid Scatters Flowers , The Fishermen’s Revenge , The ( Da Yu Sha ( Tiannü San Hua ) , 200, 206n27 Jia ) , 137 Hochauser, Victor, 186, 198 Foreign Offi ce (British), 146–50, 186 Hollar, Wenceslas, 21 Fourth Beijing Peking Opera Troupe, Holt, Thelma, 197 xviii, 189 Hong Kong, xv, xvii, xviii, 8, 58, 61, Furst, William, 76 64, 65, 115, 139, 163–7, 174, 175, 182, 187 Hong Lou Meng. See Dream of the Red G Chamber , A Galsworthy, John, 108 Hongdeng Ji . See Red Lantern , The Gao Xingjian, 191 Hongzong Liema. See Steed with the Garrick, David, xiv, 35-8 Red Mane , The Gezaixi , 195 Hsiung Shih-Yi, xvi, 7, 103–35, Gorillaz, 208–10 151, 226 Great Britain-China Centre (GBCC), Hu Die , 105, 125 186–7 Hu Jintao , xviii, 184 Great Exhibition . See exhibitions Hua Guofeng, xvii, 183, 187, 203n6 Greek theatre, 34, 55–6, 82 Hua Mulan. See Mulan Guifei Zuijiu . See Drunken Imperial Huaju . See spoken drama Concubine , The Huang Xiang, 147, 149, 151, 154 Guo Min Dang (GMD), xvii, 137–42, Huilan Ji . See Circle of Chalk , The 144, 152–5, 161, 188 Huo Fenghuang . See Phoenix of Fire , The guzhuang xin xi . See ‘ancient costume hybridity, 5, 125, 170–4, 192 new drama’

I H imperialism, 1, 3, 5, 6, 8, 48, 58–9, Hakluyt Posthumus , or Purchas His 63, 64, 68, 69, 81–2, 86, 96, Pilgrimes , xiii, 15–18 138, 140, 183, 220, 223, 225–8 Hakluyt, Richard, xiii, 15 India , xiv, xv, xvii, 12, 41, 43, 51, 52, Hall, Kathy Lee, 174 54, 207, 82n1 Han Gong Qiu . See Han Koong interculturalism, 3, 9, 56, 68, 72, 89, Tsew 107–13, 173, 181, 195, 198, Han Koong Tsew : Or The Sorrows of 201, 207, 220 Han , 55 International Fisheries Exhibition . See Hart, Robert, xv, 61, 64 exhibitions Harvey, Wilfred, 133 International Health Exhibition . See Hatchett, William, xiv, 32–4 exhibitions Havoc in Heaven ( Danao Tiangong ) , international relations . See cultural 150, 195, 199, 200 diplomacy, Foreign Offi ce Hazleton, George C., 70–2, 81 (British), Sino-British trade, He Yong, 199 structural (soft) power INDEX 259

Irving, Ernest, 91 Lao Sheng Er. See Laou-Seng-Urh Irving, Henry, xvi, 70 Laou-Seng-Urh : Or An Heir In His Islam, 25, 39–41, 48 Old Age , xiv, 55 Laver, James, xvi, 86–7, 89, 91–2 Legazpi, Miguel López de, 15–17 J Li Shikan, 120 Jackson Street Theatre, 69, 74 Liang Shanbo and Zhu Yingtai ( Liang Jiang Qing, 188–90 Shanbo yu Zhu Yingtai ) , 145 Jiang Zemin, xviii, 184 Liang Shanbo yu Zhu Yingtai . See Jingju Piaoyou Hui, xvii, 161–2 Liang Shanbo and Zhu Yingtai Jingju . See Peking opera Limehouse . See Chinatown, in London Journey to the West ( Xiyou Ji ) , xviii, Lin Zexu , 57–8 207–24, 158n10 Lin Zhaohua, 191–3, 199 Julien, Stanislas, xv, 86 Little Theatre, 103 Liu Jipiao, 85–6 Liverpool, 114, 115, 166, 167 K Locke, John, 45–7 Ketelby, Albert, 132 London Jing-Kun Opera Association Kettle, Tilly, 41–2 (LJKOA), xviii, 174–7 Keying , xv, 60–1, 63 London Kiu Sing Cantonese Opera Kingdom of Desire , The ( Yuwang Club, xvii, 165, 167 Chengguo ) , xviii, 196–8 Kings Bids Farewell to His Favourite , The (Bawang Bieji ), 150, 169, 227 M Klabund , xvi, 86, 87, 92 Macartney (Lord), xiv, 53, 60, 139 Korean War, xvii, 140–1 Macau, 12, 13, 19, 28, 52 Koxinga, xiv, 26 Macmillan, Harold, 153, 154, 163 Kung Ho Association, xviii, 166 Madame Butterfl y , 98, 132 Kunju. See Kun opera Malleson, Miles, 145–6, 150 Kun opera, xviii, 4, 20, 175 Mao Zedong, xvii, 181, 219 considered inferior to Peking opera May Fourth Movement, 107–8, 119, by British critics, 195, 200 125, 134n10 interculturalism, 193–5 McCarthyism, 140 tool of cultural diplomacy, 155 Mei Lanfang, Kurosawa, Akira, 196–7 as international cultural ambassador, 120–2, 124–6 theatrical innovation, 119–20, L 126, 145 L’Orphélin de la Chine , xiv, 34, 71 tour to London, xvi, 122–6 Lady Eden, 149–151 tour to the US, 121–2 Lady Precious Stream , xvi, 103–18, Mendoza, Juan González de, 15 120, 122, 125–6, 128, 129, 130, Meyer, Ione, 168–74 131, 132–3, 151 mimicry, 5, 78–80 260 INDEX

