Download: 15Th Tau Isff 2013.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cinema Diverse 2013
วันเสารที่ 22 มีนาคม 2557 / Saturday 22 March 2014 เปนเอก รัตนเรือง Pen-Ek Ratanaruang / Between Two Worlds (Sri Lanka / France, 2009) Between Two Worlds (Ahasin Wetei) (ศรีลังกาและฝรั่งเศส ป 2009) กํากับและเขียนบทภาพยนตรโดยวิมุกติ จายะสุนทรา ชายหนุมตกลงมาจากฟากฟา เสนแบงแยกการสื่อสารถูกเผาใหมลายไป เพื่อปลดปลอยเมืองและความวุนวายใหกลับคืนสูธรรมชาติ เขาสูอีกหนึ่งเรื่องราว ตํานานของเจาชาย ผูไขวควาคนหาความรัก ที่ซอนตัวภายในโพรงตนไม ไมอาจปฏิเสธความอัศจรรยของมนตรา สิ่งที่เกิดไปแลวเมื่อวันวาน อาจเกิดขึ้นอีกครั้งในวันพรุงนี้ Between Two Worlds ไดออกฉายในเทศภาพยนตรนานาชาติกวา 100 แหงทั่วโลก ไดเขาประกวดในเทศกาลภาพยนตรเว นิส 2009 และไดรับการเสนอชื่อเขาชิงรางวัล Golden Lion นอกจากนี้ยังควารางวัลผูกํากับภาพยนตรยอดเยี่ยม Asia Pacific Screen Awards และภาพยนตรเอเชียยอดเยี่ยมจาก Barcelona Asian Film Festival อีกดวย วิมุกติ จายะสุนทรา พูดถึงภาพยนตรเรื่องนี้วา "Between Two Worlds วาดวยพลังของประวัติศาสตร ของอดีต พลังของ ธรรมชาติ พลังของตัวละครแตละตัว พลังของสถาบันตาง ๆ พลังของภาพยนตร ซึ่งพลังตาง ๆ เหลานี้ไดมาปะทะกันในหนัง พลังเหลานี้ไหลผานชวงเวลา มาจากอดีต ปรากฏขึ้นอีกครั้งในปจจุบัน และเพิ่มขึ้นในอนาคต ผมเคารพสิ่งที่ธรรมชาติกอกําเนิด อยางภูมิประเทศและความรูสึกตาง ๆ ภาพยนตรเรื่องนี้ทําใหเราหลุดออกไปจากเมืองที่เต็ม ไปดวยสัญลักษณและความรุนแรง และยอนกลับไปสูสิ่งที่เราไมรูจัก ราจิตไดออกเดินทางดานจิตวิญญาณที่จะพาเราไปสู สถานที่ตาง ๆ (ชนบท และตามดวยภูเขา) ที่ไมอาจคาดเดาไววาจะเกิดอะไรขึ้นบาง ความลึกลับ ความนากลัวตาง ๆ เกิดขึ้นได เสมอ และเขาก็เริ่มเขาใจวาแทที่จริงแลวสิ่งเหลานี้มันอยูรอบตัวเขามาโดยตลอด เมืองอาจจะทําใหเราเปนบา แตธรรมชาติ ทรงพลังมากกวานั้น ธรรมชาติปลุกอดีตและตํานานใหตื่นขึ้นมาอีกครั้ง -
A Film by Catherine BREILLAT Jean-François Lepetit Présents
a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”. -
Abuse of Weakness
Strand Releasing presents ABUSE OF WEAKNESS A film by CATHERINE BREILLAT Starring Isabelle Huppert & Kool Shen Official Selection: Toronto International Film Festival COLCOA French Film Festival New York Film Festival Country of Origin: France / Germany / Belgium Format: DCP/2.35/Color Sound Format: Dolby SR Running Time: 104 minutes Genre: Drama Not Rated In French with English Subtitles National Press Contact: Jenna Martin / Marcus Hu Strand Releasing Phone: 310.836.7500 [email protected] [email protected] Please download photos from our website: http://extranet.strandreleasing.com/secure/login.aspx?username=PRESS&password=STRAND SYNOPSIS Inspired by director Catherine Breillat’s (FAT GIRL, ROMANCE) true life experiences, her latest film, ABUSE OF WEAKNESS, is an exploration of power and sex. Isabelle Huppert (THE PIANO TEACHER, 8 WOMEN) stars as Maud, a strong willed filmmaker who suffers a stroke. Bedridden, but determined to pursue her latest film project, she sees Vilko (Kool Shen), a con man who swindles celebrities, on a TV talk show. Interested in him for her new film, the two meet and Maud soon finds herself falling for Vilko's manipulative charm as their symbiotic relationship hurdles out of control. DIRECTOR’S NOTE Abuse of weakness is a criminal offense. I used it as the film’s title because I like the sound of it, but also because it has another meaning. Abuse of power. Yes, Maud has strength of character; paradoxically, it’s her weakness. Being an artist means also revealing one’s weaknesses to others. I would have preferred Maud not to be a film director and the story not to seem autobiographical, since even the spectator (at least in intimate movies, and mine are) looks at himself in a mirror. -
