Zaha Hadid Architects
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“HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert
FOR IMMEDIATE RELEASE Book : “HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert Landon Featuring Projects by Zaha Hadid, Jean Nouvel, Frank Gehry, Oscar Niemeyer, Mies van der Rohe, and Many Others, All Photographed As Never Before. A Groundbreaking New book of Architectural Photographs and Original Essays Takes Readers on a Fascinating Journey Through Time In a visually striking new book Here/After: Structures in Time, award-winning photographer Paul Clemence and author Robert Landon take the reader on a remarkable tour of the hidden fourth dimension of architecture: Time. "Paul Clemence’s photography and Robert Landon’s essays remind us of the essential relationship between architecture, photography and time," writes celebrated architect, critic and former MoMA curator Terence Riley in the book's introduction. The 38 photographs in this book grow out of Clemence's restless search for new architectural encounters, which have taken him from Rio de Janeiro to New York, from Barcelona to Cologne. In the process he has created highly original images of some of the world's most celebrated buildings, from Frank Lloyd Wright's Guggenheim Museum to Frank Gehry's Guggenheim Bilbao. Other architects featured in the book include Ludwig Mies van der Rohe, Oscar Niemeyer, Mies van der Rohe, Marcel Breuer, I.M. Pei, Studio Glavovic, Zaha Hadid and Jean Nouvel. However, Clemence's camera also discovers hidden beauty in unexpected places—an anonymous back alley, a construction site, even a graveyard. The buildings themselves may be still, but his images are dynamic and alive— dancing in time. Inspired by Clemence's photos, Landon's highly personal and poetic essays take the reader on a similar journey. -
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Introduction Association (AA) School Where She Was Awarded the Diploma Prize in 1977
Studio London Zaha Hadid, founder of Zaha Hadid Architects, was awarded the Pritzker 10 Bowling Green Lane Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and London EC1R 0BQ is internationally known for her built, theoretical and academic work. Each of T +44 20 7253 5147 her dynamic and pioneering projects builds on over thirty years of exploration F +44 20 7251 8322 and research in the interrelated fields of urbanism, architecture and design. [email protected] www.zaha-hadid.com Born in Baghdad, Iraq in 1950, Hadid studied mathematics at the American University of Beirut before moving to London in 1972 to attend the Architectural Introduction Association (AA) School where she was awarded the Diploma Prize in 1977. She founded Zaha Hadid Architects in 1979 and completed her first building, the Vitra Fire Station, Germany in 1993. Hadid taught at the AA School until 1987 and has since held numerous chairs and guest professorships at universities around the world. She is currently a professor at the University of Applied Arts in Vienna and visiting professor of Architectural Design at Yale University. Working with senior office partner, Patrik Schumacher, Hadid’s interest lies in the rigorous interface between architecture, landscape, and geology as her practice integrates natural topography and human-made systems, leading to innovation with new technologies. The MAXXI: National Museum of 21st Century Arts in Rome, Italy and the London Aquatics Centre for the 2012 Olympic Games are excellent manifestos of Hadid’s quest for complex, fluid space. Previous seminal buildings such as the Rosenthal Center for Contemporary Art in Cincinnati and the Guangzhou Opera House in China have also been hailed as architecture that transforms our ideas of the future with new spatial concepts and dynamic, visionary forms. -
Cincinnati Art Center: Integrated Spaces
Innovation Cincinnati Art Center: Integrated Spaces The opportunity to participate in a project of such far-reaching significance does not come often, and Steelcase was determined to offer whatever help it could to make it possible for Zaha Hadid to fulfill her dramatic vision for the museum. THE LOIS & RICHARD ROSENTHAL CENTER FOR CONTEMPORARY ART, CINCINNATI OBJECTIVES ARTISTIC EXPRESSION. Today, Cincinnati has a new museum that brings the world of contemporary art to the street, and engages the city in a dialogue that promises to be heard far beyond the Ohio River Valley. It’s a bold stroke, even for a town with a reputation for fighting hard for the freedom of artistic expression. It was this same institution—the Cincinnati Contemporary Arts Center—that in 1990 started the works of Robert Mapplethorpe on their way to a First Amendment legal battle and a national debate over the public funding of art. The outcome was a major win for the freedom of expression. 