Lucas Belvaux
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CINEMA D'autore Per Tutti
Centro Audiovisivi Rassegne tematiche Bolzano di film d’autore 01 CINEMA d’AutorE pEr tuttI Le Proposte | Le Novità | Le Ricorrenze Ogni mese il Centro Audiovisivi di Bolzano mette a disposizione questa brochure contenente le Proposte, le Novità e le Ricorrenze. Le Proposte Un’occasione per conoscere e imparare ad amare il grande cinema. Ogni mese viene proposto un tema diverso per suggerire attraverso la cinematografia d’autore spunti di riflessione e valorizzare il patrimonio della mediateca del Centro Audiovisivi di Bolzano. Le Novità La raccolta cinematografica è in costante crescita e comprende film a partire dalle origini della storia del cinema fino a oggi. Ogni mese si arricchisce di ulteriori 30 film di qualità che vengono messi a disposizione di tutti i cittadini interessati. Le Ricorrenze La ricorrenza della data di nascita di alcuni dei più famosi attori, attrici e registi della storia del cinema è occasione per ricordare ogni mese i capolavori che loro hanno realizzato. Invito tutti a rivedere, scoprire e riscoprire le loro opere nella mediateca. Buona visione! Christian Tommasini Vicepresidente della Provincia Assessore alla cultura italiana ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ LE proposte Viaggio nel cinema tra misteri e magie ANgeL-A Fr, 2005 Regia Fiabesco, 90’, b/n, sonoro Luc Besson Attori Jamel Debbouze, Rie Rasmussen, Gilbert Melki, Serge Riaboukine, Akim Chir, Eric Balliet, Loïc Pora André, delinquentello extracomunitario braccato da strozzini violenti, è soccorso da un angelo con sem- bianze di donna che non soltanto lo salva dal suicidio ma gli restituisce fiducia in sé stesso. Luc Besson dice che sono quattro i personaggi principali: Angela, André, Parigi e il bianconero. -
PLEASE READ THESE DIRECTIONS in FULL: Spreckels Theatre
PLEASE READ THESE DIRECTIONS IN FULL: Spreckels Theatre Company announces it's Youth in Arts Summer Youth Program Disney's Sleeping Beauty, KIDS Music and Lyrics by Pyotr Ilyich Tchaikovsky George Bruns and Tom Adair, Winston Hibler and Ted Sears, Sammy Fain and Jack Lawrence Music Adapted and Arranged and Additional Music by Bryan Louiselle Book Adapted and Additional Lyrics by Marcy Heisler Based on the 1959 Disney film "Sleeping Beauty" and the story "Sleeping Beauty in the Wood" by Charles Perrault Stage Direction by Denise Elia-Yen Music Direction by Lucas Sherman Choreography by Michella Snider Performances on the Main Stage at Spreckels Performing Arts Center ********************************************************************* AUDITIONS: FRIDAY, June 16th, 5:00 p.m. – 8:30 p.m. *See below to arrange your audition slot if you are aged 10-17! CALLBACKS: SATURDAY, June 17th, 10:00 a.m. – 2:00 p.m. at director's discretion Auditions and Callbacks in the Condiotti Theater at Spreckels Performing Arts Center ********************************************************************* REHEARSAL SCHEDULE (please read carefully): July 16th, 17th and 18th: 6:00 p.m. - 9:00 p.m. Monday, July 24th thru Friday, July 28th: 9:00 a.m. - 3:00 p.m. Monday, July 31st thru Friday, August 4th: 9:00 a.m. - 3:00 p.m. Saturday, August 5th: Tech with cast 12:30 p.m. - 3:30 p.m. Sunday, August 6th: Cast and orchestra 12:30 - 6:00 p.m. Monday, August 7th, Tuesday, August 8th, Wednesday, August 9th and Thursday August 10th - 6:00 - 9:00 p.m. Friday, August 11th: actors prep at 4:00 p.m. -
Download Catalogue
LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
Why YOU Should Be an English Major
Why YOU should be an English Major You’ll be able to communicate your ideas effectively. This is what employers want the most – people who can communicate clearly. Impress your employer with your ability to communicate, and you’ll get promoted. You’ll also sound smarter than everybody else. You’ll be able to learn new tasks and ideas. A liberal arts education teaches you how to learn, not how to do a specific job. Your employer will provide on-the-job training. Besides, the hot jobs of 20 years from now haven’t even been thought of yet; major in English, learn how to learn new job skills, and stay employed. You’ll be prepared for med school, law school, business school… Being an English major teaches you how to think critically. Graduate schools in every field are more interested in your ability to analyze situations and make connections between concepts than in your ability to memorize lists. You’ll get a good job. Major scientific, technological, industrial, and financial companies like to hire English majors. They want employees who can analyze problems, think up creative answers, and communicate those answers to coworkers. And an English degree teaches you to do all these things. You’ll earn lots of money. Well, maybe not as much as science graduates, but the 201 201 Payscale College Salary Report listed salaries for popular careers for English majors that ranged from $ to $ . 5- 6 40,000 76,000 You’ll move up the company ladder. Your English major taught you how to analyze problems, think creatively, synthesize intelligent solutions, and communicate those solutions to your bosses and coworkers. -
