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Historic District Design Guidelines 07
CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission CALHOUN GA INCLUDES INTRODUCTION AND APPENDIX WITH: • Glossary • Secretary of the Interiorʼs Standards for Rehabilitation • Official Calhoun Historic District Ordinance • HPC Rules for Procedure • Resources for Assistance Designed By: Prepared For: The Calhoun Historic Preservation Commission June, 2007 CALHOUN, GEORGIA - HISTORIC DISTRICT DESIGN GUIDELINES 07 Handbook for Owners, Residents, and the Historic Preservation Commission Prepared For: • Calhoun Historic Preservation Commission • City of Calhoun • Calhoun Main Street June, 2007 Designed By: MACTEC Engineering and Consulting, Inc. 396 Plasters Avenue Atlanta, Georgia 30324 404.873.4761 Project 6311-06-0054 HANDBOOK TABLE OF CONTENTS SECTION 1 OVERVIEW CHAPTER 1. INTRODUCTION CHAPTER 4. COMMERCIAL ARCHITECTURAL GUIDELINES 1.1. Why Have Guidelines? . .1-1 4.1. Storefronts . .2-9 1.2. Calhoun Historic District Map . .1-1 • General Standards 1.3. Retaining a “Sense of Place” . .1-2 • Entrances and Plans . .2-10 1.4. Recognize Change . .1-3 • Doors • Displays . .2-11 CHAPTER 2. HOW TO USE THESE GUIDELINES • Transom Windows . .2-12 2.1. Project Planning and Preservation Principles . .1-4 • Bulkheads . .2-13 • Principle Preservation Methods • Store Cornices / Belt Course / Sign Band . .2-14 • The Secretary of the Interiorsʼ Standards 4.2. Upper Façades . .2-15 2.2. The Historic Preservation Commission (HPC) . .1-6 • Upper Windows 2.3. Relationship to Zoning . .1-7 • Attached Upper Cornices . .2-16 2.4. Design Review Process Flowchart . .1-8 • Roofs . .2-17 1. Materials 2. Parapet Walls 4.3. Rear Façades . .2-18 • Retain Context of the Rear Elevation SECTION 2 • Rear Utilities . -
National Register of Historic Places Multiple Property Documentation Form
NPSForm10-900-b (June, 1991) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. New Submission . Amended Submission A, Name of Multiple Property Listing PWA-Era County Courthouses of Iowa B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each) PWA-Era County Courthouses of Iowa, 1934 -1941 C. Form Prepared bv____ name/title Marlvs A. Svendsen organization Svendsen Tvler. Inc. Date January 2003 street & number N3834 Deep Lake Road telephone (715)469-3300 city or town Sarona state Wisconsin zip code 54870 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this o«ov««*tatlo« torn * (/ Ib* AttHoMl R*f liter documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional i*o,«lm»o«l//*t forth ! S6 Oft fort 60 «*4 th* J*o(*taif of Ib* Inferior'/ ft«*tfoitf/ ««d feMoli**/ for ifohooloff a«dl NUtorfo f*Nw*nialio«. ([J see continuation sheet for additional comments). ix~^ /-) ^ ' /n r\ r, ft£ef>4. -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Map-Print.Pdf
MAP .................................................... page TOUR 1 .................................................... page TOUR 2 .................................................... page TOUR 3 .................................................... page TOUR 4 .................................................... page TOUR 5 .................................................... page TOUR 6 .................................................... page TOUR 7 .................................................... page TOUR 8 .................................................... page TOUR 9 .................................................... page jodi summers Sotheby’s International realty 310.392.1211 jodi summers Sotheby’s International realty 310.392.1211 Tour 1 - Adelaide Drive - ¾ mile distance Adelaide Drive is located at the Santa Monica Canyon rim and forms the Northern Boundary of the City and features majestic canyon views. Since the turn of the 20th Century, this street has attracted numerous prominent southern Californians. This street is named after Robert Gillis’ daughter, Adelaide. Robert Gillis was the owner of the Santa Monica Land and Water Co. and bought thousands of acres in the Palisades in the 1880s. In 1923, Gillis sold 22,000 acres to Alphonso Bell, who developed Bel Air, and went on to develop the Pacific Palisades. 6. Worrell “Zuni House,” 1923-24 710 Adelaide Pl. Architect Robert Stacey-Judd is best known for his Mayan-themed architecture, as is evident in the Pueblo Revival style home, the only known example of his work in Santa Monica. The design of the house embodies many of the character-defining features of the Pueblo Revival style, including an asymmetrical facade, block composition, and flat roofs with parapets highlighted by red tile coping. Noteworthy are projecting roof beams (a.k.a. vigas) typical of the Zuni tribe of Arizona Indians. The rounded corners of the terraced walls, simulate adobe. A stepped Mayan motif is repeated in the door and window frames. It’s said that the work of this architect "is always a surprise.” 7. -