1 When the Center announced its intention to build a new home for itself, 97 architects responded to the call for entries. The field was eventually narrowed to three, and Iraqi-born, London-based architect Zaha Hadid was chosen from the finalists. The oisL & Richard Rosenthal Contemporary Art Center opened its doors to the public in May 2003. The sculptural effect that eeY describes floats out and onto the city like an ocean liner struggling to break loose from its anchorage. SITUATION CREATING INTEGRATED SPACES When the building of a major new home for contemporary art is announced, particularly one designed by one of the world’s leading architects, it creates a lot of attention. -
1 – Advanced Studio VI – Something of Value – Beijing, China – Solomonoff – Spring 2019
Advanced Design Studio VI Something of Value Arguments for Architecture as Value Proposition Beijing, China Spring 2019 Graduate School of Architecture Planning and Preservation Columbia University Galia Solomonoff, critic Galia Solomonoff, AIA [email protected], www.solomonoff.com Kinne Trip to Beijing, China Trip Dates 4 or 5 nights in March 12 to 22, exact dates TBD Studio Parameters: Client: Our studio will design for an assumed “client,” who is a wealthy graduate from GSAPP with a combined degree in Architecture, Real Estate, and Critical Studies. Upon returning to his native Beijing, our “client” is put in charge of a company comparable to SOHO of China, headquartered in Beijing. Project: Our studio project is to design a building(s) as a “gift” to the city of Beijing, which would allow the client’s company development rights somewhere else. Program: The company owns millions of square feet of real estate around the world, the majority of which is commercial office space. With commercial office space currently shifting towards sharing types (wework, knotel, incubators, navy yard) the client wishes to experiment with new hybrids that combine work, art, commerce and education. The exact program is left undefined. Yet the mission is states: design something of value…What does it mean to design something of value? Value to whom? Zaha Hadid Architects, Galaxy Soho Beijing, 2015 Site: The exact site is to be determined. It must be in the proximity of Zaha Hadid’s Galaxy and Kengo Kuma’s Santilun Soho, in the Sanlitun area of Beijing. 1 – Advanced Studio VI – Something of Value – Beijing, China – Solomonoff – Spring 2019 Kengo Kuma Architects, Sanlitun Soho, Beijing, 2016 Method The studio shall be divided into 3 segments; • Research (01 weeks – Jan 24 to Jan 30) • Argument (01 weeks – Jan 31 to Feb 4) • Design (12 weeks – Feb 5 to May 1) Research: Drawing from an array of contemporary and historical examples, our research concentration will be to examine the idea of value in Architecture and the contexts of Art and Real Estate. -
Framework for an Architectural Knowledge Ecosystem Through the Distribution of Authorship
FRAMEWORK FOR AN ARCHITECTURAL KNOWLEDGE ECOSYSTEM THROUGH THE DISTRIBUTION OF AUTHORSHIP A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY CANAN ALBAYRAK DE BRITO COLAÇO IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE SEPTEMBER 2018 Approval of the thesis: FRAMEWORK FOR AN ARCHITECTURAL KNOWLEDGE ECOSYSTEM THROUGH THE DISTRIBUTION OF AUTHORSHIP submitted by CANAN ALBAYRAK DE BRITO COLAÇO in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture Department, Middle East Technical University by, Prof. Dr. Halil Kalıpçılar Dean, Graduate School of Natural and Applied Sciences Prof. Dr. F. Cânâ Bilsel Head of Department, Architecture Prof. Dr. Zeynep Mennan Supervisor, Architecture., METU Examining Committee Members: Prof. Dr. C. Abdi Güzer Architecture Dept., METU Prof. Dr. Zeynep Mennan Architecture Dept., METU Prof. Dr. Şule Taşlı Pektaş Architecture Dept., Başkent University Assoc. Prof. Dr. Fehmi Doğan Architecture Dept., Izmir Institute of Technology Assist. Prof. Dr. Başak Uçar Architecture Dept., TED University Date: 04.09.2018 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Signature : iv ABSTRACT FRAMEWORK FOR AN ARCHITECTURAL KNOWLEDGE ECOSYSTEM THROUGH THE DISTRIBUTION OF AUTHORSHIP Albayrak de Brito Colaço, Canan Ph.D., Department of Architecture Supervisor : Prof. Dr. Zeynep Mennan September 2018, 128 pages Shifts from centralized towards socially distributed knowledge production modes are having a great impact on many fields and reshaping the understanding of knowledge production. -
