DOCSLIB.ORG

Jan Pieterszoon Sweelinck the Complete Keyboard Works

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

GCD 922410 Jan Pieterszoon Sweelinck New release information November 2015 The Complete Keyboard Works NOTES (ENG) NOTES (FRA) The large-scale Het Sweelinck Monument Le grand projet Het Sweelinck Monument, project, with Harry van der Kamp as its driving impulsé par Harry van der Kamp et édité par force, and with individual issues on Glossa over Glossa au cours de ces 6 dernières années en the last 6 years in book-CD format for the CD-livres pour les Pays-Bas et en coffrets de Netherlands and as multiple-CD sets for the plusieurs CDs pour le marché international, international market, embraces the complete inclut la totalité de l’œuvre vocale et vocal and instrumental music output of Jan instrumentale de Jan Pieterszoon Sweelinck. Pieterszoon Sweelinck. Le coffret de 6 CDs que nous présentons The 6-CD set now being issued concludes this aujourd’hui couronne la collection et comprend collection (which serves as a remarkable l’intégrale des compositions pour instruments memorial to this influential composer), à clavier du compositeur néerlandais. Des presenting in one box the complete works for orgues historiques, des virginals, des clavecins keyboard instruments by the Dutch composer. sont joués par les plus grands spécialistes, Historical organs, virginals and harpsichords parmi lesquels Pieter Dirksen, Pieter-Jan Belder, Jan Pieterszoon Sweelinck are played here by the most eminent specialists, Bob van Asperen et le grand maître, récemment The Complete Keyboard Works including Pieter Dirksen, Pieter-Jan Belder, Bob disparu, Gustav Leonhardt. Cet enregistrement on historic instruments van Asperen and the late Gustav Leonhardt. inclut aussi des harmonisations à 4 voix de This set also includes four-part settings of mélodies chorales utilisées par Sweelinck. Bob van Asperen, harpsichord & virginal choral melodies used by Sweelinck. Pieter-Jan Belder, harpsichord & virginal Pieter van Dijk, organ Pieter Dirksen, harpsichord & virginal Leo van Doeselaar, organ Gustav Leonhardt, harpsichord Reitze Smits, organ Marieke Spaans, harpsichord & virginal Harald Vogel, organ Alexander Weimann, harpsichord Bernard Winsemius, organ Gesualdo Consort Amsterdam Harry van der Kamp Nele Gramß, soprano Marnix De Cat, altus NOTAS (ESP) NOTIZEN (DEU) Harry van Berne, tenor Harry van der Kamp, bass El ambicioso proyecto Het Sweelinck Monument, Harry van der Kamps großartiges Projekt Het Glossa GCD 922410 impulsado por Harry van der Kamp y editado Sweelinck Monument wurde auf Glossa im Lauf 6 CDs por Glossa a lo largo de los últimos 6 años en der letzten sechs Jahre realisiert. In den formato libro-CD para los Países Bajos, y como Niederlanden erschien es in Form von Buch- estuches con varios CDs para el mercado CDs, und für den internationalen Mark kamen Programme internacional, incluye la totalidad de la obra CD-Boxen mit Jan Pieterszoon Sweelincks vocal e instrumental de Jan Pieterszoon gesamten Vokal- und Instrumentalwerken Jan Pieterszoon Sweelinck (1562-1621) Sweelinck, un compositor muy influyente heraus. The Complete Keyboard Works El estuche de 6 CDs que ahora presentamos Das 6er-Set, das wir nun präsentieren, pone el broche final a esta colección (un , e beschließt diese Sammlung; in einer Box sind Production details incluye la integral de la obra para tecla del sämtliche Werke dieses niederländischen compositor holandés. Órganos históricos, Komponisten für Tasteninstrumente enthalten. 6 CDs – total playing time 7 hours 22 minutes virginales y clavecines son tocados aquí por Auf historischen Orgeln, Virginalen und Cembali los máximos especialistas, entre ellos Pieter sind hier die herausragendsten Spezialisten auf Recorded between June 2012 and February Dirksen, Pieter-Jan Belder, Bob van Asperen y diesem Gebiet zu hören, darunter Pieter Dirksen, 2014 in various locations in the Netherlands el recientemente fallecido Gustav Leonhardt. Pieter-Jan Belder, Bob van Asperen und der and Germany Esta grabación incluye también versiones a 4 2012 verstorbene Gustav Leonhardt. Diese Supervised, engineered and mastered by voces de melodías corales utilizadas por Aufnahme umfasst auch vierstimmige Sätze Stephan Schellmann Sweelinck. von Chorälen, die Sweelinck verwendet hat. Executive producer: Carlos Céster Booklet texts: Harry van der Kamp, Pieter Dirksen English - Français - Deutsch www.glossamusic.com.
Recommended publications
  • Gaspard Le Roux 1660-1707 Pièces De Clavessin (1705)

