Gendering Architecture, Architecting Gender Introduction
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In This Issue in Toronto and Jewelry Deco Pavilion
F A L L 2 0 1 3 Major Art Deco Retrospective Opens in Paris at the Palais de Chaillot… page 11 The Carlu Gatsby’s Fashions Denver 1926 Pittsburgh IN THIS ISSUE in Toronto and Jewelry Deco Pavilion IN THIS ISSUE FALL 2013 FEATURE ARTICLES “Degenerate” Ceramics Revisited By Rolf Achilles . 7 Outside the Museum Doors By Linda Levendusky . 10. Prepare to be Dazzled: Major Art Deco Retrospective Opens in Paris . 11. Art Moderne in Toronto: The Carlu on the Tenth Anniversary of Its Restoration By Scott Weir . .14 Fashions and Jewels of the Jazz Age Sparkle in Gatsby Film By Annette Bochenek . .17 Denver Deco By David Wharton . 20 An Unlikely Art Deco Debut: The Pittsburgh Pavilion at the 1926 Philadelphia Sesquicentennial International Exposition By Dawn R. Reid . 24 A Look Inside… The Art Deco Poster . 27 The Architecture of Barry Byrne: Taking the Prairie School to Europe . 29 REGULAR FEATURES President’s Message . .3 CADS Recap . 4. Deco Preservation . .6 Deco Spotlight . .8 Fall 2013 1 Custom Fine Jewelry and Adaptation of Historic Designs A percentage of all sales will benefit CADS. Mention this ad! Best Friends Elevating Deco Diamonds & Gems Demilune Stacker CADS Member Karla Lewis, GG, AJP, (GIA) Zig Zag Deco By Appointment 29 East Madison, Chicago u [email protected] 312-269-9999 u Mobile: 312-953-1644 bestfriendsdiamonds.com Engagement Rings u Diamond Jewelry u South Sea Cultured Pearl Jewelry and Strands u Custom Designs 2 Chicago Art Deco Society Magazine CADS Board of Directors Joseph Loundy President Amy Keller Vice President PRESIDENT’S MESSAGE Susanne Petersson Secretary Mary Miller Treasurer Ruth Dearborn Ann Marie Del Monico Steve Hickson Conrad Miczko Dear CADS Members, Kevin Palmer Since I last wrote to you in April, there have been several important personnel changes at CADS . -
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P. -
“HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert
FOR IMMEDIATE RELEASE Book : “HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert Landon Featuring Projects by Zaha Hadid, Jean Nouvel, Frank Gehry, Oscar Niemeyer, Mies van der Rohe, and Many Others, All Photographed As Never Before. A Groundbreaking New book of Architectural Photographs and Original Essays Takes Readers on a Fascinating Journey Through Time In a visually striking new book Here/After: Structures in Time, award-winning photographer Paul Clemence and author Robert Landon take the reader on a remarkable tour of the hidden fourth dimension of architecture: Time. "Paul Clemence’s photography and Robert Landon’s essays remind us of the essential relationship between architecture, photography and time," writes celebrated architect, critic and former MoMA curator Terence Riley in the book's introduction. The 38 photographs in this book grow out of Clemence's restless search for new architectural encounters, which have taken him from Rio de Janeiro to New York, from Barcelona to Cologne. In the process he has created highly original images of some of the world's most celebrated buildings, from Frank Lloyd Wright's Guggenheim Museum to Frank Gehry's Guggenheim Bilbao. Other architects featured in the book include Ludwig Mies van der Rohe, Oscar Niemeyer, Mies van der Rohe, Marcel Breuer, I.M. Pei, Studio Glavovic, Zaha Hadid and Jean Nouvel. However, Clemence's camera also discovers hidden beauty in unexpected places—an anonymous back alley, a construction site, even a graveyard. The buildings themselves may be still, but his images are dynamic and alive— dancing in time. Inspired by Clemence's photos, Landon's highly personal and poetic essays take the reader on a similar journey. -
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s. -
Historic District Design Guidelines 07
CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission CALHOUN GA INCLUDES INTRODUCTION AND APPENDIX WITH: • Glossary • Secretary of the Interiorʼs Standards for Rehabilitation • Official Calhoun Historic District Ordinance • HPC Rules for Procedure • Resources for Assistance Designed By: Prepared For: The Calhoun Historic Preservation Commission June, 2007 CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission Prepared For: • Calhoun Historic Preservation Commission • City of Calhoun • Calhoun Main Street June, 2007 Designed By: MACTEC Engineering and Consulting, Inc. 396 Plasters Avenue Atlanta, Georgia 30324 404.873.4761 Project 6311-06-0054 HANDBOOK TABLE OF CONTENTS SECTION 1 OVERVIEW CHAPTER 1. INTRODUCTION CHAPTER 4. COMMERCIAL ARCHITECTURAL GUIDELINES 1.1. Why Have Guidelines? . .1-1 4.1. Storefronts . .2-9 1.2. Calhoun Historic District Map . .1-1 • General Standards 1.3. Retaining a “Sense of Place” . .1-2 • Entrances and Plans . .2-10 1.4. Recognize Change . .1-3 • Doors • Displays . .2-11 CHAPTER 2. HOW TO USE THESE GUIDELINES • Transom Windows . .2-12 2.1. Project Planning and Preservation Principles . .1-4 • Bulkheads . .2-13 • Principle Preservation Methods • Store Cornices / Belt Course / Sign Band . .2-14 • The Secretary of the Interiorsʼ Standards 4.2. Upper Façades . .2-15 2.2. The Historic Preservation Commission (HPC) . .1-6 • Upper Windows 2.3. Relationship to Zoning . .1-7 • Attached Upper Cornices . .2-16 2.4. Design Review Process Flowchart . .1-8 • Roofs . .2-17 1. Materials 2. Parapet Walls 4.3. Rear Façades . .2-18 • Retain Context of the Rear Elevation SECTION 2 • Rear Utilities . -