SAMUI SONG Thailand, Germany, Norway, 2017, 108’, Color, DCP
Pen-ek Ratanaruang MAI MEE SAMUI SAMRAB TER SAMUI SONG Thailand, Germany, Norway, 2017, 108’, color, DCP sceneggiatura screenplay Pen-ek Ratanaruang fotografia cinematography Chankit Chamnivikaipong produttori producers montaggio editing Raymond Phathanavirangoon Patamanadda Yukol Rasarin Tanalerttararom musica music produzione production Koichi Shimizu Bluering Company Limited suono sound co-produttori co-producers Akritchalerm Kalayanamitr Arunee Sriruk scenografia production design Maximilian Leo Pawas Sawatchaiyamet Jonas Katzenstein costumi costumes Frode Søbstad Visa Kongka co-produzioni co-productions augenschein Filmproduktion interpreti cast Tenk.tv Chermarn Boonyasak con il contributo di [Viyada Beaufoy] with the support of vendite internazionali David Asavanond [Guy Spencer] Ministry of Culture Thailand world sales Vithaya Pansringarm World Cinema Fund, Sørfond UDI - Urban Distribution [The Holy One] in associazione con International Stéphane Sednaoui in association with [email protected] [Jérôme Beaufoy] Cinema22 www.urbandistrib.com Viyada, un’attrice tailandese di soap opera sulla trentina, si sente sempre più oppressa dal marito Jérôme, un ricco straniero seguace del leader carismatico di una setta chiamato il Santo. Viyada non ha altra scelta che adottare le misure più drastiche per sfuggire una volta per tutte all’influenza della setta. Viyada, a Thai soap opera actress in her mid-30s, finds herself increasingly pressured by her hus- band Jérôme, a rich foreigner entirely devoted to a charismatic cult leader called The Holy One. Viyada has no other choice than to take the most drastic measures in order to escape from the cult’s influence once and for all. 60 61 «Negli ultimi dieci anni in Tailandia il matrimonio “In the past ten years or so, cross-cultural mar- misto è sempre più frequente. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
THE LAST MISTRESS (UNE VIEILLE MAÎTRESSE) a Film by Catherine Breillat
Presents THE LAST MISTRESS (UNE VIEILLE MAÎTRESSE) A Film by Catherine Breillat FILM FESTIVALS CANNES INTERNATIONAL FILM FESTIVAL 2007 TORONTO INTERNATIONAL FILM FESTIVAL 2007 NEW YORK FILM FESTIVAL 2007 CHICAGO INTERNATIONAL FILM FESTIVAL 2007 AFI FILM FESTIVAL 2007 SAN FRANCISCO FILM FESTIVAL 2008 – OPENING NIGHT (114 mins, France/Italy, 2007) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS THE LAST MISTRESS is a smoldering adaptation of Jules Barbey d’Aurevilly’s scandalous 19 th- century novel. Set during the reign of “citizen king” Louis Philippe, it chronicles the surprising betrothal of the aristocratic, handsome Ryno de Marigny (newcomer Fu-ad Aît Aattou) to Hermangarde (Roxane Mesquida of FAT GIRL), a young, beautiful and virginal aristocrat. Lurking in the margins – and in the imaginations of high society’s gossip-hounds – is de Marigny’s older, tempestuous lover of ten years, the feral La Vellini (Argento). Described as, “a capricious flamenca who can outstare the sun,” La Vellini still burns for de Marigny, and she will not go quietly. Though a fascinating departure into more traditional storytelling, THE LAST MISTRESS sees Breillat continuing her career-long interest in the ramifications of female desire, casting Argento as an impassioned independent woman for the ages, but it is also a surprisingly witty and touching – and needless to say sexily explicit - period drama that explores the age-old battle of the sexes. -