    Gaspard Le Roux 1660-1707 Pièces De Clavessin (1705)

    Gaspard Complete HarpsichordLe Roux Music Pieter-Jan Belder Siebe Henstra Gaspard le Roux 1660-1707 Pièces de Clavessin (1705) Suite in D minor/major Suite in F major 39. Sarabande (en douze couplets) 13’00 Pieter-Jan Belder harpsichord I 1. Prélude 0’46 21. Prélude 1’25 40. Menuet 1’01 (Solo on 16-26) 2. Allemande, “la Vauvert” 4’25 22. Allemande grave 3’05 41. Gigue (pour deux Clavecins) 1’52 Siebe Henstra harpsichord II 3. Courante 1’17 23. Courante 1’27 42. Courante (avec sa contre partie) 1’31 (Solo on harpsichord I, on 33-42 ) 4. Sarabande grave 2’05 24. Chaconne 4’03 5. Menuet 1’20 25. Menuet & 2 Doubles Suite in A minor/major Harpsichord I: Titus Crijnen after 6. Passepied 0’40 du Menuet 1’55 (solo version) Ruckers 1624, Sabiñan 2014 7. Courante luthée 1’55 26. Passepied 0’54 43. Prélude 0’50 Harpsichord II: Titus Crijnen after 8. Allemande grave, 27. Allemande 1’54 44. Allemande “l’Incomparable” 2’21 Blanchet 1731, Sabiñan 2013 “la Lorenzany” 3’28 45. Courante 1’29 9. Courante 1’28 Suite in F-sharp minor 46. Sarabande 2’02 10. Sarabande gaye 2’51 28. Allemande gaye 1’10 47. Sarabande en Rondeau 2’15 11. Gavotte 1’09 29. Courante 1’27 48. Gavotte 1’05 30. Double de la Courante 1’32 49. Menuet & double du Menuet 1’01 Suite in A minor/major 31. Sarabande grave en Rondeau 2’25 50. Second Menuet 0’32 12. Prélude 0’50 32.
  • Johann Sebastian Bach Du Treuer Gott Leipzig Cantatas BWV 101 - 115 - 103

    Johann Sebastian Bach Du Treuer Gott Leipzig Cantatas BWV 101 - 115 - 103

    Johann Sebastian Bach Du treuer Gott Leipzig Cantatas BWV 101 - 115 - 103 Collegium Vocale Gent Philippe Herreweghe Johann Sebastian Bach (1685–1750) Nimm von uns, Herr, du treuer Gott, BWV 101 Mache dich, mein Geist, bereit, BWV 115 Ihr werdet weinen und heulen, BWV 103 Dorothee Mields Soprano Damien Guillon Alto Thomas Hobbs Tenor Peter Kooij Bass Collegium Vocale Gent Philippe Herreweghe Menu Tracklist ------------------------------ English Biographies Français Biographies Deutsch Biografien Nederlands Biografieën ------------------------------ Sung texts Johann Sebastian Bach (1685-1750) Nimm von uns, Herr, du treuer Gott, BWV 101 [1] 1. Coro: Nimm von uns, Herr, du treuer Gott ______________________________________________________________7’44 [2] 2. Aria (tenor): Handle nicht nach deinen Rechten ________________________________________________________3’30 [3] 3. Recitativo e choral (soprano): Ach! Herr Gott, durch die Treue dein__________________________________2’13 [4] 4. Aria (bass): Warum willst du so zornig sein? ___________________________________________________________ 4’14 [5] 5. Recitativo e choral (tenor): Die Sünd hat uns verderbet sehr _________________________________________ 2’11 [6] 6. Aria (soprano, alto): Gedenk an Jesu bittern Tod _______________________________________________________5’59 [7] 7. Choral: Leit uns mit deiner rechten Hand _______________________________________________________________0’55 Mache dich, mein Geist, bereit, BWV 115 [8] 1. Coro: Mache dich, mein Geist, bereit ____________________________________________________________________4’00
  • 94320 Bach Preussische BL1 V0.Qxd

