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Libretto Nabucco.Indd
Nabucco Musica di GIUSEPPE VERDI major partner main sponsor media partner Il Festival Verdi è realizzato anche grazie al sostegno e la collaborazione di Soci fondatori Consiglio di Amministrazione Presidente Sindaco di Parma Pietro Vignali Membri del Consiglio di Amministrazione Vincenzo Bernazzoli Paolo Cavalieri Alberto Chiesi Francesco Luisi Maurizio Marchetti Carlo Salvatori Sovrintendente Mauro Meli Direttore Musicale Yuri Temirkanov Segretario generale Gianfranco Carra Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Nicola Bianchi Andrea Frattini Nabucco Dramma lirico in quattro parti su libretto di Temistocle Solera dal dramma Nabuchodonosor di Auguste Anicet-Bourgeois e Francis Cornu e dal ballo Nabucodonosor di Antonio Cortesi Musica di GIUSEPPE V ERDI Mesopotamia, Tavoletta con scrittura cuneiforme La trama dell’opera Parte prima - Gerusalemme All’interno del tempio di Gerusalemme, i Leviti e il popolo lamen- tano la triste sorte degli Ebrei, sconfitti dal re di Babilonia Nabucco, alle porte della città. Il gran pontefice Zaccaria rincuora la sua gente. In mano ebrea è tenuta come ostaggio la figlia di Nabucco, Fenena, la cui custodia Zaccaria affida a Ismaele, nipote del re di Gerusalemme. Questi, tuttavia, promette alla giovane di restituirle la libertà, perché un giorno a Babilonia egli stesso, prigioniero, era stato liberato da Fe- nena. I due innamorati stanno organizzando la fuga, quando giunge nel tempio Abigaille, supposta figlia di Nabucco, a comando di una schiera di Babilonesi. Anch’essa è innamorata di Ismaele e minaccia Fenena di riferire al padre che ella ha tentato di fuggire con uno stra- niero; infine si dichiara disposta a tacere a patto che Ismaele rinunci alla giovane. -
Musica Lirica
Musica Lirica Collezione n.1 Principale, in ordine alfabetico. 891. L.v.Beethoven, “Fidelio” ( Domingo- Meier; Barenboim) 892. L.v:Beethoven, “Fidelio” ( Altmeyer- Jerusalem- Nimsgern- Adam..; Kurt Masur) 893. Vincenzo Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Aragall- Zaccaria; Abbado) 894. V.Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Monachesi.; Abbado) 895. V.Bellini, “Norma” (Caballé- Domingo- Cossotto- Raimondi) 896. V.Bellini, “I Puritani” (Freni- Pavarotti- Bruscantini- Giaiotti; Riccardo Muti) 897. V.Bellini, “Norma” Sutherland- Bergonzi- Horne- Siepi; R:Bonynge) 898. V.Bellini, “La sonnanbula” (Sutherland- Pavarotti- Ghiaurov; R.Bonynge) 899. H.Berlioz, “La Damnation de Faust”, Parte I e II ( Rubio- Verreau- Roux; Igor Markevitch) 900. H.Berlioz, “La Damnation de Faust”, Parte III e IV 901. Alban Berg, “Wozzeck” ( Grundheber- Meier- Baker- Clark- Wottrich; Daniel Barenboim) 902. Georges Bizet, “Carmen” ( Verret- Lance- Garcisanz- Massard; Georges Pretre) 903. G.Bizet, “Carmen” (Price- Corelli- Freni; Herbert von Karajan) 904. G.Bizet, “Les Pecheurs de perles” (“I pescatori di perle”) e brani da “Ivan IV”. (Micheau- Gedda- Blanc; Pierre Dervaux) 905. Alfredo Catalani, “La Wally” (Tebaldi- Maionica- Gardino-Perotti- Prandelli; Arturo Basile) 906. Francesco Cilea, “L'Arlesiana” (Tassinari- Tagliavini- Galli- Silveri; Arturo Basile) 907. P.I.Ciaikovskij, “La Dama di Picche” (Freni- Atlantov-etc.) 908. P.I.Cajkovskij, “Evgenij Onegin” (Cernych- Mazurok-Sinjavskaja—Fedin; V. Fedoseev) 909. P.I.Tchaikovsky, “Eugene Onegin” (Alexander Orlov) 910. Luigi Cherubini, “Medea” (Callas- Vickers- Cossotto- Zaccaria; Nicola Rescigno) 911. Luigi Dallapiccola, “Il Prigioniero” ( Bryn-Julson- Hynninen- Haskin; Esa-Pekka Salonen) 912. Claude Debussy, “Pelléas et Mélisande” ( Dormoy- Command- Bacquier; Serge Baudo). 913. Gaetano Doninzetti, “La Favorita” (Bruson- Nave- Pavarotti, etc.) 914. -
