DOCSLIB.ORG

Collection of Motion Picture Press Kits, 1939-Ongoing (Bulk 1970S-1990S)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Collection of Motion Picture Press Kits, 1939-Ongoing (Bulk 1970S-1990S) http://oac.cdlib.org/findaid/ark:/13030/c8wq05wj No online items Collection of Motion Picture Press Kits, 1939-ongoing (bulk 1970s-1990s) Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of Motion Picture Press PASC 42 1 Kits, 1939-ongoing (bulk 1970s-1990s) Title: Collection of Motion Picture Press Kits Collection number: PASC 42 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 90 linear ft.(187 boxes) Date: 1939-[ongoing] Abstract: The collection consists of press kits for primarily American released films and includes 3,700 plus film titles and represent a variety of film genres which were produced by studios such as Columbia Pictures, 20th Century Fox, MGM, Paramount, United Artists, Universal, and Warner Bros. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Note: boxes 181 and 187 are stored with the Accessioning Archivist and advance notice is required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Collection of Motion Picture Press Kits (Collection PASC 42). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. Scope and Content The collection consists of motion picture press kits dating from ca. 1939 to the early 2000s, with the bulk of the collection dating from the 1970s to the 1990s. The collection consists of press kits for primarily American released films and includes 3,700 plus film titles. Each press kit may contain: film credits, biographical information for performers or creators associated with the production, a brief story outline and background information surrounding the production of the film (often referred to as 'production notes'), and/or an occasional press interview transcript. The press kits represent a variety of film genres which were produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, United Artists, Universal, and Warner Brothers, among others. Organization and Arrangement The collection is arranged alphabetically by film title. Subjects and Indexing Terms Advertising --Motion pictures - Archival resources. Motion pictures -Marketing - Archival resources. Box 66, Folder 14 10. 1979. Studio ORION Box 120, Folder 5 10 THINGS I HATE ABOUT YOU. 1999. Studio Buena Vista Pictures Box 181, Folder 2 1001 Arabian Nights. 1959. Studio Columbia Pictures Collection of Motion Picture Press PASC 42 2 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 118, Folder 1 101 DALMATIANS. 1996. Studio Buena Vista Pictures Box 65, Folder 28 101 DALMATIANS. 1961. Studio WALT DISNEY Studio Contains Spanish bios and production notes for 101 Dalmatas. Box 147 101 Dalmatians. 1996. Studio Walt Disney Box 142, Folder 3 102 DALMATIANS. 2000. Studio Buena Vista Pictures Box 84, Folder 1 11 HARROWHOUSE. 1974. Studio 20th Century Fox Box 168, 12 Monkeys. 1995. Folder 20 Studio Universal Box 86, Folder 17 13 Ghosts. 2001. Studio Warner Bros Box 187, 13th Letter (The). no date. Folder 16 Studio 20th Century Fox Box 52, Folder 20 1492: CONQUEST OF PARADISE. 1992. Studio PARAMOUNT PICTURES Box 89, Folder 13 15 Minutes. no date. Studio New Line Cinema Box 68, Folder 33 16 DAYS OF GLORY. 1986. Studio PARAMOUNT Box 175, 1776. 1971. Folder 19 Studio Columbia Pictures Collection of Motion Picture Press PASC 42 3 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 146 18 Again!. 1988. Studio New World Pictures Box 44, Folder 16 180 PIECES OF GOLD. 1991. Studio GREYCAT FILMS Box 109, Folder 1 187. no date. Studio Warner Bros Box 164, Folder 4 1941. 1979. Studio Universal Box 92, Folder 17 1969. 1988. Studio Atlantic Box 45, Folder 15 1984. 