Tear It Down! Save It! Preservationists Have Gained the Upper Hand in Protecting Historic Buildings
Tear It Down! Save It! Preservationists have gained the upper hand in protecting historic buildings. Now the ques- tion is whether examples of modern architecture— such as these three buildings —deserve the same respect as the great buildings of the past. By Larry Van Dyne The church at 16th and I streets in downtown DC does not match the usual images of a vi- sually appealing house of worship. It bears no resemblance to the picturesque churches of New England with their white clapboard and soaring steeples. And it has none of the robust stonework and stained-glass windows of a Gothic cathedral. The Third Church of Christ, Scientist, is modern architecture. Octagonal in shape, its walls rise 60 feet in roughcast concrete with only a couple of windows and a cantilevered carillon interrupting the gray façade. Surrounded by an empty plaza, it leaves the impression of a supersized piece of abstract sculpture. The church sits on a prime tract of land just north of the White House. The site is so valua- ble that a Washington-based real-estate company, ICG Properties, which owns an office building next door, has bought the land under the church and an adjacent building originally owned by the Christian Science home church in Boston. It hopes to cut a deal with the local church to tear down its sanctuary and fill the assembled site with a large office complex. The congregation, which consists of only a few dozen members, is eager to make the deal — hoping to occupy a new church inside the complex. -
Early Settlement 1952 – Major Earthquake Devastates Downtown
Early Settlement 1952 – Major earthquake devastates Downtown. Virtually every major structure in the downtown receives damage. 1860’s - Yokut Indians’ first introduction to Europeans. Many landmark buildings are damaged beyond repair. Stepping Bakersfield’s original natural state was an alkali delta 1953-1975 – Period of tremendous growth and expansion. consisting mainly of grasses, cottonwood, and oak trees. City triples in size adding over 15,400 acres to its Animals such as deer, antelope, elk and bear roamed the boundaries. land. 1975 and beyond – Growth continues. into 1770’s - Don Pedro Fages first white man arrives. Padre Fray Francisco Garces arrives with a group of Indian companions. Bakersfield Historic Preservation Commission 1863 - Colonel Thomas Baker purchases swamp and the overflow lands and constructs irrigation ditches damming The Commission seeks to increase public awareness of Buena Vista Lake. Baker provides plants and irrigates historic properties by promoting their identification, crops, harnesses water power, provides building sites, and protection, enhancement, and perpetuation. Historic items installs a sawmill and a do-it-yourself grist mill for grinding can be buildings, structures, signs, objects, features, sites, Past grain. Colonel Baker’s greatest ambition was to make land places and areas that reflect special elements of the City’s a historic walking tour available for ownership. Baker disliked small streets and architectural, artistic, cultural, engineering, aesthetic, of downtown developed a classical grid pattern designating 82.5 feet for historical, political, social and other heritage. A description Bakersfield street widths and 115 feet for avenues, seen in Downtown of the Commission’s functions can be found in the Bakersfield today. -
Mid-Century Modernism Historic Context
mid-century Modernism Historic Context September 2008 Prepared for the City of Fresno Planning & Development Department 2600 Fresno Street Fresno, CA 93721 Prepared by Planning Resource Associates, Inc. 1416 N. Broadway Fresno, CA 93721 City of Fresno mid-century Modernism Historic Context mid-century Modernism, Fresno Historical Context Prepared For City of Fresno, Planning and Development Department Prepared By Planning Resource Associates, Inc. 1416 N. Broadway Fresno CA, 93721 Project Team Planning Resource Associates, Inc. 1416 Broadway Street Fresno, CA 93721 Lauren MacDonald, Architectural Historian Lauren MacDonald meets the Secretary of the Interior’s Professional Qualifications in Architectural History and History Acknowledgements Research efforts were aided by contributions of the following individuals and organizations: City of Fresno Planning and Development Department Karana Hattersley-Drayton, Historic Preservation Project Manager Fresno County Public Library, California History and Genealogy Room William Secrest, Librarian Fresno Historical Society Maria Ortiz, Archivist / Librarian Jill Moffat, Executive Director John Edward Powell Eldon Daitweiler, Fresno Modern American Institute of Architects, San Joaquin Chapter William Stevens, AIA Les Traeger, AIA Bob Dyer, AIA Robin Gay McCline, AIA Jim Oakes, AIA Martin Temple, AIA Edwin S. Darden, FAIA William Patnaude, AIA Hal Tokmakian Steve Weil 1 City of Fresno mid-century Modernism Historic Context TABLE OF CONTENTS I. PROJECT DESCRIPTION Introduction………………………………………………………………………………………………….3 -