missionaries, 15, 16, 54–6, 134n9 . See P also Christianity Palace of Eternal Youth , The monarchy, ( Changsheng Dian ) , 155 absolute monarchy, 32 Palmerstone (Lord), 57 constitutional monarchy, 39 Paris Sheng You Peking Opera Theatre Monkey ! A Tale of China , 207–8 Company , 162, 168 Monkey, Journey to the West , xviii, 208, Peking opera, 211, 212, 218–20 amateur performances in London, . See USSR 161–2, 167–70, 174–6 Mudanting . See Peony Pavilion censorship of plays, 144 Mulan ( Hua Mulan ) , 190 choreographic patterns, 112–13 Murphy, Arthur, xiv, 25, 36–8, 40, conceived of as national drama 45–7 ( guoju ) , 119, 167, 177 conservative selections of plays for London , 198–200 N feminism, 188–90 Napier, 57 interculturalism, 170–77, 191–2, National Peking Opera Troupe, xviii, 195–8 200, 226 re-emergence after the Cultural Nieuhof, Johannes, xiii, 19–22 Revolution, 185–6 Nixon, Richard, 182 reasons for domestic decline, Noretti, Pablo, 13 192–3, 214 Northern Kunqu Opera of China, 202 source for European theatrical invention, 120–2, 125, 194–8, 212–13 O suitable for foreign audiences, Olivier, Laurence, 87, 95, 96 120, 121 Olympics, xviii, 9, 202, 208 tool of cultural diplomacy, Omoncon , 16 138, 146–56, 185–8, 201–2, Open Door Policy, 8, 184 226–7 opium, xv, 52, 54, 57–8, 60, 62, 68, Peking Opera Explorations 1986–87, 69, 82, 226 xviii, 194–5 Orientalism (critical perspective), 1–4, Peking Opera Ticket Friends Society . 18, 52, 82, 97, 99, 100, 132, See Jingju Piaoyou Hui 169, 170, 173, 174, 198, 208, Peony Pavilion , The ( Mudanting ) , xviii, 210, 212, 222–3, 226 171, 195, 200, 211 Orientalism (school), 41 Phoenix of Fire , The ( Huo Fenghuang ) , Orphan of China , The , xiv, 25, 35–49, 186 52, 67, 86, 224 Piccadilly , 93–4, 96, 99 Orphan of Zhao , The ( Zhaoshi Gu Er ) , Pinto, Fernão Mendes, 15 25, 27–9, 31, 32, 34, 37, 49n2, Poppy , 9 55, 70 Portugal, xiii, 12–13, 15, 19, 26 INDEX 261 post-modernism, 201, 209, 210, 213, Shaw, George Bernard, 108, 114, 216, 217, 221–3 123, 127 Prémare, Henri Marie de, 28–30, 55 Simpson, Gillian, 175–7 Price, Nancy, 104, 106, 110 Sino-British trade, 12–14, 18–20, Property Man (theatrical role of), 73, 25–7, 52–4, 57–8, 139, 187, 202, 78–80, 105, 112 225–7 Sino-Soviet Split, 156 Sishui Weilan. See Ripples Across Q Stagnant Water Qi Rushan, 119, 120 Slippery Mountain , 208 Quong, Rose, xvi, 87, 100–1, 133 Society of Anglo-Chinese Understanding (SACU), 169, 186 R Spain, 16–19, 25, 36 Red Lantern , The ( Hongdeng Ji ), 190, spoken drama (Huaju ) , xviii, 204n12, 224n4 119, 199 Red Noise , 199–200 Steed with the Red Mane , The Ricci, Matteo, 15, 18 ( Hongzong Liema ), 83n5 , 109 Ripples Across Stagnant Water ( Sishui Stereoscope exhibition for Yellow Weilan ) , 199 Jacket , The . See exhibitions Robeson, Paul, 123 structural (soft) power, 9, 181, Royal Chinese Theatre, 71 201–2, 226 Running the Silk Road , 208 Subalterneity, 97, 103–35 Russia, 15, 41 . See also USSR Suez Crisis, 142 Suo Ling Nang . See Unicorn Purse , The S Suzhou Kunqu Opera Company, Said, Edward . See Orientalism (critical 200 perspective) San Cha Kou . See At the Crossroads San Da Tao Sanchun . See Fighting Tao T Sanchun Three Times Taiwan , xiii, xvii, 4, 19, 26, 138–42, San Francisco . See Chinatown, in San 153–6, 161, 162, 182, 184, Francisco 195–7 Second Peking Opera Troupe, Teevan, Colin, 207 xviii, 194–5 Temple, William, 27 Sequel to the Lute , A ( Xu Pipa ) , Ten Thousand Chinese Things . See 202 exhibitions Shakespeare, 5, 9, 38, 40, 56, 100, Thatcher, Margaret, xvii, 187 128, 131, 187, 190, 193–8, 201 Theory of Three Worlds, The, 183, Shanghai Peking Opera Troupe, 184, 187 xvii, 185 Thorneycroft, Peter, 153 262 INDEX

