Open Your Eyes to Belgian Cinema
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Cinema Canvas – Persdossier – Juni 2017 1
Cinema Canvas – persdossier – juni 2017 1 Inhoud De strafste films komen naar jouw stad met Cinema Canvas 3 Week 1 - Kortrijk Woensdag 5 juli: One Flew over the Cuckoo’s Nest (de keuze van Jan Eelen) 4 Donderdag 6 juli: The Searchers (de keuze van Johan Heldenbergh) 5 Vrijdag 7 juli: Me and You and Everyone We Know (de keuze van Patricia Toye) 6 Week 2 - Kortrijk Woensdag 12 juli: Jaws (de keuze van Erik Van Looy) 7 Donderdag 13 juli: Fight Club (de keuze van Tim Van Aelst) 8 Vrijdag 14 juli: Babel (de keuze van Dorothée Van Den Berghe) 9 Week 3 - Antwerpen Woensdag 19 juli: Dangerous Liaisons (de keuze van Hilde van Mieghem) 10 Donderdag 20 juli: La Piscine (de keuze van Nathalie Basteyns) 11 Vrijdag 21 juli: A Clockwork Orange (de keuze van Marcel Vanthilt) 12 Week 4 - Genk Woensdag 26 juli: Badlands (de keuze van Fien Troch) 13 Donderdag 27 juli: Miller’s Crossing (de keuze van Matthias Sercu) 14 Vrijdag 28 juli: Magnolia (de keuze van Luk Wyns) 15 Week 5 - Leuven Woensdag 2 augustus: Donnie Darko (de keuze van Jonas Govaerts) 16 Donderdag 3 augustus: Casablanca (de keuze van Steven De Foer) 17 Vrijdag 4 augustus: Dog Day Afternoon (de keuze van Robin Pront) 18 Week 6 – Sint-Truiden Woensdag 9 augustus: Casino (de keuze van Michaël Roskam) 19 Donderdag 10 augustus: La grande belezza (de keuze van Amira Daoudi) 20 Vrijdag 11 augustus: Les vacances de Mr. Hulot (de keuze van Frank Van Passel) 21 Week 7 – Gent Woensdag 16 augustus: The Green Butchers (de keuze van Tom Van Dyck) 22 Donderdag 17 augustus: Nobody Knows (de keuze van Nathalie Teirlinck) 23 Vrijdag 18 augustus: Blow Out (de keuze van Patrick Duynslaegher) 24 Week 8 - Vilvoorde Woensdag 23 augustus: Dr. -
Download Catalogue
LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Factsheet MEDIA Success Stories
Factsheet MEDIA success stories Saul Fia (Son of Saul, 2015) directed by László Nemes (HU) Oscar for Best Foreign Language Film Grand Prix at Cannes Film Festival Support: € 697,585 for its distribution across Europe Son of Saul is a small-budget film – €1.5 million. MEDIA decided to back the project and contributed to distributed it in 24 countries across Europe – a record on its own. La Grande Bellezza (The Great Beauty, 2013) directed by Paolo Sorrentino (IT) Oscar and Golden Globe for Best Foreign Language Film Support: € 491,531 for its development and its distribution across Europe With La Grande Bellezza, Paolo Sorrentino gained international acclaim as a European director who could encapsulate the human dimension of his characters in a perfect shot. Youth (also funded by MEDIA) continued along the same path. In 2016, Sorrentino made a successful foray into television, with The Young Pope which he considers to be a 10 hour-long movie Ida (2013) directed by Pawel Pawlikowski (PL) Oscar for Best Foreign Language Film Lux Prize Support: € 646,282 for its development and its distribution across Europe MEDIA provided seed money for the development of Ida. It also helped foreign distributors to show the film abroad through distribution schemes: Memento Films in France received €29,000 to show Ida to French audiences. France had the highest proportion of admissions for the film across Europe, with 484,000 viewers, one third of its total admissions. Tabu (2012) directed by Miguel Gomes (PT) 18 prizes and 40 nominations Support: € 192,800 for its development and its distribution across Europe Tabu, by Portugese director Miguel Gomes, was developed with the support of MEDIA. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Annelies Beck Expressionisme: Das Cabinet Des “BOEIEND OM TE ZIEN Dr
