Abuse of Weakness
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10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
A Film by Catherine BREILLAT Jean-François Lepetit Présents
a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
THE LAST MISTRESS (UNE VIEILLE MAÎTRESSE) a Film by Catherine Breillat
Presents THE LAST MISTRESS (UNE VIEILLE MAÎTRESSE) A Film by Catherine Breillat FILM FESTIVALS CANNES INTERNATIONAL FILM FESTIVAL 2007 TORONTO INTERNATIONAL FILM FESTIVAL 2007 NEW YORK FILM FESTIVAL 2007 CHICAGO INTERNATIONAL FILM FESTIVAL 2007 AFI FILM FESTIVAL 2007 SAN FRANCISCO FILM FESTIVAL 2008 – OPENING NIGHT (114 mins, France/Italy, 2007) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS THE LAST MISTRESS is a smoldering adaptation of Jules Barbey d’Aurevilly’s scandalous 19 th- century novel. Set during the reign of “citizen king” Louis Philippe, it chronicles the surprising betrothal of the aristocratic, handsome Ryno de Marigny (newcomer Fu-ad Aît Aattou) to Hermangarde (Roxane Mesquida of FAT GIRL), a young, beautiful and virginal aristocrat. Lurking in the margins – and in the imaginations of high society’s gossip-hounds – is de Marigny’s older, tempestuous lover of ten years, the feral La Vellini (Argento). Described as, “a capricious flamenca who can outstare the sun,” La Vellini still burns for de Marigny, and she will not go quietly. Though a fascinating departure into more traditional storytelling, THE LAST MISTRESS sees Breillat continuing her career-long interest in the ramifications of female desire, casting Argento as an impassioned independent woman for the ages, but it is also a surprisingly witty and touching – and needless to say sexily explicit - period drama that explores the age-old battle of the sexes. -
Cine-Excess VII: Conference Report by Alex Marlow-Mann
Cine-Excess VII: Conference Report by Alex Marlow-Mann Cine-Excess VII: European Erotic Cinema: Identity, Desire and Disgust was a three-day academic conference and film festival staged at mac birmingham from 15-17 November 2013. A joint collaboration between B-Film: The Birmingham Centre for Film Studies and the University of Brighton, the event was co-organised by Dr. Alex Marlow- Mann and Dr. Xavier Mendik and brought in a range of external partners including local arts organisations like Vivid Projects, academic partners like Birmingham City University, and in-kind sponsorship from Silver Ferox, Arc Media and Classic Miniatures. Conceived as a cross-over industry into academia event aimed at both scholars and the general film-going public, the event brought a number of high-profile industry figures and special guests to Birmingham for the first time. We were delighted to welcome the internationally acclaimed French filmmaker Catherine Breillat, who introduced a rare UK screening of her 1988 film 36 fillette / Virgin and delivered a public Q&A about her controversial explorations of female sexuality (Romance, Anatomy of Hell, Fat Girl, Brief Crossing). Catherine Breillat in conversation with Xavier Mendik and Kate Ince of B-Film. The event also featured cult Italian actor-auteur Francesco Barilli, who discussed working with figures like Bernardo Bertolucci and his own career as both a filmmaker and painter. Barilli also introduced the first ever UK screening of his long-lost masterpiece Pensione paura / Hotel Fear (1977) in a new version subtitled by Alex Marlow-Mann (B- Film) and Oliver Carter (Birmingham City University) especially for this screening. -
CATHERINE BREILLAT, 1999) REVIEWS/INTERVIEWS from Radio National with Michael Cathcart
1 CMS 4320 Women and Film Bonner ROMANCE (CATHERINE BREILLAT, 1999) REVIEWS/INTERVIEWS from Radio National with Michael Cathcart [Transcript from broadcast interview on Australian Public Radio] Catherine Breillat is one of France most interesting female film makers and quite a phenomenon. She's a best selling French novelist as well as a film maker. Romance is her sixth and latest film and it reveals sexuality from a completely female point of view. A woman's account of her own feelings, it's an unflinching depiction of various sexual experiences. Marie, the heroine whose husband refuses to have sex with her, sets out on her own journey for sexual satisfaction - and transcendence. The film has been controversial since it was screened last year at European film festivals. Yet it's been released around the world... in Great Britain, Ireland, Turkey and New Zealand. And yes, it will be released soon in Australia although it nearly did not make it. The Office of Film and Literature Classification had refused to classify the film... Its potential Australian distributor, with the suitable ironic name of Potential Films, appealed the ban, which was overturned on the 28th of January 2000. Catherine Breillat spoke to Arts Today's Rhiannon Brown when she brought Romance here last year for the Melbourne Film Festival. Rhiannon Brown: The central character in your film Romance is Marie, a young woman outraged by a society where sex has always been male and romance has always been female. She's in a relationship with Paul, her model boyfriend, who won't make love to her preferring to hide himself amongst his crisp, white sheets watching gymnastics on the television. -