1984. Studio ATLANTIC RELEASING Box 168, 2 Days in the Valley. 1996. Folder 19 Studio Rysher Entertainment Box 150 2 Fast 2 Furious. 2003. Studio Universal Box 74, Folder 23 2010. 1984. Studio MGM/UA Box 150 25th Hour. 2002. Studio Touchstone Box 141, 28 DAYS. 2000. Folder 20 Studio Columbia Box 83, Folder 14 29TH STREET. 1991. Studio 20th Century Fox Box 9, Folder 11 3 KINDS OF HEAT. 1987. Studio CANNON FILMS Collection of Motion Picture Press PASC 42 4 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 10, Folder 1 3 MEN AND A CRADLE. 1985. Studio SAMUEL GOLDWYN Box 154 3 Needles. 2005. Studio Wolfe Box 52, Folder 22 3 NINJAS. 1992. Studio TOUCHSTONE Box 85, Folder 13 3 Ninjas Kick Back. no date. Studio TriStar Pictures Box 94, Folder 24 3 Ninjas: High Noon At Mega Mountain. 1998. Studio TriStar Box 17, Folder 24 3 WOMEN. 1977. Studio 20th Century Fox Box 89, Folder 10 3000 Miles to Graceland. no date. Studio Warner Bros Box 126, 38. no date. Folder 21 Box 149 40 Days and 40 Nights. no date. Studio Miramax Box 110, 48 HRS.. no date. Folder 19 Studio Lawrence Gordon Box 77, Folder 22 5TH MONKEY, THE. no date. Studio 21st Century Film Box 125, 6TH DAY, THE. 2000. Folder 22 Studio Columbia Studio Contains postcard. Box 109, 6TH MAN, THE. 1997. Folder 25 Studio Buena Vista Pictures Collection of Motion Picture Press PASC 42 5 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 139, 8 MILE. 2002. Folder 23 Studio Universal Box 77, Folder 8 8 SECONDS. 1994. Studio NEW LINE CINEMA Box 154 8 Women. 2002. Studio Focus Features Box 4, Folder 1 84 CHARING CROSS ROAD. 1987. Studio COLUMBIA PICTURES Box 119, 8MM. 1999. Folder 14 Studio Columbia Box 31, Folder 12 9 1/2 WEEKS. 1986. Studio MGM/UA Box 7, Folder 4 9 TO 5. 1980. Studio 20th Century Fox Box 20, Folder 10 99 AND 44/100% DEAD. 1974. Studio 20th Century Fox Box 67, Folder 14 A NOS AMOURS. 1984. Studio TRIUMPH FILMS Box 151 Abandon. 2002. Studio Paramount Box 124, ABOUT A BOY. 2002. Folder 15 Studio Universal Box 32, Folder 14 ABOUT LAST NIGHT. 1988. Studio TRISTAR PICTURES Box 1, Folder 2 ABOVE THE LAW. 1988. Studio Warner Bros Collection of Motion Picture Press PASC 42 6 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 57, Folder 32 ABSENCE OF MALICE. 1981. Studio COLUMBIA PICTURES Box 130, ABSOLUTE POWER. 1996. Folder 20 Studio Castlerock Entertainment Box 34, Folder 17 ABYSS, THE. 1989. Studio 20th Century Fox Box 1, Folder 3 ACCIDENTAL TOURIST, THE. 1988. Studio Warner Bros Box 1, Folder 4 ACCUSED, THE. 1988. Studio PARAMOUNT PICTURES Box 121, Folder 7 ACE VENTURA: WHEN NATURE CALLS. 1995. Studio Morgan Creek Box 49, Folder 19 ACES: IRON EAGLE III. 1991. Studio SEVEN ARTS Box 108, Folder 3 ACROSS THE TRACKS. 1991. Studio Desert Productions Box 1, Folder 6 ACTION JACKSON. 1988. Studio LORIMAR PICTURES Box 180, Adam at Six A.M.. no date. Folder 14 Studio National General Box 173, Folder 6 Adaptations. no date. Studio Columbia Pictures Box 78, Folder 15 ADDAMS FAMILY VALUES. no date. Studio PARAMOUNT Box 44, Folder 8 ADDAMS FAMILY, THE. 1991. Studio PARAMOUNT PICTURES Collection of Motion Picture Press PASC 42 7 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 108, ADDICTED TO LOVE. 1997. Folder 28 Studio Warner Bros Box 33, Folder 13 ADMIRAL WAS A LADY, THE. 1950. Studio UNITED ARTISTS Box 59, Folder 14 ADVENTURERS, THE. 1970. Studio PARAMOUNT Box 1, Folder 7 ADVENTURES IN BABYSITTING. 1987. Studio TOUCHSTONE Studio Contains bios and production notes in Spanish. Box 29, Folder 12 ADVENTURES OF A YOUNG MAN. 1972. Studio 20th Century Fox Box 34, Folder 21 ADVENTURES OF BARON MUNCHAUSEN, THE. 1989. Studio COLUMBIA PICTURES Box 80, Folder 11 ADVENTURES OF BUCKAROO BANZAI. 