Gaspard Le Roux 1660-1707 Pièces De Clavessin (1705)
Gaspard Complete HarpsichordLe Roux Music Pieter-Jan Belder Siebe Henstra Gaspard le Roux 1660-1707 Pièces de Clavessin (1705) Suite in D minor/major Suite in F major 39. Sarabande (en douze couplets) 13’00 Pieter-Jan Belder harpsichord I 1. Prélude 0’46 21. Prélude 1’25 40. Menuet 1’01 (Solo on 16-26) 2. Allemande, “la Vauvert” 4’25 22. Allemande grave 3’05 41. Gigue (pour deux Clavecins) 1’52 Siebe Henstra harpsichord II 3. Courante 1’17 23. Courante 1’27 42. Courante (avec sa contre partie) 1’31 (Solo on harpsichord I, on 33-42 ) 4. Sarabande grave 2’05 24. Chaconne 4’03 5. Menuet 1’20 25. Menuet & 2 Doubles Suite in A minor/major Harpsichord I: Titus Crijnen after 6. Passepied 0’40 du Menuet 1’55 (solo version) Ruckers 1624, Sabiñan 2014 7. Courante luthée 1’55 26. Passepied 0’54 43. Prélude 0’50 Harpsichord II: Titus Crijnen after 8. Allemande grave, 27. Allemande 1’54 44. Allemande “l’Incomparable” 2’21 Blanchet 1731, Sabiñan 2013 “la Lorenzany” 3’28 45. Courante 1’29 9. Courante 1’28 Suite in F-sharp minor 46. Sarabande 2’02 10. Sarabande gaye 2’51 28. Allemande gaye 1’10 47. Sarabande en Rondeau 2’15 11. Gavotte 1’09 29. Courante 1’27 48. Gavotte 1’05 30. Double de la Courante 1’32 49. Menuet & double du Menuet 1’01 Suite in A minor/major 31. Sarabande grave en Rondeau 2’25 50. Second Menuet 0’32 12. Prélude 0’50 32. -
Johann Sebastian Bach Du Treuer Gott Leipzig Cantatas BWV 101 - 115 - 103
Johann Sebastian Bach Du treuer Gott Leipzig Cantatas BWV 101 - 115 - 103 Collegium Vocale Gent Philippe Herreweghe Johann Sebastian Bach (1685–1750) Nimm von uns, Herr, du treuer Gott, BWV 101 Mache dich, mein Geist, bereit, BWV 115 Ihr werdet weinen und heulen, BWV 103 Dorothee Mields Soprano Damien Guillon Alto Thomas Hobbs Tenor Peter Kooij Bass Collegium Vocale Gent Philippe Herreweghe Menu Tracklist ------------------------------ English Biographies Français Biographies Deutsch Biografien Nederlands Biografieën ------------------------------ Sung texts Johann Sebastian Bach (1685-1750) Nimm von uns, Herr, du treuer Gott, BWV 101 [1] 1. Coro: Nimm von uns, Herr, du treuer Gott ______________________________________________________________7’44 [2] 2. Aria (tenor): Handle nicht nach deinen Rechten ________________________________________________________3’30 [3] 3. Recitativo e choral (soprano): Ach! Herr Gott, durch die Treue dein__________________________________2’13 [4] 4. Aria (bass): Warum willst du so zornig sein? ___________________________________________________________ 4’14 [5] 5. Recitativo e choral (tenor): Die Sünd hat uns verderbet sehr _________________________________________ 2’11 [6] 6. Aria (soprano, alto): Gedenk an Jesu bittern Tod _______________________________________________________5’59 [7] 7. Choral: Leit uns mit deiner rechten Hand _______________________________________________________________0’55 Mache dich, mein Geist, bereit, BWV 115 [8] 1. Coro: Mache dich, mein Geist, bereit ____________________________________________________________________4’00 -
