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Mei Lanfang
The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, by Li Ruru
The Politics of Celebrity in Madame Chiang Kai-Shek's
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New Actresses and Urban Publics in Early Republican Beijing Title
Anna May Wong
The Market, Ideology, and Convention Jingju Performers’ Creativity in the 21St Century Li Ruru
The Case of Theater Illustrated (1912-17)
Table of Contents and Contributors
"Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’S Tour of the Far East"
Learning Yuzhou Feng (Sword of the Cosmos): a Journey Into the Heart of the Art of Mei Lanfang
Performing China on the London Stage Ashley Thorpe Performing China on the London Stage
Cry to Heaven: a Play to Celebrate One Hundred Years of Chinese Spoken Drama by Nick Rongjun Yu Introduction and Translation by Shiao-Ling Yu
Jiang Qing and Women's Roles in Revolutionary Model Opera During
Opera, Beijing Jīngjù 京 剧
Eng Opera Book.Pdf
Appendix 1: Glossary for Chinese and Japanese Names and Terms
On Stage. the Art of Beijing Opera. Basel: Museum Der Kulturen, 2
Guanda Wu's MA Thesis
Top View
Text[PDF 724KB]
Traditional Chinese Theatre
Translating the Chinese Modal Particle 啊
The Foreign-Policy Aspect of Mei Lanfang's Soviet Tour in 1935
The Art of Listening, Old-Style Theaters
DOMESTIC ARCHITECTURE in the BEIJING AREA. I860-I93Q Thesis
CATALOGO FILM.Pdf
More Happenings
Guangzhou Ballet—Mei Lanfang Friday, October 19, 2007 at 11:00 A.M
Perceptions of China in the Programme Selection for Mei Lanfang’S Performances in Japan (1919), the United States (1930) and the Soviet Union (1935)
Mustache As Resistance Representation and Reception of Mei Lanfang’S Masculinity Guanda Wu
“Artistic” Femininity Versus “Natural” Masculinity from China's
Jane Chin Davidson, “Patty Chang and the Cinematic Subject
From Beijing Opera to Yangbanxi
Research on Male Dan in Chinese Peking Opera and Castrato in Italian Opera Qunying Wang College of Music, Shaoguan University, Shaoguan, 512000, China