HCM Nomination, December 14, 2017
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
32Nd Annual California Preservation Design Awards
32ND ANNUAL CALIFORNIA PRESERVATION DESIGN AWARDS OCTOBER 2, 2015 JULIA MORGAN BALLROOM, MERCHANTS EXCHANGE BUILDING SAN FRANCISCO The Board of Trustees of the California Preservation Foundation welcomes you to the Preservation Design Awards Ceremony Friday, October 2, 2015 Julia Morgan Ballroom, Merchants Exchange Building, San Francisco 6:00 pm Cocktail Reception and Dinner 7:30 pm Welcome Kelly Sutherlin McLeod, FAIA President, Board of Trustees California Preservation Foundation Cindy L. Heitzman, Executive Director, California Preservation Foundation Awards Presentations Presentation of the President’s Award for Lifetime Acheivement John F. Merritt Presentation of the 32nd Annual Preservation Design Awards Kurt Schindler, FAIA, Jury Chair Amy Crain Jeff Greene Leo Marmol, FAIA Chuck Palley Jay Reiser, S.E. Annual Sponsors Cornerstone Spectra Company Cornice Architectural Resources Group IS Architecture Cody Anderson Wasney Architects, Inc. Kelly Sutherlin McLeod Architecture, Inc. EverGreene Architectural Arts Kitson Contracting, Inc. Garavaglia Architecture Page & Turnbull GPA Consulting Simpson Gumpertz & Heger, Inc. Historic Resources Group Wiss, Janney, Elstner Associates, Inc. Holmes Culley/Holmes Fire 2 Preservation Design Awards 2015 Preservation Design Awards Sponsors Pillar Kelly Sutherlin McLeod Architecture, Inc. Plant Construction Marmol Radziner Plath and Company, Inc. Supporting AC Martin MATT Construction Corporation Cody | Brock Commercial Builders Rinne & Peterson Structural Engineers Cody Anderson Wasney Architects, Inc. Vallier Design Associates Leddy Maytum Stacy Architects Wiss, Janney, Elstner Associates, Inc. Nonprofit Fort Mason Center 3 Preservation Design Awards 2015 2015 Awards Jury Kurt Schindler, FAIA, LEED AP Principal, ELS Architecture and Urban Design | Awards Chair and PDA Jury Chair Kurt Schindler is a principal at ELS and directs the firm’s historic and seismic renovation projects. -
Wyvernwood Garden Apartments Has Fostered a Strong Sense of Community Among Its 6,000 Residents
Volume 33 m a r a p r 2 0 1 1 Number 2 Last Remaining Seats Turns 25! Member ticket sales start March 30 Celebrate a quarter century of classic films and live entertainment in the historic theatres of Los Angeles! The 25th Annual Last Remaining Seats series takes place May 25 through June 29. You will receive a large postcard in the mail this year in lieu of a brochure; you can find all the details and order tickets starting March 30 at laconservancy.org. We were finalizing the schedule at press time; it should be online by the time you receive this newsletter. In addition to the six Wednesday evening screenings, this special season will include a bonus Fan Favorite film (Sunset Boulevard, Despite its vast size, Wyvernwood Garden Apartments has fostered a strong sense of community among its 6,000 residents. Clockwise from top left: Historic view of the complex (Security Pacific Collection/Los Angeles Public selected by you, our members!). It will screen Library); current residents (Jesus Hermosillo); a resident sends a message (Evangelina Garza); teenager Juan twice (matinee and evening shows) at the Pal- Bucio’s depiction of what Wyvernwood means to him; young residents (Molly Mills). ace Theatre on Sunday, June 26, a hundred years to the day after it opened! We’ll be at the Wyvernwood Garden Apartments: Palace as part of a broader celebration of the centennial of several theatres on Broadway. Remember to take part in our 2011 mem- Community by Design bership drive for your chance to win VIP by Cindy Olnick and Karina Muñiz tickets to a Last Remaining Seats screening. -
Raise a Glass to History—Before It's Too Late
