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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Sœurs ( Marina & Audrey ) FRANCE
credit : Pauline Roussille & FRANCE - THEATRE Sœurs ( Marina Audrey ) texte, mise en scène et installation Pascal Rambert avec Audrey Bonnet et Marina Hands, pensionnaire de la Comédie-Française ststructure production c/o théâtre des bouffes du nord, 37bis bvd de la chapelle 75010 paris SIRET 822 350 898 000 26 - code APE 9001Z licence d’entrepreneur de spectacle 2019-000462 Sœurs ( Marina & Audrey ) générique Durée 1h30 Texte, mise en scène, installation Pascal Rambert Avec Audrey Bonnet et Marina Hands, pensionnaire de la Comédie-Française Costumes Anaïs Romand Assistante à la mise en scène Pauline Roussille Régie générale Alessandra Calabi Régie lumière Thierry Morin Direction de production Pauline Roussille Administration de production Juliette Malot Coordination, Logistique Sabine Aznar Production déléguée structure production Coproduction Bonlieu Scène Nationale d’Annecy Création à Bonlieu SN Annecy le 6 novembre 2018 Le texte Sœurs ( Marina & Audrey ) est publié aux éditions Les Solitaires Intempestifs. CONTACT : pauline roussille [email protected] structureproduction.com Sœurs ( Marina & Audrey ) note d’intention J’ai décidé d’écrire Sœurs ( Marina & Audrey ) en octobre 2017 le lendemain de la première répétition aux Bouffes du Nord de la scène que Marina Hands et Audrey Bonnet ont en commun dans Actrice. Écrire ou mettre en scène c’est répondre à des appels. Là, ni Marina ni Audrey ne me demandent rien. Elles répètent. Mais ce que je vois devant moi est d’une telle force. Les énergies sont tellement complémentaires, que je décide de répondre à ces forces à ces énergies combinées. Je vois ce jour-là ce que va être Sœurs ( Marina & Audrey ) quelques mois plus tard. -
Tell No One Free
FREE TELL NO ONE PDF Harlan Coben | 370 pages | 25 Aug 2009 | Random House USA Inc | 9780440245902 | English | New York, United States Tell No One () - IMDb Rate this book. Buy This Book. The characters are engaging and the strange goings-on will leave readers rapidly turning pages in search of fresh clues For Dr. Tell No One Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night his wife was taken. The last night he saw her alive. Everyone tells him it's time to move on, to forget the past once and for all. But Tell No One David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible -- that somewhere, somehow, Elizabeth is alive. Beck has Tell No One warned to Tell No One no one. And he doesn't. Instead, he runs from the people he trusts the most, plunging headlong into a search for the shadowy figure whose messages hold out a desperate hope. But already Beck is being hunted down. He's headed straight into the heart of a dark and deadly secret -- and someone intends to stop him before he gets there. Eight Years Later Another girl was about to break my heart. She had brown eyes and kinky hair and a toothy smile. She also had braces and was fourteen years Tell No One and-- "Are you pregnant? This was not the first time I'd seen a pregnant teen. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
The Beauty of the Real: What Hollywood Can
The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine -
Immanent Frames: Postsecular Cinema Between Malick and Von Trier
