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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Sexo, Amor Y Cine Por Salvador Sainz Introducción
Sexo, amor y cine por Salvador Sainz Introducción: En la última secuencia de El dormilón (The Sleeper, 1973), Woody Allen, desengañado por la evolución polí tica de una hipotética sociedad futura, le decí a escéptico a Diane Keaton: “Yo sólo creo en el sexo y en la muerte” . Evidentemente la desconcertante evolución social y polí tica de la última década del siglo XX parecen confirmar tal aseveración. Todos los principios é ticos del filósofo alemá n Hegel (1770-1831) que a lo largo de un siglo engendraron movimientos tan dispares como el anarquismo libertario, el comunismo autoritario y el fascismo se han desmoronado como un juego de naipes dejando un importante vací o ideológico que ha sumido en el estupor colectivo a nuestra desorientada generación. Si el siglo XIX fue el siglo de las esperanzas el XX ha sido el de los desengaños. Las creencias má s firmes y má s sólidas se han hundido en su propia rigidez. Por otra parte la serie interminable de crisis económica, polí tica y social de nuestra civilización parece no tener fin. Ante tanta decepción sólo dos principios han permanecido inalterables: el amor y la muerte. Eros y Tá natos, los polos opuestos de un mundo cada vez má s neurótico y vací o. De Tánatos tenemos sobrados ejemplos a cada cual má s siniestro: odio, intolerancia, guerras civiles, nacionalismo exacerbado, xenofobia, racismo, conservadurismo a ultranza, intransigencia, fanatismo… El Sé ptimo Arte ha captado esa evolución social con unas pelí culas cada vez má s violentas, con espectaculares efectos especiales que no nos dejan perder detalle de los aspectos má s sombrí os de nuestro entorno. -
En Novembre Sur Tv5monde Maghreb Orient 2 Automnes
N° 105/2015 - Du 1 au 30 Novembre 2015 EN NOVEMBRE SUR TV5MONDE MAGHREB ORIENT © CALT/Christophe Charzat CHEFS* Réalisation : Arnaud Malherbe (saison 1, France, 2014) Avec Clovis Cornillac, Hugo Becker, Nicolas Gob, Anne Charrier, Robin Renucci, ... © Laurent Denis / FTV 2 AUTOMNES 3 HIVERS* Le 10 à 15h30 et le 12 à 20h00 TARATATA 100% LIVE Réalisation : Sébastien Betbeder (France, 2013) La 500e au Zénith-Paris Avec Vincent Macaigne, Maud Wyler, Bastien Bouillon, Présentation: Nagui Pauline Etienne, Audrey Bastien, Thomas Blanchard Le 6 à 22h00 Pour plus de détails sur nos grilles de programmes consultez notre site www.tv5monde.com et pour nos partenariats en méditerranée www.tv5monde.com/mediterranee © ENVIE DE TEMPÊTE PRODUCTIONS *SOUS TITRÉ EN ARABE Tous les horaires sont en GMT http://twitter.com/TV5MONDEORIENT http://www.facebook.com/tv5mondemaghreborient 1 Cinéma TV5MONDE MAGHREB ORIENT certains indices semblent l'incriminer, il prend la fuite avec son fils. Désormais, il doit assumer seul sa double mission: se disculper aux yeux des enquêteurs et découvrir ce qui est réellement arrivé à sa femme... Réalisation: Franck Mancuso (France, 2010) © Aurora Films / Socco Chico Films Avec Yvan Attal, Pascal Elbé, Valentina SUR LA PLANCHE* Cervi, Armelle Deutsch, Éric Ruf Le 2 à 15h30 et le 7 à 20h00 Signalétique: déconseillé aux moins de 10 ans (-10) Tanger. Quatre jeunes femmes de vingt ans ont la rage de vivre. Le jour, elles travaillent. Ouvrières, deux d'entre elles sont des «textiles». Les deux autres, moins bien loties, sont des «crevettes». La nuit, elles partent à la poursuite de leurs rêves. Et pour cela, tous les moyens sont bons.. -
Décembre 2016 EN DÉCEMBRE SUR TV5MONDE MAGHREB ORIENT © Yan Turcotte © Yan