Filmverleih- Unternehmen in Europa
Filmverleih- unternehmen in Europa André Lange und Susan Newman-Baudais unter Mitarbeit von Thierry Hugot Einleitung .............................................................................................................................................. 3 Hinweise zur Benutzung ........................................................................................................................ 5 Kapitel 1 Filmverleihunternehmen in Europa .........................................................................9 1.1 Ein Überblick 1.2 Wirtschaftliche Analyse INHALT Kapitel 2 Individuelle Gesellschaftsprofi le ............................................................................ 23 AT Österreich ..............................................................25 BE Belgien ...................................................................29 BG Bulgarien ...............................................................41 CH Schweiz ..................................................................45 CZ Tschechische Republik ............................................51 DE Deutschland ...........................................................59 DK Dänemark ..............................................................67 EE Estland ...................................................................73 ES Spanien ..................................................................79 FI Finnland .................................................................95 FR Frankreich ............................................................101 -
Hollywood Movie Stars California History Section Display
CALIFORNIA STATE LIBRARY NOVEMBER-DECEMBER 2016 HOLLYWOOD MOVIE STARS CALIFORNIA HISTORY SECTION DISPLAY VISIT OUR CURRENT DISPLAY: MINING IN CALIFORNIA California History Section 900 N Street Room 200 9:30-4 Monday-Friday INTRODUCTION California has been a moviemaking powerhouse for over a century now! Get star- struck, and relive the glory days of yesteryear’s actors through our carefully curated selection of images, ephemera and books. If you want more infor- mation about our movie history resources, you can find them in the fol- lowing places: California State Library Catalog: Subject Searches: Motion picture actors and actresses California motion picture* Hollywood history California Information File II: Subject Searches: Motion picture actors and actresses California Motion picture* Hollywood history California Information File (In-house use): Subject Searches: Moving Pictures Counties: Los Angeles: Hollywood Drama: Actor Names California Image File (In-house use): Subject searches: Portraits: Actor Names Motion Pictures Contacting us: Web-form: Ask us a Question Email: [email protected] Enjoy our display! VISUALS Hoover, Art Company. 192AD. [Lena Basquette] (7 Views). Silent Movie Scene. 192AD. Hartsook, Photo. 192AD. Mary Pickford. VISUALS Blake, Orville T. 1929. Grauamaus [Sic] Chinese, Hollywood, CA. Graphic. Arthur Wenzel at Theater in Oakland. 1916. Graphic. Hoover, Art Company. 192AD. [Alice Terry] (2 Views). A Cecil B. DeMille Production: Fredric March in “The Buccaneer.” 1937. Graphic. VISUALS Farrell Collection. 1916. Mary Pickford in Hulda from Holland. Graphic. T&D. N.D. [Actor]. Graphic. Dobbins Collection. N.D. [Actress]. Graphic. VISUALS Portraits. N.D. Graphic. [Actors]. 1916. Graphic. Garrick Theater (Philadelphia, Penn.). c1913. [Advertisement]. Philadelphia: Garrick Theater. -
Dossier Presse Joseph
Les Films de la Croisade en coproduction avec Iota Production et uFilm en association avec uFund avec la participation de France Télévisions Joseph l’insoumis Une fiction de 90’ inspirée de la vie du Père Joseph Wrésinski, fondateur d’ATD Quart Monde avec Jacques Weber, Anouk Grinberg Nicolas Louis, Patrick Descamps, Laurence Côte Salomé Stévenin, Anne Coesens, Isabelle de Hertogh Un film de Caroline Glorion Projet labellisé réalisé avec le soutien de : CNC, Région Aquitaine, Communauté Française de Belgique, Commission Européenne, Conseil Général de Gironde, Ville de Bordeaux, Ministère de la Santé et des Sports - Délégation à l’information et à la Communication, L’Acsé –Fonds Images de la Diversité, Observatoire National de la Pauvreté, Caisse des Dépôts, Fondation Bettencourt Schueller, Association Georges Hourdin, du Programme Media de l’Union Européenne, de Soficinéma 5 Développement et de TV5 Monde Joseph l’insoumis Le Rachaï Joseph l’insoumis Début des années 60, un bidonville aux portes de Paris. Une poignée de familles survivent sous des abris de fortune dans une misère effroyable et une violence quotidienne. Un homme, le Père Joseph Wrésinski, décide de s’installer au milieu de ceux qu’il appelle « son peuple ». Parmi ces familles, celle de Jacques. Sa vie va être transformée par sa rencontre avec le Père Joseph. La sienne mais la vie aussi de ceux qui vont rejoindre le combat de ce curé révolutionnaire. Un combat contre l’assistance et la charité qui dit-il « enfoncent les pauvres dans l’indignité Distribution artistique Joseph -
