420 Architectural Works Compete for the European Union Prize for Contemporary Architecture – Mies Van Der Rohe Award 2015
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“HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert
FOR IMMEDIATE RELEASE Book : “HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert Landon Featuring Projects by Zaha Hadid, Jean Nouvel, Frank Gehry, Oscar Niemeyer, Mies van der Rohe, and Many Others, All Photographed As Never Before. A Groundbreaking New book of Architectural Photographs and Original Essays Takes Readers on a Fascinating Journey Through Time In a visually striking new book Here/After: Structures in Time, award-winning photographer Paul Clemence and author Robert Landon take the reader on a remarkable tour of the hidden fourth dimension of architecture: Time. "Paul Clemence’s photography and Robert Landon’s essays remind us of the essential relationship between architecture, photography and time," writes celebrated architect, critic and former MoMA curator Terence Riley in the book's introduction. The 38 photographs in this book grow out of Clemence's restless search for new architectural encounters, which have taken him from Rio de Janeiro to New York, from Barcelona to Cologne. In the process he has created highly original images of some of the world's most celebrated buildings, from Frank Lloyd Wright's Guggenheim Museum to Frank Gehry's Guggenheim Bilbao. Other architects featured in the book include Ludwig Mies van der Rohe, Oscar Niemeyer, Mies van der Rohe, Marcel Breuer, I.M. Pei, Studio Glavovic, Zaha Hadid and Jean Nouvel. However, Clemence's camera also discovers hidden beauty in unexpected places—an anonymous back alley, a construction site, even a graveyard. The buildings themselves may be still, but his images are dynamic and alive— dancing in time. Inspired by Clemence's photos, Landon's highly personal and poetic essays take the reader on a similar journey. -
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Introduction Association (AA) School Where She Was Awarded the Diploma Prize in 1977
Studio London Zaha Hadid, founder of Zaha Hadid Architects, was awarded the Pritzker 10 Bowling Green Lane Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and London EC1R 0BQ is internationally known for her built, theoretical and academic work. Each of T +44 20 7253 5147 her dynamic and pioneering projects builds on over thirty years of exploration F +44 20 7251 8322 and research in the interrelated fields of urbanism, architecture and design. [email protected] www.zaha-hadid.com Born in Baghdad, Iraq in 1950, Hadid studied mathematics at the American University of Beirut before moving to London in 1972 to attend the Architectural Introduction Association (AA) School where she was awarded the Diploma Prize in 1977. She founded Zaha Hadid Architects in 1979 and completed her first building, the Vitra Fire Station, Germany in 1993. Hadid taught at the AA School until 1987 and has since held numerous chairs and guest professorships at universities around the world. She is currently a professor at the University of Applied Arts in Vienna and visiting professor of Architectural Design at Yale University. Working with senior office partner, Patrik Schumacher, Hadid’s interest lies in the rigorous interface between architecture, landscape, and geology as her practice integrates natural topography and human-made systems, leading to innovation with new technologies. The MAXXI: National Museum of 21st Century Arts in Rome, Italy and the London Aquatics Centre for the 2012 Olympic Games are excellent manifestos of Hadid’s quest for complex, fluid space. Previous seminal buildings such as the Rosenthal Center for Contemporary Art in Cincinnati and the Guangzhou Opera House in China have also been hailed as architecture that transforms our ideas of the future with new spatial concepts and dynamic, visionary forms. -
Claes Oldenburg Proposal for Colossal Structure in the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972