    94320 Bach Preussische BL1 V0.Qxd

    94320 BCaarl Phcilipp Emh anuel Preussische und Württembergische Sonaten Pieter-Jan Belder harpsichord & clavichord Carl Phillipp Emanuel Bach 1714–1788 Sonata No.6 in A Wq48/6 16 I. Allegro 7’09 Compact Disc 1 78’5 5 17 II. Adagio 4’17 18 III. Allegro 6’52 Preussische Sonaten (1740) Sonata No.1 in F Wq48/1 Compact Disc 2 49’26 1 I. Poco allegro 4’19 2 II. Andante 2’19 Württembergische Sonaten (1744) 3 III. Vivace 2’53 Sonata No.1 in A minor Wq49/1 Sonata No.2 in B flat Wq48/2 1 I. Moderato 8’14 4 I. Vivace 5’43 2 II. Andante 4’00 5 II. Adagio 3’30 3 III. Allegro assai 5’50 6 III. Allegro assai 3’28 Sonata No.2 in A flat Wq49/2 Sonata No.3 in E Wq48/3 4 I. Un poco allegro 7’55 7 I. Poco allegro 4’47 5 II. Adagio 4’05 8 II. Adagio 3’50 6 III. Allegro 4’23 9 III. Presto 2’57 Sonata No. 3 in E minor Wq49/3 Sonata No.4 in C minor Wq48/4 7 I. Allegro 6’35 10 I. Allegro 6’39 8 II. Adagio 4’27 11 II. Adagio 4’25 9 III. Vivace 3’52 12 III. Presto 2’52 Sonata No.5 in C Wq48/5 13 I. Poco allegro 5’17 14 II. Andante 4’23 15 III. Allegro assai 3’09 2 3 Compact Disc 3 49’22 Another Musical Offering in Potsdam Sonata No.
  • Scangate Document

    Scangate Document

    W olfgang Amadeus M ozart SYMFONIE NR. 40 Requiem D A M B A R o 0 u f S ymfonie n r . 40 R equiem Qmdat je niet aJleen A M s ^ de maat aangeeft, V f»SARÏ m aar ook de toon zet. ° R C H ^ Delta Lloyd feliciteert The Amsterdam Baroque Orchestra met het tienjarig bestaan. | delta lloyd W olfgang Amadeus M ozart SYMFONIE NR. 40 Requiem R D A M B A R O Q U I k INLEIDING Introduction zijn steeds slechter wordende gezondheid. Maar half M ozart’s bed and sang the finished part o f the mass. november pakte hij de draad toch weer op en werkte Mozart him self sang the alto part, but as they were als een bezetene in bed met de dood op de hielen. beginning the Lacrimosa he burst out in tears and shoved W e danken het bestaan van de Requiem-mis in We owe the existence o f the Requiem Mass in d minor Op 4 december verzamelde een stel vrienden zieh the score aside, realizing that he would not live to finish the d klein (kv 626) van Wolfgang Amadeus Mozart aan (kv 626) by Wolfgang Amadeus Mozart to count Franz rond Mozart en sainen zongen ze de mis voor zover Requiem. graaf Franz Walsegg-Stuppach, een enthousiast Walsegg-Stuppach, an enthusiastic music lover who himself deze af was. Mozart zelf zong de altpartij, maar toen After his death on December 3, Constanze Mozart worried muziekliefhebber die zeli fluit en cello speelde. played the fu t e and the cello.
  • A1ib000000d8urraaz.Pdf