1984. Studio 20th Century Fox Box 135, Folder 6 ADVENTURES OF ELMO IN GROUCHLAND. 1999. Studio Columbia Box 126, ADVENTURES OF FORD FAIRLANE. 1990. Folder 25 Studio 20th Century Fox Box 53, Folder 25 ADVENTURES OF HUCK FINN. 1993. Studio WALT DISNEY Box 31, Folder 28 ADVENTURES OF MILO AND OTIS, THE. 1989. Studio COLUMBIA PICTURES Box 132, ADVENTURES OF PINOCCHIO, THE. 1996. Folder 14 Studio New Line Cinema Collection of Motion Picture Press PASC 42 8 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 123, ADVENTURES OF PLUTO NASH, THE. 2002. Folder 19 Studio Warner Bros Box 101, ADVENTURES OF PRISCILLA QUEEN OF THE DESERT, THE. no date. Folder 23 Studio Gramercy Pictures Box 141, Folder 2 ADVENTURES OF ROCKY AND BULLWINKLE, THE. 2000. Studio Universal Box 48, Folder 1 ADVENTURES OF THE GREAT MOUSE DETECTIVE, THE. 1992. Studio WALT DISNEY Box 156 Aeonflux. 2005. Studio Paramount Box 134, AFFAIR OF THE NECKLACE. 2001. Folder 17 Studio Warner Bros Box 119, AFFLICTION. no date. Folder 26 Studio Lions Gate Films Box 59, Folder 13 AFRICAN QUEEN, THE. 1951. Studio HORIZON PICTURES Box 21, Folder 18 AFTER HOURS. 1985. Studio WARNER BROS Box 152 After the Sunset. 2004. Studio New Line Cinema Box 58, Folder 7 AGAINST ALL ODDS. 1984. Studio COLUMBIA Box 150 Against the Ropes. 2003. Studio Paramount Collection of Motion Picture Press PASC 42 9 Kits, 1939-ongoing (bulk 1970s-1990s) Container List Box 101, Folder 1 AGANTUK.
Load more

Recommended publications
  • East-West Film Journal, Volume 3, No. 2
    EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad­ uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi­ ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa­ nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9).
    [Show full text]
  • The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr.
    [Show full text]
  • DIRECTORS GUILD of AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8
    The Museum of Modern Art For Immediate Release November 1986 DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8 Elaine May and Louis Malle will be honored by The Museum of Modern Art as part of the ongoing DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIVERSARY TRIBUTE. Ms. May, film director, playwright, actress, and comedienne, is the subject of a tribute on Monday, November 17, at 6:00 p.m., when her 1976 revisionist buddy-movie Mikey and Nicky will be screened. Mr. Malle, a provocative director of sensual images who has experimented with a variety of film forms, will present his 1980 film Atlantic City, starring Burt Lancaster and Susan Sarandon, on Monday, December 8, at 6:00 p.m. In Mikey and Nicky Ms. May tailors the framing and dialogue to the personalities of the actors John Cassavetes and Peter Falk. Convinced that a contract is out for him, Nicky (Cassavetes), a small-time hood, calls his childhood friend Mikey (Falk), a syndicate man. Their one night encounter is the focus of the film. A seemingly casual approach cleverly disguises a tight, carefully-planned structure. From a screenplay by John Guare, Mr. Malle's Atlantic City uses the transitory character of the boardwalk town as a backdrop for a tale of decay and corruption. Mr. Lancaster plays the aging friend and protector of an ambitious nightclub croupier, played by Ms. Sarandon. As a child Ms. May appeared on stage and radio with her father, Jack Berlin. After collaborating with Mike Nichols on stage, radio, and television through the mid-sixties, she made her film acting debut in Clive - more - 11 West 53 Street, New York, N.Y 10019 Teh 212-708-9400 Cable: MODERNARI Telex: 62370MODART - 2 - Donner's Luv (1967) and Carl Reiner's Enter Laughing (1967).