Gratis fi lmmagazine NIEUWS INTERVIEWS ARTIKELS RECENSIES Een duizelingwekkende dosis cinema BROER THE DANISH GIRL JENNIFER LAWRENCE PROBLEMSKI HOTEL CAROL TheWoelige winterpret met QuentinHateful Tarantino Eight # januari 2016 18 WE ALL LIVE OR WE ALL DIE. CHRIS PINE ONTDEK ONZE VERTIGO VIERT CASEY AFFLECK ABONNEMENTEN! BEN FOSTER OUD & NIEUW EN ERIC BANA IN CINEMA CARTOON’S ANTWERPEN ABONNEE ›› Vertigo thuisbezorgd €50 ›› 1 T-shir t ZONDAG 10 JANUARI ›› Vertigo thuisbezorgd 2015 MATINEE VRIEND ›› 1 T-shir t ›› Voorrang op Vertigo-events €100 ›› (minstens 10 duotickets) DINSDAG 19 JANUARI ›› Vertigo thuisbezorgd ›› 2 T-shir ts 2016 TOPPER VIP ›› Voorrang op Vertigo-events ›› (minstens 10 duotickets) MET EEN RECEPTIE VOOR VIPABONNEES €200 E ›› Exclusieve VIP-tickets OP DE 26 ETAGE VAN DE BOERENTOREN OOK APART VERKRIJGBAAR TSHIRT €20 (INCLUSIEF VERZENDING) Dames: Rood en blauw Mannen: Grijs en bordeaux GEBASEERD OP HET ONGELOOFLIJKE WAARGEBEURDE VERHAAL Verschillende maten ALLE INFO OP Walt Disney Studios België VANAF 27 JANUARI IN DE BIOSCOOP VERTIGOWEB.BE The Finest Hours - Vertigo.indd 1 22/12/2015 18:06 66746 OPM VERTIGO ADV 1_1.indd 1 21/12/15 14:31 Het wilde Westen oen in 1903 de eerste western The Great Train Robbery in première ging, dook het onervaren publiek weg van het scherm, uit T angst voor een bandiet die recht naar hen schoot. De toon was gezet: het genre zou synoniem worden met adembenemende actie, stoere cowboys en snode Indianen. Door de filmgeschiedenis heen werd de western meermaals doodverklaard, maar telkens verrees IN 2016 IS DE SCANDIMANIA TERUG! hij – vaak glorieuzer dan ooit tevoren. Bij de start van 2016 is het genre in ieder geval springlevend, met Ontdek de nieuwe lichting grand cru series gloednieuwe voorbeelden van de hand van Quentin Tarantino en Alejandro González Iñárritu. -
Palm Springs International Animation Festival SCHEDULE
Palm Springs International Special Events Animation Festival Special Feature Presentations SCHEDULE WEDNESDAY Wednesday, August 22, 2018 11:15am – 12:39pm 10 am – 10:58 am 2017 Animated Short Film Award Winners Marnie’s World Theatre 1 Feature Film 2017 Animated Short Film Award Winners ( PCAW001 ) A collection of the Theatre 1 winning animated shorts of the 2017 inaugural season featuring Oscar US Premiere! winning talent and stories from all over the world. Weeds - 3:45 - USA - Director : Kevin Hudson 4pm Red Carpet Tokri (The Basket) 14:46 - India - Director : Suresh Eriyat 5pm – 6:40pm Adija - 4:08 - USA - Director : Apollonia Thomaier Sgt. Stubby: An Yellow Rose - 3:58 - Australia - Director : Xin Li American Hero Virtual Actors in Chinese Opera - 3:15 - Hong Kong - Director : Tobias Feature Film Gremmler Theatre 1 The Potato Eaters - 3:54 - Czech Republic - Director : Martin Kukal – Opening Night Event! Tanguito Argentino - 8:00 - Argentina - Director : Joaquin Braga Cuerdas - 10:52 - Spain - Director : Pedro Solis Escape - 4:45 - USA - Director : Brandon Oldenburg FRIDAY 3:45pm -4:45pm 10:15am – 10:52am Classic Auction: Animated Cells Theatre 2 Theatre 3 The collections of shorts in this segment will take you back in time to the beginning of this amazing unique visual art form. SATURDAY 11:00am-12:30pm A Thousand Kisses - 16:38 - USA - Director : Richard Goldgewicht Mission Kathmandu: Skyscrapers - 12:15 - Switzerland - Director : Fabienne Giezendanner The Adventures of Nelly Nowhere - 4:09 - USA - Director : HYEON JEONG CHO & Simon The Balloonatic - 3:00 - UK - - Director : Eoin Mcloughlin Theatre 1 3:00pm-4:45pm Isle of Dogs Special Presentation – Celebrating Loving All Animals Animal Shelter Theatre 1 11:15am – 12:39pm Marnie’s World Feature Film US Premiere Panels/ Theatre 1 Masterclass WEDNESDAY (2018) - 84 min - Germany Animation | Adventure | Comedy Spoiled orange house cat Marnie lives a comfy life in the Sunshine household. -
Bilan 2003 Du Centre Du Cinéma Et De L
