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T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. Finally, all of us at the Northwest Film Center thank you, our audience, for your continued enthusiasm and adventurous spirit in peering through this special cinematic window on the world. We hope that more than a few of the 117 films in this year’s Festival inspire you. For 17 days the world will come to us in film. Go explore and tell us what you discover. BILL FOSTER, Director Northwest Film Center festivaL SpOnsors 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L 3 DOCUMEnTaRY vIEWS prograM highlights Seventeen fresh perspectives on the world we live in and the fascinating people and stories that surround us. Our thanks to the Paul G. nEW DIRECTORS Allen Family Foundation for their support. This year’s Festival has its share of new The Art of the Steal, U.S.; Cooking History, works by established masters—Alain Czech Republic; Garbage Dreams, Egypt; Resnais, Ken Loach, Peter Greenaway, The Inheritors, Mexico; Learning from Light: Marco Bellochio, Chen Kaige, Jan Hrebejk, The Vision of I.M. Pei, U.S.; October Country, Catherine Brelliat, and Hong Sang-soo to U.S.; Charlie Haden: Ramblin Boy, Switzerland; name but a few—and new films by up and Terribly Happy (Denmark) Rembrandt’s J’Accuse, Netherlands; Reporter, Strong Man (United States) coming talents like Sarah Watt, Lu Chan, U.S.; Sons of Cuba, Great Britain; The Shock Maren Ade, Corneliu Porumboiu and Doctrine, Great Britain; Strongman, U.S.; Andrea Arnold, whose first works make OSCaR SUBMISSIOnS Sweetgrass, U.S.; The Topp Twins: Untouchable GLOBaL CLaSSROOM us eager to see their next. But discovering This year’s Festival features the Portland Girls, New Zealand; Videocracy, Sweden; The Northwest Film Center hopes the brand new voices is part of the Festival’s premieres of 18 films submitted for the Best and Waking Sleeping Beauty, U.S. Festival’s diverse programs serve as a point mission too, and if you are looking toward Foreign Language Film Oscar, including: of introduction for the next generation the next generation, these intriguing new of cinema lovers. We invite teachers and works by 15 first-time feature filmmakers About Elly (Iran), Ajami (Israel), Bad Day to students throughout the community to attend reveal a wealth of new international talent. Go Fishing (Uruguay), Chameleon (Hungary), public screenings or arrange to attend Our thanks to Wieden+Kennedy for Dawson Isla 10 (Chile), Forever Enthralled PACIFIC RIM SHOWCaSE special screenings of select films chosen to supporting this program. (China), Home (Switzerland), The Misfortunates enrich classroom experience and broaden This year’s Festival offers a wide spectrum (Belgium), Mother (South Korea), Nobody understanding of our world. In addition Among the filmmakers and films eligible of films from China, South Korea, Japan, to Watch Over Me ( Japan), Police, Adjective to the all-ages films in the Family series, for this year’s New Director Audience Hong Kong, Taiwan, Australia and New (Romania), A Prophet (France), Protector other films that student audiences might Award are: (Czech Republic), (Poland) Zealand—reflecting lively national cinemas The Reverse find enriching are: The Wind Journeys (Iceland), and diverse perspectives on history Ahmad Abdalla, Egypt—Heliopolis; Urzula Reykjavik-Rotterdam Terribly Happy (Colombia), Garbage Dreams (Egypt), Heiran (Denmark), (Russia), and and family. Antoniak, Netherlands—Nothing Personal; Ward No. 6 (Iran), The Inheritors (Mexico), Reporter (U.S.), The Wind Journeys (Colombia). Stéphane Aubier, Vincent Patar, Belgium— City of Life and Death (China); Forever Sons of Cuba (Great Britain), Sweetgrass (U.S.), A Town Called Panic; Ilisa Barbash, Lucien Enthralled (China); The Good, the Bad, the Learning from Light (U.S.), Waking Sleeping Castaing-Taylor, U.S—Sweetgrass; Alvaro SHORT CUTS Weird (South Korea); Like You Know It All Beauty (U.S.), and the Short Cuts programs. Brechner, Uruguay—Bad Day to Go Fishing; This year’s Festival includes five programs (South Korea); Mother (South Korea); My Teachers interested in bringing groups can Mariana Chenillo, Mexico—Nora’s Will featuring 39 memorable snapshots—animated, Year Without Sex (Australia); No One to Watch call the Film Center office, 503-221-1156. Alexandre Franchi, Canada—The Wild Hunt; live action, documentary, experimental and Over Me ( Japan); The Topp Twins: Untouchable Don Hahn, U.S.