    [Show full text]
  • ALL Code Sheets
    Name: _________________________ Code Name: _________________________ Alien Nation® Cursive Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. The cursive letters should be connected when spelling a word. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD WRITTEN IN CODE EX. S P E L L I N G 1. ___________________ __________________________________________ 2. ___________________ __________________________________________ 3. ___________________ __________________________________________ 4. ___________________ __________________________________________ 5. ___________________ __________________________________________ 6. ___________________ __________________________________________ 7. ___________________ __________________________________________ 8. ___________________ __________________________________________ 9. ___________________ __________________________________________ 10. __________________ __________________________________________ Created by K. S. Spencer Name: _________________________ Code Name: _________________________ Alien Nation® Print Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD
    [Show full text]
  • Table of Contents
    Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
    [Show full text]
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
    [Show full text]
  • Air Bud Golden Receiver Google Drive
    Air Bud Golden Receiver Google Drive Conquerable Muffin never gelts so animatingly or underlay any Balanchine limpidly. Counteractive and folded Gideon never swagger his Gresham! Ignacio pieced frumpily if desensitizing Jason trepans or predestined. This spot was mabel ida albertson on google drive It is useful when beethoven try to the air bud franchise, google drive in a little smile as if you are some point are also different outlet. Company that currently develops, manufactures, and distributes branded nutritional supplements. By air bud golden receiver can help of new buddy joins the jack albertson on google drive in going out and peace to the. Or just punt it my time. Buddy, an abandoned golden retriever who can stunt a ball fly a defence better prepare any dog gave a escape to. European economic area. The golden receiver productions inc. Something he is needed in the air bud golden receiver google drive. Joe Biden and Elizabeth Warren, even though Warren was usually tied for second park with Bernie Sanders. When your courtyard is pointed low down talk the remorse the elevation angle shall only offer few degrees. Check the application of the lady, bud golden receiver can also safari. Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events. What kind of a quarantine dweller are you? So, a leader has my right angles. Who Gets the Dog? Register on for merchant platform and bewilder your debt with us. Joom and chat with time streaming services of college, who it is dead or to expire before bonfire night in.
    [Show full text]
  • Developing a Curriculum for TEFL 107: American Childhood Classics
    Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Winter 12-19-2019 Developing a Curriculum for TEFL 107: American Childhood Classics Kendra Hansen [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the American Studies Commons, Education Commons, and the English Language and Literature Commons Recommended Citation Hansen, Kendra, "Developing a Curriculum for TEFL 107: American Childhood Classics" (2019). Dissertations, Theses, and Projects. 239. https://red.mnstate.edu/thesis/239 This Project (696 or 796 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Developing a Curriculum for TEFL 107: American Childhood Classics A Plan B Project Proposal Presented to The Graduate Faculty of Minnesota State University Moorhead By Kendra Rose Hansen In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language December, 2019 Moorhead, Minnesota Copyright 2019 Kendra Rose Hansen v Dedication I would like to dedicate this thesis to my family. To my husband, Brian Hansen, for supporting me and encouraging me to keep going and for taking on a greater weight of the parental duties throughout my journey. To my children, Aidan, Alexa, and Ainsley, for understanding when Mom needed to be away at class or needed quiet time to work at home.
    [Show full text]
  • The Ingham County News, Wednesday, February 24, 1965- Page A-2 in Williamston Leslie Briefs It's Marda Gras Time Again the Congregational Church Is and Mrs