    A1ib000000d8urraaz.Pdf

    NIEUW BELGISCH KAMERORKEST JUNGE CHOR AACHEN HOOG DAGEN 20 APR I L 92 NIEUW BELGISCH KAMERORKEST JUNGE CHOR AACHEN muzikale leiding Jan Caeyers koorleider Fritz ter Wey Solisten Lena Lootens, sopraan Wendy Verco, mezzo Martyn Hill, tenor Harry Van Der Kamp, bas Programma JOSEPH HAYDN (1732-1809) Symfonie nr 80 in d Allegro spiritoso Adagio Menuetto - Trio - Menuetto Finale: Presto Pauze Missa in Bes Harmoniemesse' Kyrie Gloria Credo Et incarnatus est Sanctus Benedictus Agnus Dei inleìdend gesprek door Magda De Meester in Foyer 19.15 uur aanvang concert 20.00 uur pauze 20.30 uur einde concert 21.45 uur ism. Concertvereniging van het Koninklijk Vlaams Muziekconse rvatorium NIEUW BELGISCH KAMERORKEST Met de oprichting van het Nieuw Belgisch Vlaamse Gemeenschap tenslotte erkende de Kamerorkest in 1985 werd de leemte van een waarde van het orkest door het verlenen van groot professioneel kamerorkest in ons land een substantiele ondersteuning. opgevuld. Dirigent-stichter Jan Caeyers Onder de talrijke internationale topsolisten leidde de jonge dynamisch formatie in haar die reeds met het orkest werkten noemen we concertdebuut in deSingel. Boris Belkin, Jean-Pierre Rampal, Jean-Marc Na amper een goed jaar musiceren bereikte Luisada, Hermann Baumann, Thomas dit nieuw orkest reeds een benijdenswaardig Zehetmair, Yuzuko Horigome, Mischa niveau. De orkestsamenstelling is geent op Maisky en Joshua Bell, Hakann Hardenberger de bezetting waarmee op 7 april 1805 en Lluis Claret. Daarnaast uiteraard eigen Beethovens 3de symfonie werd gecreeerd. Solisten als Walter Boeykens, Edith Volkaert, Vooral door een gereduceerde Jean-Claude Vanden Eynden, Luc Devos, strijkersbezetting heeft een dergelijke Roel Dieltiens en Eliane Rodrigues. samenstelling een meer transparante Verschillende gastdirigenten werden orkestklank tot gevolg.
  • Historical Performance Practice of the Prélude

    Historical Performance Practice of the Prélude

    HISTORICAL PERFORMANCE PRACTICE OF THE PRÉLUDE NON MESURÉ AND ITS RELATIONSHIP TO RECORDING AND PERFORMANCE Ariana Jane Odermatt Australian National University A thesis submitted for the partial fulfilment of the requirements of the degree of Master of Philosophy, School of Music, The Australian National University. © Copyright by Ariana Jane Odermatt 2018 All Rights Reserved 1 Unless otherwise acknowledged in the text, this thesis represents the original research of the author SIGNED: ........................................... DATE: ............................................... 2 HISTORICAL PERFORMANCE PRACTICE OF THE PRÉLUDE NON MESURÉ AND ITS RELATIONSHIP TO RECORDING AND PERFORMANCE ABSTRACT ‘A Prelude is a free composition, in which the imagination gives rein to any fancy that may present itself’ (François Couperin: L'art de toucher Le Clavecin, 1716)1 The enigmatic prélude non mesuré was a short-lived genre characterised by rhythmically free croches blanches (‘flagged white notes’, rather than white quavers)2 and sweeping lines and slurs that were generally notated without specific reference to rhythm or metre. Some of the lines appear to bind the tones into harmonic groups and to articulate cadential and rhythmic units, but the inherent freedom encoded in the notation presents a broad, complex interpretive scope to present-day performers. Given composers' scant written and notational indications as to how they intended the works to be performed, this research seeks to address ways of interpreting the genre in an informed historical sense, whilst surveying current performing practices within Louis Couperin’s Prélude non mesuré in D minor to inform the author’s own performance. Extant préludes non mesurés are contained within two manuscript sources (Parville and Bauyn), while commentary addressing performance interpretation of the notation is limited to three source documents specifically referencing the prélude non mesuré: Nicolas Lebègue’s preface to his Pièces de clavessin (1677), correspondence between Lebègue and an Englishman called Mr.
  • Froberger's Fantasias and Ricercars Four Centuries On1 Terence

    Froberger's Fantasias and Ricercars Four Centuries On1 Terence

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal College of Music Research Online Journal of the Royal College of Organists , Volume 10 (December 2016), pp. 5–27. Searching fantasy: Froberger’s fantasias and ricercars four centuries on1 Terence Charlston ‘Obscure, profound it was, and nebulous’ 2 It is more than a little surprising, given Johann Jacob Froberger’s significance in the written history of music, how little of his music is regularly played or known today. Traditionally he is viewed as the most important German seventeenth-century keyboard composer, pre-eminent alongside Frescobaldi and Sweelinck, the ‘Father’ of the Baroque keyboard suite. He was celebrated in his own day and his reputation and works were considered important enough to be researched and preserved by following generations. Today the physical notes of his music are readily available in facsimile and modern ‘complete’ editions (see Table 1) and the identification of several new sources of his music since the 1960s, one of which is an autograph with 13 otherwise unknown pieces, have generated renewed interest and discussion.3 Nonetheless, Froberger’s music is still represented in concert and recording only by the same handful of more ‘popular’ pieces which have graced recital programmes and teaching curricula for at least the last 70 years. These few pieces, chosen for their exceptional rather than their representative qualities, leave the majority of his music in peripheral limbo. The exclusion of the less Terence Charlston, ‘Searching fantasy: Froberger’s fantasias and ricercars four centuries on’ © Terence Charlston, 2016.
  • Bach Academy Bruges

    Bach Academy Bruges

    Wed 15 Jan – Sun 19 Jan 2020 BACH ACADEMY BRUGES Chez Bach © Rune Guneriussen Rune © Dear music lover Festival summary WED 15 JAN 2020 SAT 18 JAN 2020 SUN 19 JAN 2020 20.30 KAAP | De Werf 11.00 Chamber music hall 11.00 Chamber music hall Bobo Stenson Pluto Ensemble Stefanie Troffaes & Honed by Bach Quodlibet: party time Julien Wolfs at Bach’s Bach. Flute Sonatas i.c.w. KAAP p. 10 p. 21 THU 16 JAN 2020 14.00 Chamber music hall 14.30 Chamber music hall 19.15 Magdalenazaal Ignace Bossuyt & Het Collectief Introduction by Pieter T’Jonck Vox Luminis The Art of Fugue, Close-up Florilegium an Anamorphosis 20.00 Magdalenazaal Portense p. 22 Opus & Elvedon p. 13 16.30 Concert hall Christos Papadopoulos © Michiel Hendryckx 16.30 Chamber music hall Ensemble Masques i.c.w. Cultuurcentrum Brugge Martin Helmchen Coffee at Zimmermann’s Bach. Partitas p. 24 FRI 17 JAN 2020 p. 15 Welcome to this tenth edition of the Bach 20.00 Concert hall 20.00 Concert hall Academy, in Concertgebouw Brugge! In the concerts of the Pluto Ensemble and 20.00 Concert hall Collegium Vocale Gent Collegium Vocale Gent That we have been able to enrapture you Vox Luminis – which focus on the Florilegium Vox Luminis In der süßen Ewigkeit SUMMARY FOREWORD Mendelssohn. Jesu, with the music and the social world of the Portense – the interweaving of Bach’s vocal The road to Leipzig p. 26 meine Freude Leipzig Cantor over the past years is no oeuvre and the existing tradition is central.
  • Holland Festival Oidípous C Alliope Tsoup Aki, Edzard

