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Paris Hollywood: French Cinema Remade in the USA | University of Warwick 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick FR243: Paris Hollywood: French Cinema View Online remade in the USA (2015/16) 1. Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000). 2. Verevis, C.: Film remakes. Edinburgh University Press, Edinburgh (2006). 3. Durham, C.A.: Double takes: culture and gender in French films and their American remakes. University Press of New England, Hanover, NH (1998). 4. Moine, R.: Remakes: les films français à Hollywood. CNRS, Paris (2007). 5. Horton, A., McDougal, S.Y.: Play it again, Sam: retakes on remakes. University of California Press, Berkeley (1998). 6. Bordwell, D., Thompson, K.: Film art: an introduction. McGraw-Hill, New York (2013). 1/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 7. Williams, A.L.: Republic of images: a history of French filmmaking. Harvard University Press, Cambridge, Mass (1992). 8. La Totale! 9. Cameron, J.: True lies, (1999). 10. Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000). 11. Moine, R.: Remakes: les films français à Hollywood. CNRS, Paris (2007). 12. Arroyo, J.: Action/spectacle cinema: a sight and sound reader. British Film Institute, London (2000). 13. Verevis, C.: Film remakes. Edinburgh University Press, Edinburgh (2006). 14. Tasker, Y.: Spectacular bodies: gender, genre and the action cinema. Routledge, London (1993). 2/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 15. Steve Neale, ‘Masculinity as Spectacle: Reflections on Men and Mainstream Cinema’, Screen, 24, 6 (1983), pp. 2-16., https://0-journalarchives.jisc.ac.uk.pugwash.lib.warwick.ac.uk/media/pdf/oup/journals/scre en/screen_24_6.pdf/24-6-2.pdf. 16. Jeffords, S.: Hard bodies: Hollywood masculinity in the Reagan era. Rutgers University Press, New Brunswick, N.J. (1994). 17. Dyer, R., McDonald, P.: Stars. British Film Institute, London (1998). 18. Zidi, C.: Ripoux contre ripoux, (1992). 19. Balasko, J., Berri, C., Abril, V., Chabat, A., Holgado, T., AMLF (Firm), Renn Productions, Films Flam (Firm), TF1 Films Production, Studio Canal+, Channel Four (Great Britain): Gazon maudit =: French twist, (1999). 20. Cameron, J.: The Terminator, (1994). 21. Cameron, J.: Terminator 2: Judgement day. 22. Reitman, I.: Twins, (1994). 3/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 23. Renoir, J., Simon, M., Marèze, J., Flamant, G., La Fouchardiere, G. de: La chienne, (2005). 24. Wanger, W., Nichols, D., Lang, F., Robinson, E.G., Bennett, J., Duryea, D., Ivan, R., Lindsay, M., La Fouchardiere, G. de, Kino International Corporation: Scarlet Street, (2005). 25. Gunning, T.: The films of Fritz Lang: allegories of vision and modernity. British Film Institute, London (2000). 26. Forrest, J., Koos, L.R.: Dead ringers: the remake in theory and practice. State University of New York Press, Albany (2002). 27. Adrian Martin, ‘Guess Work: Scarlet Street (1945)’, Movie: A Journal of Film Criticism, 3 (2012), http://www2.warwick.ac.uk/fac/arts/film/movie/contents/scarlet_st._final.2.pdf. 28. Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000). 29. Davis, C.: Scenes of love and murder: Renoir, film and philosophy. Wallflower, London (2009). 4/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 30. Decor and Decorum From La chienne to Scarlet Street: Franco-U.S. Trade in Film During the Thirties. Film & History: An Interdisciplinary Journal of Film and Television Studies. 12, 57–65. 31. Matthew Bernstein: A Tale of Three Cities: The Banning of ‘Scarlet Street’. Cinema Journal. 35, 27–52 (1995). 32. Conley, T.: Film hieroglyphs: ruptures in classical cinema. University of Minnesota Press, Minneapolis (1991). 33. Phillips, A., Vincendeau, G.: A companion to Jean Renoir. Wiley-Blackwell, Hoboken (2013). 34. Copjec, J.: Shades of noir: a reader. Verso, London (1993). 35. Crisp, C.G.: The classic French cinema, 1930-1960. Indiana University Press, Bloomington (1993). 36. Cameron, I.: The Movie book of film noir. Studio Vista, London (1992). 37. Jenkins, S.: Fritz Lang: the image and the look. B.F.I. Publishing, London (1981). 5/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 38. Wide angle. 39. Lehman, P.: Running scared: masculinity and the representation of the male body. Temple University Press, Philadelphia, Pa (1993). 40. Phillips, A., Vincendeau, G.: A companion to Jean Renoir. Wiley-Blackwell, Hoboken (2013). 