Walpole Public Library DVD List A
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First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
World Series Crossword (Answer
World Series Crossword Den Mothers 12345 P L A T E R O C K T O B E R J D I K R O 6789 10 D C B H U M I D O R I F D 11 12 I K A Z U O B C A O Y 13 14 R E D A Y W I L D C A R D 15 E D L E V I T R A E L T E 16 17 18 C O O R S F I E L D Z D C O E M T F I O G L B D I 19 20 V F K I N G T E A E L 21 H A F S R E 22 23 24 I T R O Y O I S H 25 26 27 28 M C M I I I L X X I I I I P I 29 30 N O I C Y Y O U N G 31 32 33 G N F O R D O R H 34 35 Y O R V I T R H W U P S 36 R N A V A R I T E K L T 37 38 O G A G N E K E A B T C E D 39 40 41 L A S I F M C M X C I I I 42 L E J O S H I U 43 44 45 F L O M A X B H E L T O N M T A L 46 S C H I L L I N G D D EclipseCrossword.com World Series Crossword Den Mothers 4. -
18 Lc 117 0565 S. R. 1124
18 LC 117 0565 Senate Resolution 1124 By: Senator Harbison of the 15th A RESOLUTION 1 Recognizing and honoring the valiant service of the Special Forces soldiers who were sent 2 to Afghanistan in the immediate aftermath of September 11; and for other purposes. 3 WHEREAS, a 12-man team of Special Forces soldiers from Fort Campbell belonging to 4 Operational Detachment Alpha (ODA) 595 were sent to Afghanistan immediately following 5 the attacks on September 11, 2001; and 6 WHEREAS, the 12 men were: MAJ (Former) Mark Nutsch; CW4(R) Robert Pennington; 7 MSG(R) Paul Evans; MSG(R) Andy Marchal; SFC(R) Steve Kofron; SGM(R) Mike Elmore; 8 MSG(R) Chad J.; MSG Pete W.; SFC(R) Bill Bennett (KIA, Iraq-2003); MSG(R) Steve B.; 9 SGM(R) Vincent Makela; and SFC(R) William Summers; and 10 WHEREAS, these valiant soldiers, known as the Green Berets, were given a two-part 11 mission: to work together with the Afghan Northern Alliance to hunt down those behind the 12 September 11 attacks and to destroy the Taliban regime; and 13 WHEREAS, Senior Chief Warrant Officer Robert Pennington served on the team led by 14 Mark Nutsch that is depicted in the film 12 Strong, which highlights the bravery, 15 brotherhood, and faith of these down-to-earth men; and 16 WHEREAS, in 12 Strong, the audience will see all the elements of the Green Berets that 17 Robert Pennington loves so much: the brotherhood, the teaching, the bravery, and the faith 18 to stand in the face of evil and liberate the oppressed; and 19 WHEREAS, Special Forces soldiers are men of unassuming greatness, the only servicemen 20 to train in unconventional warfare, who train, laugh, eat, and cry with indigenous forces for 21 three to five months or even three to five years, while they build up to prepare for a fight and 22 assist in war; and S. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
The 112Th World Series Chicago Cubs Vs. Cleveland Indians Saturday, October 29, 2016 Game 4 - 7:08 P.M
THE 112TH WORLD SERIES CHICAGO CUBS VS. CLEVELAND INDIANS SATURDAY, OCTOBER 29, 2016 GAME 4 - 7:08 P.M. (CT) FIRST PITCH WRIGLEY FIELD, CHICAGO, ILLINOIS 2016 WORLD SERIES RESULTS GAME (DATE RESULT WINNING PITCHER LOSING PITCHER SAVE ATTENDANCE Gm. 1 - Tues., Oct. 25th CLE 6, CHI 0 Kluber Lester — 38,091 Gm. 2 - Wed., Oct. 26th CHI 5, CLE 1 Arrieta Bauer — 38,172 Gm. 3 - Fri., Oct. 28th CLE 1, CHI 0 Miller Edwards Allen 41,703 2016 WORLD SERIES SCHEDULE GAME DAY/DATE SITE FIRST PITCH TV/RADIO 4 Saturday, October 29th Wrigley Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio 5 Sunday, October 30th Wrigley Field 8:15 p.m. ET/7:15 p.m. CT FOX/ESPN Radio Monday, October 31st OFF DAY 6* Tuesday, November 1st Progressive Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio 7* Wednesday, November 2nd Progressive Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio *If Necessary 2016 WORLD SERIES PROBABLE PITCHERS (Regular Season/Postseason) Game 4 at Chicago: John Lackey (11-8, 3.35/0-0, 5.63) vs. Corey Kluber (18-9, 3.14/3-1, 0.74) Game 5 at Chicago: Jon Lester (19-5, 2.44/2-1, 1.69) vs. Trevor Bauer (12-8, 4.26/0-1, 5.00) SERIES AT 2-1 CUBS AT 1-2 This is the 87th time in World Series history that the Fall Classic has • This is the eighth time that the Cubs trail a best-of-seven stood at 2-1 after three games, and it is the 13th time in the last 17 Postseason series, 2-1. -