N° 117/2016 - Du 1 au 31 Décembre 2016 EN DÉCEMBRE SUR TV5MONDE MAGHREB ORIENT © Yan Turcotte © Yan LA VIE PARFAITE* Épisode 1* Le 15 à 15h30 Réalisation : Louis Choquette (saison 1, Canada, 2013) Avec Catherine Trudeau, Steve Laplante, etc... DES GENS QUI S'EMBRASSENT* / Kissman Fel Véronique © Le 6 à 15h35 et le 12 à 23h05 MARRAKECH DU RIRE 2016 Alors que Roni prépare le mariage de sa fille, la femme de Zef décède brutalement. Le 22 à 22h55 Un événement inattendu qui vient aggraver le conflit entre ces deux frères que tout Réalisation : Richard Valverde. sépare. Dès lors, leur vieux père malade et leurs deux filles qui s'adorent vont tout tenter pour les rapprocher... Réalisation : Danièle Thompson (France, 2012) Avec Éric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot, Pour plus de détails sur nos grilles de Max Boublil, Monica Bellucci, Ivry Giltis, Valérie Bonneton programmes consultez notre site www.tv5monde.com et pour nos partenariats en méditerranée www.tv5monde.com/mediterranee © Emilie de la Hosseraye *SOUS TITRÉ EN ARABE 1 Tous les horaires sont en GMT http://twitter.com/TV5MONDEORIENT http://www.facebook.com/tv5mondemaghreborient Cinéma TV5MONDE MAGHREB ORIENT © Roger Do Minh © Roger © Patrick Glaize / Mon Voisin Productions Voisin / Mon Glaize © Patrick JOUEUSE* LA MARQUE DES ANGES - MISERERE* Le 5 à 15h35, le 10 à 20h00 et le 23 à 01h20 Le 5 à 23h10 Hélène, femme de chambre dans un hôtel, mène une vie ionel Kasdan enquête sur un meurtre étrange: un chef de ordinaire dans son petit village de Corse. Un jour elle remarque, choeur tué dans sa paroisse. -
BORSALINO » 1970, De Jacques Deray, Avec Alain Delon, Jean-Paul 1 Belmondo
« BORSALINO » 1970, de Jacques Deray, avec Alain Delon, Jean-paul 1 Belmondo. Affiche de Ferracci. 60/90 « LA VACHE ET LE PRISONNIER » 1962, de Henri Verneuil, avec Fernandel 2 Affichette de M.Gourdon. 40/70 « DEMAIN EST UN AUTRE JOUR » 1951, de Leonide Moguy, avec Pier Angeli 3 Affichette de A.Ciriello. 40/70 « L’ARDENTE GITANE» 1956, de Nicholas Ray, avec Cornel Wilde, Jane Russel 4 Affiche de Bertrand -Columbia Films- 80/120 «UNE ESPECE DE GARCE » 1960, de Sidney Lumet, avec Sophia Loren, Tab Hunter. Affiche 5 de Roger Soubie 60/90 « DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE» 1967, de Jean Luc Godard, avec Marina Vlady. Affichette de 6 Ferracci 120/160 «SANS PITIE» 1948, de Alberto Lattuada, avec Carla Del Poggio, John Kitzmille 7 Affiche de A.Ciriello - Lux Films- 80/120 « FERNANDEL » 1947, film de A.Toe Dessin de G.Eric 8 Les Films Roger Richebé 80/120 «LE RETOUR DE MONTE-CRISTO» 1946, de Henry Levin, avec Louis Hayward, Barbara Britton 9 Affiche de H.F. -Columbia Films- 140/180 «BOAT PEOPLE » (Passeport pour l’Enfer) 1982, de Ann Hui 10 Affichette de Roland Topor 60/90 «UN HOMME ET UNE FEMME» 1966, de Claude Lelouch, avec Anouk Aimée, Jean-Louis Trintignant 11 Affichette les Films13 80/120 «LE BOSSU DE ROME » 1960, de Carlo Lizzani, avec Gérard Blain, Pier Paolo Pasolini, Anna Maria Ferrero 12 Affiche de Grinsson 60/90 «LES CHEVALIERS TEUTONIQUES » 1961, de Alexandre Ford 13 Affiche de Jean Mascii -Athos Films- 40/70 «A TOUT CASSER» 1968, de John Berry, avec Eddie Constantine, Johnny Halliday, 14 Catherine Allegret. -
Jaarverslag 2019
Jaarverslag 2019 Dit verslag biedt een analyse van de acties die screen.brussels fund vzw heeft ondernomen om zijn doelstellingen te verwezenlijken. Het bestaat uit vijf grote hoofdstukken: 1. Herhaling van de doelstellingen en taken van screen.brussels fund 2. Balans van de investeringen in de producties 3. Balans van de uitgevoerde acties 4. Boekhoudkundige balans 2019 Dit jaar staat meer bepaald in het teken van de consolidatie van de databases met professionals uit de audiovisuele sector en van de lancering van een platform om de aanvragen voor fondsen elektronisch te kunnen indienen. Dit jaar kenmerkt zich ook door de betaling van de subsidies in vele schijven (verkiezingsjaar). 