A Guide to Historic Santa Monica City Hall
A G U I D E T O Historic Santa Monica City Hall The city seal, measuring 79 inches in diameter, was created with the same “Petrachrome” method and a palette of colors, textures and elements similar to those used in the Macdonald-Wright murals. Encircled by the words, “City of Santa Monica, California. Founded 1875,” the seal features a mermaid and Spanish galleon on the bay, with sun, mountains, clouds and airplanes behind. A ribbon near the base of the seal carries the city’s motto, Populus Felix en Urbe Felice, translated from the Latin as “Fortunate People in a Fortunate Land.” The seal is inlaid in the center of the foyer floor, surrounded by color tiles that run along the east-west axis of the foyer and halls. A serrated pattern of yellow triangles running against a brown field, bordered by black stripes, echoes the chevron pattern on the tiled wainscoting found nearby. T he Overview With a nautical quality befitting its seaside locale, Santa Monica City Hall reflects the character of its surroundings, making it a civic building truly connected to its constituency. Designed by two prominent Los Angeles architects, it is rec- ognized as an outstanding example of the Public Works Administration (PWA) Moderne style of architecture popularized by Depression-era architects. With original Gladding, McBean ceramic tiles found around the west entrance doorway and throughout the building, and historic Stanton Macdonald-Wright murals in the entry foyer that document the city’s and the state’s history, the building’s architecture has earned it a place in the California Register of Historical Resources (1996), designation as a city landmark and eligibility for listing in the federal Register of Historic Places. -
Design for What Matters
PAU Fair Housing Act Updates architectmagazine.com Bryony Roberts Ponti’s Denver Art Museum Reborn The Journal of The American Paul Andersen Deryl McKissack Has Seen It All Institute of Architects Design for What Matters The 2021 P/A Award winners care about community and context Flawless—Just As You Intended Keep your envelope design intact from your desk to the jobsite with DensElement® Barrier System. Eliminate WRB-AB design variability and installation inconsistencies, which can degrade your design. By filling microscopic voids in the glass mat and gypsum core via AquaKor™ Technology, a hydrophobic, monolithic surface is created that blocks bulk water while retaining vapor permeability. And with cladding versatility, you can design with nearly any cladding type. Control? With DensElement® Barrier System, it always stays in your hands. Future Up. Visit DensElement.com ©2021 GP Gypsum LLC. All rights reserved. Unless otherwise noted, all trademarks are owned by or licensed to GP Gypsum LLC. Simplified— Just as you requested Introducing DensDefy™ Accessories Specify DensDefy™ Accessories as part of the DensElement® Barrier System to deliver a complete, tested solution for providing water-control continuity—all supported by a Georgia-Pacific warranty. DensDefy™ Liquid Flashing finishes DensElement® Barrier System by blocking bulk water at the seams, fasteners and rough openings, while DensDefy™ Transition Membrane covers all material transitions and areas of movement. You could call it integrated- plus; we just call it simplicity at work. For more information, visit DensDefy.com. ©2021 GP Gypsum LLC. All rights reserved. Unless otherwise noted, all trademarks are owned by or licensed to GP Gypsum LLC. -
The Future of Knoxville's Past