    Holland Festival Oidípous C Alliope Tsoup Aki, Edzard

    OIDÍPOUS HOLLAND FESTIVAL CALLIOPE TSOUPAKI, EDZARD MIK 2 3 INHOUD / CONTENT INFO CREDITS uitvoering decor / construction decor Info 4 data / dates muziek / music Vincent Lafeber Credits 5 za 28, zo 29* juni 2014 Calliope Tsoupaki uitvoering kostuums / production Sat 28, Sun 29* June 2014 libretto costumes nederlands locatie / venue Edzard Mik Mariet Schoonheijm De mensgeworden held Muziekgebouw aan ’t IJ muzikale leiding / musical direction productie / production Ger Groot 6 aanvang / starting time Jos van Veldhoven Holland Festival Biografieën 10 20.30 uur, *15.00 uur toneelbeeld & kostuums / set design met steun van / with support by 8.30 pm, *3 pm & costume design Fonds Podiumkunsten, Prins Bernhard Libretto 14 duur / running time Christof Hetzer Cultuur Fonds 1 uur 30 minuten, zonder pauze mise-en-espace advies oudgriekse tekst / consult english 1 hour 30 minutes, no interval Pierre Audi ancient greek text A Hero Who Has Become Human taal / language licht / lighting Mado Malamou Ger Groot 22 Oudgrieks met Nederlandse boventiteling Bernd Purkrabek wereldpremière / world premiere Biographies 26 Ancient Greek with Dutch Surtitles video Amsterdam, 28.6.2014 inleiding / introduction Martin Eidenberger door by Jacqueline Oskamp zang / vocals 19.45 uur, zo 29.6 14.15 uur Marcel Beekman, tenor 7.45 pm, Sun 29.6 2.15 pm Nora Fischer, sopraan soprano websites Harry van der Kamp, bas bass www.calliopetsoupaki.com uitgevoerd door / performed by www.bachvereniging.nl Nederlandse Bachvereniging Emi Ohi Resnick, viool violin Maggie Urquhart, violone Cassandra Luckhardt, discant gamba Ricardo Rodriguez Miranda, gamba Nick Milne, gamba Marten Root, traverso Bruce Dickey, cornetto Kate Rockett, trombone Bart Vroomen, trombone Joost Swinkels, trombone Pieter-Jan Belder, orgel organ Mike Fentross, theorbe Israel Golani, theorbe 4 5 DE MENSGEWORDEN HELD handelde vervolgens naar bevind van zaken, Of ligt het zo simpel niet – en zondigt wordt gekeerd.
  • George Frideric HANDEL [I 685-1 759

    George Frideric HANDEL [I 685-1 759

    0630-1 4636-2 ODD - .... Timing : 64 59 - 51 31 - 52'12 George Frideric HANDEL [i 685-1 759 ORLANDO Opera in 3 acts (I 73 3) Orlando Patricia BARDON. HUSZO-SOJW.IHO Oormda Rosa MANNIOiV. >of ..mo '. Medoro Hilary SUMMERS, coitiojho Angelica Rosemary JOSHUA, sjtfwMu1 Zoroastro Harrv van der KAMP, r>.I>> • . : DDD J nits . EE BIT TIE" RECORDING Les Arts Florissants sont subventionnés par le Ministère de la Culture la Ville de Caen, le Conseil Régional de Basse-Normàodie. PECHINEV^) parraine les Arts Florissants depuis 1"990. HANDEL Orlando B a r d o n - Mannion - Summers Joshua Van der Kamp GEORGE FRIDERIC HANDEL (1685-1759) ORLANDO opera m 3 Aas (1733) Orlando Patricia Bardon mezzo-soprano Angelica Rosemary Joshua soprano Queen of Cathcy, beloved of Medoro Reine de Cathay, amante de Medoro Königin von Cathay, Geliebte des Medoro Medoro Hilary Summers confra/fo African prince, beloved of Angelica Prince africain, omant d'Angelica Ein afrikanischer Prinz, Geliebter der Angelica Dorinda Rosa Mannion soprano Shepherdess/Bergere/Eine Schäferin Zoroastro Harry van der Kamp bass Mogician/Magicien/Ein Zauberer LES ARTS FLORISSANTS WILLIAM CHRISTIE George Frideric Handel © Roger Wollet Page/ Seite COMPACT DISC 1 64'59 Ouverture : 1 Lenremenf 3'22 37 l '46 37 2 A ec-c Atto primo 3 Sceno I "Geroglifici eterni!" (Zoroasiro) 2'36 37 4 Sceno II "Stimulate della gloria" (Orlando) 2'48 37 "Purgalo ormai" (Zoroastrol "Lascio amor" (Zcrocsrroì 4'07 40 6 Scena III "Imagini funeste" lOrlandoj l '28 40 7 "Non fù già men forte Alcide" (Orlando) 5'39 40 8 Scena
  • Jan 19 Nat.Pdf