Download Persmap
PERSMAP - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - F: 020 5308849 - email: [email protected] 38 TÉMOINS Een film van Lucas Belvaux Yvan Attal Sophie Quinton Nicole Garcia Wanneer Louise terugkomt van een zakenreis verneemt ze dat er een moord gepleegd is in haar straat. Niemand heeft iets gezien of gehoord, iedereen sliep. Lijkt het… Pierre, haar man, was aan het werk. Hij was op zee. Lijkt het… De politie start het onderzoek, maar ook de pers roert zich. Beetje bij beetje komt Louise erachter dat 38 mensen iets gehoord of gezien hebben en dat haar man wel eens één van hen zou kunnen zijn… Openingsfilm International Film Festival Rotterdam 2012 Speelduur: 99 min. - Land: België/ Frankrijk - Jaar: 2011 - Genre: Drama Release datum: 28 juni 2012 Distributie: Cinéart Meer informatie: Publiciteit & Marketing: Cinéart Janneke De Jong Herengracht 328 III 1016 CE Amsterdam Tel: +31 (0)20 5308848 Email: [email protected] Persmap en foto’s staan op: www.cineart.nl Persrubriek inlog: cineart / wachtwoord: film - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - F: 020 5308849 - email: [email protected] CAST Pierre Morvand Yvan Attal Louise Morvand Sophie Quinton Sylvie Loriot Nicole Garcia Kapitein Léonard François Feroleto Anne Natacha Régnier Petrini Patrick Descamps Advocaat Didier Sandre Directeur Bernard Mazzinghi Groepsleider Laurent Fernandez Jonge politieagent Pierre Rochefort Gewelddadige man Philippe Résimont Getuigen Sébastien Libessart Dimitri Rataud Vincent Le Bodo Anne-Sophie Pauchet Chef van Louise Jean-Pierre -
Jaarverslag 2019
Jaarverslag 2019 Dit verslag biedt een analyse van de acties die screen.brussels fund vzw heeft ondernomen om zijn doelstellingen te verwezenlijken. Het bestaat uit vijf grote hoofdstukken: 1. Herhaling van de doelstellingen en taken van screen.brussels fund 2. Balans van de investeringen in de producties 3. Balans van de uitgevoerde acties 4. Boekhoudkundige balans 2019 Dit jaar staat meer bepaald in het teken van de consolidatie van de databases met professionals uit de audiovisuele sector en van de lancering van een platform om de aanvragen voor fondsen elektronisch te kunnen indienen. Dit jaar kenmerkt zich ook door de betaling van de subsidies in vele schijven (verkiezingsjaar). 1 screen.brussels fund vzw – Balans jaar 2019 1. Herhaling van de doelstellingen en taken 1.1. Context Op 2 mei 2016 lanceerde het Brussels Hoofdstedelijk Gewest zijn nieuwe strategie die moest zorgen voor een betere toegankelijkheid van het Brusselse audiovisuele aanbod voor alle Brusselse, Belgische en internationale betrokkenen. Deze strategie werd met name concreet door de oprichting van het overkoepelende merk screen.brussels. Dit bestaat uit 4 entiteiten: - screen.brussels film commission (het voormalige Brussels Film Office, onder leiding van visit.brussels) - screen.brussels cluster (de sectorale cluster, ondergebracht bij hub.brussels) - screen.brussels business (financiering van Brusselse audiovisuele bedrijven via finance.brussels) - screen.brussels fund (het Brusselse coproductiefonds) 1.2. Doelstellingen Het doel van de vzw screen.brussels binnen deze organisatie is de ontwikkeling en promotie van de audiovisuele sectoren in het Brussels Hoofdstedelijk Gewest, en de organisatie van alle taken die verband houden met de visuele sectoren in het algemeen. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Immanent Frames: Postsecular Cinema Between Malick and Von Trier
Journal of Religion & Film Volume 24 Issue 2 October 2020 Article 9 October 2020 Immanent Frames: Postsecular Cinema between Malick and von Trier Pablo Alzola Rey Juan Carlos University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Alzola, Pablo (2020) "Immanent Frames: Postsecular Cinema between Malick and von Trier," Journal of Religion & Film: Vol. 24 : Iss. 2 , Article 9. DOI: 10.32873/uno.dc.jrf.24.2.009 Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Immanent Frames: Postsecular Cinema between Malick and von Trier Abstract This is a book review of John Caruana and Mark Cauchi, eds., Immanent Frames: Postsecular Cinema between Malick and von Trier. Author Notes Pablo Alzola is Assistant Professor of Esthetics at the Department of Educational Sciences, Language, Culture and Arts at Rey Juan Carlos University (URJC) in Madrid, Spain. He has written several articles and book chapters on film and eligion,r together with a recent book on the cinema of Terrence Malick: El cine de Terrence Malick. La esperanza de llegar a casa (EUNSA, 2020). This book review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/9 Alzola: Immanent Frames Caruana, John and Cauchi, Mark (eds.). Immanent Frames: Postsecular Cinema between Malick and von Trier.