Claes Oldenburg Proposal for Colossal Structure in the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972 City Gallery Wellington Resource Card Demented Architecture About the Exhibition Pre/Post visit suggestions Demented Architecture brings together work by contemporary artists 1. Colossal structures that explores the role of architecture and the mythology of the architect Think about the relationship between art and architecture using the work of from a contemporary art perspective. The exhibition includes video, Claus Oldenburg as a starting point: drawings, prints and sculpture from around the world. Represented in the show are Olafur Eliasson, Edgar Roy Brewster, Brodsky and Utkin, Claes Oldenburg Jasmina Cibic, Henry Coombes, Zbigniew Libera, Kirsty Lillico and Proposal for Colossal Structure in Claes Oldenburg. the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972 Selected works Pop artist, Claes Oldenburg made sculpture versions of everyday Olafur Eliasson The Cubic Structural Evolution Project 2004 objects, often ludicrously enlarged. These eventually The Cubic Structural Evolution Project consists of thousands of pieces became proposals for ‘colossal of white Lego laid out on a large table. The audience is invited to monuments’, This lithograph ‘become’ an architect and participate in the work’s construction, depicts a proposal for an modification, destruction and re-construction. Over time structures unrealised Civic Cathedral in emerge from the rubble and fall back into it, suggesting a city in Seattle in the shape of a tap fed by constant renewal and transformation. More than a simple invitation to a hand crank that both extracts play, Eliasson explores the power of architecture to determine and shoots water back into Lake experience and maintain social order. -
Half Floor Residences - Zone 2 - Levels 26-33
NORTH 2802 MASTER CLOSET BEDROOM 4 KITCHEN 15’ 6’’ X 11’ 0’’ 32’ 0’’ X 21’ 8’’ TERRACE TERRACE MASTER BATHROOM HALF FLOOR RESIDENCES - ZONE 2 - LEVELS 26-33 OPTIONAL WALL MIDNIGHT WET BAR 4 BEDROOM - 5.5 BATHROOM MASTER BEDROOM 29’ 0’’ X 14’ 0’’ 01 LINE 02 LINE WET BAR INTERIORS: 4,599 SQFT 427 M2 TERRACE: 781 SQFT 73 M2 WEST EAST TOTAL AREA: 5,380 SQFT 500 M2 GREAT ROOM BEDROOM 2 31’ 0’’ X 47’ 8’’ 18’ 11’’ X 12’ 11’’ STAFF / LAUNDRY NORTH TO DESIGN DISTRICT WYNWOOD FOYER BEDROOM 3 I-195 TERRACE HALF FLOOR HALF FLOOR 3’ 10’’ X 27’ 0’’ 22’ 0’’ X 13’ 0’’ RESIDENCES RESIDENCES ZONE 2 ZONE 2 11TH STREET O2 LINE O2 LINE MUSEUM PARK 0202 LINE 01 10TH STREET WEST EAST TO MIAMI TO MIAMI INTERNATIONAL I-95 BEACH AIRPORT 9TH STREET BISCAYNE BAY NE 2 AVENUE AMERICAN BISCAYNE BOULEVARD BISCAYNE AIRLINES ARENA MIAMI HEAT 7TH STREET TERRACE 3’ 10’’ X 27’ 0’’ BEDROOM 3 SOUTH TO DOWNTOWN MIAMI 22’ 0’’ X 12’ 0’’ KEY BISCAYNE FOYER STAFF / LAUNDRY BEDROOM 2 TOWER FEATURES AMENITIES 14’ 9’’ X 12’ 11’’ GREAT ROOM – - ARCHITECTURE AND AMENITY SPACES DESIGNED BY ZAHA HADID ARCHITECTS – - OUTDOOR POOL & RECREATIONAL TERRACE 31’ 0’’ X 47’ 8’’ – - LANDSCAPE ARCHITECTURE BY ENZO ENEA – - FITNESS CENTER – - MUSEUM-QUALITY INTERIOR AND EXTERIOR ILLUMINATION – - SPA – - AMENITY SPACE SCENTING CRAFTED BY 12.29 OLFACTORY CONSULTANTS – - INDOOR AQUATIC CENTER WEST EAST – - FUNCTIONALLY INTEGRATED SECURITY AND TECHNOLOGY PROGRAM – - SKY LOUNGE – - PRIVATE ROOFTOP HELIPAD WET BAR RESIDENTIAL FEATURES – - SECURE ON-SITE PARKING – - ESTATE-SIZE HALF-FLOOR, FULL-FLOOR, AND -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials. -
Architectsnewspaper 11 6.22.2005
THE ARCHITECTSNEWSPAPER 11 6.22.2005 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 GUGGENBUCKS, GUGGENDALES, CO GUGGENSOLES 07 MIAMI NICE LU ARTISTIC Z O GO HOME, LICENSING o DAMN YANKEES 12 Once again, the ever-expanding Guggenheim is moving to new frontiers. TOP OF THE A jury that included politicians, Frank CLASS Gehry and Thomas Krens has awarded 4 the design commission for the newest 17 museum in the Guggenheim orbitto VENTURI AND Enrique Norten for a 50-story structure on a cliff outside Guadalajara, Mexico's sec• SCOTT BROWN ond-largest city. The museum will cost BRITISH TEAM WINS VAN ALEN COMPETITION PROBE THE PAST the city about $250 million to build. 03 EAVESDROP But there is now a far less expensive 18 DIARY range of associations with the Guggenheim 20 PROTEST Coney Island Looks Up brand. The Guggenheim is actively 23 CLASSIFIEDS exploring the market for products that it On May 26 Sherida E. Paulsen, chair of the Fair to Coney Island in 1940, closed in 1968, can license, in the hope of Guggenheim- Van Alen Institute's board of trustees, and but the 250-foot-tall structure was land- ing tableware, jewelry, even paint. An Joshua J. Sirefman, CEO of the Coney marked in 1989. eyewear deal is imminent. Island Development Corporation (CIDC), Brooklyn-based Ramon Knoester and It's not the museum's first effort to announced the winners of the Parachute Eckart Graeve took the second place prize license products but it is its first planned Pavilion Design Competition at an event on of S5,000, and a team of five architects strategy to systematize licensing. -
