Tear It Down! Save It! Preservationists Have Gained the Upper Hand in Protecting Historic Buildings
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
District of Columbia Inventory of Historic Sites Street Address Index
DISTRICT OF COLUMBIA INVENTORY OF HISTORIC SITES STREET ADDRESS INDEX UPDATED TO OCTOBER 31, 2014 NUMBERED STREETS Half Street, SW 1360 ........................................................................................ Syphax School 1st Street, NE between East Capitol Street and Maryland Avenue ................ Supreme Court 100 block ................................................................................. Capitol Hill HD between Constitution Avenue and C Street, west side ............ Senate Office Building and M Street, southeast corner ................................................ Woodward & Lothrop Warehouse 1st Street, NW 320 .......................................................................................... Federal Home Loan Bank Board 2122 ........................................................................................ Samuel Gompers House 2400 ........................................................................................ Fire Alarm Headquarters between Bryant Street and Michigan Avenue ......................... McMillan Park Reservoir 1st Street, SE between East Capitol Street and Independence Avenue .......... Library of Congress between Independence Avenue and C Street, west side .......... House Office Building 300 block, even numbers ......................................................... Capitol Hill HD 400 through 500 blocks ........................................................... Capitol Hill HD 1st Street, SW 734 ......................................................................................... -
Georgetown Arts 2014 Opens February 6 at House of Sweden
VOLUME XXXII / ISSUE 2 / FEBRUARY 2014 WWW.CAGTOWN.ORG Georgetown Arts 2014 Opens February 6 at House of Sweden Most works Laura Anne Tiscornia - Arts Committee Chair will be for sale, with a portion eorgetown Arts 2014, the 5th annual art show of the Citizens As- of the proceeds sociation of Georgetown, will showcase talents of Georgetown going to support Gartists at House of Sweden from February 6 - 9 pm. CAG. The show, sponsored by House of Sweden, opens with a reception House of on Thursday, Feb. 6 from 6 – 9 pm, and will be open Friday, Feb. 7 Sweden, itself through Sunday, Feb. 9 from 11 am to 5 pm. The show is free to the a noteworthy public, and will be held in House of Sweden’s premier gallery room, d e s t i n a t i o n which offers expanded space from previous Georgetown Arts shows. for beautiful contemporary The event will feature artwork by local Georgetown residents and architectural artists who have studios in Georgetown. Media will include oil and wa- design and tercolor paintings, prints, sculpture and photography. All art will be suit- Potomac river able for viewing by adults and families with children. The show also will views, fronts on feature mid-day art talks on Saturday, Feb. 8 and Sunday, Feb. 9, when the water with several artists will discuss their art pieces, inspiration and methods. footpaths to continued on page 5 Summer Concerts In the Parks Kicks Off at Pinstripes February 22 Hannah Isles–Concerts Chair Martins in the “proposal booth”, ten ice-skating passes from Washing- ton Harbour, a vase from Jonathan Adler, cupcakes from Sprinkles, he Concerts in the Parks kick-off party is Saturday February salon services from Madeline Wade, gift certificates from Sherman 22nd from 7-10 pm. -
Citizens Association of Georgetown |
GCITIZENSeorgetown V OLUME XXI / ISSUE 8 / NOVEMBER 2007 WWW. CAGTOWN. ORG Wendy Rieger Hosts Going Green in Next CAG Meeting Georgetown Monday, November 12 ews4 Anchor, Wendy Rieger, She is also a co-host for News4 This Going Green in Georgetown featuring NBC 4’s Wendy Rieger Nwho reports on environmen- Week, a show highlighting stories tal issues in her series Going from the Washington area. St. John’s Church Parish Hall Green, will “anchor“ the November With Wendy’s help we will focus Potomac and O Streets, NW 12 CAG meeting about Going on eco-friendly and sustainable Green in Georgetown. Rieger is an options for home renovations Reception 7 pm; Program 7:30 pm expert on Green issues as she has including the allure of cork and Parking during meeting across the reported on topics rang- bamboo flooring, which street at Hyde School ing from green building are both natural and rap- materials to environmen- idly renewable resources. tally friendly products, The meeting will investi- lots of information and materials to gifts and Web sites. gate not only sustainable share with Georgetowners interested Rieger’s reports air on materials, but also choices in going green. We’ll show you a NBC stations around the for homeowners to man- system that can purchase energy at country, and her Going age the procurement and non-peak periods, store it, and Green blog on use of energy. What is allow you to use it anytime. In fact, NBC4.com is read by green power, and how do excess energy can be sold back to people all over the world. -
Historic District Design Guidelines 07
CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission CALHOUN GA INCLUDES INTRODUCTION AND APPENDIX WITH: • Glossary • Secretary of the Interiorʼs Standards for Rehabilitation • Official Calhoun Historic District Ordinance • HPC Rules for Procedure • Resources for Assistance Designed By: Prepared For: The Calhoun Historic Preservation Commission June, 2007 CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission Prepared For: • Calhoun Historic Preservation Commission • City of Calhoun • Calhoun Main Street June, 2007 Designed By: MACTEC Engineering and Consulting, Inc. 396 Plasters Avenue Atlanta, Georgia 30324 404.873.4761 Project 6311-06-0054 HANDBOOK TABLE OF CONTENTS SECTION 1 OVERVIEW CHAPTER 1. INTRODUCTION CHAPTER 4. COMMERCIAL ARCHITECTURAL GUIDELINES 1.1. Why Have Guidelines? . .1-1 4.1. Storefronts . .2-9 1.2. Calhoun Historic District Map . .1-1 • General Standards 1.3. Retaining a “Sense of Place” . .1-2 • Entrances and Plans . .2-10 1.4. Recognize Change . .1-3 • Doors • Displays . .2-11 CHAPTER 2. HOW TO USE THESE GUIDELINES • Transom Windows . .2-12 2.1. Project Planning and Preservation Principles . .1-4 • Bulkheads . .2-13 • Principle Preservation Methods • Store Cornices / Belt Course / Sign Band . .2-14 • The Secretary of the Interiorsʼ Standards 4.2. Upper Façades . .2-15 2.2. The Historic Preservation Commission (HPC) . .1-6 • Upper Windows 2.3. Relationship to Zoning . .1-7 • Attached Upper Cornices . .2-16 2.4. Design Review Process Flowchart . .1-8 • Roofs . .2-17 1. Materials 2. Parapet Walls 4.3. Rear Façades . .2-18 • Retain Context of the Rear Elevation SECTION 2 • Rear Utilities . -
Carl Colby Speaks About the Man Nobody Knew: in Search of My Father, CIA Spymaster William Colby
Georgetown CITIZENS V OLUME X X V I / I SSUE 4 / A PRIL 2 0 1 2 WWW . CAGTOWN . ORG Carl Colby Speaks about The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby arl Colby will be our became a major force in featured speaker at American history, paving Cthe CAG meeting on the way for today’s Tuesday April 17. He will tell provocative questions the fascinating back stories about security and secre- behind the film he made cy versus liberty and about his father, Georgetown morality. The film forges resident and former Director a fascinating mix of rare of the CIA, William E. archival footage, never- Colby: The Man Nobody before-seen photos, and Knew: In Search of My Father, Filmmaker Carl Colby interviews with the CIA Spymaster William “who’s who” of Colby. He recently produced American intelligence, including former and directed this feature- National Security Advisers Brent Scowcroft length documentary film on and Zbigniew Brzezinski, former Secretary of his late father, William E. Defense Donald Rumsfeld, former Secretary Colby, former Director of the of Defense and Director of the CIA James CIA, as well as the evolution Schlesinger, as well Pulitzer Prize journalists of the CIA from OSS in Bob Woodward, Seymour Hersh and Tim WWII to today. The story is Weiner. Through it all, Carl Colby searches a probing history of the CIA as well as a personal mem- for an authentic portrait of the man who remained oir of a family living in clandestine shadows. masked even to those who loved him. -
Lantern Slides SP 0025
Legacy Finding Aid for Manuscript and Photograph Collections 801 K Street NW Washington, D.C. 20001 What are Finding Aids? Finding aids are narrative guides to archival collections created by the repository to describe the contents of the material. They often provide much more detailed information than can be found in individual catalog records. Contents of finding aids often include short biographies or histories, processing notes, information about the size, scope, and material types included in the collection, guidance on how to navigate the collection, and an index to box and folder contents. What are Legacy Finding Aids? The following document is a legacy finding aid – a guide which has not been updated recently. Information may be outdated, such as the Historical Society’s contact information or exact box numbers for contents’ location within the collection. Legacy finding aids are a product of their times; language and terms may not reflect the Historical Society’s commitment to culturally sensitive and anti-racist language. This guide is provided in “as is” condition for immediate use by the public. This file will be replaced with an updated version when available. To learn more, please Visit DCHistory.org Email the Kiplinger Research Library at [email protected] (preferred) Call the Kiplinger Research Library at 202-516-1363 ext. 302 The Historical Society of Washington, D.C., is a community-supported educational and research organization that collects, interprets, and shares the history of our nation’s capital. Founded in 1894, it serves a diverse audience through its collections, public programs, exhibits, and publications. THE HISTORICAL SOCIETY OF WASHINGTON, D.C. -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Map-Print.Pdf
MAP .................................................... page TOUR 1 .................................................... page TOUR 2 .................................................... page TOUR 3 .................................................... page TOUR 4 .................................................... page TOUR 5 .................................................... page TOUR 6 .................................................... page TOUR 7 .................................................... page TOUR 8 .................................................... page TOUR 9 .................................................... page jodi summers Sotheby’s International realty 310.392.1211 jodi summers Sotheby’s International realty 310.392.1211 Tour 1 - Adelaide Drive - ¾ mile distance Adelaide Drive is located at the Santa Monica Canyon rim and forms the Northern Boundary of the City and features majestic canyon views. Since the turn of the 20th Century, this street has attracted numerous prominent southern Californians. This street is named after Robert Gillis’ daughter, Adelaide. Robert Gillis was the owner of the Santa Monica Land and Water Co. and bought thousands of acres in the Palisades in the 1880s. In 1923, Gillis sold 22,000 acres to Alphonso Bell, who developed Bel Air, and went on to develop the Pacific Palisades. 6. Worrell “Zuni House,” 1923-24 710 Adelaide Pl. Architect Robert Stacey-Judd is best known for his Mayan-themed architecture, as is evident in the Pueblo Revival style home, the only known example of his work in Santa Monica. The design of the house embodies many of the character-defining features of the Pueblo Revival style, including an asymmetrical facade, block composition, and flat roofs with parapets highlighted by red tile coping. Noteworthy are projecting roof beams (a.k.a. vigas) typical of the Zuni tribe of Arizona Indians. The rounded corners of the terraced walls, simulate adobe. A stepped Mayan motif is repeated in the door and window frames. It’s said that the work of this architect "is always a surprise.” 7. -