Th e Future of Knoxville’s Past Historic and Architectural Resources in Knoxville, Tennessee Knoxville Historic Zoning Commission October 2006 Adopted by the Knoxville Historic Zoning Commission on October 19, 2006 and by the Knoxville-Knox County Metropolitan Planning Commission on November 9, 2006 Prepared by the Knoxville-Knox County Metropolitan Planning Commission Knoxville Historic Zoning Commissioners J. Nicholas Arning, Chairman Scott Busby Herbert Donaldson L. Duane Grieve, FAIA William Hoehl J. Finbarr Saunders, Jr. Melynda Moore Whetsel Lila Wilson MPC staff involved in the preparation of this report included: Mark Donaldson, Executive Director Buz Johnson, Deputy Director Sarah Powell, Graphic Designer Jo Ella Washburn, Graphic Designer Charlotte West, Administrative Assistant Th e report was researched and written by Ann Bennett, Senior Planner. Historic photographs used in this document are property of the McClung Historical Collection of the Knox County Public Library System and are used by MPC with much gratitude. TABLE OF CONTENTS Introduction . .5 History of Settlement . 5 Archtectural Form and Development . 9 Th e Properties . 15 Residential Historic Districts . .15 Individual Residences . 18 Commercial Historic Districts . .20 Individual Buildings . 21 Schools . 23 Churches . .24 Sites, Structures, and Signs . 24 Property List . 27 Recommenedations . 29 October 2006 Th e Future Of Knoxville’s Past INTRODUCTION that joined it. Development and redevelopment of riverfront In late 1982, funded in part by a grant from the Tennessee sites have erased much of this earlier development, although Historical Commission, MPC conducted a comprehensive there are identifi ed archeological deposits that lend themselves four-year survey of historic sites in Knoxville and Knox to further study located on the University of Tennessee County. -
Reviews | Buildings + Projects Clemson University Five Years After—Three New Orleans Neighborhoods
STEPHEN VERDERBER Reviews | Buildings + Projects Clemson University Five Years After—Three New Orleans Neighborhoods Introduction efficacy and this point is discussed in greater detail to assess the historic significance of damaged In New Orleans, Katrina revealed deep scars caused below. structures. This proved to be a particularly acute by generations of class and race inequities. These In the aftermath of the forced exodus of the matter with respect to the city’s large extant inequities had long simmered beneath the surface city’s residents, and even before Katrina’s toxic inventory of shotgun dwellings constructed in the and the disaster rendered an immediate, vivid, floodwaters had yet to fully recede, in one late nineteenth and early twentieth centuries across highly public portrait of this condition.1 The neighborhood after another grassroots associations the city’s shotgun crescent.8 Thousands of shotguns flooding of 80 percent of the city revealed the mobilized. Their charge was to take stock of the have been bulldozed senselessly in Katrina’s poorest residents had lived for generations in many wreckage and to chart a plan of action for their own aftermath. This pattern stands as an especially sad of the lowest lying neighborhoods. This was an neighborhood’s recovery. In all, more than forty civic spectacle of overambitious demolition fever undeniable fact—and one widely reported in the such organizations were soon at work on the task of coupled with an acute case of underappreciation of mass media. The rebuilding of New Orleans has inventorying damaged structures and urban the city’s once-celebrated vernacular architecture required critical urban reconstruction strategies infrastructure. -
The Stanislaus County Hall of Records: Modesto’S Monument to Modern Architecture
1 The Stanislaus County Hall of Records: Modesto’s Monument to Modern Architecture Submitted September 13, 2017 by Benjamin Jameson-Ellsmore, assistant architecture curator, Modesto Art Museum and PhD. student in art and architectural history, UC Santa Barbara. Reviewed by Bob Barzan. The Stanislaus County Hall of Records by Russell Guerne DeLappe, Modesto, California. Photograph by author. 2 Summary Stanislaus County Hall of Records Construction began in 1938, completed in 1939 Additions began in 1949, completed in 1950 Address: 1100 I St., Modesto, California Architect: Russell Guerne DeLappe Structural Engineer: H. J. Brunnier Mechanical Engineering: Arthur H. Memmler General Contractor: Dinwiddie Construction Co. State Facility Number: 50-A2 Style/Period: International Style, depression era Status: Building is in use as a Family Law office, clerk’s office, contains improvised courtrooms, vulnerable site, the completion of new courthouse on G, H, 9th and 10th Streets puts it at risk, good candidate for rehabilitation, third and fourth floors currently unoccupied and used as storage Condition: exterior is in very good condition, basement and first floor occupied daily, current improvised facilities are inadequate for courtroom use Occupancy: Joint occupancy by Stanislaus County and State of California Floors: Four floors plus basement level and roof penthouse Materials: Reinforced concrete, steel and glass Square Footage: 45,343 3 Contents Introduction: Behind the Leaves on I Street ……………………………………………………………………… 3 1. The Hall of Records