NEWS Jan/Feb 2018 • Volume 40 Number 1 Celebrate 40 Years of Preservation Happy Anniversary! This year marks forty years since the Conservancy’s founding in 1978. The staff, volunteers, and members of the Conservancy have made a significant impact in preserving the historic places that make L.A. County unique. Thank you! Anniversaries are great times for reflec- tion, and we have much to celebrate. Yet this is also a time to redouble our efforts and renew our commitment. What will Los An- geles look like forty years from now? How will we make sure that future includes the best of our past? The Conservancy won a $150,000 grant to help rehabilitate the famed Formosa Café in West Hollywood. Legacy We’ll mark this milestone throughout bars and restaurants like the Formosa are exceedingly rare, threatened by development pressure, rising rents, the year in various ways, from special events changing demographics, and other factors. Photo by Douglas Hill, courtesy National Trust for Historic Preservation. and newsletter features to new initiatives. As always, for the latest news, join us on social Raise a Glass to History—Before It’s Too Late media and subscribe to our email newsletters. by Cindy Olnick This anniversary is as much yours as If you’re one of the many people who voted for the Formosa Café in last fall’s Partners anyone’s, since your membership makes this in Preservation campaign, thank you! Created by the National Trust for Historic Preserva- work possible. If you have a personal story tion and American Express, Partners in Preservation awards preservation funding to projects to share—about the Conservancy or historic across the U.S. -
The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Forecast Log
Forecast Log http://www.old-time.com/otrlogs2/forecast_mg.html FORECAST Is There a Sponsor in the House? Written by Martin Grams, Jr. The trial-and-error system being an old if frequently painful institution in the show business (else all stage plays would be hits, and all radio programs would have an Amos and Andy average in the Crossley ratings), the Columbia Broadcasting System’s Forecast series shrewdly dramatized the fact that there is no such phenomenon as a sure thing. For two particular seasons, the CBS people enlivened summer’s somewhat lethargic air waves with a schedule of experimental entertainments which, to tell the truth, aren’t experimental in the exact sense of the word, but have nevertheless a refreshing air about them, if only for the ideas they represented. The idea is that neither CBS nor anyone else knew, until they were produced, whether the programs were any good or not, though they were of course, hoping for the best. And, very sensibly, they made a game of it. Whereas the listener during the busy season was told to take what he got and, if possible, like it, Forecast invited criticism. Listening to the various episodes, one could not help but applaud for Marlene Dietrich in "The Thousand and One Nights," and convulsed with laughter as they listened to the amorous antics of "Mischa the Magnificent." (Mischa Auer, that is.) Whatever it was that made people bet on horse races or write letters to the editor, they could file an honest opinion about the programs and then sat back to await the verdict. -
Military Institutions and Activities, 1850-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Guidelines for Evaluating Resources Associated with Military Institutions and Activities, 1850-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources November 2019 SurveyLA Citywide Historic Context Statement Guidelines for Evaluating Resources Associated with Military Institutions and Activities TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 Related Contexts and Evaluation Considerations 1 Other Sources for Military Historic Contexts 3 MILITARY INSTITUTIONS AND ACTIVITIES HISTORIC CONTEXT 3 Historical Overview 3 Los Angeles: Mexican Era Settlement to the Civil War 3 Los Angeles Harbor and Coastal Defense Fortifications 4 The Defense Industry in Los Angeles: From World War I to the Cold War 5 World War II and Japanese Forced Removal and Incarceration 8 Recruitment Stations and Military/Veterans Support Services 16 Hollywood: 1930s to the Cold War Era 18 ELIGIBILITY STANDARDS FOR AIR RAID SIRENS 20 ATTACHMENT A: FALLOUT SHELTER LOCATIONS IN LOS ANGELES 1 SurveyLA Citywide Historic Context Statement Guidelines for Evaluating Resources Associated with Military Institutions and Activities PREFACE These “Guidelines for Evaluating Resources Associated with Military Institutions and Activities” (Guidelines) were developed based on several factors. First, the majority of the themes and property types significant in military history in Los Angeles are covered under other contexts and themes of the citywide historic context statement as indicated in the “Introduction” below. Second, many of the city’s military resources are already designated City Historic-Cultural Monuments and/or are listed in the National Register.1 Finally, with the exception of air raid sirens, a small number of military-related resources were identified as part of SurveyLA and, as such, did not merit development of full narrative themes and eligibility standards. -
