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- Bruxelles Is the New Cool
- Downcast Eyes: Michael Haneke and the Cinema of Intrusion
- Identity Slips: the Autobiographical Register in the Work of Chantal Akerman
- Le Programme June – July 2018 02 Contents/Highlights
- En Salles Et À Venir
- Catalogue 2015
- Open Your Eyes to Belgian Cinema
- DCP CATALOGUS Juli 2021
- What Is Postsecular Cinema?
- The Multiple Faces of Chantal Akerman
- Lucas Belvaux
- Dossier UN LIEU POUR L'art
- Passages Through Time and Space: in Memory of Chantal Akerman
- CHANTAL AKERMAN Press Release
- Bamcinématek Presents Chantal Akerman: Images Between the Images, Apr 1—May 1
- THE CINEMA of CHANTAL AKERMAN a Film by Marianne Lambert
- Chantal Akerman, Between the Mother and the World
- Page 1 H-France Review Vol. 20 (April 2020), No. 66 Marion Schmid and Emma Wilson, Eds., Chanta
- BERLIN 2010 27/01/10 12:50 Page 3
- Akerman, Chantal (B
- Long Métrage
- Chantal Akerman Was Born in Brussels, Belgium in 1950
- Forum-Booklet-BSFF2021.Pdf
- The Films of Chantal Akerman 1968-2015 Is a Film
- Catalogue RDV 2008
- Berlin 2016.Indd
- Movie Title Movie Title Translations and Alternate Titles Director Type Genre Language This Life of Mine Wo Zhe Yi Bei Zi Hui Sh
- 4 November to 17 December 2020 La Crème De La Crème of Francophone Cinema W W W
- Long Métrage / Feature Film 2015
- Artikel 31-3
- The Cinematography of Chantal Akerman?
- P IP-3 Z58 Indice
- Dossier De Presse
- Showing and Telling Film Heritage Institutes and Their Performance of Public Accountability
- 06 Schmid Prepdf
- 1. in an Anti-Essentialistic Move, Benedict Anderson Fundamentally Reartic- Ulates the Idea of the Nation As an “Imagined Poli
- Un Belge) Et Fiona Gordon Leur Univers N’Est Pas Dé- Bruno Romy, Qui Est Installé Dessinent Un Chat Et Puis Pouillé Au Point D’En Devenir En France
- LFF 17 PDF Calendar FINAL.Indd
- 3 to 2013, from China to Iran, Australia to Finland, We Look at How to Open a film, from Mysterious, Direct, floating, Foreboding to Plunging Straight In
- Incoming Student Guide 2019-2020
- Women Make Film
- Showing and Telling Film Heritage Institutes and Their Performance of Public Accountability
- Press in Her Own Time: Miriam Rosen in Conversation with Chantal
- Press a Hard Road Home the New York Review of Books, May 24, 2018
- Sydney Film Festival Announce Full Program for the 8-19 June Festival