Lauren Henkin: Props November 22 – March 01, 2020
EDUCATOR GUIDE Lauren Henkin: Props November 22 – March 01, 2020 Welcome! Dear Educators, We are delighted to have you join us at the Contemporary Arts Center (CAC) for Lauren Henkin’s first installation exhibition, Props. The exhibition is on view from November 22, 2019 – March 1, 2020. Henkin asks us flatly: “Is this art?”. We are taught to always say “Of course!”, but her question goes deeper than the simple, time-old retort. Why is it art? Why do have names for certain types of art. We are encouraged to define sculpture, installation, architecture, and her term for these works: interventions. Her pieces, all titled Prop, are located throughout the building in places that are not traditionally used to show art. She encourages us to reconsider these spaces, think about what we see and don’t see, how the space is changed because of her interventions. We invite you to explore, create, immerse yourselves, and discover what stories, connections and lessons can be found within this exhibition. Enjoy your visit! 2 | P a g e CONTENTS 4 – 6 Introduction to Lauren Henkin: Props - About the artist - About the work - Quotes - About the exhibition 6 Vocabulary and Themes 6 – 8 Pre-visit Discussions - About the CAC - About the building - Rules and Guidelines 8 Accessibility Information 9 Artwork Discussions 9 – 10 Lesson Plan Ideas 10 – 13 Artwork and information 13 Resources 14 Learning standards 3 | P a g e ABOUT THE ARTIST About the Artist Lauren Henkin - Born in 1974 in Washington DC, grew up in Maryland - Graduated with a BA in architecture -
Educator Guide: Tom Schiff: Surrounded By
EDUCATOR GUIDE Tom Schiff: Surrounded by Art Panoramic Views of America’s Landmark Museums November 22 – March 01, 2020 1 | P a g e Welcome! Dear Educators, We are delighted to have you join us at the Contemporary Arts Center (CAC) for Tom Schiff’s first solo exhibition, Surrounded by Art Panoramic Views of America’s Landmark Museums . The exhibition is on view from November 22, 2019 – March 1, 2020. For years, Schiff has traveled the country taking dynamic exterior and interior photographs of different arts institutions, and, as a result, created a visual catalogue of museums. Through artistic license and deliberate framing, Schiff turns the architecture of landmark American museums into a medium. We are encouraged to define panorama, symmetry, asymmetry, abstraction, cirkut, and composition as we explore the way Schiff utilizes his photographic panorama technique. We invite you to explore, create, immerse yourselves, and discover what stories, connections and lessons can be found within this exhibition. Enjoy your visit! 2 | P a g e CONTENTS 4 – 5 Introduction to Tom Schiff: Surrounded by Art - About the artist - About the work - Quotes - About the exhibition 5 - 6 Vocabulary and Themes 7 – 8 Pre-visit Discussions - About the CAC - About the building - Rules and Guidelines 8 - 9 Accessibility Information 9 Artwork Discussions 9 – 10 Lesson Plan Ideas 11 – 17 Artwork and information 18 Resources and Learning standards 3 | P a g e ABOUT THE ARTIST Tom Schiff 1. Cincinnati-based photographer 2. Earned a BBA degree (Bachelors in Business Administration) from Ohio University in 1970, during which time he studied photography under Clarence White, Jr. -
HEYDER ALIYEV CENTRE, Azerbaijan Zaha Hadid Architects Background in 2013, the Heydar Aliyev Center Opened to the Public in Baku, the Capital of Azerbaijan
HEYDER ALIYEV CENTRE, Azerbaijan Zaha Hadid Architects Background In 2013, the Heydar Aliyev Center opened to the public in Baku, the capital of Azerbaijan. The cultural center, designed by Zaha Hadid, has become the primary building for the nation's cultural programs, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation that looks to the future. This report presents a case study of the project. It will include the background information, a synopsis of the architect's mastery of structural design. Also, some special elements of this building will be discussed in detail. And the structural design of the whole complex will be reviewed through diagrams and the simplified computer-based structural analysis. The Heydar Aliyev Center Since 1991, Azerbaijan has been working on modernizing and developing Baku’s infrastructure and architecture in order to depart from its legacy of normative