4.Edinburgh Bungalow Court Final.Pdf
EDINBURGH BUNGALOW COURT 750 – 756 ½ N. Edinburgh CHC-2015-3386-HCM ENV-2015-3387-CE Agenda packet includes 1. Final Staff Recommendation Report 2. Categorical Exemption 3. Director's Initation of Nomination 4. Nomination 5. Information Submitted by Property Owner 6. Letters in Support of Designation Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-3386-HCM ENV-2015-3387-CE HEARING DATE: November 19, 2015 Location: 750 – 756 ½ N. Edinburgh Avenue TIME: 10:00 AM Council District: 5 PLACE: City Hall, Room 1010 Community Plan Area: Hollywood 200 N. Spring Street Area Planning Commission: Central Los Angeles, CA Neighborhood Council: Mid City West 90012 Legal Description: TR 4891, Lot 101and 102 PROJECT: Historic-Cultural Monument Application for the EDINBURGH BUNGALOW COURT REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): BLDG Edinburgh, LLC c/o Guy Penini 755 N. Laurel Avenue Los Angeles, CA 90046 APPLICANT: City of Los Angeles Department of City Planning 200 N. Spring Street, Room 559 Los Angeles, CA 90012 PREPARER: Katie E. Horak and Jennifer Trotoux Architectural Resources Group, Inc. 8 Mills Place, #300 Pasadena, CA 91105 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. MICHAEL J. LOGRANDE Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. -
Historic Preservation. Updated July 2014. MLA 6Th Edition. Paul Revere Williams Project
Historic Preservation. Updated July 2014. MLA 6th edition. Paul Revere Williams Project. Art Museum of the University of Memphis. "$1.1 Million Donated to Community Theater (Lear Theater)." Reno Gazette-Journal (1997): 1. "2004 Eleven most endangered (La Concha." Preserve Nevada. 2008. 5/6/2008 <http://preservenevada.unlv.edu>. Abercrombie, Brooke, and Irmina Kobylko. "Where Williams Walked: Pasadena Architect James V. Coane Leaves an Invisible Footprint on His Renovation of a 1928 Spanish Colonial Estate Designed by Los Angeles' Renowned Architect to the Stars." Pasadena Weekly April 1 2009: 5. 4/28/09 <http://pasadenaweekly.com/cms/story/detail/wh...>. "African-American Historical Site may Face the Wrecking Ball." The Journal of Blacks in Higher Education.46 (2004/2005): 52. "Ambassador Hotel Saga Ends: LA Conservancy Moves on." Forum News: National Trust for Historic Preservation XIV.5 (2008): 8. "Ambassador Hotel Updates." Los Angeles Conservancy: Preservation Issues.February (2004): 1/30/2008. google. 1/30/2008 <http://www.laconservancy.org/issues/ambassador-dec.php4>. Anderson, Lisa. "Historic Preservation--Las Vegas Style: A Masterpiece of Motel Architecture from the Era of the Rat Pack is being Preserved (La Concha)." Chicago Tribune December 21 2006. Gale: General OneFile Print. 4/24/2009 <http://find.galegroup.com>. "Los Angeles Airport Theme Building is Designated Landmark." Historic Preservation News 33.3 (1993): 4. "Los Angeles' Newest Historic-Cultural Monuments (Castera 2007)." City of Los Angles, Department of City Planning. Office of Historic Resources 2.1 (2008): 5-6. "Los Angeles' Newest Historic-Cultural Monuments (St. Philip HCM 988)." City of Los Angeles, Department of City Planning: Office of Historic Resources. -
Historic Preservation Committee (HPC) on March 7, 2017 for a Historic Evaluation for the Scope of Work
CITY OF VENTURA HISTORIC PRESERVATION COMMITTEE - Agenda Item: 2 Hearing Date: May 23, 2018 Project No: 11427 Case No: H RA-3-17-39567 ---~-----·-~-·-~- --- Applicant: Andrew Langroudi I Ventura Solar Properties LLC Planner: ~v Don Nielsen, Associate Planner, (805) 677-3959 ~ Dave Ward, AICP, Planning Manager Location: 250 South Mills Road (Attachment A) AP N: 079-0-1 01-300 Recommendation: 1. Discuss the property owner's intended use of the building and how to approach exterior and interior modifications to the building; and 2. Encourage the property owner to submit a local Historic Landmark Designation application and consider filing an application to list the building on the National Register of Historic Places and California Register of Historic Places. Zoning: Limited Commercial (C-1) & Intermediate Commercial (C-1A) Land Use: Commerce Regulatory Review: SBMC