—Waking Sleeping Beauty; narrative—from near and far. Special thanks Girls (New Zealand); The Warlords (Hong Christo Georgiou, Cyprus—Small Crime; to Laika for supporting these programs. Kong); and Yang Yang (Taiwan). OREGOnIAN aUDIEnCE aWaRDS Hernán A. Goldfrid, Argentina—Music on Hold; As always, you get to be the judge. Let us Andre Khrzhanovsky, Russia—Room and FILMS FOR FaMILIES know your opinions about the films in this a Half; Borys Lankosz, Poland—The Reverse; year’s Festival. Ballots will be available at Film lovers from nine to 90 will be Donal Mosher, Michael Palmieri, U.S.— the screenings for you to rate and comment charmed by the award-winning films in October Country; Gerald Peary, U.S.—For the on the films. At the conclusion of the our family matinee series—Letter for the Love of Movies; and Ben Wheatley, Great vISITInG aRTISTS Festival, the results of the balloting will King (Netherlands), Moomin and Midsummer Britain—Down Terrace. be announced at the Closing Party, with Thanks to Alaska Airlines for helping to Madness (Finland), A Shine of Rainbows awards for Best Film, Best Director, Best bring our guests. (Canada/Ireland), A Town Called Panic Documentary, Best Short, Best New Director (Belgium) and Through a Glass, Darkly and other special recognitions. (Norway). 4 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L OpEnInG Night Film & party FESTIVAL PASSES Tickets Tickets: $25 general; $20 Silver Screen Friend and PAM members. Northwest Film Center Silver Screen Club GEneraL: $10 Opening Night tickets are available at cards serve as a Portland International Film PAM Members : $9 the Festival Ticket Outlet (12–6 pm) or at Festival pass and are good for this year’s the schedule Group Rate (15 or more to a single the PCPA box office, 1111 SW Broadway, Festival as well as Film Center screenings screening, in advance only; Sunday–Thursday (10 am–5 pm Monday–Saturday). Also year-round. Descriptions of films are arranged by screenings only): $7 at all TicketMaster outlets, by phone country with showtimes and locations listed DIRECTOR: $250 (single admission) Children (12 and under): $7 800-745-3000, or online at ticketmaster.com at the end of each film description. The pRODUCER: $400 (single admission plus Silver Screen Club FrienD (subject to additional service charges). master calendar on the back page lists each reserved seating) ($60 annually): $7 day’s films and their showtimes. Please BEnEFaCTOR: $1,200 (dual admission plus Director, Producer and BEnefactor The 10-MInute Rule note that a few films have only one show- reserved seating) members receive free admission with their ing. Every effort has been made to ensure valid Silver Screen Club cards. Seats for advance ticket and all pass the accuracy of the schedule, but there may Director OpEnInG Night Tickets: See below. holders are held until 10 minutes before be last minute changes beyond our control. showtime, when any unfilled seats are Silver Screen Club Director membership ClosinG party: $15; $10 members Check the Film Center’s website at released to the public. Thus, advance admits the holder to all regular admission www.nwfilm.org, theater lobby schedules, Film Center scrip and comps, PAM passes, Regal, tickets or passes ensure that you will not Festival and Northwest Film Center programs or call 503-276-4310 for program updates. student and other regular passes or discount have to wait in the ticket purchase line, for one year. Silver Screen Club Director admission tickets are not valid during the Festival. but do not guarantee a seat in the case of arrival members may present their membership after the 10-minute window has begun. Your card at the theater entrance without waiting passes anD Advance Tickets early arrival also helps get screenings started in the ticket purchase line.
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  • Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19

    Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19

    WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P.