Bulletin Culturel
Bulletin Culturel July - August 2010 Charlie Winston F o c u s Drama and Desire: Artists and the Theatre at the AGO Cinematheque summer cycles: Breillat/Rohmer “Among all nations, prime concern is to keep growing welfare. All efforts merge towards industry building, this is why such an importance is taken by all [the new networks]. A few years ago, they just started to criss-cross European land, and now their development is such as they play the key-role in our trade, economy and intellectual life.” Contents During this summer break, feel free to take the wise opportunity to follow up PAGES 4-5 - Exhibitions on those remarks: through virtual or actual networks, get your brains or body moving. The above quotation is drawn from “Petite Encyclopédie Populaire PAGES 5-7 - Music Illustrée des Sciences, des Lettres et des Arts », where steam railways were PAGE 8 - Theatre at stake (*). PAGE 9-10 - Cinema With Charlie Winston, Angelique Kidjo, organ player Henri Ormières in PAGE 10 - Speakings Toronto, Dobet Gnahore, Bambara Trans in London, Magellan Trio in Elora and Niagara-on-the-Lake bringing in musical treasures, with paintings at the AGO, PAGE 11 - Television perfomances at Stratford-on-Avon, screenings at the Cinémathèque, get PAGE 12 - Professionals yourself wealthier than ever. Joël Savary, attaché culturel JULY 2010 Monday Tuesday Wednesday Thursday Friday Saturday Sunday TORONTO JAZZ FESTIVAL SUNFEST SUNFEST SUNFEST CHARLIE SUNFEST WINSTON ORGAN-MUSIC ORGAN-MUSIC ORGAN-MUSIC & HISTORICAL & HISTORICAL & HISTORICAL FESTIVAL FESTIVAL -
Download: 15Th Tau Isff 2013.Pdf
The 15th International Student Film Festival Tel Aviv June 19th-24th 2013 Summary Report The 15th International Student Film Festival Tel Aviv The 15th International Student Film Festival took place on June 19th-24th 2013 in Tel Aviv Cinemateque. This year, the Festival was produced as an annual event for the first time (rather than being a biannual event). Still, as one of the biggest and most important in its field, the Festival set its goal to portray a vast portrait of current international student films, create a unique and free environment for cinematic discourse and to expose the students to new and classic films, technologies, creators and more. The biggest event of the festival was the "2013 CILECT Prize", featuring 100 short student films from all over the world. 80 international students arrived to Israel for the festival, as well as a dozen lecturers of film studies from major international film schools (all from CILECT institutes). Alongside the International Panorama (CILECT Prize), the Israeli Competition was held, the largest and most important in Israel, the Mediterranean and Arab Countries Competition. Also for the first time – we held an Israeli independent Short Films Competition (short films who weren't produced as part of an academic institute). The Festival collaborated with the Israeli Film & TV Academy, and initiated a new academy award for the best Israeli Short Film. The winning film will be chosen out of a shortlist created by the Festival's jury. We believe this will give the Israeli student films a greater exposure for the wide audience as well as for the film industry persons, members of the academy, thus giving young filmmakers new opportunities. -
Catherine Breillat. Adolescencia, Subversión Y Ritos De Paso
Del 5 al 27 de febrero Catherine Breillat. Adolescencia, subversión y ritos de paso Los días 5 y 6 de febrero, Catherine Breillat estará disponible para entrevistas La Casa Encendida presenta a una de las directoras más prolija, controvertida y transgresora del cine francés con el ciclo “Catherine Breillat. Adolescencia, subversión y ritos de paso”, una oportunidad para descubrir una visión reveladora sobre el tránsito de la adolescencia femenina, los cambios corporales que acontecen, el despertar al deseo sexual, la pérdida de la virginidad y donde, en lo cotidiano, se insertan las fantasías eróticas. Catherine Breillat (Bressuire, Francia, 1948) tiene una larga y coherente trayectoria en el cine que dura más de cuarenta años. Fue tras el estreno de su polémica Romance (1999) – película con escenas de sexo real destinada al circuito comercial– cuando su nombre salió de los círculos de los expertos en cine y literatura para ocupar un lugar en el ámbito internacional. La visión de Breillat rompe con los estereotipos de género y los roles sexuales, contraviene a nivel visual los condicionamientos familiares y las normas sociales, y reconceptualiza las nociones de obscenidad, impureza, pornografía o abyección, en un posicionamiento donde, de nuevo, lo íntimo y lo personal es político. Su obra resulta tan controvertida y perturbadora por negarse a someter el cuerpo femenino al poder de la mirada masculina, dejando así que la mirada femenina construya. Cuestiona también que el deseo femenino no sea más que una respuesta al deseo del otro masculino. El ciclo se centra en cuatro de sus películas que tratan más de cerca el tema de la adolescencia femenina, momento de transformación física y psicológica y de iniciación a la sexualidad adulta, que la directora representa como un rito de paso, donde las heroínas se buscan a sí mismas y pasan por diferentes pruebas. -