1 screen.brussels fund vzw – Balans jaar 2019 1. Herhaling van de doelstellingen en taken 1.1. Context Op 2 mei 2016 lanceerde het Brussels Hoofdstedelijk Gewest zijn nieuwe strategie die moest zorgen voor een betere toegankelijkheid van het Brusselse audiovisuele aanbod voor alle Brusselse, Belgische en internationale betrokkenen. Deze strategie werd met name concreet door de oprichting van het overkoepelende merk screen.brussels. Dit bestaat uit 4 entiteiten: - screen.brussels film commission (het voormalige Brussels Film Office, onder leiding van visit.brussels) - screen.brussels cluster (de sectorale cluster, ondergebracht bij hub.brussels) - screen.brussels business (financiering van Brusselse audiovisuele bedrijven via finance.brussels) - screen.brussels fund (het Brusselse coproductiefonds) 1.2. Doelstellingen Het doel van de vzw screen.brussels binnen deze organisatie is de ontwikkeling en promotie van de audiovisuele sectoren in het Brussels Hoofdstedelijk Gewest, en de organisatie van alle taken die verband houden met de visuele sectoren in het algemeen. -
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ...................................................................................................................................... -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 3 96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 4
96 pagine interne_Layout 1 16/05/11 12:59 Pagina 3 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 4 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 LA PRODUZIONE ITALIANA 2010 THE ITALIAN PRODUCTION Edito da ANICA I film compresi nel catalogo sono Associazione Nazionale Industrie lungometraggi di produzione italiana forniti Cinematografiche Audiovisive e Multimediali di visto censura nell’anno 2010 In collaborazione con il cast e crediti non contrattuali Ministero per i Beni e le Attività Culturali Direzione Generale per il Cinema ANICA Viale Regina Margherita, 286 A cura dell’Ufficio Stampa ANICA 00198 Roma (Italia) Tel. +39 06 4425961 Coordinatore Editoriale Fax +39 06 4404128 Paolo Di Reda email: [email protected] Elaborazioni Informatiche Elenco Inserzionisti Gennaro Bruni Alberto Grimaldi Productions p. XVII con la collaborazione di Cinetecnica 73 Romina Coppolecchia Eurolab 74 Kodak 75 Redazione e reperimento dati Medusa 76 Claudia Bonomo Panalight XXI Antonio Dell’Erario Sound Art V Technicolor II-III Progetto Grafico e impaginazione Una vita per il cinema 72 Selegrafica‘80 s.r.l. Stampa Selegrafica‘80 s.r.l. - Guidonia (Rm) www.selegrafica.it [email protected] Concessionaria esclusiva della pubblicità Fotolito e impianti Via Tor dè Schiavi, 355 - 00171 Roma Composit s.r.l. - Guidonia (Roma) Tel. 06 89015166 - fax. 06 89015167 [email protected] [email protected] - www.apsadvertising.it Le schede complete della produzione italiana 2010 sono consultabili al sito www.anica.it IV 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 5 ità 7 g.it 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 6 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 ELENCO REGISTI LIST OF DIRECTORS A D I Adriatico, Andrea pag. -
Immanent Frames: Postsecular Cinema Between Malick and Von Trier
Journal of Religion & Film Volume 24 Issue 2 October 2020 Article 9 October 2020 Immanent Frames: Postsecular Cinema between Malick and von Trier Pablo Alzola Rey Juan Carlos University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Alzola, Pablo (2020) "Immanent Frames: Postsecular Cinema between Malick and von Trier," Journal of Religion & Film: Vol. 24 : Iss. 2 , Article 9. DOI: 10.32873/uno.dc.jrf.24.2.009 Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Immanent Frames: Postsecular Cinema between Malick and von Trier Abstract This is a book review of John Caruana and Mark Cauchi, eds., Immanent Frames: Postsecular Cinema between Malick and von Trier. Author Notes Pablo Alzola is Assistant Professor of Esthetics at the Department of Educational Sciences, Language, Culture and Arts at Rey Juan Carlos University (URJC) in Madrid, Spain. He has written several articles and book chapters on film and eligion,r together with a recent book on the cinema of Terrence Malick: El cine de Terrence Malick. La esperanza de llegar a casa (EUNSA, 2020). This book review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 Alzola: Immanent Frames Caruana, John and Cauchi, Mark (eds.). Immanent Frames: Postsecular Cinema between Malick and von Trier.