41. Phillips, A., Vincendeau, G.: A companion to Jean Renoir. Wiley-Blackwell, Hoboken (2013). 42. Mérigeau, P.: Jean Renoir. Flammarion, [Paris] (2012). 43. O’Shaughnessy, M.: Jean Renoir. Manchester University Press, Manchester (2000). 44. MARK OSTEEN MARK OSTEEN: Framed:: Forging Identities in Film Noir. Journal of Film and Video. 62, 17–35 (2010). 45. Pippin, R.B.: Fatalism in American film noir: some cinematic philosophy. University of 6/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick Virginia Press, Charlottesville (2012). 46. Porst, J.: The influence of sound on visual style in Renoir’s Tire au flanc and La Chienne. Studies in French Cinema. 11, 195–206 (2011). https://doi.org/10.1386/sfc.11.3.195_1. 47. Boudu sauvé des eaux - Combo Blu-ray DVD. 48. Lang, F.: The Woman in the window, (1981). 49. Serreau, C.: Three men and a cradle: Trois hommes et un couffin, (1995). 50. Nimoy, L., Selleck, T., Guttenberg, S., Danson, T., Field, T., Cort, R.W., Serreau, C., Touchstone Pictures, Silver Screen Partners III.: Three men and a baby, (2006). 51. Durham, C.A.: Double takes: culture and gender in French films and their American remakes. University Press of New England, Hanover, NH (1998). 52. Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000). 53. 7/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick Powrie, P.: French cinema in the 1980s: nostalgia and the crisis of masculinity. Clarendon, Oxford (1997). 54. Horton, A.: Comedy/cinema/theory. University of California Press, Berkeley (1991). 55. Tania Modleski, ‘Three Men and Baby M’, Camera Obscura, 17 (1988), pp. 69-81., http://0-cameraobscura.dukejournals.org.pugwash.lib.warwick.ac.uk/content/6/2_17/68.full. pdf. 56. Vincendeau, Ginette: Family plots. Sight and Sound. 1,. 57. Rollet, B.: Coline Serreau. Manchester University Press, Manchester (1998). 58. Ardolino, E.: Three men and a little lady, (1994). 59. 18 Years Later ( 18 ans après ) [DVD]. 60. Serreau, C.: Romuald et Juliette, (1994). 61. 8/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick Heckerling, A.: Look who’s talking: Big talk, (1997). 62. Lauzier, G.: My father the hero, (1996). 63. Marker, C.: La jetée: Sans soleil, (2003). 64. Twelve Monkeys [DVD] [1996]. 65. Cooper, S.: Chris Marker. Manchester University Press, Manchester (2008). 66. Marks, P.: Terry Gilliam. Manchester University Press, Manchester, UK (2009). 67. Birkenstein, J., Froula, A., Randell, K.: The cinema of Terry Gilliam: it’s a mad world. Wallflower, London (2013). 68. Elena Del Rio: The Remaking of ‘La Jetée’s’ Time-Travel Narrative: ‘Twelve Monkeys’ and the Rhetoric of Absolute Visibility. Science Fiction Studies. 28, 383–398 (2001). 69. Hobson, E., McMahon, L.: Rhythms: essays in French literature, thought and culture. Peter 9/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick Lang, Oxford (2008). 70. Harbord, J., Marker, C.: Chris Marker, La jetée. Afterall Books, London (2009). 71. Cohen, A.J. ‐J.: ‘12 Monkeys, Vertigo and La Jetée: Postmodern Mythologies and Cult Films’,. New Review of Film and Television Studies. 1, 149–164 (2003). https://doi.org/10.1080/1740030032000137603. 72. Paul Coates: Chris Marker and the Cinema as Time Machine (Chris Marker et le cinéma, la machine à voyager dans le temps). Science Fiction Studies. 14, 307–315 (1987). 73. Bruce Kawin: Time and Stasis in ‘La Jetée’. Film Quarterly. 36, 15–20 (1982). 74. Sandro, P.: Singled out by history: La Jetee and the aesthetics of memory. French Cultural Studies. 10, 107–127 (1999). https://doi.org/10.1177/095715589901002807. 75. Elisa Pezzotta, ‘Personal Time in Alternative and Time Travel Narrative: The Cases of Groundhog Day, Twelve Monkeys and 2001: A Space Odyssey’, Alphaville: Journal of Film and Screen Media, 2 (2012), http://www.alphavillejournal.com/Issue%202/HTML/ArticlePezzotta.html. 76. Alter, N.M.: Chris Marker. University of Illinois Press, Urbana (2006). 10/13 10/02/21 FR243: Paris Hollywood: French Cinema remade in the USA | University of Warwick 77. Lupton, C.: Chris Marker: memories of the future. Reaktion Books, London (2005). 78. Gilliam, T., Christie, I.: Gilliam on Gilliam. Faber and Faber, London (1999). 79. Redmond, S.: Liquid metal: the science fiction film reader. Wallflower, London (2004). 80. King, G., Krzywinska, T.: Science fiction cinema: from outerspace to cyberspace. Wallflower, London (2000). 81. Marker, C.: La jetée: Sans soleil, (2003). 82. Gilliam, T.: Brazil, (1995). 83. Time Bandits [DVD] [1981]. 84. 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