Historic Walking Tour – East
5 NAPERVILLE Historic Walking Tour – East 3rd printing, revised Spring 2006 Brief Summary of Naperville’s Past In 1831, Captain Joseph Naper traveled from Ashtabula, Ohio, to the fertile soil of Illinois, approximately 30 miles west of Chicago, near the DuPage River. He brought along several families and individuals as well as plans and provisions for establishing a community. By early 1832, Naper’s Settlement had 180 people dwelling in it, along with a trading house, mills and a school. The following year saw a post office and frame homes erected. Naperville’s early development was possible because a road connecting Chicago and Ottawa, and the Galena Road (now Aurora Avenue), passed through town. Naperville was home to the county seat from 1839 until 1867, when Wheaton contested and gained the rights. Completion of the Chicago, Burlington and Quincy Railroad through Naperville in 1864 helped spur growth and was responsible for opening the Chicago market to the town’s already flourishing nurseries, breweries and quarries. The railroad also enabled the Naperville Lounge Company (later Kroehler Manufacturing Company) to grow into one of the world’s largest furniture manufacturers. Pioneer settler and real estate developer Morris Sleight once owned much of the land on the east side of Naperville. By the time of his death in 1863, he had amassed a total of 473 acres, which were developed into residential plots. Most homes in this tour are frame, two-story single-family dwellings, though some of masonry can be found. Throughout the area, the Italianate Style predominates. Other architectural styles include Queen Anne, National Folk, Stick, Craftsman, Prairie School, Gothic, and Classical Revival. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Paulonascimentoverano.Pdf
UNIVERSIDADE DE SÃO PAULO Escola de Comunicações e Artes Programa de Pós-Graduação em Ciência da Informação PAULO NASCIMENTO VERANO POR UMA POLÍTICA CULTURAL QUE DIALOGUE COM A CIDADE O caso do encontro entre o MASP e o graffiti (2008-2011) São Paulo 2013 PAULO NASCIMENTO VERANO POR UMA POLÍTICA CULTURAL QUE DIALOGUE COM A CIDADE O caso do encontro entre o MASP e o graffiti (2008-2011) Dissertação apresentada ao Programa de Pós-Graduação em Ciência da Informação da Escola de Comunicações e Artes da Universidade de São Paulo, como requisito para obtenção do título de mestre em Ciência da Informação. Orientadora: Profª Drª Lúcia Maciel Barbosa de Oliveira Área de concentração: Informação e Cultura São Paulo 2013 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa desde que citada a fonte. PAULO NASCIMENTO VERANO POR UMA POLÍTICA CULTURAL QUE DIALOGUE COM A CIDADE O caso do encontro entre o MASP e o graffiti (2008-2011) Dissertação apresentada ao Programa de Pós-Graduação em Ciência da Informação da Escola de Comunicações e Artes da Universidade de São Paulo, como requisito para obtenção do título de mestre em Ciência da Informação. BANCA EXAMINADORA _____________________________________________________ a a Prof Dr Lúcia Maciel Barbosa de Oliveira (orientadora) Universidade de São Paulo _____________________________________________________ Universidade de São Paulo _____________________________________________________ Universidade de São Paulo CLARICE, CLARIDADE, CLARICIDADE. AGRADECIMENTOS Sou profundamente grato à Profa Dra Lúcia Maciel Barbosa de Oliveira pela oportunidade dada para a realização deste estudo. Sua orientação sempre presente e amiga, o diálogo aberto, as aulas ministradas, as indicações bibliográficas, a leitura atenta e exigente durante todas as fases desta dissertação, dos esboços iniciais à versão final. -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Map-Print.Pdf