Journal of Religion & Film Volume 24 Issue 2 October 2020 Article 9 October 2020 Immanent Frames: Postsecular Cinema between Malick and von Trier Pablo Alzola Rey Juan Carlos University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Alzola, Pablo (2020) "Immanent Frames: Postsecular Cinema between Malick and von Trier," Journal of Religion & Film: Vol. 24 : Iss. 2 , Article 9. DOI: 10.32873/uno.dc.jrf.24.2.009 Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Immanent Frames: Postsecular Cinema between Malick and von Trier Abstract This is a book review of John Caruana and Mark Cauchi, eds., Immanent Frames: Postsecular Cinema between Malick and von Trier. Author Notes Pablo Alzola is Assistant Professor of Esthetics at the Department of Educational Sciences, Language, Culture and Arts at Rey Juan Carlos University (URJC) in Madrid, Spain. He has written several articles and book chapters on film and eligion,r together with a recent book on the cinema of Terrence Malick: El cine de Terrence Malick. La esperanza de llegar a casa (EUNSA, 2020). This book review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 Alzola: Immanent Frames Caruana, John and Cauchi, Mark (eds.). Immanent Frames: Postsecular Cinema between Malick and von Trier. -
CLASSICAL MUSIC in CINEMA the Purpose of the Course Will Be To
CLASSICAL MUSIC IN CINEMA The purpose of the course will be to explore and understand the use of classical music in art movies starting with The Birth of a Nation in 1915 up until today. Films will be screened partially, and musical extracts will discussed. The 12 week lectures start with a historical introduction into the utilisation of classical music in the early era of cinema. Diegetic and non-diegetic music and their particular use will then be discussed. A discussion on the effect of leitmotivs and classical music as a device supporting the narrative will follow. After this three-week introduction, we will explore classical music used as leitmotiv and supporting narrative, then films on opera and opera in films, and the use of classical music in period movies. We will then examine the way how specific pieces of music have added to some of the greatest dramas and films of the past. Finally, the course will conclude with a discussion of auteur cinema and cover how seven essential directors have used music in their films; Bunuel, Bresson, Bergman, Pasolini, Kubrick, Godard, Tarkovsky and Fassbinder. Extracts from almost 100 films are intended to be shown and discussed. There will be no requirement for pre-lecture reading, screening or preparation. However, attendance will be obligatory, since grades will only be based on attendance, performance in class and homework in the form of essays. Screenings of assignments will be made in class. Week 1 (9 February 2015): General introduction Features D.W. Griffith’s The Birth of a Nation [1915] Sergei Eisenstein’s Battleship Potemkin [1925] Fritz Lang’s Metropolis [1927] David Lean’s Brief Encounter [1945] Giuseppe Tornatore’s Cinema Paradiso [1988] Luc Besson’s Leon [1994] Readings [None. -
37/45 Quai Du Président Roosevelt 92130 Issy Les Moulineaux France
FALL 2020 37/45 Quai du Président Roosevelt 92130 Issy les Moulineaux France Credits, titles and visuals not contractual. © 2020 France Télévisions Distribution. All rights reserved. www.athoms.fr design: FALL 2020 Post-production Hear Me Out by Pascal Elbé Men on the Verge of a Nervous Breakdown by Audrey Dana Between Two Worlds by Emmanuel Carrière Completed Lovers by Nicole Garcia My Father’s Stories by Jean-Pierre Améris Dreamchild by Raphaël Jacoulot Wolf Walk by Jean-Michel Bertrand Chambord – Then, Now and Forever by Laurent Charbonnier Farewell to the Night by André Téchiné The Red Collar by Jean Becker Kings For a Day by Xabi Molia Hear On est fait pour s’entendre Me Out Antoine, a history teacher in his early 50s, learns that he has become very hard of hearing. Unable to own up to his handicap, he resigns himself to living in his bubble, even though his entourage finds his behavior increasingly odd. His encounter with Claire, widow and mother of a young girl who has stopped speaking, will lead him to open up to the world. France | French | Comedy DIRE CTOR CAST PRODUCERS Pascal Elbé Pascal Elbé Jerico Films (Thank You for Calling, (Heartstrings, 24 Days, Père et Films Turk’s Head) Father and Sons) Sandrine Kiberlain (In Safe Hands, 9 Months FRENCH DISTRIBUTOR Stretch, Service Entrance) Diaphana Distribution FRENCH RELEASE S1 2021 © Stéphanie Branchu © Stéphanie Promo Reel Available Men on the Verge of a Nervous Breakdown Hommes au Bord de la Crise de Nerfs Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely station for an unusual course in the wild that is supposed to get them back on their feet. -