Soviet Modernism. The center is named for Heydar Aliyev, the leader of Soviet-era Azerbaijan from 1969 to 1982, and President of Azerbaijan from October 1993 to October 2003. The project is located in the center of the city. And it played an extremely important role in the development of the city. It breaks from the rigid and often monumental Soviet architecture that is so prevalent in Baku. More importantly, it is a symbol of democratic philosophy thought. Under the influence of the new Azerbaijan party and the Soviet Socialist Republic of Azerbaijan leader’s political and economic reform, the center was also designed to show the potential of the country’s future cultural development, to encourage people to study the history, language, culture, national creed and spiritual values of their own country. -
Zaha Hadid Profile
Biography Zaha Hadid, founder of Zaha Hadid Architects, was awarded the Pritzker Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and is internationally known for her built, theoretical and academic work. Each of her dynamic and innovative projects builds on over thirty years of revolutionary exploration and research in the interrelated fields of urbanism, architecture and design. Hadid’s interest lies in the rigorous interface between architecture, landscape, and geology as her practice integrates natural topography and human-made systems, leading to experimentation with cutting- edge technologies. Such a process often results in unexpected and dynamic architectural forms. The MAXXI: National Museum of 21st Century Arts in Rome, Italy and the London Aquatics Centre for the 2012 Olympic Games are excellent demonstrations of Hadid’s quest for complex, fluid space. Previous seminal buildings such as the Hoenheim Nord Terminus in Strasbourg, Rosenthal Center for Contemporary Art in Cincinnati and the Guangzhou Opera House in China have also been hailed as architecture that transforms our vision of the future with new spatial concepts and bold, visionary forms. Zaha Hadid Architects continues to be a global leader in pioneering research and design investigation. Collaborations with corporations that lead their industries have advanced the practice’s diversity and knowledge, whilst the implementation of state-of-the- art technologies have aided the realization of fluid, dynamic and therefore complex architectural structures. Currently Hadid is working on a multitude of projects worldwide including: High-Speed Train Stations in Naples and Durango; the Fiera di Milano masterplan and tower as well as major master-planning projects in Beijing, Bilbao, Istanbul and Singapore. -
Museums for a New Millennium: Concepts, Projects, Buildings"
Art Centre Basel Sternengasse 6 Postfach 4010 Basel / Switzerland Phone: +41 61 272 5393 Fax: +41 61 272 5434 Email: [email protected] www.absolutearts.com, May 2002 __________________________________________________________________________________________________________ Absolute Arts World Wide Arts Resources Indepth Arts News: "Museums for a New Millennium: Concepts, Projects, Buildings" 2002-05-24 until 2002-08-04, Milwaukee Art Museum Milwaukee, WI, USA Contemporary museum architecture is the focus of the exhibition Museums for a New Millennium: Concepts, Projects, Buildings, on view at the Milwaukee Art Museum May 24 - August 4, 2002. This exhibition presents a cross-section of the most significant museum projects that have been designed and built within the last ten years, or are presently under construction. Among those featured in this exhibition is the Milwaukee Art Museum expansion, designed by Santiago Calatrava, which opened in October 2001. Museums for a New Millennium at the Milwaukee Art Museum is sponsored by CG Schmidt, Inc. and Graef, Anhalt, Schloemer & Associates, Inc. According to Russell Bowman, director of the Milwaukee Art Museum, "We are in the midst of one of the most dynamic museum building booms in history. Museums for a New Millennium documents this phenomenon with the most important museum building projects of our time." The exhibition presents drawings, photographs and original models of 25 architectural milestones from around the world. The featured projects, all key works by internationally renowned architects, offer a cross section of the complex panorama of museum architecture designed at the close of the twentieth century. The selection includes the finest examples of recent museum architecture, highlighting the buildings that are representative of significant architectural currents and cultural demands.