Katalog2009all.Pdf
Szanowni Paƒstwo, festiwal filmowy Kino w pi´ciu smakach, odbywajàcy si´ ju˝ po raz trzeci, to wa˝ne wydarzenie dla sympatyków wielkiego ekranu, szczególnie dla tych wszystkich, którzy cenià sobie smak kina azjatyckiego. Kultura, obyczaje, niezwykłe krajobrazy – to siła tych filmów i powód coraz wi´kszej popularnoÊci festiwalu. W Êwiecie globalnej wioski coraz rzadziej mamy okazj´ i mo˝liwoÊç zetkni´cia si´ z autentycznym wytworem lokalnej kultury. Festiwal Kino w pi´ciu smakach daje takà mo˝liwoÊç. AtrakcyjnoÊç festiwalu podnosi fakt prezentacji premier na polskim rynku, a tak˝e obecnoÊç kina niezale˝nego. Dzi´kuj´ organizatorom, Fundacji Sztuki ARTERIA, za rozwój tej wa˝nej inicjatywy, którà Warszawa, kandydat do tytułu Europejskiej Stolicy Kultury w 2016, zdecydowała objàç wieloletnim programem wsparcia. ˚ycz´, by z roku na rok edycje cieszyły si´ coraz wi´kszym zainteresowaniem. Hanna Gronkiewicz- Waltz Prezydent m.st. Warszawy 2 Szanowni Paƒstwo, witamy po raz trzeci na Festiwalu Filmowym Kino w pi´ciu Tradycyjnie zapraszamy te˝ na interesujàce rozmowy smakach. Po intenstywnej eksploatacji kina Wietnamu, z twórcami prezentowanego na festiwalu kina. Pen-ek zdecydowaliÊmy si´ na dalszà podró˝. Tym razem chcieli- Ratanaruang, jeden z przedstawicieli tajlandzkiej nowej fali byÊmy zaprosiç Was do rozsmakowania si´ w filmach jest honorowym goÊciem festiwalu. Ze swoim najnowszym z Tajlandii, które coraz cz´Êciej zwracajà uwag´ kinomanów filmem do Polski przylatuje tak˝e Bui Thac Chuyen z całego Êwiata. To kino bardzo oryginalne, ró˝norodne, – jeden z najciekawszych re˝yserów z Wietnamu. Jego z bogatà i długà tradycjà. Kinematografia Tajlandii nale˝y pełnometra˝owy debiut ˚ycie w strachu pokazaliÊmy do najbardziej dynamicznie rozwijajàcych si´ obecnie podczas pierwszej i drugiej edycji festiwalu. -
Hubert Bals Fund
International Film Festival Rotterdam Hubert Bals Fund Annual Report 2015-2016 Table of Contents Brief overview 2015-2016 5 Appendix 18 Background Hubert Bals Fund 7 Organisation and selection committee 18 Activities and Results 11 Statement of Income and Expenditure 18 Selection Process 11 HBF selected projects 21 Funding film projects 11 HBF Harvest at IFFR 2016 25 Festival circulation and distribution 13 Circulation overview of HBF-supported films 26 HBF network 17 Credits 35 2 3 Ixcanul, Jayro Bustamante, Guatemala, 2015 Filmmakers’ Stories: Felipe Guerrero Brief overview of Colombian filmmaker Felipe Guerrero 2015-2016 has just turned forty. He has been The Hubert Bals Fund (HBF) started out as a pioneer. Since 1988, the editing documentaries for many years. HBF has helped talent from Africa, Asia, Latin America, the Middle East At International Film Festival Rotterdam, and parts of Eastern Europe to make their film dreams reality. The success he presented his third film: Oscuro of HBF-backed films in Rotterdam and abroad is proof of the synergetic animal. A film that follows the journeys effectiveness of the three-stage rocket launcher made up of International of three women forced by the violence Film Festival Rotterdam, CineMart and HBF. of war to flee their homes and survive in the rainforest. Like his previous two films, Oscuro Since its foundation in 1988, the Fund has contributed to Financial situation 1,103 projects from Asia, Africa, Latin America, the Middle The HBF is supported by the Creative Europe MEDIA animal (literally: dark animal) is about East and parts of Eastern Europe. -