Ray Bromley Edward Durell Stone. from the International Style to a Personal Style1
DOI: 10.1283/fam/issn2039-0491/n47-2019/231 Ray Bromley Edward Durell Stone. From the International Style to a Personal style1 Abstract Edward Durell Stone (1902-1978) was an American modernist who devel- oped a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His first signature style project was the U.S. Embassy in New Delhi, and the most famous one is the John F. Kennedy Center for the Performing Arts in Washington D.C. He achieved temporary global renown with his design for the U.S. Pavilion at the Brussels World’s Fair in 1958. Sadly, his best projects are widely scattered and he has no significant signature style works in New York City, where he based his career. His current obscurity is explained by the eccentric character of his signature style, his transition from personal design to corporate replication, and the abandonment of signature design principles after the breakdown of his second marriage. Key-words Modernism — New Romanticism — Signature Style Edward Durell Stone (EDS, 1902-1978) was an American modernist and post-modernist architect, who studied art and architecture at the University of Arkansas, Harvard and M.I.T., but who never completed an academic degree. The high point of his student days was a two year 1927-1929 Rotch Fellowship to tour Europe, focusing mainly on the Mediterranean countries, and preparing many fine architectural renderings of historic buildings. His European travels and Rotch Fellowship drawings reflected a deep appreciation of Beaux Arts traditions, but also a growing interest in modernist architecture and functionalist ideals. -
The Visitor's Guide to the Florida Capitol
The VisitFloridaCapitol.com Visitor’s Guide to the Florida Capitol The VisitFloridaCapitol.com Visitor’s Guide to the Florida Capitol presented by VISIT FLORIDA PRESENTED BY Contents Welcome .................................................................................................................................................................. 4 Capitol Information .................................................................................................................................................. 5 Times of Operation............................................................................................................................................... 5 State Holidays Closed .......................................................................................................................................... 5 Frequently Asked Questions ................................................................................................................................. 6 Capitol Grounds Map ........................................................................................................................................... 9 Artwork in the Capitol ........................................................................................................................................ 10 Your Event at the Capitol ................................................................................................................................... 10 Security ............................................................................................................................................................. -
Architectural Findings
Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings. -
Public Masterworks the Standard Oil Commission
Public Masterworks The Standard Oil Commission Working with the greatest architects of the 20th century, such early large-scale forms were Multi-Plane screens, by the 1960s he feet in height. Architectural in size and energized by sunlight and as Eero Saarinen, Gordon Bunshaft, I.M. Pei, Minoru Yamasaki was exploring other ideas for public sculpture which paralleled the the open air, the alternately arranged slender rods whispered tonal and Edward Durell Stone, Harry Bertoia created more than fifty techniques of his smaller scaled works. Significant projects such melodies while veiling and diffusing the view of the building and sur- large-scale sculptures in prominent public spaces located in cit- as his Dandelion fountain for the Joslyn Art Museum in Omaha, rounding landscape—the overall experience is both mesmerizing ies throughout the United States and around the world (Norway, Nebraska (Stone 1963), a molten bronze mural for the Dulles Inter- and stimulating. Venezuela). Like his private works, Bertoia’s commissioned sculp- national Airport in Chantilly, Virginia (Saarinen 1963) and a Welded tures are aesthetic objects that explore natural phenomena such Form fountain for the Civic Center in Philadelphia, Pennsylvania No other works in Bertoia’s extensive oeuvre match the impres- as light, motion and sound. Much larger in scale, these works func- (Stone 1967) illustrate the depth and variety of Bertoia’s unique sive scale of the Sonambients for the Standard Oil Commission. Sonambients at this scale have a visceral effect, multiplying and tion within the broader constraints of architecture, transforming artistic vision. A select bibliography for Bertoia’s Standard Oil Commission and interacting within the spaces in which they reside.