MAP .................................................... page TOUR 1 .................................................... page TOUR 2 .................................................... page TOUR 3 .................................................... page TOUR 4 .................................................... page TOUR 5 .................................................... page TOUR 6 .................................................... page TOUR 7 .................................................... page TOUR 8 .................................................... page TOUR 9 .................................................... page jodi summers Sotheby’s International realty 310.392.1211 jodi summers Sotheby’s International realty 310.392.1211 Tour 1 - Adelaide Drive - ¾ mile distance Adelaide Drive is located at the Santa Monica Canyon rim and forms the Northern Boundary of the City and features majestic canyon views. Since the turn of the 20th Century, this street has attracted numerous prominent southern Californians. This street is named after Robert Gillis’ daughter, Adelaide. Robert Gillis was the owner of the Santa Monica Land and Water Co. and bought thousands of acres in the Palisades in the 1880s. In 1923, Gillis sold 22,000 acres to Alphonso Bell, who developed Bel Air, and went on to develop the Pacific Palisades. 6. Worrell “Zuni House,” 1923-24 710 Adelaide Pl. Architect Robert Stacey-Judd is best known for his Mayan-themed architecture, as is evident in the Pueblo Revival style home, the only known example of his work in Santa Monica. The design of the house embodies many of the character-defining features of the Pueblo Revival style, including an asymmetrical facade, block composition, and flat roofs with parapets highlighted by red tile coping. Noteworthy are projecting roof beams (a.k.a. vigas) typical of the Zuni tribe of Arizona Indians. The rounded corners of the terraced walls, simulate adobe. A stepped Mayan motif is repeated in the door and window frames. It’s said that the work of this architect "is always a surprise.” 7. -
7. Another Museum (Display and Desire)
7. Another Museum (Display and Desire) The search for the real, in particular for real relations, and specifically the search for real relations between objects and people, takes on the form of utopia. Whether it be works of art (objects that are primarily non-relational), or products of the disenfranchised (objects of desperate survival), or ill-begotten treasures (objects collected in order to make the past present to the undeserving, taking away from others the possibility to figure the future), author Roger M Buergel, interpreting the displays of architect Lina Bo Bardi in the light of migration, and critic Pablo Lafuente, reading a work by artist Lukas Duwenhögger, demonstrate that things will, given the right circumstances, elicit subjectivity in spectatorship. agency, ambivalence, analysis: approaching the museum with migration in mind — 177 The Migration of a Few Things We Call − But Don’t Need to Call − Artworks → roger m buergel → i In 1946, 32-year-old Italian architect Lina Bo Bardi migrated to Brazil. She was accompanying her husband, Pietro Maria Bardi, who was a self- taught intellectual, gallerist and impresario of Italy’s architectural avant garde during Mussolini’s reign. Bardi had been entrusted by Assis de Chateaubriand, a Brazilian media tycoon and politician, with creating an art institution of international standing in São Paulo. Te São Paulo Art Museum (MASP) had yet to fnd an appropriate building to house its magnifcent collection of sculptures and paintings by artists ranging from Raphael to Manet. Te recent acquisitions were chosen by Bardi himself on an extended shopping spree funded by Assis Chateaubriand, who had taken out a loan from Chase Manhattan Bank in an impoverished, chaotic post-war Europe. -
MAM Leva Obras De Seu Acervo Para As Ruas Da Cidade De São Paulo Em Painéis Urbanos E Projeções
MAM leva obras de seu acervo para as ruas da cidade de São Paulo em painéis urbanos e projeções Ação propõe expandir as fronteiras do Museu para além do Parque Ibirapuera, para toda a cidade, e busca atingir públicos diversos. Obras de artistas emblemáticos da arte brasileira, de Tarsila do Amaral a Regina Silveira, serão espalhadas pela capital paulista Incentivar e difundir a arte moderna e contemporânea brasileira, e torná-la acessível ao maior número possível de pessoas. Este é um dos pilares que regem o Museu de Arte Moderna de São Paulo e é também o cerne da ação inédita que a instituição promove nas ruas da cidade. O MAM expande seu espaço físico e, até 31 de agosto, apresenta obras de seu acervo em painéis de pontos de ônibus e projeções de escala monumental em edifícios do centro de São Paulo. A ação MAM na Cidade reforça a missão do Museu em democratizar o acesso à arte e surge, também, como resposta às novas dinâmicas sociais impostas pela pandemia. “A democratização à arte faz parte da essência do MAM, e é uma missão que desenvolvemos por meio de programas expositivos e iniciativas diversas, desde iniciativas pioneiras do Educativo que dialogam com o público diverso dentro e fora do Parque Ibirapuera, até ações digitais que ampliam o acesso ao acervo, trazem mostras online e conteúdo cultural. Com o MAM na Cidade, queremos promover uma nova forma de experienciar o Museu. É um presente que oferecemos à São Paulo”, diz Mariana Guarini Berenguer, presidente do MAM São Paulo. Ao longo de duas semanas, MAM na Cidade apresentará imagens de obras de 16 artistas brasileiros espalhadas pela capital paulista em 140 painéis em pontos de ônibus.