20Th Century Women
20th century women Het is 1979 en de alleenstaande Dorothea Jamie blijft slapen en hem vertelt over haar probeert haar puberzoon vrouwvriendelijk avontuurtjes. Dorothea vraagt Abbie en Julie om op te voeden. Omdat ze de grip op hem haar zoon te helpen goed met vrouwen om te kwijtraakt, vraagt ze twee jonge vrouwen gaan. Jamie probeert op zijn beurt écht contact om haar te helpen. Geestige tijdsschets, met te krijgen met zijn moeder, maar zij wimpelt een glansrol van Annette Bening. hem af met opmerkingen als ‘vragen over geluk Aan het begin van 20TH CENTURY WOMEN brandt zijn een fantastische shortcut naar een Dorothea’s auto uit op de parkeerplaats van de depressie’. supermarkt. Dorothea (Annette Bening) en haar 20TH CENTURY WOMEN geeft een mooi zoon Jamie (Lucas Jade Zumann) rennen erheen sfeerbeeld van de late jaren zeventig: de om te zien wat er nog te redden valt, maar de opkomst van de punk, de eindeloze gesprekken auto is total loss. Dorothea is onder de indruk, over mannen en vrouwen, en dus over seks, de want de wagen was nog van haar ex en staat outfits en de kapsels – het is allemaal prettig symbool voor de kindertijd van Jamie. Die herkenbaar. Haast terloops laat regisseur Mike reageert echter koeltjes: ‘Ach, zo mooi was die Mills (die debuteerde met BEGINNERS) zien hoe auto niet’. Ziedaar het onbegrip tussen de Jamie volwassen wordt. 55-jarige feministische moeder en haar 15 jaar oude zoon. regie: Mike Mills Dorothea woont in Santa Barbara en verhuurt met: Annette Bening, Elle Fanning, Greta Gerwig, een kamer aan de 24-jarige Abbie (Greta Gerwig Billy Crudup uit FRANCES HA en JACKIE). -
Spaß Beiseite Comedy Die Britische Komikertruppe Monty Python Hat Mit Ihrem Anarchischen Humor Fernsehgeschichte Geschrieben
Spaß beiseite Comedy Die britische Komikertruppe Monty Python hat mit ihrem anarchischen Humor Fernsehgeschichte geschrieben. Nun tritt sie in einer letzten großen Bühnenshow in London auf. Ein Treffen am Rande der Proben. Von Christoph Scheuermann s gibt zwei Möglichkeiten, ein Inter - sechste Python, ist leider seit 25 Jahren spricht. Die definitiv allerletzte große view mit den Monty Pythons zu be - tot. Show. Sie heißt in Anspielung an Graham Ekommen. Entweder man versucht, Es gibt nicht den geringsten Zweifel da - Chapman „One down, five to go“ – einer sich wochenlang durch die Fettschicht von ran, dass Monty Python die lustigste Ko - tot, fünf sind noch übrig. PR-Beratern, Mittelsleuten und Presse - mikertruppe der Menschheitsgeschichte ist, Auch das ist natürlich ein Python-Sar - damen zu beißen, die die Gruppe umgibt. besser als die Marx Brothers. Die Pythons kasmus. Sie werden diesmal versuchen, Oder man setzt sich vormittags in das Café haben mit ihrem anarchischen Humor zu - dem Tod aus allernächster Nähe ins Ge - des Cecil-Sharp-Hauses in London, eines erst das Fernsehen auf den Kopf gestellt sicht zu spucken. Die fünf Jungs sind in - Folkmusik-Zentrums, in dem John Cleese, und dann das Kino, dort vor allem mit den zwischen grauhaarige Gentlemen, alt ge - Michael Palin, Eric Idle, Terry Gilliam und Filmen „Das Leben des Brian“ und „Die wordene Clowns zwischen 71 und 74, in - Terry Jones die Gags für ihre gemeinsame Ritter der Kokosnuss“. 1983 trennten sie klusive künstlicher Gelenke, dritter Zähne, Show einstudieren. sich, wie so manches geniale Kollektiv, wo - Scheidungen, Hypotheken und Bauch - Eric Idle trottet als Erster die Treppe bei man betete, dass die Pythons es damit speck. -
INFORMATION THURSDAY NIGHT SPECIAL - DINNER and FILM Presented by Members of Hastings Pride