    Jan 19 Nat.Pdf

    PIPEDREAMS Programs, January 2019, Winter Quarter: The following listings detail complete contents for the January 2019 Winter Quarter broadcasts of PIPEDREAMS. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information in "short form". For more information, contact your American Public Media station relations representative at 651-290- 1225/877-276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>). For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone). * * * * * * * PIPEDREAMS Program No. 1901 (distribution on 1/7/2019) Organ Plus . a colorful collection of compositions involving the pipe organ with other instrumentalists. [Hour 1] JAMES MATTERN: Fanfare and Flourish –Chicago Brass Quuintet; Paul Vander Weele 1963 Casavant/ North Shore Congregation Israel, Glenco, IL) Centaur 2221 GUY ROPARTZ: Piece for Trombone & Organ –Niels-Ole Bo Johansen, brombone; Ulrik spang-Hanssen (1989 Oberlinger/St, Mary’s Church, Hanau, Germany) Classico 122 CARL REINECKE (arr. Karjalainen): Adagio, fr Harp Concerto –Kirsi Kiviharju, harp; Kalevi Kiviniemi (2007 Paschen/Lutheran Church, Kerava, Finland) Forsius 001 NAJI HAKIM: Diptych –John Turner, recorder. HAKIM: Capriccio –Benedict Holland, violin; Simon Leach 1871 Hill/Church of the Holy Name of Jesus, Manchester, England) Metier 28583 J.
  • 16 December 2016 Page 1 of 12

    16 December 2016 Page 1 of 12

    Radio 3 Listings for 10 – 16 December 2016 Page 1 of 12 SATURDAY 10 DECEMBER 2016 Elizabeth Alker presents Radio 3©s classical breakfast show, 10.45am featuring listener requests and your suggestions for our annual JOHNSON, C H: Considering Matthew Shepard SAT 01:00 Through the Night (b084dfhz) musical Advent Calendar. Conspirare, Craig Hella Johnson Complete Mozart Piano Concertos - 3 - with Catriona Young HARMONIA MUNDI HMU807638/39 (2Hybrid SACD) Email [email protected]. Catriona Young presents the 3rd programme in a series featuring Refuge from the Flames Mozart©s complete Piano Concertos from Russian Radio with SAT 09:00 Record Review (b084vmqm) ALLEGRI: Miserere mei, Deus pianist Mikhail Voskresensky. Building a Library: Puccini©s La fanciulla del West ANIMUCCIA: Iesu, sommo conforto; Alma, che si gentile; Che 1:01 AM fai qui, core?; Ecce quomodo moritur Mozart, Wolfgang Amadeus [1756-1791] with Andrew McGregor BETTINI: Ecce quam bonum Piano Concerto No. 1 in F major K.37 BYRD: Infelix ego Mikhail Voskresensky (piano), Pavel Slobodkin Centre Chamber 9am CLEMENS: Tristitia obsedit me ± Infelix ego Orchestra, Moscow, Leonid Nikolaev (conductor) Tchaikovsky: Symphony No. 1 ©Winter Dreams© & The Tempest EŠENVALDS: Infelix ego 1:20 AM TCHAIKOVSKY: Symphony No. 1 in G minor Op. 13 ©Winter JEUNE: Tristitia obsedit me Mozart, Wolfgang Amadeus [1756-1791] Daydreams©; The Tempest Op. 18 MACMILLAN: Miserere Piano Concerto No. 17 in G major K.453 Orchestra Of St. Luke©s, Pablo Heras-Casado (conductor) RICHAFORT: O quam dulcis Mikhail Voskresensky (piano), Pavel Slobodkin Centre Chamber HARMONIA MUNDI HMC902220 (CD) VERDELOT: Letamini in Domino Orchestra, Moscow, Leonid Nikolaev (conductor) ORA, Suzi Digby 1:50 AM Winter HARMONIA MUNDI HMW906103 (CD) Mozart, Wolfgang Amadeus [1756-1791] ALEXANDER, J: Come Wander With Me Piano Concerto No.