Sec. 2.4.30.130 & 2R.450.220 Environmental Review: CEQA Guidelines Section 15306 - Information Collection PROJECT DESCRIPTION The proposed project is a Historic Resources Assessment for the review of a Phase 1 Historical Resources Report for a 14, 112 square foot, two story office building and associated parking garage, built in 1965, on a 2.00 acre property located at 250 South Mills Road in the Limited Commercial (C-1) & Intermediate Commercial (C-1A) zone districts with a land use designation of Comme.rce. The project site is not located next to any recognized landmarks, or points of interests or within a historic district. PROJ-11427 HPC/05/23/18/DN Page 1 of 4 HPC - 1 BACKGROUND On March 3, 2017, the Planning Division was notified of construction activity at the subjectsite; no construction or demolition permits were issued. -
Volume 88, Book 4 • January 7 - January 29, 2011 B:8.75 in T:8.5 In
B:5.75 in T:5.5 in Season 10-11 Volume 88, Book 4 • January 7 - January 29, 2011 B:8.75 in T:8.5 in T:8.5 beyond measure. Christopher Seaman, Music Director • Jeff Tyzik, Principal Pops Conductor Michael Butterman, Principal Conductor for Education and Outreach • The Louise and Henry Epstein Family Chair Arild Remmereit, Music Director-Designate Job #: J10-01085 Client/Product: RPO Initials Date w/changes Initials Date w/changes Ad Description: Bravo Cover Color: 4C Client Creative Director (Art) Art Director: Tim Live: N/A Traffic/Proofreader Creative Director (Copy) Copywriter: Matt Trim: 5.5 x 8.5 Production: Marianne Bleed: .125 Production Account Executive Mac Operator: Jennifer AE: Christan Copywriter Mac Supervisor Proof #: 1 Publication(s) & Issue Date(s): Art Director Mac Operator We applaud all great artists. Like a beautiful symphony, Stickley furniture design is timeless. COMPLIMENTARY DESIGN SERVICE 40 Eastview Park Mall, Victor, NY 14564 • 585.425.2302 StickleyAudi.com 2 rochesterPO.indd 1 9/10/10 4:44 PM ROCHESTERROCHESTER PHILPHILHARMONICHARMONIC ORCHES ORCHESTRATRA CHRISTOPHERCHRISTOPHER SESEAMAN,AMAN, MUSICMUSIC DIRE DIRECTORCTOR beyondbeyond measure. measure. BRBRAVO!AVO! TheThe official official magazinemagazine of thethe RochesterRochester PhilharmonicPhilharmonic OrOrchestrachestra We believe that COCONTENTSNTENTS our patrons are at the FrFromom thethe PrPresidentesident & & CEO CEO...............................................................................55 RochesterRochester PhilharmonicPhilharmonic OrOrchestrachestra...............................................76 -
Complete One Or Both of the Upper and Lower Portions of This Page
CITY OF LOS ANGELES SIGNIFICANCE WORK SHEET TYPE OR HAND PRINT IN ALL CAPITAL BLOCK LETTERS Complete One or Both of the Upper and Lower Portions of This Page ARCHITECTURAL SIGNIFICANCE THE Commercial Club Building IS AN IMPORTANT EXAMPLE OF NAME OF PROPOSED MONUMENT Renaissance Revival ARCHITECTURE ARCHITECTURAL STYLE (SEE LINE 8) AND MEETS THE CULTURAL HERITAGE ORDINANCE BECAUSE OF THE HIGH QUALITY OF ITS DESIGN AND THE RETENTION OF ITS ORIGINAL FORM, DETAILING AND INTEGRITY. A N D HISTORICAL SIGNIFICANCE Club 1925-1926 THE Commercial BuildingWAS BUILT IN NAME OF PROPOSED MONUMENT YEAR BUILT Commercial Club Building WAS IMPORTANT TO THE NAME OF FIRST OR SIGNIFICANT OTHER DEVELOPMENT OF LOS ANGFIFS BECAUSE It was designed by Master Architects Alexander Curlett & Claud Beelman in the Renaissance Revival style and is considered a masterful representation of their work and partnership in existence between 1919 and 1928; and (2) it is directly associated with the Commercial Club of Southern California - the social annex of the Los Angeles Chamber of Commerce and promoter of Los Angeles as an (1932) Olympics location and motion picture destination - from 1923-1932 having been built as the club's headquarters in 1925-1926 and utilized through 1932 as a private club and social hall, recreation facility, hotel at the upper floors, and income producing commercial space at the ground floor. For these reasons the Commercial Club Building reflects the broad architectural and socio-economic history of Los Angeles and is worthy of recognition as a City of Los Angeles Historic-Cultural Monument. HISTORIC-CULTURAL MONUMENT APPLICATION HISTORIC-CULTURAL MONUMENT APPLICATION TYPE OR HAND PRINT IN ALL CAPITAL BLOCK LETTERS IDENTIFICATION Commercial 1. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.