Photographs by Stefano Visintin Trieste
7/3 Stars, a City of Trieste – Ad Formandum 12/5 Masters Illegio – Casa delle 8/6 Art to Art, Monfalcone – MUCA - Champions - headquarters - Esposizioni - reinterpreted by Ronchi dei Legionari - 15/9 photographs by Stefano A personal journey into the 6/10 An interesting exhibition 28/7 Vito Timmel Villa Vicentini Miniussi Visintin world of sport, following a path of forty-five paintings from all Creations of works by that is not entirely celebratory over Europe www.illegio.it Vito Timmel on a scale www.adformandum.org/ of 1:1 by students. 28/3 Lombard patterns Cividale – Monastery of Santa 18/5 “Tina Modotti. Tolmezzo 9/6 Cinema in Bikini. Lignano Sabbiadoro – - Maria in Valle - The new rose. An exhibition dedicated to - Italians by the Sea: Terrazza a Mare 27/10 A journey into the everyday life 25/8 Art, history and Tina Modotti. 17/7 posters 1949 - An exhibition of film of the Lombards through new humanity” Info: PIAT Tolmezzo 1999 posters from 1949 to fabrics, clothes and furniture. Tel. +39 0433 44898 1999 from Enrico Minisini's collection on www.cividale.net the theme of Italians by the sea. www.lignano.org 25/5 Gemona del Friuli – 9/6 Magnifici Ritorni. Aquileia Udine – Museo Etnografico - Palazzo Elti - Treasures of A journey through time Paintings, fabrics, items of 7/7 Maravee Object - A visionary landscape with a 20/10 Aquileia from the taking us to the Aquileia 9/4 Botany in decorating clothing, ceramics, furnishings, Green Breath taste of chlorophyll to Kunsthistorisches of 2,200 years ago and - objects a zither harp and previously address the relationship Museum of Vienna to Aquileia in the 19th 31/8 undisplayed objects between objects and the century www.civicimuseiudine.it body. -
25243 Cmp.Pdf
��, (",..'\¡ �Jl��lYL{#I' GRAN TEATRE DEL LICEU DIE FRAU OHNE SCHATTEN CHAN TEATRE DEL LICEU Temporada 1985/86 EL REGUlADOR BAGUÉS Rambla de les Flors, 105 Carme,1 Telèfon 317 1974 08002 Barcelona Passeig de Gràcia, 41 Telèfon 21601 73 - 216 01 74 08007 Barcelona CONSORCI DEL GRAN TEATRE DEL LICEU Sanf Pau, 6 CE ERAlI'I:'\T DE CATALUNYA - Telèfons 317 32 46 318 57 37 AJUNUMENT DE Ii�RCEl.ONA 0800 1 Barcelona SOCI E-lAT DEL CHAN TEATRE DEL LICEU CASA SMIIA DIE FRAU ORNE SCRATIEN (La dona sense ombra) Òpera en 3 actes Llibret d'Hugo Hofrnannsthal LENGERIA PARA EL HOGAR Música de Richard Strauss LA MUJER y EL REGlEN NAGIDO Diumenge, 16 de març de 1986, a les 17 h., funció núm. 48, torn T Dimarts, 18 de març de 1986, a les 20 h., funció núm. 49, torn A Funció de Gala GRAN VIA CORTS CATALANES. 640 Divendres, 21 de març de 1986, a les 20 h., 24 98 08007 BARCELONA TELEFONO 318 funció núm. 50, torn B CRUCEROS YBARRA TRADICIONAL DIE FRAU OHNE SCHATTEN CRUCERO (La dona sense'ombra) L'Emperador Klaus Koenig SEMANA SANTA 86 L'Emperadriu Katryn Montgomery Meissner A lIordo del La dida Ute Trekel-Burckhardt Buque El missatger deis esprits Peter Wimberger EUGENIO "C" Guàrdia del llindar del Bente Marcussen Temple Del Z2: al 32: de Marzo L'aparició d'un jove Antoni Comas La veu del falcó Julie Griffeth Veu des de dalt Rosa M,« Ysàs CRUCEROS Barak, el tintorer Anthony Raffel! Muller de Barak Ute Vinzing YBARRA Germans de Barak El borni Wolfram Bach El manc Alfred Kainz El geperut Wilfried Plate Les veus dels nonats Isabel Aragón Cecília Fondevila M.» A. -
