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Historic District Design Guidelines 07
CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission CALHOUN GA INCLUDES INTRODUCTION AND APPENDIX WITH: • Glossary • Secretary of the Interiorʼs Standards for Rehabilitation • Official Calhoun Historic District Ordinance • HPC Rules for Procedure • Resources for Assistance Designed By: Prepared For: The Calhoun Historic Preservation Commission June, 2007 CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission Prepared For: • Calhoun Historic Preservation Commission • City of Calhoun • Calhoun Main Street June, 2007 Designed By: MACTEC Engineering and Consulting, Inc. 396 Plasters Avenue Atlanta, Georgia 30324 404.873.4761 Project 6311-06-0054 HANDBOOK TABLE OF CONTENTS SECTION 1 OVERVIEW CHAPTER 1. INTRODUCTION CHAPTER 4. COMMERCIAL ARCHITECTURAL GUIDELINES 1.1. Why Have Guidelines? . .1-1 4.1. Storefronts . .2-9 1.2. Calhoun Historic District Map . .1-1 • General Standards 1.3. Retaining a “Sense of Place” . .1-2 • Entrances and Plans . .2-10 1.4. Recognize Change . .1-3 • Doors • Displays . .2-11 CHAPTER 2. HOW TO USE THESE GUIDELINES • Transom Windows . .2-12 2.1. Project Planning and Preservation Principles . .1-4 • Bulkheads . .2-13 • Principle Preservation Methods • Store Cornices / Belt Course / Sign Band . .2-14 • The Secretary of the Interiorsʼ Standards 4.2. Upper Façades . .2-15 2.2. The Historic Preservation Commission (HPC) . .1-6 • Upper Windows 2.3. Relationship to Zoning . .1-7 • Attached Upper Cornices . .2-16 2.4. Design Review Process Flowchart . .1-8 • Roofs . .2-17 1. Materials 2. Parapet Walls 4.3. Rear Façades . .2-18 • Retain Context of the Rear Elevation SECTION 2 • Rear Utilities . -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Map-Print.Pdf
MAP .................................................... page TOUR 1 .................................................... page TOUR 2 .................................................... page TOUR 3 .................................................... page TOUR 4 .................................................... page TOUR 5 .................................................... page TOUR 6 .................................................... page TOUR 7 .................................................... page TOUR 8 .................................................... page TOUR 9 .................................................... page jodi summers Sotheby’s International realty 310.392.1211 jodi summers Sotheby’s International realty 310.392.1211 Tour 1 - Adelaide Drive - ¾ mile distance Adelaide Drive is located at the Santa Monica Canyon rim and forms the Northern Boundary of the City and features majestic canyon views. Since the turn of the 20th Century, this street has attracted numerous prominent southern Californians. This street is named after Robert Gillis’ daughter, Adelaide. Robert Gillis was the owner of the Santa Monica Land and Water Co. and bought thousands of acres in the Palisades in the 1880s. In 1923, Gillis sold 22,000 acres to Alphonso Bell, who developed Bel Air, and went on to develop the Pacific Palisades. 6. Worrell “Zuni House,” 1923-24 710 Adelaide Pl. Architect Robert Stacey-Judd is best known for his Mayan-themed architecture, as is evident in the Pueblo Revival style home, the only known example of his work in Santa Monica. The design of the house embodies many of the character-defining features of the Pueblo Revival style, including an asymmetrical facade, block composition, and flat roofs with parapets highlighted by red tile coping. Noteworthy are projecting roof beams (a.k.a. vigas) typical of the Zuni tribe of Arizona Indians. The rounded corners of the terraced walls, simulate adobe. A stepped Mayan motif is repeated in the door and window frames. It’s said that the work of this architect "is always a surprise.” 7. -
Tear It Down! Save It! Preservationists Have Gained the Upper Hand in Protecting Historic Buildings
Tear It Down! Save It! Preservationists have gained the upper hand in protecting historic buildings. Now the ques- tion is whether examples of modern architecture— such as these three buildings —deserve the same respect as the great buildings of the past. By Larry Van Dyne The church at 16th and I streets in downtown DC does not match the usual images of a vi- sually appealing house of worship. It bears no resemblance to the picturesque churches of New England with their white clapboard and soaring steeples. And it has none of the robust stonework and stained-glass windows of a Gothic cathedral. The Third Church of Christ, Scientist, is modern architecture. Octagonal in shape, its walls rise 60 feet in roughcast concrete with only a couple of windows and a cantilevered carillon interrupting the gray façade. Surrounded by an empty plaza, it leaves the impression of a supersized piece of abstract sculpture. The church sits on a prime tract of land just north of the White House. The site is so valua- ble that a Washington-based real-estate company, ICG Properties, which owns an office building next door, has bought the land under the church and an adjacent building originally owned by the Christian Science home church in Boston. It hopes to cut a deal with the local church to tear down its sanctuary and fill the assembled site with a large office complex. The congregation, which consists of only a few dozen members, is eager to make the deal — hoping to occupy a new church inside the complex. -