Dussollier Hands Baer
PHOTOS ARNAUD BORREL / ILLUSTRATION OLIVIER AND MARC-ANTOINE COULON DUSSOLLIER JEAN-LOUIS LIVI JEAN-LOUIS ANDRE A FILM BY MARC A FILMBY PRESENTS HANDS DUGAIN MARINA ND MARC-ANTOINE COULON A PHOTOS ARNAUD BORREL / ILLUSTRATION OLIVIER PHOTOS ARNAUD BORREL / ILLUSTRATION EDOUARD BAER R O GN: DIMITRI SIMON F SI L DE A N I G I R O JEaN-LouiS Livi PRESENTS aNdRE MaRiNa EDOUARd DUSSOLLIER HANDS BAER (UNE EXECUTION ORDINAIRE) a FiLM BY MaRC DUGAIN STudioCaNaL iNTERNaTioNaL MaRkETiNg 1, place du Spectacle 92863 issy-les-Moulineaux Cedex 9 France Phone: +33 1 71 35 11 13 RUNNING TIME : 1h45 www.studiocanal.com FRENCH RELEASE DATE: FEBRUARY 3, 2010 STaLiN To aNNa : “doN’T FoRgET YouR HaNdS, i WiLL CoME WiTH MY PaiN.” Fall 1952. A young urologist and healer who works in a hospital in the Moscow suburbs is desperate to fall pregnant by her husband, a disillusioned doctor who is only surviving because of the love binding him to his wife. To her great terror, she is secretly called upon to look after Stalin who is sick and who has just fired his personal physician. The dictator worms his way into their relationship and creates a relationship with the young woman involving a tangle of secrets and manipulation. By turns friendly and perverse, the monster reveals his skills in the art of terror as never seen before. STaLiN : “i’vE goTTEN Rid oF EvERYoNE WHo WaS iNdiSPENSaBLE. SiNCE THEN, THEY’vE SHoWN ME THaT THEY WEREN’T.” I TERVIEW WITH marc dugain Your book, “The Officers’ Ward” was adapted for the screen in 1991 AN ORDINARY EXECUTION is about the last days of Stalin and covers by François Dupeyron. -
Belgium and Brussels
BELGIUM AND BRUSSELS Independent since 1830, Belgium is a constitutional and a half from the French capital. Which brings us to and parliamentarian monarchy, whose current king is yet another benefit of being in Brussels: it is just a short Philipp the 1st. Belgium is a federal state consisting hop away from Paris, London, and Amsterdam… of three regions: Brussels, the bilingual capital where French and Dutch are official languages; Flanders, the Dutch-speaking North; and Wallonia, the FOR MORE INFORMATION Frenchspeaking - and Germanspeaking South. ABOUT BRUSSELS, Among the famous Belgians, one can think of the famous composers and singers Jacques Brel and you can visit the official Brussels website Stromae; the actors Benoît Poelvoorde and Matthias https://visit.brussels/en Schoenaerts; the writers Amélie Nothomb and Maurice Maeterlinck (Nobel Prize for Literature in 1911); the artists and cartoonists Georges Rémi (Hergé, Father of Tintin), Franquin (Gaston Lagaffe), Peyo (the Smurfs), Morris (Lucky Luke); the film directors Chantal Akerman, Jaco Van Dormael, Jean-Pierre and Luc Dardenne; the painter René Magritte; the architect Victor Horta; and the athletes Eddy Merckx (cyclist), Eden Hazard (football) and Nafissatou Thiam (athletics). Belgium wouldn’t be Belgium without its mouth- watering chocolates, its wide range of local beers and mussels served with French fries ! Belgium has a lot of historical, artistic, gastronomical, architectural and natural wonders which we invite you to discover during your stay here. BRUXELLES, LE SAVIEZ- MA BELLE VOUS ? Brussels is among the world’s most diverse capitals, Our university has a long standing home to the headquarters of the European Union, tradition of excellence, as evidenced by NATO, and countless international companies and the many accolades given in recognition organisations.