Tianjin Municipal Peking Opera Wong, Anna-May, xvi, 7, 87, 88, 90, Troupe , 200 91, 93–101, 103, 123, 127, 133, Tiannü San Hua. See Heavenly Maid 226 Scatters Flowers , The Wu Cheng’en, 158n10, 207, 208 Trade . See Sino-British trade Wu Hsing-kuo, 196, 206n26 translation, seventeenth century Wu Zuguang , 188, 191 methodologies of, 29 Treaty of Nanjing, xv, 58, 226 Treaty Ports, 74 X Trigault, Nicolas, 15 Xiong Shiyi . See Hsiung Shih-Yi Tsai Chin, 152, 154, 191 Xiqu . See Chinese opera Turks , 39 . See also Islam Xixiang Ji. See Western Chamber , The Xiyou Ji. See Journey to the West U Xu Pipa. See Sequel to the Lute , A UK Beijing Opera Society (UKBOS), Xue Shou Ji. See Blood-stained Hands , xviii, 167–70, 175, 227 The Unicorn Purse , The ( Suo Ling Nang ) , 173 USSR, 123, 138–41, 149, 156, Y 182–6 . See also Russia Yang Family Generals , The ( Yangmen Nü Jiang ) , 157n9, 185, 186, 195, 199, 226 V Yangmen Nü Jiang . See Yang Family Variety Theatre of China , The , xvii, 152 Generals , The Vereenigde Oost-Indische Compagnie Yates, Mary Ann, 37 (VOC), 19 Yellow Earth Theatre, 208 Victoria (Queen), 62 Yellowface, 71, 78–80, 96, 105, 113, Virtue, 27, 31, 33, 39, 44–9 170 Voltaire, xiv, 34–8, 46, 71 Yellow Jacket , The , xvi, 52, 69–82 performances in London, 73–82 W performances in the USA, 70–3 Walpole, Horace, xiv, 32-4 yellow peril, 101 Weddell, John, xiii, 13 Yezhulin . See Wild Boar Forest Western Chamber , The ( Xixiang Ji ) Yixin , xv, xvi, 61 White Snake , The ( Baishezhuan ), , Yuanqu Xuan ( Anthology of Yuan 169, 174, 179n15, 190, 195, Plays ) , 27, 28, 86, 232 199, 200, 202 Yueju . see Cantonese opera whiteness, 1, 2, 78, 223, 228 Yuwang Chengguo. See Kingdom of Wild Boar Forest ( Yezhulin ) , 202 Desire , The INDEX 263

Z Zhaoshi Gu Er. See Orphan of Zhao , Zaju , 20, 27, 204n10, 233 The Zhang Chunhua, 150, Zheng Chengong . See Koxinga 157n8 Zheng Jing , 26 Zhang Kewei, 168, 169, 172, 227 Zhou Enlai, 141, 142, 184, 189