Kinenova © 2020 Kinenova © 2020
KINENOVA © 2020 KINENOVA © 2020 В И Г О П Р Е Т С Т А В У В А В И Г О П Р Е Т С Т А В У В А KINENOVA © 2020 #ПРВОФИЛМ #KINENOVA2020 Е К С К Л У З И В Н О Н А 1-7 окт. 2020 1-7 Oct. 2020 КИНЕНОВА РЕТРО | | KINENOVA RETRO 8-18 окт. 2020 8-18 Oct. 2020 МЕЃУНАРОДНА КОНКУРЕНЦИЈА | | INTERNATIONAL COMPETITION ГЛАВНА НАТПРЕВАРУВАЧКА ПРОГРАМА 12-30 окт. 2020 12-30 Oct. 2020 ПОСВЕТЕНО НА ФЕРНАНДО ТРУЕБА | | DEDICATED TO FERNANDO TRUEBA Ја славиме шпанската култура Celebration of Spanish culture 26-28 окт. 2020 26-28 Oct. 2020 ФОКУС НА АВСТРИЈА | | FOCUS ON AUSTRIA 11-18 окт. 2020 11-18 Oct. 2020 КИНЕНОВА СПЕЦИЈАЛ | | KINENOVA SPECIAL 10-15 окт. 2020 10-15 Oct. 2020 LUX PRIZE | | LUX PRIZE НАГРАДА LUX НА ЕВРОПСКИОТ ПАРЛАМЕНТ LUX PRIZE OF THE EUROPEAN PARLIAMENT 10 окт. 2020 10 Oct. 2020 КИНЕНОВА НЕЗАВИСНИ & ВОН КОНКУРЕНЦИЈА | | KINENOVA INDEPENDENT & OUT OF COMPETITION 11-15 окт. 2020 11-15 Oct. 2020 ПОСВЕТЕНО НА БИЛЈАНА ГАРВАНЛИЕВА | | DEDICATED TO BILJANA GARVANLIEVA 19 окт. 2020 19 Oct. 2020 ОФИЦИЈАЛНА СЕЛЕКЦИЈА НА МАКЕДОНСКИ КУСИ ФИЛМОВИ 2020 | | OFFICIAL MACEDONIAN SHORT FILM COMPETITION 2020 19-23 окт. 2020 19-23 Oct. 2020 ОФИЦИЈАЛНА ИНТЕРНАЦИОНАЛНА СЕЛЕКЦИЈА | OFFICIAL INTERNATIONAL SHORT FILM НА КУСИ ФИЛМОВИ 2020 | COMPETITION 2020 13-15 окт. 2020 13-15 Oct. 2020 ПРОЕКЦИИ ВО ЖИВО ВО | LIVE SCREENINGS AT КИНОТЕКА НА СЕВЕРНА МАКЕДОНИЈА | KINOTEKA OF NORTH MACEDONIA — НЕБОЈША ЈОВАНОВИЌ — NEBOJSHA JOVANOVIK Директор на Меѓународен филмски фестивал Director of the International Film Festival of debutant на дебитантски филм „КинеНова“ lm “KineNova” Кон јубилејното, петто издание на Towards the fth jubilee edition of „КинеНова“ “KineNova” Ако на човека му ја одземеш можноста за креација, If you take away from someone the possibility to create, се чини како да си му одземал сè. -
Catalogue Film-Making Process
21 23 WHEN 01 EAST 18 MEETS WEST organized by with the support of 21 23 0118 under the patronage of in partnership with 2018 partners QENDRA KOMBETARE E KINEMATOGRAFISE ALBANIAN NATIONAL CENTER OF CINEMATOGRAPHY FCL partner LST partners in collaboration with database with the technical support of Savoia Excelsior Palace WHEN EAST MEETS WEST Film Centre of Montenegro FCL partner JANUARY 21/23, 2018 Film Center Serbia Polish Film Institute Finnish Film Foundation organized by Greek Film Centre In collaboration with Icelandic Film Centre Fondo Audiovisivo Friuli Venezia Giulia Confartigianato Udine Kosovo Cinematography Center Trieste Film Festival/Alpe Adria Cinema Estonian Film Institute Macedonian Film Agency EWA European Women’s Audiovisual Nordic Film & TV Fund with the support of Network Norwegian Film Institute Creative Europe - MEDIA Programme Festival Scope Slovenian Film Centre MiBACT - Direzione Generale per il Flow Postproduction Swedish Film Institute Cinema Heretic Asterisk Creative Europe Desk Bulgaria CEI (Central European Initiative) Hot Docs Creative Europe Desk Croatia Regione Autonoma del Friuli Venezia Laser Film Creative Europe Desk Denmark Giulia Lithuanian Film Centre Creative Europe Desk Finland MIA Creative Europe Desk Italia under the patronage of National Film Centre of Latvia Creative Europe Desk Norway OLFFI Eurimages Creative Europe Desk Serbia Producers Network - Marché du Film Creative Europe Desk Slovenia in partnership with Creative Europe Desk Sweden database EAVE Maia workshops LST partners Eventival Midpoint -