The Future of Knoxville's Past
Th e Future of Knoxville’s Past Historic and Architectural Resources in Knoxville, Tennessee Knoxville Historic Zoning Commission October 2006 Adopted by the Knoxville Historic Zoning Commission on October 19, 2006 and by the Knoxville-Knox County Metropolitan Planning Commission on November 9, 2006 Prepared by the Knoxville-Knox County Metropolitan Planning Commission Knoxville Historic Zoning Commissioners J. Nicholas Arning, Chairman Scott Busby Herbert Donaldson L. Duane Grieve, FAIA William Hoehl J. Finbarr Saunders, Jr. Melynda Moore Whetsel Lila Wilson MPC staff involved in the preparation of this report included: Mark Donaldson, Executive Director Buz Johnson, Deputy Director Sarah Powell, Graphic Designer Jo Ella Washburn, Graphic Designer Charlotte West, Administrative Assistant Th e report was researched and written by Ann Bennett, Senior Planner. Historic photographs used in this document are property of the McClung Historical Collection of the Knox County Public Library System and are used by MPC with much gratitude. TABLE OF CONTENTS Introduction . .5 History of Settlement . 5 Archtectural Form and Development . 9 Th e Properties . 15 Residential Historic Districts . .15 Individual Residences . 18 Commercial Historic Districts . .20 Individual Buildings . 21 Schools . 23 Churches . .24 Sites, Structures, and Signs . 24 Property List . 27 Recommenedations . 29 October 2006 Th e Future Of Knoxville’s Past INTRODUCTION that joined it. Development and redevelopment of riverfront In late 1982, funded in part by a grant from the Tennessee sites have erased much of this earlier development, although Historical Commission, MPC conducted a comprehensive there are identifi ed archeological deposits that lend themselves four-year survey of historic sites in Knoxville and Knox to further study located on the University of Tennessee County. -
Reviews | Buildings + Projects Clemson University Five Years After—Three New Orleans Neighborhoods
STEPHEN VERDERBER Reviews | Buildings + Projects Clemson University Five Years After—Three New Orleans Neighborhoods Introduction efficacy and this point is discussed in greater detail to assess the historic significance of damaged In New Orleans, Katrina revealed deep scars caused below. structures. This proved to be a particularly acute by generations of class and race inequities. These In the aftermath of the forced exodus of the matter with respect to the city’s large extant inequities had long simmered beneath the surface city’s residents, and even before Katrina’s toxic inventory of shotgun dwellings constructed in the and the disaster rendered an immediate, vivid, floodwaters had yet to fully recede, in one late nineteenth and early twentieth centuries across highly public portrait of this condition.1 The neighborhood after another grassroots associations the city’s shotgun crescent.8 Thousands of shotguns flooding of 80 percent of the city revealed the mobilized. Their charge was to take stock of the have been bulldozed senselessly in Katrina’s poorest residents had lived for generations in many wreckage and to chart a plan of action for their own aftermath. This pattern stands as an especially sad of the lowest lying neighborhoods. This was an neighborhood’s recovery. In all, more than forty civic spectacle of overambitious demolition fever undeniable fact—and one widely reported in the such organizations were soon at work on the task of coupled with an acute case of underappreciation of mass media. The rebuilding of New Orleans has inventorying damaged structures and urban the city’s once-celebrated vernacular architecture required critical urban reconstruction strategies infrastructure. -
Make It Right: the Agency of Architecture in the Image
Make It Right: The Agency of Architecture in the Image Author Rodes, Sanja Published 2014 Journal Title The International Journal of the Image Copyright Statement © The Author(s) 2014. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this journal please refer to the journal’s website or contact the author. Downloaded from http://hdl.handle.net/10072/61445 Link to published version https://ontheimage.com/journal Griffith Research Online https://research-repository.griffith.edu.au Make It Right: The Agency of Architecture in the Image Sanja Rodeš, Griffith University, Australia Abstract: In 2007, the actor Brad Pitt and the architectural firms GRAFT and William McDonough & Partners commenced a project in the Lower Ninth Ward, a suburb of New Orleans. The idea was to build new houses for those residents who had lost their homes to Hurricane Katrina two years before. The Make It Right Foundation commissioned twenty-one architectural firms to design green, flood-resistant family houses. This paper aims to investigate how the reconstruction of the Lower Ninth Ward became an international media event and the type of problems it exposes in the domain of contemporary architecture. An attempt is also made to define and investigate the impact of a celebrity leading figure on both the designing and reconstruction processes, as well as possibly the new agency of image in architecture and architecture itself: architectural images as a recognizable media that are used as a tool for marketing and branding. Using the discourse analysis as a method of research, this paper explores the confluence of international attention and image consciousness, where the architectural image is used as a powerful tool of mass media in an attempt to communicate the altered representation of this New Orleans suburb. -
Gendering Architecture, Architecting Gender Introduction
GENDERING ARCHITECTURE, ARCHITECTING GENDER INTRODUCTION The Women in Architecture Student Organization (WIASO) presents: Gendering Architecture, Architecting Gender, a celebration of female architects throughout history as well as contemporary female architects often neglected or erased in mainstream media and architectural curricula. By showcasing works by female architects, WIASO hopes to counteract the dominant narrative of the architect as a male subject. This exhibition works to rewrite architectural history by acknowledging the contributions of female architects who have been dismissed, belitted, or denied credit for their work. By looking at architectural movements from a critical, feminist perspective, one is able to recenter history around marginalized identities and redefine what it means to be an architect. The exhibition is a glimpse at a shared history among female architects at the University of Minnesota, one that architecture students are learning about and contributing to daily. Women’s School of Planning and Architecture, 1975 EXHIBITION CREDITS DESIGN & CURATION Support for this exhibition and programs provided by the Goldstein Museum of Design, the College of Design, and generous individuals. In addition, GMD programming is made possible by the voters of Minnesota Neva Hubbert UMN Architecture Student through a Minnesota State Arts Board Operating Support grant, thanks to Dana Saari UMN Architecture Student the legislative appropriation from the Arts and Cultural Heritage Fund. The Mary Begley UMN Architecture Student University of Minnesota is an equal opportunity educator and employer. To request disability accomodations or to receive this information in Erin Kindell UMN Architecture Student alternative formats, please contact GMD at 612-624-7434. Brittany Pool UMN Architecture Student EDITING & ASSISTANCE Daniela Sandler UMN Architecture Faculty Goldstein Museum of Design Ashleigh Grizzell UMN Architecture Student Gallery 241, McNeal Hall 1985 Buford Avenue St. -
Shotgun House Receives Preservation Design Award Fall
NEWS September 2016 • Vol 14 No 3 Spectacular Vernacular House Tour By Ruthann Lehrer ive vintage vernacular homes throughout FSanta Monica will be featured in our an- nual architectural tour on Sunday, Septem- ber 18 from 1-5 pm. Tese homes, modified rather than demolished, exemplify how pres- ervation can be done alongside updating a residence for modern living. Te approaches in restoration and renovation vary across the homes from major changes that juxtapose contemporary architecture while preserving The 1924 Boldt-Garcetti house Photo by Joshua White historic elements, to seamless additions in- owners undertook major preservation work, with tage house parts is showcased in her home, spired by the original historic style. Te archi- additions for new living space that skillfully re- which is now a unique oasis in Ocean Park. tectural styles of the homes include Victori- veal the different eras throughout its evolution. Te Craftsman home in Sunset Park cele- an, Spanish Colonial Revival and Craftsman. Te second Victorian on the tour was brates its centennial this year. It also reflects Te older Victorian house on the tour dates brought back to life by its loving owners, the dedication of new owners, who have done from the 19th century. From its origins as a tiny former Landmarks Commissioner and now major work to restore and expand this house one-room cottage, the house was expanded and Planning Commissioner Nina Fresco and her for their family of four. transformed over many decades. In 2012, new husband Rob. Nina’s interest in reusing vin- HOUSE TOUR continues on page 3 Shotgun House Receives Preservation Design Award The rehabilitation of the Shotgun House as the Preservation Resource Center will be among projects from across the state to be honored at the California Preservation Foundation’s 33rd Annual Preservation Design Awards. -
New Orleans Architecture