2003 - Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel : enveloppe budgétaire pour la production audiovisuelle ......................................... 4 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2003 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 16 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF / RTL-TVi / Canal + / AB3) ............................................... 17 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 18 5. Promotion et diffusion ............................................................................................ 18 5.1 Aides à la promotion ..................................................................................... 18 5.2 Aides à la diffusion ....................................................................................... -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Immanent Frames: Postsecular Cinema Between Malick and Von Trier
Journal of Religion & Film Volume 24 Issue 2 October 2020 Article 9 October 2020 Immanent Frames: Postsecular Cinema between Malick and von Trier Pablo Alzola Rey Juan Carlos University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Alzola, Pablo (2020) "Immanent Frames: Postsecular Cinema between Malick and von Trier," Journal of Religion & Film: Vol. 24 : Iss. 2 , Article 9. DOI: 10.32873/uno.dc.jrf.24.2.009 Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Immanent Frames: Postsecular Cinema between Malick and von Trier Abstract This is a book review of John Caruana and Mark Cauchi, eds., Immanent Frames: Postsecular Cinema between Malick and von Trier. Author Notes Pablo Alzola is Assistant Professor of Esthetics at the Department of Educational Sciences, Language, Culture and Arts at Rey Juan Carlos University (URJC) in Madrid, Spain. He has written several articles and book chapters on film and eligion,r together with a recent book on the cinema of Terrence Malick: El cine de Terrence Malick. La esperanza de llegar a casa (EUNSA, 2020). This book review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 Alzola: Immanent Frames Caruana, John and Cauchi, Mark (eds.). Immanent Frames: Postsecular Cinema between Malick and von Trier. -
Belgium and Brussels
BELGIUM AND BRUSSELS Independent since 1830, Belgium is a constitutional and a half from the French capital. Which brings us to and parliamentarian monarchy, whose current king is yet another benefit of being in Brussels: it is just a short Philipp the 1st. Belgium is a federal state consisting hop away from Paris, London, and Amsterdam… of three regions: Brussels, the bilingual capital where French and Dutch are official languages; Flanders, the Dutch-speaking North; and Wallonia, the FOR MORE INFORMATION Frenchspeaking - and Germanspeaking South. ABOUT BRUSSELS, Among the famous Belgians, one can think of the famous composers and singers Jacques Brel and you can visit the official Brussels website Stromae; the actors Benoît Poelvoorde and Matthias https://visit.brussels/en Schoenaerts; the writers Amélie Nothomb and Maurice Maeterlinck (Nobel Prize for Literature in 1911); the artists and cartoonists Georges Rémi (Hergé, Father of Tintin), Franquin (Gaston Lagaffe), Peyo (the Smurfs), Morris (Lucky Luke); the film directors Chantal Akerman, Jaco Van Dormael, Jean-Pierre and Luc Dardenne; the painter René Magritte; the architect Victor Horta; and the athletes Eddy Merckx (cyclist), Eden Hazard (football) and Nafissatou Thiam (athletics). Belgium wouldn’t be Belgium without its mouth- watering chocolates, its wide range of local beers and mussels served with French fries ! Belgium has a lot of historical, artistic, gastronomical, architectural and natural wonders which we invite you to discover during your stay here. BRUXELLES, LE SAVIEZ- MA BELLE VOUS ? Brussels is among the world’s most diverse capitals, Our university has a long standing home to the headquarters of the European Union, tradition of excellence, as evidenced by NATO, and countless international companies and the many accolades given in recognition organisations.