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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Karzzzz Movie Video Songs Free Download
Karzzzz movie video songs free download click here to download Download 3gp mp4 mobile smartphone videos on Karzzzz. Song: Ek Haseena Thi Film: Karzzzz Song: Hari Om Hari Om (Electro Mix) Film: Karzzzz. Karzzzz Video Download 3GP, MP4, HD MP4, And Watch Karzzzz Video. thumb. Ek Haseena Thi (Club,Lounge Mix) (Full Song) Film - Karzzzz. thumb. karz movie mp4 video song download Download Link . Karzzzz () mp4 HD mp4 Video Songs Free Download Karzzzz () movie Karzzzz () film. Download. Masha Allah (Karzzzz) Full test. ru4. Size of file. mb. Hits. Category. download free Karzzzz Movie Hd Video Songs from test. ru the worlds most. KARZZZ HIMESH RASHMIYA. Masha Allah FULL VIDEO SONG HQ (KARZZZZ) I love ❤ this song. Ek Haseena Thi Karzzzz Full Video Song/Movie DVD RIP HQ. Song - Ek Haseena Thi Film - Karzzzz Singer - Himesh Reshammiya, Shreya Ghosal Kill Like. Song - Masha Allah Film - Karzzzz Singer - Himesh Reshammiya Lyricist - Sameer Music Director - Himesh. Here is the song "Masha Allah" from the movie 'Karzzzz' sung by Himesh Reshammiya. Song - Masha Allah. Karzzz is a Movie and it contains 9 Mp3 Songs. Karzzz songs, Karzzz Mp3 Songs, Karzzz download free music, mp3 hindi music, Karzzz HD Videos. Dec 16, Free Download KARZ. Soniye Je Tere Naal (Full Song) Film - Karzzzz Published 17 Masha Allah FULL VIDEO SONG HQ (KARZZZZ). Sukhpal. Movie Name: Karzzzz. Story: Singer/Dancer Monty Oberoi meets and falls in love with Tina. He then starts. Free Download Masha Allah (Karzzzz) Full www.doorway.ru4. Full HD. Download. Masha Allah (Karzzzz) Full www.doorway.ru4. Size of file. mb. Hits. -
K O R E a N C in E M a 2 0
KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
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Report on CSR Activities (2017-18) – Wockhardt Foundation
Wockhardt Foundation Annual Report, 2017-18 Contents Corporate information Philosophies ..................................06 Wockhardt Foundation is a national, not-for-profit Milestones ......................................06 organisation engaged in social service and human Awards ..............................................09 welfare activities. CEO’s message ..............................16 The Foundation is driven by a simple philosophy Partnerships ...................................20 – ‘Where every smile counts.’ The Foundation’s 21 Chairman & Founder’s profile . 22 programmes have ushered in perceptible positive Chairperson’s profile .................. 24 change to the lives of the underprivileged in their CEO’s profile .................................. 25 respective areas of engagement. Advisory board .............................. 26 Wockhardt Foundation has been the recipient of a Team ................................................. 28 number of awards including the prestigious ‘Asia Project review ...............................30 Healthcare Excellence Award - 2016’ for the Best CSR Other programmes ...................... 74 Practice in Healthcare. Financial growth .......................... 76 Wockhardt Foundation is promoted by the Mumbai- Take a peek into our mind .........77 based Wockhardt Limited. Wockhardt Limited is a global pharmaceutical and biotechnology organisation, providing affordable, high-quality medicines for a healthier world. It is India’s leading research-based global healthcare enterprise with entrenched -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT Solved! the Mystery Motors of the Autosafe “Skypark”…
2 MAR 18 5 APR 18 1 | 2 MAR 18 - 5 APR 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT Solved! The Mystery Motors of the Autosafe “SkyPark”… Huge thanks to a number of you out there who sent me a link to the BBC News article that finally puts the issue I’ve been bleating on about for months (see Filmhouse December and February monthly programme introductions) to bed. Turns out the eight cars that have been trapped in the failed then abandoned automated car park (which is currently being dismantled behind our offices) since it closed in the early 2000s were only ever old bangers brought in to test the automatic parking machinery! Phew! Glad to have gotten to the bottom of that one… Our March programme, as is customary for the time of year, is replete with Oscar® hopefuls, it now being the turn of Lady Bird, Phantom Thread (in 70mm!), A Fantastic Woman, Palme d’Or winner The Square, and The Shape of Water, which continues from February. Awards season is, though, nearly over, as is evidenced by a slew of new films too new to qualify for consideration this year: Lynne Ramsay’s brilliant You Were Never Really Here; Warwick (Samson & Delilah) Thornton’s stunning Aussie ‘western’, Sweet Country, and Wes Anderson’s fabulous Isle of Dogs. And you know what, looking at that list, I’m going to stick my neck out and say that I’m not entirely sure I have ever seen a better line-up of new release cinema, at any one cinema, ever. -
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The Indian Emergency 231 THE INDIAN EMERGENCY 9 Aesthetics of State Control A confirmed plagiarist speaks of some of the FFC’s significant produc- tions as third-rate copies of third-rate foreign films. A globe-trotting socialite whose sole claim to be a critic is her access to people and places (and who ecstacizes over Manoj Kumar’s Shor) aids the big sharks by her learned associations. A self-confessed amateur, applau- ded for his bold themes, speaks of films as ‘formal exercises’ when they are not in his own blundering idiom. Others disguise their con- cern for financial return (on both ‘public’ and ‘private’ money!) in terms of mass communication. Yet another old hand at bringing humanism to the box office in outrageous costumes advises the gov- ernment to nationalize cinema before it finances films which make an attempt at speaking a radical language. Utopian ideas always subvert their own declared purpose. Even in the unlikely event of nationalization, given the honesty of our bureaucrats and the social- ism of our system, one can visualize what new monsters will emerge. Some of these suggestions and comments may, indeed, be well inten- tioned, but it is becoming increasingly difficult to sift out the cinema’s enemies from its friends. – Kumar Shahani (1974) 1 Most of these stories featured the then Information and Broadcasting Minister, Vidya Charan Shukla. D.R. Mankekar The June 1975 declaration by Indira Gandhi’s government of a ‘grave and Kamala Mankekar (1977: 81) write: ‘With the vulnerable film emergency [whereby] the security of India . threatened by exter- industry [V.C.] Shukla played ducks and drakes. -
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Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof.