Estonian Approaches to Culture Theory Approaches to Culture Theory Series Volume 4
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Sihtasutuse Eesti Rahvuskultuuri Fond Kaheksateistkümnes Jagamine Stipendiumid Ja Toetused 2008
SIHTASUTUSE EESTI RAHVUSKULTUURI FOND KAHEKSATEISTKÜMNES JAGAMINE STIPENDIUMID JA TOETUSED 2008. AASTAKS SIHTASUTUSE EESTI RAHVUSKULTUURI FOND TÄNUAUHINNAD Jüri Arrak, 50 000 Endel Lippmaa, 50 000 Teo Maiste, 50 000 Kalju Suur, 50 000 ABEL-MIRKA FONDI STIPENDIUM Eesti majandusteaduste üliõpilaste koolituse toetamiseks Ameerika Ühendriikides Aro Velmet, õpinguteks Pennsylvania Ülikoolis USA-s matemaatika ja füüsika erialal 20 000 ADDA JA LEONHARD MARDNA FONDI STIPENDIUM Sisehaiguste arstide õpingute ja tegevuse toetamiseks Piia Lutter, Põhja-Eesti Regionaalhaigla Sisehaiguste kliiniku kardioloogiakeskuse kardiointensiivravi osakonna kardioloog-vanemarstile erialaseks täiendõppeks 15 000 ADELAIDE'I EESTI MUINSUSKAITSE SELTSI FONDI TOETUS Estonia teatri toetuseks Rahvusooper Estonia, Erkki-Sven Tüüri ooperi „Wallenberg“ salvestuskuludeks 26 179 ALEKSANDER HEINTALU JA ELO LIIVI FONDI STIPENDIUMID Eesti mittekristliku ja põlisusundile toetuva rahvakultuuri edendamiseks Terje Puistaja, uurimustööks teemal „Rahvakalendri kombestik kui sümboolse kogukonna looja“ 3 000 Minni Saapar, muistsete eestlaste pühakohtade asukohtade väljauurimiseks Pihtla vallas, asukoha kaardistamiseks ja nende kohtade pärimuste kogumiseks 4 000 ALEKSANDER RAADI FONDI STIPENDIUMID Orissaare Gümnaasiumi lõpetanud noorte toetamiseks haridustee jätkamisel, kusjuures eelistatud on Valjala vallast pärit noored Riine Mägi, õpinguteks Kuressaare Ametikoolis sekretäritöö erialal 10 000 Liis Rudov, õpinguteks Tallinna Ülikoolis matemaatika erialal 6 000 Marju Viil, magistriõpinguteks -
And Estonian Kalev
Scandinavian Kalf and Estonian Kalev HILDEGARD MUST OLD ICELANDIC SAGAStell us about several prominent :men who bore the name Kalfr, Kalfr, etc.1 The Old Swedish form was written as Kalf or Kalv2 and was a fairly common name in Viking-age Scandinavia. An older form of the same name is probably kaulfR which is found on a runic stone (the Skarby stone). On the basis of this form it is believed that the name developed from an earlier *Kaoulfr which goes back to Proto-Norse *KapwulfaR. It is then a compound as are most of old Scandinavian anthroponyms. The second ele- ment of it is the native word for "wolf," ON"ulfr, OSw. ulv (cf. OE, OS wulf, OHG wolf, Goth. wulfs, from PGmc. *wulfaz). The first component, however, is most likely a name element borrowed from Celtic, cf. Old Irish cath "battle, fight." It is contained in the Old Irish name Cathal which occurred in Iceland also, viz. as Kaoall. The native Germ.anic equivalents of OIr. cath, which go back to PGmc. hapu-, also occurred in personal names (e.g., as a mono- thematic Old Norse divine name Hr;or), and the runic HapuwulfR, ON Hr;lfr and Halfr, OE Heaouwulf, OHG Haduwolf, Hadulf are exact Germanic correspondences of the hybrid Kalfr, Kalfr < *Kaoulfr. However, counterparts of the compound containing the Old Irish stem existed also in other Germanic languages: Oeadwulf in Old English, and Kathwulf in Old High German. 3 1 For the variants see E. H. Lind, Nor8k-i8liind8ka dopnamn och fingerade namn fran medeltiden (Uppsala and Leipzig, 1905-15), e. -
Gods, Heroes, and Mythologists: Romantic Scholars and the Pagan Roots of Europe's Nations
UvA-DARE (Digital Academic Repository) Gods, Heroes, and Mythologists Romantic Scholars and the Pagan Roots of Europe’s Nations Leerssen, J. DOI 10.1086/685061 Publication date 2016 Document Version Final published version Published in History of Humanities Link to publication Citation for published version (APA): Leerssen, J. (2016). Gods, Heroes, and Mythologists: Romantic Scholars and the Pagan Roots of Europe’s Nations. History of Humanities, 1(1), 71-100. https://doi.org/10.1086/685061 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Gods, Heroes, and Mythologists: Romantic Scholars and the Pagan Roots of Europe’s Nations Joep Leerssen, University of Amsterdam ABSTRACT This article traces the scholarly interest in Europe’s non-Classical mythologies, from the rise of Edda studies in late eighteenth-century Denmark to the appropriation of Celtic origin myths in Spanish Galicia, and the flourish of overlapping Baltic mythol- ogies between Tallinn and Vilnius, in the decades before 1900. -
Eesti Teaduste Akadeemia Aastaraamat
Facta non solum verba EESTI TEADUSTE AKADEEMIA AASTARAAMAT FAKTID JA ARVUD ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XXVI (53) 2020 TALLINN 2021 Koostaja: Terje Tuisk Toimetajad: Siiri Jakobson, Jaak Järv, Tarmo Soomere (peatoimetaja) Aastaraamatu valmistasid ette: Silja Kala, Margit Lehis, Marika Pärn, Tiina Rahkama, Ülle Raud, Ülle Sirk, Piret Suurväli Küljendaja: Erje Hakman Fotode autorid: Annika Haas (lk 13, 14, 16, 17), Reti Kokk (21, 43, 89, 92, 94, 97, 99), Maris Krünvald (43–45), Jaan Künnap (88), Kaja Laane (44), Peeter Langovits (85), Marko Söönurm (43), Linda Tammisto (91), Andres Tennus, Tartu ülikool (44, 95), Albert Truuväärt, Riigikantselei (44). Ülejäänud fotod on pärit akadeemia arhiivist. Koostajad tänavad: Agnes Aljas, Madis Arukask, Villem Aruoja, Toomas Asser, Mai Beilmann, Martin Eessalu, Rainis Haller, Arvi Hamburg, Sirje Helme, Marin Jänes, Jaak Järv, Erkki Karo, Marko Kass, Marco Kirm, Kerri Kotta, Urmas Kõljalg, Jakob Kübarsepp, Tiina Laansalu, Valter Lang, Margus Lopp, Tiit Lukk, Piret Lukkanen, Märt Läänemets, Killu Mei, Andres Metspalu, Peeter Müürsepp, Urmas Nõmmik, Taavi Pae, Hannes Palang, Jüri Plado, Katre Pärn, Kaido Reivelt, Andrus Ristkok, Tarmo Soomere, Antti Tamm, Urmas Tartes, Jaana Tõnisson, Neeme Tõnisson, Marja Unt, Rein Vaikmäe, Eero Vasar, Andre Veskioja, Piret Villo. ISSN 1406-149x (trükiväljaanne) © EESTI TEADUSTE AKADEEMIA ISSN 2674-1628 (võrguväljaanne) SISUKORD SAATEKS .............................................................................................................................................. -
Tallinna Kunstihoone Vello Vinn
18.10.—15.12.2019 VELLO VINN ∞ & ВЕЛЛО ВИНН VELLO VINN on sündinud 4. oktoobril 1939 Saaremaal, KÜMME VASTUST ringikujuline liikumine, kus ometigi mitte kunagi mitte elab ja töötab Tallinnas. Alates Eesti Riikliku Kunstiinstituudi KÜMNELE KÜSIMUSELE midagi päris samamoodi ei kordu. (praeguse Eesti Kunstiakadeemia) lõpetamisest 1968. aastal pälvis ta kiiresti tähelepanu graafikakunsti Varasematel aegadel oli tõesti raskusi minu kunsti näitustel nii Eestis kui ka välismaal. Üks läbivaid 1. Millal ja kuidas sai sinust kunstnik? mõistmisega. Tänapäeval on aga jõutud arusaamiseni, et liine kunstniku popilik-sürreaalses fantaasiaküllases ka nii võib kunsti teha. estampgraafikas on keskkonnateema, täpsemalt inimese Saaremaal lapsena koolis käies meeldis mulle joonistus- ja keskkonna omavaheline suhe. Tema loomingut on tundides joonistada, samuti joonistasin kodus. Keskkoolis eksponeeritud arvukatel rahvusvahelistel triennaalidel ja joonistasin ja joonestasin edasi: kodutööna kaunistasin 9. Kas sinu kunsti on piisavalt tunnustatud? Nõukogude biennaalidel (9. Ljubljana graafikabiennaal, ostupreemia, vabatahtlikult geograafia ning botaanika õppevihikuid ajal ei olnud sa sotsialistlikku realismi viljelev nomen- 1971; 36. rahvusvahelise Veneetsia kunstibiennaali tuši või värvipliiatsitega. Tartu ülikoolis inglise filoloogiat klatuurikunstnik, kuid said siiski vabakutselisena satelliitnäitus “Tänapäeva graafika”, 1972) ning muudel isik- ja rühmanäitustel. Tema teoseid leidub mitmes õppides võtsin osa ka sealse kunstikabineti tööst. Aastast oma kunsti luua ja näitusi teha. Iseseisvuse taastanud olulises muuseumikollektsioonis: Eesti Kunstimuuseum 1963 kuni 1968 õppisin Tallinnas toonases kunstiinstituudis Eestis pälvisid aga alles 2015. aastal Kristjan Raua Tallinnas, riiklik Tretjakovi galerii Moskvas, Ludwig-Forum klaasikunsti, lisaks tegelesin graafikaga. Raske on täpselt nimelise preemia, kuigi oleksid võinud selle tunnustuse für Internationale Kunst Aachenis, Norton ja Nancy öelda, aga arvata võib, et kunstnikuks sain juba enne minu meelest saada juba 1973. -
Folk Tradition and Multimedia in Contemporary Estonian Culture1
396 INTERLITT ERA RIA 2019, 24/2: 396–407 MIHKELEV Folk Tradition and Multimedia in Contemporary Estonian Culture1 ANNELI MIHKELEV Abstract. The legends of the kratt or the treasure-bearer have existed in lively oral tradition in Estonian culture for a very long time. These myths and legends have traversed from the oral tradition to literary works, visual culture and music. All these texts on the kratt exist in the culture as metatexts which create the world of the kratt, where different cultural memories and interpretations are intertwined. This means that the kratt as a cultural text is also a multimedial text. Different media use different tools and this makes the interpretations more playful and interesting. Andrus Kivirähk’s novel Rehepapp (The Old Barny, 2000) is the central literary work on the kratt in contemporary Estonian literature. Kivirähk combines the mythical kratt with the figure of Old Barny (rehepapp), who is the unofficial leader of the village and a cunning manor house barn-keeper. There are several cultural texts based on Kivirähk’s novel, but the most important are the opera Rehepapp (2013) by Tauno Aints, libretto by Urmas Lennuk, and the film November (2016) by Rainer Sarnet. The 2015 production of the ballet Kratt (1943) by Eduard Tubin is more contemporary in its setting and represents everyday life in the modern factory. The article analyses how different multimedial texts about the kratt and Old Barny use and combine multimedia to create and convey the social meaning of the kratt, and how multimedia use audio-visual poetics to convey a greater number of emotions and aesthetic values in the cultural text. -
Ja „25 Kauneimat Raamatut“ 1956 – 2010“ Mille Juhendajad on Kurmo Konsa (Phd) Ja Tiit Hennoste (Phd)
TARTU ÜLIKOOL Humanitaarteaduste ja kunstide valdkond Ajaloo ja arheoloogia instituut Infokorralduse õppekava Eesti raamatukonkursid „25 parimat raamatut“ ja „25 kauneimat raamatut“ 1956 – 2010 Magistritöö infokorralduse erialal Edith Hermann Juhendajad Tiit Hennoste, PhD Kurmo Konsa, PhD Tartu 2016 SISUKORD SISSEJUHATUS ......................................................................................................................................4 Lühendid ...............................................................................................................................................6 1. TEOREETILISED LÄHTEKOHAD ..................................................................................................7 1.1. Raamat kui artefakt .......................................................................................................................7 1.2. Ilu ja kogemuse kontekst .............................................................................................................10 1.3. Eesmärk ja uurimisküsimused .....................................................................................................12 2. UURIMISTÖÖ EMPIIRILINE KÄSITLUS JA TEEMA VARASEMAD KÄSITLUSED. AJALOOLINE JA RAHVUSVAHELINE KONTEKST NING EESTI KONKURSSIDE EELLUGU13 2.1. Empiirilise uurimustöö käik ........................................................................................................13 2.2. Teema varasemad käsitlused .......................................................................................................17 -
Walk in the City Centre Walk in the City Centre Museums
WALK IN THE CITY CENTRE WALK IN THE CITY CENTRE MUSEUMS 1 Town Hall Square 25 Monument to 1 Estonian NaƟonal Museum. J. K. S. Morgenstern J. Kuperjanovi 9, Wed–Sun 11 a.m.–6 p.m. 2 Town Hall 26 Monument to K. E. von Baer 3 Pirogov Square 2 Tartu City Museum. Narva mnt 23, Tue–Sun 11 a.m.-6 p.m. 27 Monument to Gustav II Adolf 4 Sculpture “Father and Son” 3 KGB Cells. Riia 15b, Tue–Sat 11 a.m.–4 p.m. 28 Main Building of the 5 Barclay Square and University of Tartu Monument to Barclay de Tolly 4 Tartu Toy Museum. Lutsu 8, Wed–Sun11 a.m.–6 p.m. 29 Monument to Jaan Tõnisson 6 Statue of Two Wildes 5 Museum of the 19th-Century CiƟzen of Tartu. Jaani 16, 30 Tampere House 7 Vanemuine Theatre April-September Wed–Sat 11 a.m.–5 p.m., Sun 11 a.m. –3 p.m. 31 St. John’s Church October-March 10 a.m.–3 p.m. 8 Monument to Eduard Tubin 32 St. Anthony’s Court 9 Monument to Karl Menning 6 Tartu Art Museum (Kivisilla Art Gallery). 33 Uppsala House Raekoja plats 18, Wed-Sun 11 a.m.–6 p.m. 10 Remembrance area of the Tartu Peace 34 Botanical Gardens 7 Estonian Literary Museum. 11 Fountain dedicated to 35 Ruins of the Town Wall Vanemuise 42, Mon–Fri 9 a.m.–5 p.m. Professor Lotman 36 Freedom Bridge 8 University of Tartu Natural History Museum. 12 Library of the 37 Barge yard Vanemuise 46, Wed–Sun 10 a.m.–4 p.m. -
Tallinn Guide Tallinn Guide Money
TALLINN GUIDE TALLINN GUIDE MONEY The Estonian currency is the euro = 100 cents. 4* hotel (average price/night) – €100 Essential Information Car-hire (medium-sized car/day) – €120 Money 3 The majority of larger restaurants, hotels and shops accept credit cards, but always have some Tipping Communication 4 Tallinn, the capital of Estonia and a seaport cash on you, especially for taxis and bus tickets. Tipping in Estonia is voluntary and tips are never with nearly 420,000 inhabitants, is a vibrant Smaller shops, some petrol stations and B&Bs included in the bill. You are not obliged to leave Holidays 5 city mixing old and new. Its charming histor- may not accept card payments, so always check a tip, but a common practise is to leave 10% in in advance. ATMs are scattered around the city Transportation 6 ical center is listed as a UNESCO World Her- restaurants if the service was satisfactory. itage Site, but Tallinn is also often referred to and it should never be a problem finding one. You Food 8 as the Silicon Valley of the Baltic Sea, rank- can exchange money at any bank or exchange of- ing as one of the top 10 digital cities in the fice. Try to avoid the exchange booths in the Old Events During The Year 9 world. On one hand, it is the birthplace of Town, the rates are not very good there. You can Skype and home to a big Ericsson production also just withdraw money from the ATM if you 10 Things to do plant for Europe; on the other hand, it is home want to save yourself trouble. -
Kunstniku Kalevipoeg: Eepose Ja Müüdi Taasesitus Kristjan Rauast Gunnar Neemeni
Kunstniku Kalevipoeg: eepose ja müüdi taasesitus Kristjan Rauast Gunnar Neemeni Kärt Summatavet doi:10.7592/PS/28-1summatavet Teesid: Artikkel käsitleb müüdi ja eepose kujutamisega seotud kunstiteoseid, keskendudes “Kalevipoja” väljaannetele. Vaat- luse all on kolm meetodit, mida kunstnikud on selle eepose raa- matugraafika kujundamisel ning müüdi tegelaste ja sündmuste kujutamisel kasutanud. Eepos ja müüt on vaadeldavad ini- mese kujutlusvõime tulemustena, mille taasesitamisel põimu- vad kunstnike teostes rahva looming ja professionaalne kunst, üldised ja isiklikud ning igavikulised ja üldinimlikud teemad. Vaatluse all on ka kunstniku roll müüdi taasesitajana ning rahva loomingu interpreteerimisel ilmnevad müüdi eetilise ja esteetilise tõlgendamise küsimused. Eepose kujutamisega seo- ses leiab käsitlemist ka kunstniku uurimistöö fenomen, mida eepose-aineliste teoste puhul alati ei pruugita väärtustada, kuid mis sellegipoolest mõjutab kunstnike loomingut. Märksõnad: müüt, eepos, kunst, “Kalevipoeg”, loomemeetod, kujutlus võime, inspiratsioon, müüdi taasesitus Sissejuhatuseks Eepos “Kalevipoeg” ning rahva pärased allikad ja muistendid, mis on ilmunud kogumikes “Kalevipoja esi-isad” (Eisen 1920), “Muis- tendid Kalevipojast” (Laugaste, Normann 1959) ja võrguväljaandes “Kalevipoeg” (1999), on kunstnikele omanäoliseks inspiratsioo- niallikaks ja kujutlusvõimet avardavaks allikmaterjaliks, kuid loo- 12 mingulise ülesandena tõsiseks väljakutseks. Kunstiteadlane Mai Levin on tabavalt märkinud, et 1935. aastal ilmunud “Kalevipoja” juubeliväljaandest -
SPRING 2017 Signature Events for Finland 100
Finlandia Foundation® National Our Mission is to sustain both Finnish-American culture in the U.S. and the ancestral tie with Finland by raising funds for grants and scholarships, initiating innovative national programs, and networking with local chapters. SPRING 2017 Signature Events for Finland 100 n tribute to Finland’s Declaration of Independence Finland 100 Signature Events taking place in 2017: Ia century ago, Finlandia Foundation National September 18 Santa Fe, New Mexico: Finland’s is hosting several former President Finland 100 Signature Tarja Halonen will Events throughout participate as a 2017. guest of the Women’s The first of these took International Study place in Florida on Center (WISC). February 18 in the September 22-23 Lake Worth/West Minneapolis: An all- Palm Beach area, Finnish concert by the with FFN as a major Minnesota Orchestra sponsor of the Finland under the baton of 100 Gala at the Delray Music Director Osmo Beach Marriott. A Vänskä. delegation from the Finnish Parliament, November 4 Seattle: led by Speaker Maria Finland 100 concert Lohela, graciously Dignitaries at the February 18 Finland 100 Gala include (far left) Consul by the Northwestern attended the event. General of New York Manu Virtamo; (center) Florida’s Honorary Consul Symphony Orchestra. Peter Makila; and Finnish Parliament Speaker Maria Lohela (in blue he Gala was gown). Photo by Rodney Paavola November 9 New one of several York City: FFN is a T Ossi Rahkonen (below, left) and Consul General Manu Virtamo visit at activities that sponsor of the Finland the Chamber luncheon. Photo by Timo Vainionpaa, usasuomeksi.com weekend, including Centennial Forum the Finnish American at the Union Club, Chamber of Commerce with Keynote Speaker luncheon; Speaker President Martti Lohela addressed the Ahtisaari. -
Folkloristic Contributions Towards Religious Studies in Estonia: a Historical Outline1
Folkloristic Contributions towards Religious Studies in Estonia: A Historical Outline1 ÜLO VALK University of Tartu Abstract The article outlines the historical development of the study of folk religion and mythology in Estonian scholarship. It shows how the changing ideological and political context and formation of folklor- istics as an autonomous discipline have shaped the construction of its object – Estonian folk religion. The roots of conceptualizing folk religion as an inherited set of survivals of heathendom lies on the one hand in the systematic work of the Lutheran Church in strengthening the Christian worldview by eradicating superstitions. On the other hand, the ideology of national awakening depicted Estonian folklore as a huge and valuable reservoir of pre-Christian traditions, including the oldest survivals of Finno-Ugric cultural heritage. Later, during the period of Soviet occupation, Marxist evolutionary views contributed towards considering folk religion as an archaic form in human devel- opment; in addition, anti-clerical ideology reinforced a stereotype of the people’s adherence to their indigenous religion and contrasting this with Christianity as an alien ideology of oppression. The last part of the article discusses scholarship after the re-establishment of Estonia’s independence in 1991, as the former ideological framework slowly faded away and new conceptual developments emerged. Keywords: folk religion, vernacular religion, Estonian folklore, history of folkloristics From a historical perspective, the roots of religious studies in Estonia are in Protestant theology and in the missionary endeavors of the Lutheran Church. Throughout the 18th century the ethnic Estonians remained cul- turally distant from the Baltic-German elite and were seen as the others, as backward peasantry and a simple workforce for the manors.