Rewinding to the Past: New Orleans Architecture Elaine Wong Wellesley College Before Hurricane Katrina hit, the typical sightseer went to New Orleans to visit the infamous French Quarter and Bourbon Alley. Now, the tourist sites broadened from the historical past to the future architecture: Brad Pitt’s ‘Make It Right’ progressive houses, Tulane University’s ‘URBANBuild’ ultra-modern houses, and Global Green’s Holy Cross Visitor Center’s play-on- shotgun houses. Instead of touring the plantation mansions of the Garden District, tour buses rolled down the narrow streets filled with oddly enveloped houses that would supposedly float in floods. One can assume these state-of-the-art constructions will survive the next natural disasters, based on their ability to withstand 160 miles/hour wind and to remain above at least eighti feet of water, but will they last through the next couple generations of New Orleans criticisms? The building phenomenon in New Orleans can be compared to one by Le Corbusier in Pessac, a mainly generational, family-owned, wine-producing suburb of Bordeaux, France. Similar in that both involve houses that are deemed ‘futuristic’ and ‘progressive,’ it would be interesting to speculate the outcome of the New Orleans houses based on the outcome of the Pessac houses. Figure 1. Le Corbusier. Pessac – Before and After Quartiers Modernes Frugès I The living unit designed by Corbusierii mimicked his modern image of the Villa Savoye, a house that was a “machine to live in.” Modern and not-appreciated for its time, his bare-walled and rectilinear forms in Pessac were decried by the community. -
Jensen Beach Architectural Guidelines.Qxp
JENSEN BEACH A R C H I T E C T U R A L S T A N D A R D S J E N S E N B E A C H • A R C H I T E C T U R A L • g u i d e l i n e s T R E A S U R E • C O A S T • R E G I O N A L • P L A N N I N G • C O U N C I L This document may be reproduced upon request in an alternative format by contacting the County ADA Coordinator (772) 320-3131, the County Administration Office (772) 288-5400, Florida Relay 711, or by completing our accessibility feedback form at www.martin.fl.us/accessibility-feedback contents Architectural styles FLORIDA CRACKER 3 FLORIDA wood vernacular 11 FLORIDA bungalow 20 anglo-caribbean 27 Architecture in the classical tradition 34 CIVIC ART PUBLIC BUILDINGS 45 GATES AND PAVILIONS 51 GREAT STREETS 53 Mixed USE buildings 54 BIBLIOGRAPHY 61 J E N S E N B E A C H • A R C H I T E C T U R A L • g u i d e l i n e s T R E A S U R E • C O A S T • R E G I O N A L • P L A N N I N G • C O U N C I L FLORIDA CRACKER 3 FLORIDA CRACKER Chapter Contents 1.1 GENERAL CHARACTERISTICS DETAILED LISTING OF PARTS KEY EXAMPLES The Barnacle Merrick House Haile Plantation PHOTOGRAPHED EXAMPLES J E N S E N B E A C H • A R C H I T E C T U R A L • g u i d e l i n e s T R E A S U R E • C O A S T • R E G I O N A L • P L A N N I N G • C O U N C I L FLORIDA CRACKER 4 FLORIDA CRACKER General Characteristics 1.2 • Roofs of the Florida Cracker can be gabled or hipped the east/west sides of the house or a porch that wraps with varying slopes. -
Wash Trust News3.Qxd
NewsTRUST SUMMER 2008 Historic Graves and Cemeteries Preservation Initiative Seeks to Uncover State Roots By Lauren McCroskey, Chair, King County chief threats are vandalism, weather, development and Landmarks Commission neglect—identify new stewards, and provide mainte- nance and restoration funds. In an effort to build on BREEZING ALONG KENT’S HIGHWAY 167, FEW MIGHT the 80 cemeteries recorded to date, the county’s REALIZE THAT THE 212TH STREET OVERPASS FRAMES Historic Preservation Program will conduct an inten- SOME SLIGHTLY MORBID STATE HISTORY: IT IS THE REST- sive survey effort this summer to document the con- ING PLACE OF A BIT OF THE SOUTH PUGET SOUND’S dition of cemeteries throughout the county.Finally, MOST PROMINENT EARLY SETTLERS. Here, silent grave- stones bear familiar names of pioneer families such as staff will also provide technical assistance to mend Burke, Saar, Monster, and Willis. County burial markers and crypts that have been improperly Commissioner Peter Saar buried his wife Margaret on repaired by well meaning caretakers. In This Issue... this knoll above the valley in 1873, and 141 people Cemetery preservation has an increasing role in her- were laid to rest at this site in following years. itage tourism. No longer just a Halloween dare, ceme- G PRESERVATION AND THE At one point choked by twisting vines and dense brush, tery tours have become popular among visitors MEDIA the Saar Cemetery has been reclaimed by a new gener- wanting a glimpse into the unvarnished history of a ation of Kent Valley citizens. Tireless volunteer Karen region. Sometimes the key events, demographic real- G SIVINSKI FUND MARKS Bouton of the South King County Genealogical Society ities, epidemics, social organization, and cultural 10TH ANNIVERSARY gathered the Department of Veterans Affairs, church expressions that escape guidebooks are found in headstone inscriptions and funerary art.