C O N N E C T I V I
Generali Group Magazine since 1893 Number 6 – Series 13 – March 2017 CONNECTIVITY connectivity CONNECTIVITY Everything is shrouded in a cloud of data and we can be anywhere, anytime. The Internet has upended our lifestyle and our interactions with others, connecting us in real time with remote contexts and faraway cultures. We have torn down physical barriers and obtained access to products and services everywhere, and we have built virtual communities with people we have never met. As individuals, employees and consumers, we have gained access to extraordinary opportunities. All this is possible thanks to the ease and immediacy that enable us to share information. Perhaps now we are just beginning to recognize the huge changes that have happened since the invention of the Internet over 25 years ago. Are we sure we can anticipate where connectivity will lead us to in the near future? —ak. OPENING REMARKS OPENING REMARKS Connectivity 99% of interesting things have“ not yet been invented” by Simone Bemporad —Sebastian Thrun Editor in Chief Connectivity has caught us up in rise of China and India, once among But in the world of complex Some Luddites consider connectivity a revolution that has reshaped the world’s poorest nations. connection systems technology and digitalisation as threats to job everything about how we live, love, is constantly evolving as this special creation. That is not really true. work, play, shop and share – how our There are many countries that are in the issue of il bollettino will show. Value creation doesn’t come from very hearts and minds encounter the course of transforming from a wholly Devoted to the various aspects of routine tasks or monotonous repetition world around us. -
Mostra “Fratelli
FRATELLI A cura di Referenze fotografiche Progetto grafico catalogo I cinquant’anni degli Incontri Culturali Mitteleuropei Nicolò Fornasir Lo Studio Altran di Gorizia ha realizzato i servizi fotografici dei Silvia Klainscek Alessandra Martina primi e poi di gran parte degli Incontri Culturali Mitteleuropei Musei Provinciali di Gorizia Palazzo Attems Petzenstein Stampa catalogo 13 maggio - 12 giugno 2016 Consulenza storica Fototeca Musei Provinciali di Gorizia: pp. 74, 75, 194 Tipografia Ideago - Gorizia Sezione “Ungaretti soldato” all’interno della mostra “Soldati” Lucio Fabi Istituto per gli Incontri Culturali Mitteleuropei di Gorizia 20 aprile - 22 maggio 2016, Fondazione Cassa di Risparmio, via Carducci 2, Gorizia Iniziativa Isontina Ringraziamenti Consulenza archivistica Sergio Ambrosi Con il sostegno e il patrocinio di Annarita Lepre Centro Studi “Sen. A. Rizzatti” Renzo Boscarol Regione Friuli Venezia Giulia Marco Plesnicar Ministero dei beni e delle attività culturali e del turismo Francesca Boscarol Klinger Provincia di Gorizia Biblioteca Statale Isontina e Biblioteca Civica di Gorizia Luciana Cattaruzza Comune di Gorizia Testi autorizzazione alla riproduzione n. prot. 867 dd. 22.04.2016 Aron Coceancig Camera di Commercio di Gorizia Nicolò Fornasir di: Gli alunni italiani dell’VIII classe dello Staatsgymnasium di Roberto Collini Fondazione Cassa di Risparmio di Gorizia Alessandra Martina Gorizia, [Gorizia, giugno 1905]. Collocazione: FCM IX G-a (c. 7). Daniele Delbianco Si fa divieto di ulteriore riproduzione con qualsiasi mezzo Mirella Della Valle Terraneo Con il supporto logistico di Traduzioni della stessa, p. 68 Laura Delpin APT Gorizia Michele Calligaris Goriški muzej - Nova Gorica Ruggero Dipiazza Marianne Maier Sara Fornasir In collaborazione con Peter Szabo Studio fotografico Altran - Gorizia: pp. -