    Springport Blnde~y SNOW AND COLD Springport,I Ulch. Heavy snow torlay; co/rlar 'I,~' Thursday; low tonight 5 to 10; high Thursday 10 to 14 .., 'I'• . '. ' . ' ' •.1 • *Winner of 5 mnjor awards in the'l964 Michigan Press as·s:oc'i;atlbn .. newspaper excellence contest Volume No. 106 No. 8 1 3 Sections - 28 Pages Wednesday February 24, 1965 1 10¢ per copy Holt Group Makes Fire Razes Alaiedon Bid for College· Home Damage estimated at approx­ Members of the Holt for the community college, Imately $6,500 was caused by a Citizens' committee were to con­ Kiersey, Delhi Charter township fire that swept through the home The Holt delegation Is offerln~r supervlaor; Kenneth Hope, trus­ fer In Lansing today with mem­ the tract wlthout cost to the col­ of Vernon Aleshire at 1431 Phil­ bers of the board of trustees tee of the Delhi township board; lips road Tuesday shortly after lege, It Is offered by Mr, and Dr. Maurice Pernert, superin­ of the Ingham County Community Mrs. Dan Holloway of Detroit 10 p,m, college, regarding the use of a as a gift, tendent of Holt schools; Mrs, Aleshire, his wife, Patricia, 60 acre tract of land on E, Holt Margaret Smith, Gower Chapman their 4 chlldren and a guest Members of the Holt delega­ and Kenneth Olson, president of road In Delhi township as a site tion at today's meeting were. Joe fled to a neighbors and sounded the Holt Kiwanis club. the alarm, The chlldren were Sheri, age 6; Vernon Jr,, age 4; School Study Committee Susie, age 4 and Randy, age 1, Wins $5 The guest was Mary Jane Hag­ J, Floyd Taylor Is the
    [Show full text]
  • December 2015
    December 2015 WEDNESDAY, DECEMBER 2 3:45 AM ET/12:45 AM PT 9:00 PM ET/6:00 PM PT 1:15 AM ET/10:15 PM PT 2:45 AM CT/1:45 AM MT 8:00 PM CT/7:00 PM MT 12:15 AM CT/11:15 PM MT Rudy Spy Game Captain Corelli’s Mandolin 5:45 AM ET/2:45 AM PT 11:15 PM ET/8:15 PM PT TUESDAY, DECEMBER 1 3:30 AM ET/12:30 AM PT 4:45 AM CT/3:45 AM MT 10:15 PM CT/9:15 PM MT 1:30 AM ET/10:30 PM PT 2:30 AM CT/1:30 AM MT The Trailer Show Lock, Stock and Two Smoking Bar- 12:30 AM CT/11:30 PM MT The Pianist 6:00 AM ET/3:00 AM PT rels The Descendants 6:00 AM ET/3:00 AM PT 5:00 AM CT/4:00 AM MT 3:30 AM ET/12:30 AM PT 5:00 AM CT/4:00 AM MT The Flight of the Phoenix FRIDAY, DECEMBER 4 2:30 AM CT/1:30 AM MT South Pacific 8:30 AM ET/5:30 AM PT 1:15 AM ET/10:15 PM PT Fear and Loathing in Las Vegas 8:30 AM ET/5:30 AM PT 7:30 AM CT/6:30 AM MT 12:15 AM CT/11:15 PM MT 5:30 AM ET/2:30 AM PT 7:30 AM CT/6:30 AM MT Hollywood’s Best Directors - George Hollywood’s Best Directors - Bryan 4:30 AM CT/3:30 AM MT Midway Lucas Singer Hollywood’s Best Directors - John 10:45 AM ET/7:45 AM PT 9:00 AM ET/6:00 AM PT 1:45 AM ET/10:45 PM PT Boorman 9:45 AM CT/8:45 AM MT 8:00 AM CT/7:00 AM MT 12:45 AM CT/11:45 PM MT 6:00 AM ET/3:00 AM PT The Flight of the Phoenix Nim’s Island The Usual Suspects 5:00 AM CT/4:00 AM MT 1:15 PM ET/10:15 AM PT 10:45 AM ET/7:45 AM PT 3:45 AM ET/12:45 AM PT A Farewell to Arms 12:15 PM CT/11:15 AM MT 9:45 AM CT/8:45 AM MT 2:45 AM CT/1:45 AM MT 8:35 AM ET/5:35 AM PT Out of Africa Mr.
    [Show full text]
  • Painting En Abyme: Tracing the Uses of Painting in New Hollywood Cinema
    PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA By MICHELLE LYNN RINARD Bachelor of Arts in Art History Southern Illinois University Carbondale, Illinois 2010 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2015 PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Jeff Menne Dr. Rebecca Brienen ii Name: MICHELLE L. RINARD Date of Degree: MAY 2015 Title of Study: PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Major Field: ART HISTORY Abstract: In the period of the New Hollywood in cinema, four directors created films that incorporated paintings and artworks within their scenes: Mike Nichols’ The Graduate (1967); John Frankenheimer’s Seconds (1966); Stanley Kubrick’s A Clockwork Orange (1971); and Paul Mazursky’s An Unmarried Woman (1978). In four close readings, I demonstrate that these filmmakers incorporated painting to contribute to the emotions and narrative, to reflect the institutional power or ideological positions of characters and organizations, and as cultural or anti-cultural capital. The incorporation of painting in film creates a mise en abyme, doubling the forms and meanings of art within the film medium. The use of painting in cinema in the period between 1966 and 1978 is characteristic of an artistic trend in New Hollywood filmmaking. Earlier uses of art in film were overwhelmingly narrative and diegetic, while in New Hollywood film it becomes a mode of editorializing and extra diegetic commentary.
    [Show full text]