THE SLEEPING BEAUTY from the Internationally Acclaimed Director of Bluebeard, the Last Mistress, Fat Girl, Romance, Sex Is Comedy, and Anatomy of Hell
FOR MORE INFORMATION: FOR IMMEDIATE RELEASE: Samantha Klinger - 310.836.7500 Street Date - November 8, 2011 [email protected] Pre-Book Date - October 11, 2011 THE SLEEPING BEAUTY From the internationally acclaimed director of Bluebeard, The Last Mistress, Fat Girl, Romance, Sex Is Comedy, and Anatomy Of Hell On Tuesday, November 8, 2011 Strand Releasing proudly releases on DVD the latest of French provocateur Catherine Breillat's subverted fairytales, THE SLEEPING BEAUTY, a twisted retelling that ends far from "happily ever after". Starring Clara Besnaïnou, Julia Artamonov, Kerian Mayan, and David Chausse. Based on a tale by Charles Perrault, three fairies alter a curse on a young princess who is destined to die at an early age. Instead she embarks upon a hundred-year sleep, in which she is allowed to live a full and vivid life within her dreams. She experiences a sexual awakening that reshapes her view on Prince Charming when she has no clear perception of reality. Charles Perrault's Stories or Fairy Tales From Bygone Eras has drawn countless retellings in the form of animated films, ballets and children's books. BLUEBEARD was the first film Catherine Breillat deconstructed from one of his classic tales as THE SLEEPING BEAUTY is her second quintessential fairytale retold for adults and SNOW WHITE AND THE SEVEN DWARFS will be the final installment of her vision to the trilogy. Winner of the Art Cinema Award (C.I.A.E.) at the Venice International Film Festival. An Official Selection at the Rendez-Vous with French Cinema in New York, ColCoa (French Film Festival in Los Angeles), Toronto, and San Francisco International Film Festivals. -
Portrayal of the Disabled Body in Catherine Breillat's Abus
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by espace@Curtin ‘C’était moi mais ce n’était pas moi’: portrayal of the disabled body in Catherine Breillat’s Abus de faiblesse (2013) Kath Dooley [[email protected]] Department of Screen Arts, Curtin University, Kent St, Bentley WA 6102, Australia Writer/director Catherine Breillat's most recent film Abus de faiblesse (2013) explores an important moment of bodily transition: the change from able to disabled body. This semi-autobiographic film follows the story of film director, Maud (Breillat's alter ego), who forms a destructive relationship with a conman, Vilko, after she suffers a disabling stroke. This film shows consistency with Breillat's previous work in its exploration of the constructed nature of the female body onscreen. In the past the filmmaker has portrayed moments of trauma and transition (such as childbirth, loss of virginity or rape) to subvert processes of objectification. The article argues that Abus de faiblesse challenges and subverts representation of the post-menopausal and disabled body onscreen. The film interrogates binary oppositions such as able/disabled and independence/dependency to challenge representations of the disabled body as 'other'. With reference to scholarly work on disability (Mitchell and Snyder 2006) and the aging female body (Markson 2003; Ussher 2006) the article suggests that Maud's sadomasochistic relationship with Vilko is driven by a quest to retain her subjectivity after her stroke. The article demonstrates that the film dissects the feared and the unknown territory of the aging female body. -
2014 CONTENTS DIRECTOR’S NOTES WHAT’S INSIDE Welcome to the 29Th Vermont International Film SCREENING GUIDE
TICKETING & VENUE INFORMATION TICKETING INFO WHERE TO EAT, WHERE TO MEET Tickets can be purchased online by clicking on the BUY TICKETS button next to each film title at VTIFF.ORG. WONDERING HOW TO FIT IN A SNACK AFTER WORK AND BETWEEN THE EVENING SCREENINGS? This will take you directly to the online ticketing system. You can add continuously to each order. Once We will have a café with great snacks and a bar most days in the Atrium of the Main Street Landing you’ve paid you will receive a confirmation email and an e-ticket to print out and bring to the screening, or Performing Arts Center. you can select the Will Call option. IF YOU WANT TO GET OUT AND SAVOR THE LOCAL RESTAURANTS, WE RECOMMEND: VTIFF Patron Members can book tickets through this system but will not be charged. It is highly recommended Skinny Pancake – 60 Lake Street, where Festival Ticket holders get 15% off – bring your ticket with you. to purchase or book your tickets in advance. A Single Pebble - 133 Bank Street, Burlington, for gourmet Chinese food Tickets can be purchased in person - Misery Loves Company – 46 Main Street, Winooski – for delicious creative food BEFORE THE FESTIVAL: October 10-23, 12-2 PM daily at the festival office, 230 College Street South End Kitchen – 716 Pine Street – fresh and inviting DURING THE FESTIVAL: October 24-November 2, starting 1 hour before the first screening until the start of the last screening AND DON’T FORGET OUR LUNCHTIME SHORTS AT BCA – LUNCH AND FILMS FOR THE PRICE OF THE TICKET.