Jan Pieterszoon Sweelinck the Complete Keyboard Works
GCD 922410 Jan Pieterszoon Sweelinck New release information November 2015 The Complete Keyboard Works NOTES (ENG) NOTES (FRA) The large-scale Het Sweelinck Monument Le grand projet Het Sweelinck Monument, project, with Harry van der Kamp as its driving impulsé par Harry van der Kamp et édité par force, and with individual issues on Glossa over Glossa au cours de ces 6 dernières années en the last 6 years in book-CD format for the CD-livres pour les Pays-Bas et en coffrets de Netherlands and as multiple-CD sets for the plusieurs CDs pour le marché international, international market, embraces the complete inclut la totalité de l’œuvre vocale et vocal and instrumental music output of Jan instrumentale de Jan Pieterszoon Sweelinck. Pieterszoon Sweelinck. Le coffret de 6 CDs que nous présentons The 6-CD set now being issued concludes this aujourd’hui couronne la collection et comprend collection (which serves as a remarkable l’intégrale des compositions pour instruments memorial to this influential composer), à clavier du compositeur néerlandais. Des presenting in one box the complete works for orgues historiques, des virginals, des clavecins keyboard instruments by the Dutch composer. sont joués par les plus grands spécialistes, Historical organs, virginals and harpsichords parmi lesquels Pieter Dirksen, Pieter-Jan Belder, Jan Pieterszoon Sweelinck are played here by the most eminent specialists, Bob van Asperen et le grand maître, récemment The Complete Keyboard Works including Pieter Dirksen, Pieter-Jan Belder, Bob disparu, Gustav Leonhardt. Cet enregistrement on historic instruments van Asperen and the late Gustav Leonhardt. inclut aussi des harmonisations à 4 voix de This set also includes four-part settings of mélodies chorales utilisées par Sweelinck. -
LA GONDOLA DEI FOLLI Vezhdi Rashidov, Ministro Della Cultura Di Bulgaria; Dott
Patrocini Regione del Veneto; Città di Venezia; Ambasciata della Repubblica di Bulgaria in Italia; Ambasciata di Bul- Biblioteca Casanatense Ambasciata di Bulgaria Ambasciata di Bulgaria garia presso la Santa; Consolato Generale della Repubblica di Bulgaria a Milano; Istituto Bulgaro di Cultura in Italia presso la Santa Sede a Roma; Scuola Grande San Giovanni Evangelista di Venezia; FUIS; Texfilart Comitato d’Onore LA CALUNNIA: LA GONDOLA DEI FOLLI Vezhdi Rashidov, Ministro della Cultura di Bulgaria; Dott. Luca Zaia, Presidente della Regione Veneta; Grand Tour contemporaneo da Venezia alla Città Eterna in memoria del basso bulgaro Dott. ssa Paola Mar, Assessore al Turismo e Decentramento della Città di Venezia; S. E. Marin Raykov, Boris Christoff Ambasciatore della Repubblica di Bulgaria in Italia; S. E. Kiril Topalov, Ambasciatore di Bulgaria presso la Santa Sede; Dott. Rossen Roufev, Console Generale della Repubblica di Bulgaria a Milano; Dott. ssa Jana Yakovleva, Direttore dell’Istituto Bulgaro di Cultura a Roma; Dott. Antonio Cecchini, Guardian Grande della Scuola Grande di San Giovanni Evangelista; Prof. N. Antonio Rossi, Presidente FUIS; Tania Kalimerova, Presidente Texfilart Con la collaborazione di Biblioteca Casanatense, Ambasciata della Repubblica di Bulgaria in Italia, Città di Venezia, Istituto Bulgaro di Cultura a Roma, Texfilart Curatore Dott. Gabriele Romeo Organizzazione generale Tania Kalimerova, Texfilart Testi di presentazione S.E. Marin Raykov, Ambasciatore della Repubblica di Bulgaria in Italia, Dott. Gabriele Romeo, -
