<<

Serpentine Gallery in the Royal Park of Gardens,

Serpentine Gallery in the Royal Park of , London

Serpentine Sackler Gallery and The Magazine restaurant, opened 2013 AN OPEN LANDSCAPE FOR ART AND IDEAS

‘The Serpentine is set apart in the art world by its boldness and innovation. It takes on big ideas and makes them happen.’ Michael R. Bloomberg Aerial view of the Serpentine and Serpentine Sackler Galleries in the The Serpentine is set apart in the art world by its Royal Gardens of Kensington Park. boldness and innovation. It takes on big ideas and makes them happen against the odds. Michael R. Bloomberg

Serpentine Sackler Gallery

Serpentine Gallery ABOUT THE

The Serpentine Galleries are some of Britain's best loved galleries, attracting up to 1.2 million visitors in any year. Championing new ideas in contemporary art since it opened in 1970, the Serpentine has presented pioneering exhibitions of 2,876 artists over 45 years, showing a wide range of work from emerging practitioners to the most internationally recognised artists, and designers of our time.

Today, the Serpentine is two exhibition spaces situated on either side of The Serpentine lake in London’s Kensington Gardens: the Serpentine Gallery and the Serpentine Sackler Gallery, which opened to the public in September 2013. (Open Tuesday to Sunday 10am-6pm, the Galleries offer free admission throughout the year.) “There is a deliberate imprecision in Escobedo’s work that comes from her liking for rough materials and her belief in incompleteness. She leaves gaps, literally and metaphorically, within which the activities of the users might complete what she started. Her aims to be performative, something that itself keeps changing and encourages others to react.”

The Observer, Rowan Moore Serpentine Gallery and Serpentine Pavilion designed by Frida Escobedo The(11 Serpentine June – 7 OctoberPavilion 2018)2014 Designed© 2018 Iwan by Smiljan Baan Radić “The Serpentine Gallery in London’s Hyde Park has turbo- charged the pavilion format, fashioning from this simple idea an annual playground for architects who have yet to build in Britain. In doing this, it has, for each year this century, created a remarkable and freely accessible forum for the discussion and direct experience of architecture.” **** Financial Times, Eddie Heathcote, 2018

Event set at the Serpentine Gallery, 2018 COS x Serpentine Park Nights, Victoria Sin, 2018 Goldman Sachs x Serpentine Women in Leadership, 2018 NINETEEN YEARS OF WORLD-CLASS ARCHITECTURE SERPENTINE PAVILIONS 2000 - 2017

Serpentine Gallery Pavilion 2016 designed by Group (BIG)

Serpentine Gallery Pavilion 2017 designed by Frances Kéré

Serpentine Gallery Pavilion 2014 Designed by Smiljan Radić

Serpentine Gallery Pavilion 2015 ‘If, now it has become so established, the Serpentine can switch to introducing the designed by selgascano unexpected –they will be doing London a huge favour.’ Financial Times NINETEEN YEARS OF WORLD-CLASS ARCHITECTURE SERPENTINE PAVILIONS 2000 - 2017

Serpentine Gallery Pavilion 2013 Serpentine Gallery Pavilion 2012 Designed by Sou Fujimoto Designed by Herzog & de Meuron and

Serpentine Gallery Pavilion 2010 Designed by

Serpentine Gallery Pavilion 2011 ‘Transient glory: 10 years of the Serpentine’s star pavilions.’ Designed by Serpentine Gallery Pavilion 2008 designed by NINETEEN YEARS OF WORLD-CLASS ARCHITECTURE SERPENTINE PAVILIONS 2000 - 2017

Serpentine Gallery Pavilion 2009 Serpentine Gallery Pavilion 2008 Designed by and of SANAA Designed by Frank Gehry

Serpentine Gallery Serpentine Gallery Pavilion 2006 Serpentine Gallery Pavilion 2005 Pavilion 2007 Designed by with Álvaro Siza and with & Kjetil Thorsen – Arup Cecil Balmond – Arup

Serpentine Gallery Pavilion 2003 Serpentine Gallery Pavilion 2002 Serpentine Gallery Pavilion Serpentine Gallery Pavilion Designed by Designed by with Arup 2001 Designed by Daniel 2000 Libeskind with Arup Designed by SERPENTINE PAVILIONS IN PRIVATE COLLECTIONS

The purchase of the annual Serpentine Pavilion is a major component of the Serpentine’s fundraising programme. Its sale enables the Galleries to continue building on their ambitious architecture series and allows the buyer to advance the legacy of these unique structures.

The Serpentine Pavilion 2017 designed by Diébédo Francis Kéré will have a new permanent home in Malaysia. The pavilion was purchased by Kuala Lumpur-based Ilham Gallery who are seeking a location for the pavilion in Malaysia's Klang Valley – the region that surrounds and encompasses the city.

In 2016, Westbank supported and subsequently purchased the Pavilion, with Serpentine Pavilion 2002, designed by Toyo Ito with Arup, Le the intention that it would serve a purpose beyond the one exhibition. Plans Beauvallon, Cote d’Azur are currently underway that would see the Serpentine Pavilion on display for periods of time in New York and Toronto, before eventually finding its way to a permanent home in Vancouver.

In 2015, Second Home purchased the Serpentine’s 15th Pavilion designed by Spanish architectural firm selgascano. This structure will be installed in Los Angeles, providing visitors the opportunity to enjoy the colourful structure’s second life.

The 2014 Pavilion, designed by Chilean Smiljan Radić, was purchased by art gallery Hauser & Wirth and is now in situ at Durslade Farm, Bruton, Somerset, where it is located next to an expansive garden designed by Dutch master Piet Oudolf.

Frank Gehry’s wooden structure, purchased in 2008, is now situated in Chateau-la-Coste, in Aix-en-Provence, , and used to host outdoor concerts and events across the summer season.

In 2002, the Pavilion designed by Toyo Ito was reconstructed on site of the luxury hotel Le Beauvallon on Cote d’Azur, France. Serpentine Pavilion 2008, designed by Frank Gehry, Chateau-la- Coste, Aix-en-Provence ‘…The Serpentine Pavilion has acted as a blueprint for other projects around the world, sparking commissions and competitions from Asia to North America.’ Financial Times Serpentine Pavilion 2018, designed by JIAKUN Architects

Serpentine Pavilion Beijing 2018, designed by JIAKUN Architects

WORK IN PROGRESS

The wealth discrepancy for London is 1:295, 1 is the wealth of the poorest 10% and 295 of the richest 10%. If the lowest 10% are represented by a height of 1m, 10% are represented by 295m

Source: Trust for London WORK IN PROGRESS WORK IN PROGRESS https://drive.google.com/drive/u/0/folders/1YPsL6zg lvcbGiRA1eKOfgGej5rqEHh8m