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Paris Hollywood: French Cinema Remade in the USA | University of Warwick
10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick FR243: Paris Hollywood: French Cinema View Online remade in the USA (2015/16) 1. Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000). 2. Verevis, C.: Film remakes. Edinburgh University Press, Edinburgh (2006). 3. Durham, C.A.: Double takes: culture and gender in French films and their American remakes. University Press of New England, Hanover, NH (1998). 4. Moine, R.: Remakes: les films français à Hollywood. CNRS, Paris (2007). 5. Horton, A., McDougal, S.Y.: Play it again, Sam: retakes on remakes. University of California Press, Berkeley (1998). 6. Bordwell, D., Thompson, K.: Film art: an introduction. McGraw-Hill, New York (2013). 1/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 7. Williams, A.L.: Republic of images: a history of French filmmaking. Harvard University Press, Cambridge, Mass (1992). 8. La Totale! 9. Cameron, J.: True lies, (1999). 10. Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000). 11. Moine, R.: Remakes: les films français à Hollywood. CNRS, Paris (2007). 12. Arroyo, J.: Action/spectacle cinema: a sight and sound reader. British Film Institute, London (2000). 13. Verevis, C.: Film remakes. Edinburgh University Press, Edinburgh (2006). 14. Tasker, Y.: Spectacular bodies: gender, genre and the action cinema. Routledge, London (1993). 2/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 15. Steve Neale, ‘Masculinity as Spectacle: Reflections on Men and Mainstream Cinema’, Screen, 24, 6 (1983), pp. -
Sœurs ( Marina & Audrey ) FRANCE
credit : Pauline Roussille & FRANCE - THEATRE Sœurs ( Marina Audrey ) texte, mise en scène et installation Pascal Rambert avec Audrey Bonnet et Marina Hands, pensionnaire de la Comédie-Française ststructure production c/o théâtre des bouffes du nord, 37bis bvd de la chapelle 75010 paris SIRET 822 350 898 000 26 - code APE 9001Z licence d’entrepreneur de spectacle 2019-000462 Sœurs ( Marina & Audrey ) générique Durée 1h30 Texte, mise en scène, installation Pascal Rambert Avec Audrey Bonnet et Marina Hands, pensionnaire de la Comédie-Française Costumes Anaïs Romand Assistante à la mise en scène Pauline Roussille Régie générale Alessandra Calabi Régie lumière Thierry Morin Direction de production Pauline Roussille Administration de production Juliette Malot Coordination, Logistique Sabine Aznar Production déléguée structure production Coproduction Bonlieu Scène Nationale d’Annecy Création à Bonlieu SN Annecy le 6 novembre 2018 Le texte Sœurs ( Marina & Audrey ) est publié aux éditions Les Solitaires Intempestifs. CONTACT : pauline roussille [email protected] structureproduction.com Sœurs ( Marina & Audrey ) note d’intention J’ai décidé d’écrire Sœurs ( Marina & Audrey ) en octobre 2017 le lendemain de la première répétition aux Bouffes du Nord de la scène que Marina Hands et Audrey Bonnet ont en commun dans Actrice. Écrire ou mettre en scène c’est répondre à des appels. Là, ni Marina ni Audrey ne me demandent rien. Elles répètent. Mais ce que je vois devant moi est d’une telle force. Les énergies sont tellement complémentaires, que je décide de répondre à ces forces à ces énergies combinées. Je vois ce jour-là ce que va être Sœurs ( Marina & Audrey ) quelques mois plus tard. -
Tell No One Free
FREE TELL NO ONE PDF Harlan Coben | 370 pages | 25 Aug 2009 | Random House USA Inc | 9780440245902 | English | New York, United States Tell No One () - IMDb Rate this book. Buy This Book. The characters are engaging and the strange goings-on will leave readers rapidly turning pages in search of fresh clues For Dr. Tell No One Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night his wife was taken. The last night he saw her alive. Everyone tells him it's time to move on, to forget the past once and for all. But Tell No One David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible -- that somewhere, somehow, Elizabeth is alive. Beck has Tell No One warned to Tell No One no one. And he doesn't. Instead, he runs from the people he trusts the most, plunging headlong into a search for the shadowy figure whose messages hold out a desperate hope. But already Beck is being hunted down. He's headed straight into the heart of a dark and deadly secret -- and someone intends to stop him before he gets there. Eight Years Later Another girl was about to break my heart. She had brown eyes and kinky hair and a toothy smile. She also had braces and was fourteen years Tell No One and-- "Are you pregnant? This was not the first time I'd seen a pregnant teen. -
43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
The Beauty of the Real: What Hollywood Can
The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine -
CLASSICAL MUSIC in CINEMA the Purpose of the Course Will Be To
CLASSICAL MUSIC IN CINEMA The purpose of the course will be to explore and understand the use of classical music in art movies starting with The Birth of a Nation in 1915 up until today. Films will be screened partially, and musical extracts will discussed. The 12 week lectures start with a historical introduction into the utilisation of classical music in the early era of cinema. Diegetic and non-diegetic music and their particular use will then be discussed. A discussion on the effect of leitmotivs and classical music as a device supporting the narrative will follow. After this three-week introduction, we will explore classical music used as leitmotiv and supporting narrative, then films on opera and opera in films, and the use of classical music in period movies. We will then examine the way how specific pieces of music have added to some of the greatest dramas and films of the past. Finally, the course will conclude with a discussion of auteur cinema and cover how seven essential directors have used music in their films; Bunuel, Bresson, Bergman, Pasolini, Kubrick, Godard, Tarkovsky and Fassbinder. Extracts from almost 100 films are intended to be shown and discussed. There will be no requirement for pre-lecture reading, screening or preparation. However, attendance will be obligatory, since grades will only be based on attendance, performance in class and homework in the form of essays. Screenings of assignments will be made in class. Week 1 (9 February 2015): General introduction Features D.W. Griffith’s The Birth of a Nation [1915] Sergei Eisenstein’s Battleship Potemkin [1925] Fritz Lang’s Metropolis [1927] David Lean’s Brief Encounter [1945] Giuseppe Tornatore’s Cinema Paradiso [1988] Luc Besson’s Leon [1994] Readings [None. -
37/45 Quai Du Président Roosevelt 92130 Issy Les Moulineaux France
FALL 2020 37/45 Quai du Président Roosevelt 92130 Issy les Moulineaux France Credits, titles and visuals not contractual. © 2020 France Télévisions Distribution. All rights reserved. www.athoms.fr design: FALL 2020 Post-production Hear Me Out by Pascal Elbé Men on the Verge of a Nervous Breakdown by Audrey Dana Between Two Worlds by Emmanuel Carrière Completed Lovers by Nicole Garcia My Father’s Stories by Jean-Pierre Améris Dreamchild by Raphaël Jacoulot Wolf Walk by Jean-Michel Bertrand Chambord – Then, Now and Forever by Laurent Charbonnier Farewell to the Night by André Téchiné The Red Collar by Jean Becker Kings For a Day by Xabi Molia Hear On est fait pour s’entendre Me Out Antoine, a history teacher in his early 50s, learns that he has become very hard of hearing. Unable to own up to his handicap, he resigns himself to living in his bubble, even though his entourage finds his behavior increasingly odd. His encounter with Claire, widow and mother of a young girl who has stopped speaking, will lead him to open up to the world. France | French | Comedy DIRE CTOR CAST PRODUCERS Pascal Elbé Pascal Elbé Jerico Films (Thank You for Calling, (Heartstrings, 24 Days, Père et Films Turk’s Head) Father and Sons) Sandrine Kiberlain (In Safe Hands, 9 Months FRENCH DISTRIBUTOR Stretch, Service Entrance) Diaphana Distribution FRENCH RELEASE S1 2021 © Stéphanie Branchu © Stéphanie Promo Reel Available Men on the Verge of a Nervous Breakdown Hommes au Bord de la Crise de Nerfs Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely station for an unusual course in the wild that is supposed to get them back on their feet. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
Let It Rain (Parlez-Moi De La Pluie)
LET IT RAIN (PARLEZ-MOI DE LA PLUIE) A FILM DIRECTED BY AGNÈS JAOUI StudioCanal International Marketing 1, place du Spectacle 92863 Issy-les-Moulineaux Cedex 09 Tel. : 33 1 71 35 11 13 Fax : 33 1 71 35 11 86 Les films A4 presents JEAN-PIERRE BACRI JAMEL DEBBOUZE AGNÈS JAOUI LET IT RAIN (PARLEZ-MOI DE LA PLUIE) A FILM WRITTEN BY AGNÈS JAOUI AND JEAN-PIERRE BACRI AND DIRECTED BY AGNÈS JAOUI French release 17 september 2008 98 minutes synopsis Agathe Villanova is a feminist and recent entrant to the political scene. She returns to her childhood home in the South of France to spend ten days helping her sister Florence sort out their mother’s affairs following her death a year earlier. Agathe doesn’t like the region and left it as soon as she could, but for reasons of gender balance in electoral lists, she’s been parachuted back there for the next elections. The house is home to Florence, her husband and her children. There is also Mimouna, the housekeeper whom the Villanovas brought back from Algeria when it became independent. Mimouna’s son, Karim, and his friend Michel Ronsard decide to make a documentary about Agathe Villanova, for a collection of programs on “Successful Women”. It’s August. It’s grey and it’s raining. It’s not normal. But then again, nothing is normal.... interview with agnès jaoui and jean-pierre bacri LET IT RAIN is your third feature film. Did you approach it to make it well up within a sequence shot, so you’re not differently to the first two? aware of the camera’s presence, but at the same it’s still Agnès Jaoui: Yes and no. -
WILD Grasscert 12A (LES HERBES FOLLES)
WILD GRASS Cert 12A (LES HERBES FOLLES) A film directed by Alain Resnais Produced by Jean‐Louis Livi A New Wave Films release Sabine AZÉMA André DUSSOLLIER Anne CONSIGNY Mathieu AMALRIC Emmanuelle DEVOS Michel VUILLERMOZ Edouard BAER France/Italy 2009 / 105 minutes / Colour / Scope / Dolby Digital / English Subtitles UK Release date: 18th June 2010 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] or FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films – [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk WILD GRASS (LES HERBES FOLLES) SYNOPSIS A wallet lost and found opens the door ‐ just a crack ‐ to romantic adventure for Georges (André Dussollier) and Marguerite (Sabine Azéma). After examining the ID papers of the owner, it’s not a simple matter for Georges to hand in the red wallet he found to the police. Nor can Marguerite retrieve her wallet without being piqued with curiosity about who it was that found it. As they navigate the social protocols of giving and acknowledging thanks, turbulence enters their otherwise everyday lives... The new film by Alain Resnais, Wild Grass, is based on the novel L’Incident by Christian Gailly. Full details on www.newwavefilms.co.uk 2 WILD GRASS (LES HERBES FOLLES) CREW Director Alain Resnais Producer Jean‐Louis Livi Executive Producer Julie Salvador Coproducer Valerio De Paolis Screenwriters Alex Réval Laurent Herbiet Based on the novel L’Incident