Prof. Avner Faingulernt ‒ Curriculum Vitae
Avner Fainguelernt – Curriculum Vitae Prof. Avner Faingulernt – Curriculum Vitae [email protected] Work Address: School of Audio & Visual Arts, Sapir College D.N. Hof Ashkelon 79165 - Israel Tel: +972-8-680-2708 Fax: +972-8-680-2634 [email protected] Present Position: Appointed October 2001 Founder and Dean emeritus - School of Audio & Vis- ual arts Sapir College http://cinema.sapir.ac.il Founder and Director emeritus of Cinema South Fes- tival http://csf.sapir.ac.il Chief editor Cinema South book Education: Page 1 of 17 Avner Fainguelernt – Curriculum Vitae 2005 - 2009 M. Phil - PhD. Social Sciences, Media and Cultural Stud- ies at University of East London Dissertation topic - The Father's Return in the Modern European Cinematic Odysseys Director of Studies: Prof. Haim Bresheeth Supervisors: Dr. Paul Gormley Dr. Anat Pick 1990 - 1993 B.A. Department of Film and Television Depart- ment of Psychology at Tel Aviv University, Israel Employment History: 2001- 2017 Dean - school of Audio & Visual Arts - Sapir College 2012 -2017 Head of MA/MFA Film, Theory & Production Sapir 2002 -2017 Founder and Director of Cinema South Festival 2006 -2017 Founder & Co Editor of The Curator book- Cinema South 2011-2017 Lecture at MA program at the faculty of humanities in Culture and Cinema, Haifa University 2013-2017 Visiting Professor FAMU Prague Documentary Department 2012 Visiting professor at Columbia University N.Y.C – Israel Jew- ish Studies 1997- 2016 Independent producer and director 1995-1996 Documentary director for Keshet broadcast -
New Riklis Film Explores Identity of Israeli-Palestinians
New Riklis film explores identity of Israeli-Palestinians Nearly two years ago, I interviewed the veteran Israeli filmmaker Eran Riklis in connection with the rollout of another film; I relish the memory of that encounter. Among his highly-regarded works are “The Syrian Bride” and “Lemon Tree.” His latest, “A Borrowed Identity,” is based on a book by the popular (and controversial) Israeli-Palestinian writer Sayed Kashua, which Kashua himself adapted for the screenplay. Kashua and Riklis relate comically and poignantly how a brilliant young boy from the Israeli-Arab town of Tira evolves into young adulthood after being accepted as a student at a prestigious Israeli boarding school. It just so happens that Kashua is originally from Tira and attended such a high school himself. (Norman Issa– the star of Kashua’s well-known Israeli television sitcom, “Arab Labor”– plays a buffoonish school principal in the movie’s early scenes, set in Tira.) In a brief but glowing review in the NY Times, Andy Webster mistakenly refers to Eyad (the central character) as having a roommate with muscular dystrophe. Actually, Eyad comes to know Yonaton as the subject of his assignment for the school’s community service program. Nevertheless, this becomes a life- changing relationship — not least because his dedication to this slowly dying friend is a great relief to Yonaton’s despondent mother. It was a relief to me that this other close relationship (with Yonaton’s attractive mother) does not result in an affair, which would have cheapened the story in my view. Their intimacy takes a different dramatic turn.