Beyeler Collection Nature + Abstraction
ROOM GUIDE Beyeler Collection Nature + Abstraction FONDATION BEYELER BEYELER COLLECTION INTRODUCTION NATURE + ABSTRACTION 20 May–12 August 2018 Nature and abstraction have long been a couple in art. With Works by Brice Marden from the Daros Collection This year’s second collection presentation shows how differently artists explore this twosome. From Claude Monet to Roni Horn, from Piet Mondrian to Barnett Tino Sehgal Newman, or from Gerhard Richter to Tacita Dean—for all 4 June–15 July 2018 of them, investigating nature and its varied perception On view on the Fondation Beyeler grounds is a work by plays a major role. While moving from one room to the Tino Sehgal from the Beyeler Collection. next, we notice that Nature and Abstraction might just as well be called Clouds and Surface or Colour and Light. On the lower level of the museum, the presentation is supplemented with paintings and an installation by Lucas Arruda, as well as a group of works by Ellsworth Kelly and Alexander Calder. Works by Jenny Holzer, Tino Sehgal, and Ernesto Neto are featured in the garden of the Fondation Beyeler. 1–21 Where this symbol appears on the exhibit labels, you will The exhibition was curated by Theodora Vischer, Senior find the work discussed in detail under the corresponding Curator Fondation Beyeler. number in the guide. In conjunction with the Public Art Project by Ernesto Neto, which the Fondation Beyeler is presenting at the Cover: Brice Marden, Second Window Painting, 1983, Zurich Main Station from 30 June to 29 July 2018, the oil on linen (5 panels), 61 x 229 cm, Daros Collection (detail) © 2018, Daros Collection, Switzerland artist has installed a room at the museum with earlier © 2018, ProLitteris, Zurich works. -
Page 1 – 1 Barch Year 6 Continuity in Architecture
2010 Page 1 – 1 BArch Year 6 Continuity in Architecture Catalogue 2010 TABLE OF CONTENTS 2 – 3 Introduction from Head of School 4 – 17 BA (Hons) · Year 1 – 3 82 – 89 Research 4 – 5 Introduction 82 – 83 Architecture Research Centre at MIRIAD 6 – 9 Year 1 84 – 85 MA Architecture+Urbanism 10 – 13 Year 2 86 – 89 MARC · Manchester Architecture Research Centre 14 – 17 Year 3 18 – 81 BArch · Year 5 & 6 90 – 111 The School and the City 18 – 19 Introduction 90 – 91 msa squared International Collaboration & Exhibition 92 – 93 msa² · Manchester Society of Architects Design Awards 2010 22 – 29 Continuity in Architecture Year 5 & 6 96 – 97 MADF · Manchester Architecture & Design Festival Archaeology’s Places and Contemporary Uses · Venice 98 – 103 The Courtyard Project at the Manchester Museum Experiments in Urban Narratives · Manchester 104 – 107 Events month 108 – 109 mssa · the Manchester Student Society of Architecture 30 – 33 Emergent Urbanism Year 5 110 – 111 EASA 34 – 39 [Re_map] Year 6 International Workshop · Hannover 40 – 43 Prototype Year 5 44 – 47 Material-Space Year 5 48 – 53 Emergent Topographies Year 6 MAD-MAN 54 – 59 Displace Year 5 & 6 Heterotopia sequences workshop · Salerno & Naples, Italy 60 – 65 Biomimetics Year 5 & 6 Extreme Environments · Cornwall 66 – 71 msa Projects Year 5 & 6 Collaborations and Impact · Manchester City Council 72 – 75 Part-Time · Flexible Provision 76 – 77 BA · Humanities 78 – 79 BArch · Humanities 80 – 81 BArch · Technology · Climate Change, Proposition & Detail Page 1 Table of contents msa 2010 Catalogue 2010 INTRODUCTION Welcome to the 2010 review of the msa The school continues to be a popular and Student success this year includes the Kohn highly respected destination for the study of Pedersen Fox / Architecture Foundation Student – the catalogue summarises the breadth architecture in a city with a rich tradition and Travel Award won by Nandi (Marshal) Han, of activity within the school illustrating vibrant contemporary architectural scene. -
Architecture Program Report 7 September 2015
ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2.