Pogorelich at the Chopin
Edinburgh Research Explorer Pogorelich at the Chopin Citation for published version: Mccormick, L 2018, 'Pogorelich at the Chopin: Towards a sociology of competition scandals', The Chopin Review, vol. 1, no. 1, pp. 1-16. <http://chopinreview.com/pages/issue/7> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: The Chopin Review General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 CHOPIN Issue 1 THE REVIEW About For Authors Chopin Study Competition Authors Contact Pogorelich at the Chopin: Towards a sociology of Contents competition scandals INTRODUCTION ARTICLES Lisa McCormick Anna Chęćka The competition as an ‘exchange’ of values: An aesthetic and existential perspective ABSTRACT Wojciech Kocyan The evolution of performance style Controversies are a regular feature on the international classical music competition circuit, and some of these explode into scandals in the history of the International Fryderyk Chopin that are remembered long afterward. This essay draws from the sociology of scandal to identify the conditions that predispose classical music competitions to moral disruption and to examine the cultural process through which a scandal attains legendary status. -
Mvdlugt Documentatie
MARIJKE VAN DER LUGT (ROTTERDAM 1919 – DEN HAAG 1989) LEVEN EN LOOPBAAN AAD VAN DER TANG Höre ich nur diese Weise, Die so wundervoll und Leise, Wonne klagend, alles sagend, Mild versöhnend aus ihm tönend, in mich dringet, auf mich schwinget, hold erhallend um mich klinget? (uit: Isolde’s Liebestod) Maart 2008 INLEIDING Marijke van der Lugt kan worden beschouwd als een van de grootste na-oorlogse operazangeressen die Nederland heeft voortgebracht. In de toch al zo rijke zangcultuur van ons land heeft het aan vooraanstaande zangeressen nooit ontbroken en menigeen heeft naam gemaakt bij de wisselende Nederlandse operagezelschappen aan het eind van de negentiende en de eerste decennia van de twintigste eeuw, de Wagnervereeniging en in het buitenland. Namen als Aaltje Noorderwier-Reddingius en Cato Engelen-Sewing, om ons tot sopranen te beperken, hebben bij operaliefhebbers nog steeds een bekende klank en de stemmen van latere sopranen als Greet Koeman, Erna Spoorenberg, Gré van Swol-Brouwenstijn en Antoinette Tiemessen heeft menigeen nog op het operatoneel kunnen bewonderen. Sopranen die zich op grond van hun bijzondere stemeigenschappen bekwaamden in het dramatische of zelfs hoogdramatische vak zijn uiterst zeldzaam gebleven. Na Liesbeth Poolman-Meissner en Elisabeth Ohms, die een grote naam verwierven in voornamelijk het hoogdramatisch Wagner- en aanverwant repertoire in de eerste helft van de twintigste eeuw, is het alleen Marijke van der Lugt geweest die in dit specialistische domein werkzaam is geweest en lauweren heeft geoogst. Merkwaardig echter is het feit dat haar naam bij niet-ingewijden geen of weinig herkenning oproept, zoals gaandeweg dit onderzoek is gebleken, terwijl haar carrière toch goed te volgen is geweest in de kranten en via de vele radio-uitzendingen waaraan zij heeft meegewerkt.