39a High Street | Hastings | TN34 3ER | [email protected] | www.electricpalacecinema.com | [email protected] | 3ER TN34 | Hastings | Street High 39a CALENDAR OCTOBER CINEMA Sat 1 July 8pm 20th Century Women Sun 2 July 8pm 20th Century Women Thu 6 July 11am & 8pm Toni Erdmann JULY Fri 7 July 8pm Queen of Katwe Sat 8 July 8pm Queen of Katwe Sun 9 July 7.30pm 8½ Thu 13 July 11am & 8pm Cezanne et Moi Fri 14 July 8pm Hidden Figures Sat 15 July 8pm Hidden Figures Sun 16 July 8pm Duck Soup Thu 20 July 11am & 8pm Certain Women Fri 21 July 8pm Certain Women Sat 22 July 8pm Certain Women Sun 23 July 8pm The Earrings of Madame De Thu 27 July 11am & 8pm A Quiet Passion Fri 28 July 8pm A Quiet Passion Sat 29 July 8pm A Quiet Passion Sun 30 July 8pm The Green Slime NOVEMBER JULY | AUGUST| SEPTEMBER | 2017 | SEPTEMBER AUGUST| | JULY Thu 3 Aug 11am & 8pm Letters From Baghdad Fri 4 Aug 8pm Random Acts Sat 5 Aug Closed for Carnival Night Sun 6 Aug 8pm We Love This Town! Thu 10 Aug 11am & 8pm Frantz AUGUST Fri 11 Aug 8pm The Lost City of Z Sat 12 Aug 8pm The Lost City of Z Sun 13 Aug 8pm Paths of the Soul Thu 17 Aug 11am & 8pm The Handmaiden Fri 18 Aug 8pm The Handmaiden Sat 19 Aug 8pm David Lynch: The Art Life Sun 20 Aug 8pm Invisible Invaders Thu 24 Aug 11am & 8pm The Sense of An Ending Fri 25 Aug 8pm The Sense of An Ending Sat 26 Aug 8pm Who’s Gonna Love Me Now? Sun 27 Aug 8pm The Sense of An Ending Thu 31 Aug 11am & 8pm Their Finest Fri 1 Sept 8pm Their Finest Sat 2 Sept 8pm Monterey Pop Sun 3 Sept 8pm Their Finest Thu 7 Sept -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
The Images Built Through the Use of Ecclesiastical Words in Emerson’S “The Problem”
THE IMAGES BUILT THROUGH THE USE OF ECCLESIASTICAL WORDS IN EMERSON’S “THE PROBLEM” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By CHATARINA TRIHASTUTI Student Number: 054214020 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 THE IMAGES BUILT THROUGH THE USE OF ECCLESIASTICAL WORDS IN EMERSON’S “THE PROBLEM” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By CHATARINA TRIHASTUTI Student Number: 054214020 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 i ii iii WHATEVER YOU DO IN WORD OR DEED, DO ALL IN THE NAME OF JESUS CHRIST (COLLOSIANS 3:17) Others have seen what is and asked why. I have seen what could be and asked why not. - Pablo Picasso iv FOR MY BELOVED PARENTS IN THE HOPE OF A BETTER FUTURE v vi ACKNOWLEDGEMENTS The first one, I would like to thank Jesus Christ and the Blessed Virgin Mary for being with me everyday. Thanks for the love and blessing upon me. I believe without Jesus’ hand, I will never finish this thesis. I do love Him whole- heartedly. I would like to thank my advisor, Adventina Putranti, S.S., M. Hum. and my co-advisor Dr. Fr. B. Alip, M.Pd., M.A. for helping me in finishing this thesis. I thank for their patience, guidance, advice, time, and support. This thesis will not complete without their help. -
Serial Media Forms and the Affective Work of Audiences by Anne
Mind the Gaps: Serial Media Forms and the Affective Work of Audiences by Anne Mecklenburg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2020 Doctoral Committee: Professor Adela Pinch, Co-Chair Professor Yeidy Rivero, Co-Chair Professor Daniel Hack Associate Professor Daniel Herbert Anne Mecklenburg [email protected] ORCID iD: 0000-0003-1268-1272 © Anne Mecklenburg 2020 Acknowledgements Revising this project during a stay-at-home order was a daunting, isolating, and sometimes frightening prospect, especially because my work as a graduate student has been sustained for so many years by the communities I have found here at Michigan and throughout my life. How could I contemplate a dissertation on form and community when the only person I saw for days on end was my cat (who incidentally, does not give good writing feedback)? Of course, as I learned over the past couple months, many Zoom calls and track-changes-enabled Google Docs later, all the support and solidarity I had learned to rely on during my first six years at Michigan was still there. First, I would like to thank my dissertation committee. My co-chairs, Adela Pinch and Yeidy Rivero, encouraged me to write towards my weirdest questions, trusted me as I figured out the shape and dimensions of this thing I was writing, and helped me see it clearly, in all its possibilities. Whenever I talked with Adela, Yeidy, Danny Hack, and Dan Herbert, their comments always reflected back to me a better version of the project than what I’d written, while also giving me exactly the kind of feedback I needed, to help me move toward what I most wanted it to be. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue