The Curving Mirror of Time Approaches to Culture Theory Series Volume 2
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Soolapaberfotod – Tehnika Ja Tulevik
Eesti Kunstiakadeemia Kunstikultuuri teaduskond Muinsuskaitse ja restaureerimise osakond Kursusetöö Soolapaberfotod – tehnika ja tulevik Kadi Sikka II kursus Juhendaja: Merilis Sähka Eesti Ajaloomuuseum Tallinn 2010 Sisukord 1. Sissejuhatus ..........................................................................................................................3 2. Ajalugu .................................................................................................................................4 3. Soolapaberfoto menetlus ......................................................................................................7 3.1. Valmistamine .........................................................................................................7 3.2. Iseloomulikud tunnused ......................................................................................11 4. Kahjustused ........................................................................................................................14 5. Eesti Ajaloomuuseumi soolapaberfotode kogu ..................................................................19 5.1. Kogu tutvustus .....................................................................................................19 5.2. Fotograafid ..........................................................................................................21 6. Fotode kirjeldamine ja digiteerimine .................................................................................23 7. Soovitused säilitamiseks ja käsitsemiseks .........................................................................28 -
NIMEINDEKS Nimeindeksi Toimetaja: Leida Lepik Korrektuur: Eva-Leena Sepp
Tallinna ühistranspordi kaardi NIMEINDEKS Nimeindeksi toimetaja: Leida Lepik korrektuur: Eva-Leena Sepp ©REGIO 1997 Tähe 118, TARTU EE2400 tel: 27 476 343 faks: 476 353 [email protected] http://www.regio.ee Müük*Sale: Kastani 16, TARTU EE2400 tel: 27 420 003, faks: 27 420199 Laki 25, TALLINN EE0006 tel: 25 651 504, faks: 26 505 581 NB! (pts) = peatus/stop/pysäki/остановка A Asfalt-betoonitehas (pts) J4 ENDLA Adamsoni E4, F4, J7, K7 ASTANGU C6 E5, F4-5, H8,18, J8, K8 A.Adamsoni (pts) F4, J7, K7 Astangu B6, C6 Endla H6 A.AIIe G4 Astangu (pts) B6, C6 Endla (pts) J8 Aarde E4,16,17 Astla tee J2 Energia E6 Aasa F5, J8 Astri E7 Energia (pts) E6 Aasnurmika tee L2 Astri (pts) E7 Erika E3,15 Aate D7, E7 Astri tee 11 Erika (pts) E3 Aaviku J1 Asula F5 Estonian Exhibitions H4 Abaja J3 Asunduse G4, H4 "Estonia" (pts) F4, L7 Aedvilja M7 Asunduse (pts) FI4 ESTONIA PST F4 Aegna pst J3 Auli E5 F Ahju F5, L8 Auna E4, H6,16 Falgi tee F4, K7 Ahtri F4, G4, M6-7 Auru F5 Farm (pts) G2 Ahvena tee A4 Auru (pts) F5 Filmi G4 Äia F4, L6, L7 Auru põik F5 Filtri tee G5, N8 Aiandi 11 Auto C8 Flower Pavilion H4 Aiandi (pts) D5 Autobussijaam G5, N8 Forelli D5 Aianduse tee J1-2 Autobussijaam (pts) G4 Forelli (pts) D5 Aianduse tee (pts) J2 Autobussikoondis (pts) Fosforiidi N3 Aiaotsa L1 C5, D5 F.R.Faehlmanni G4, N7 Aiaotsa (pts) H2, L1,K2 В F. R.Kreutzwaldi G4, M8, N7 Aiatee I2 Balti jaam F4, K6 G Äia tee (pts) I2 Balti jaam (pts) F4 Gaasi J4 Aida L6 BEKKERI D3 Gaasi (pts) I4, J4 Airport H5 Bekkeri sadam D3 Gildi G4-5, N8 AKADEEMIA TEE C6, D6 Bensiini G4 Glehn! D6, E6 Akadeemia tee (pts) C6, D6 Betooni I4-5, J5 Glehn! park C7 Alajaama E6 Betooni (pts) I5 GONSIORI G4, M7, N7 Alasi D3 Betooni põik J5 Gonsiori G4 Aiesauna L2 Betooni põik (pts) J5 G. -
Helsinki Watch Committees in the Soviet Republics: Implications For
FINAL REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : HELSINKI WATCH COMMITTEES IN THE SOVIET REPUBLICS : IMPLICATIONS FOR THE SOVIET NATIONALITY QUESTIO N AUTHORS : Yaroslav Bilinsky Tönu Parming CONTRACTOR : University of Delawar e PRINCIPAL INVESTIGATORS : Yaroslav Bilinsky, Project Director an d Co-Principal Investigato r Tönu Parming, Co-Principal Investigato r COUNCIL CONTRACT NUMBER : 621- 9 The work leading to this report was supported in whole or in part fro m funds provided by the National Council for Soviet and East European Research . NOTICE OF INTENTION TO APPLY FOR COPYRIGH T This work has been requested for manuscrip t review for publication . It is not to be quote d without express written permission by the authors , who hereby reserve all the rights herein . Th e contractual exception to this is as follows : The [US] Government will have th e right to publish or release Fina l Reports, but only in same forma t in which such Final Reports ar e delivered to it by the Council . Th e Government will not have the righ t to authorize others to publish suc h Final Reports without the consent o f the authors, and the individua l researchers will have the right t o apply for and obtain copyright o n any work products which may b e derived from work funded by th e Council under this Contract . ii EXEC 1 Overall Executive Summary HELSINKI WATCH COMMITTEES IN THE SOVIET REPUBLICS : IMPLICATIONS FOR THE SOVIET NATIONALITY QUESTION by Yaroslav Bilinsky, University of Delawar e d Tönu Parming, University of Marylan August 1, 1975, after more than two years of intensive negotiations, 35 Head s of Governments--President Ford of the United States, Prime Minister Trudeau of Canada , Secretary-General Brezhnev of the USSR, and the Chief Executives of 32 othe r European States--signed the Final Act of the Conference on Security and Cooperatio n in Europe (CSCE) . -
Estonian Academy of Sciences Yearbook 2014 XX
Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEAR BOOK ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XX (47) 2014 TALLINN 2015 ESTONIAN ACADEMY OF SCIENCES The Year Book was compiled by: Margus Lopp (editor-in-chief) Galina Varlamova Ülle Rebo, Ants Pihlak (translators) ISSN 1406-1503 © EESTI TEADUSTE AKADEEMIA CONTENTS Foreword . 5 Chronicle . 7 Membership of the Academy . 13 General Assembly, Board, Divisions, Councils, Committees . 17 Academy Events . 42 Popularisation of Science . 48 Academy Medals, Awards . 53 Publications of the Academy . 57 International Scientific Relations . 58 National Awards to Members of the Academy . 63 Anniversaries . 65 Members of the Academy . 94 Estonian Academy Publishers . 107 Under and Tuglas Literature Centre of the Estonian Academy of Sciences . 111 Institute for Advanced Study at the Estonian Academy of Sciences . 120 Financial Activities . 122 Associated Institutions . 123 Associated Organisations . 153 In memoriam . 200 Appendix 1 Estonian Contact Points for International Science Organisations . 202 Appendix 2 Cooperation Agreements with Partner Organisations . 205 Directory . 206 3 FOREWORD The Estonian science and the Academy of Sciences have experienced hard times and bearable times. During about the quarter of the century that has elapsed after regaining independence, our scientific landscape has changed radically. The lion’s share of research work is integrated with providing university education. The targets for the following seven years were defined at the very start of the year, in the document adopted by Riigikogu (Parliament) on January 22, 2014 and entitled “Estonian research and development and innovation strategy 2014- 2020. Knowledge-based Estonia”. It starts with the acknowledgement familiar to all of us that the number and complexity of challenges faced by the society is ever increasing. -
Importance of European Remembrance for the Future of Europe
European Parliament 2019-2024 TEXTS ADOPTED P9_TA(2019)0021 Importance of European remembrance for the future of Europe European Parliament resolution of 19 September 2019 on the importance of European remembrance for the future of Europe (2019/2819(RSP)) The European Parliament, – having regard to the universal principles of human rights and the fundamental principles of the European Union as a community based on common values, – having regard to the statement issued on 22 August 2019 by First Vice-President Timmermans and Commissioner Jourová ahead of the Europe-Wide Day of Remembrance for the victims of all totalitarian and authoritarian regimes, – having regard to the United Nations Universal Declaration of Human Rights adopted on 10 December 1948, – having regard to its resolution of 12 May 2005 on the 60th anniversary of the end of the Second World War in Europe on 8 May 19451, – having regard to Resolution 1481 of the Parliamentary Assembly of the Council of Europe of 26 January 2006 on the need for international condemnation of crimes of totalitarian Communist regimes, – having regard to Council Framework Decision 2008/913/JHA of 28 November 2008 on combating certain forms and expressions of racism and xenophobia by means of criminal law2, – having regard to the Prague Declaration on European Conscience and Communism adopted on 3 June 2008, – having regard to its declaration on the proclamation of 23 August as European Day of Remembrance for the Victims of Stalinism and Nazism adopted on 23 September 20083, 1 OJ C 92 E, 20.4.2006, p. 392. 2 OJ L 328, 6.12.2008, p. -
The Quantitative Structure of Estonian Syllabic-Accentual Trochaic Tetrameter
TRAMES, 2013, 17(67/62), 3, 243–272 THE QUANTITATIVE STRUCTURE OF ESTONIAN SYLLABIC-ACCENTUAL TROCHAIC TETRAMETER Maria-Kristiina Lotman and Mihhail Lotman University of Tartu, Tallinn University Abstract. The paper contains the first attempt to analyze the quantitative structure of the Estonian literary syllabic-accentual verse; it has never been posed as an issue before. The analysis comprised 20 prominent authors and more than 9000 verse lines. In order to find out which regularities are specific to poetry in general or to a particular poet, these data were compared to that of pseudotrochees extracted from prose. The performed study showed that, first, quantity plays important role as well in syllabic-accentual verse, the indices of verse being considerably different from that of pseudoverse. Second, the tendencies in quantitative structure are in good correlation with that in accentual rhythm. Third, just like in the case of accentual rhythm, the quantitative rhythm allows the clear distinction between two groups of poets, whom we conditionally call Traditionalists and Modernists. Keywords: Estonian verse, trochaic tetrameter, syllabic-accentual verse, Estonian quantity, statistical analysis DOI: 10.3176/tr.2013.3.03 1. Problem In the syllabic-accentual verse, first, the number of syllables, and second, the placement of accent are relevant. Whether only the main stresses matter, as in Jaak Põldmäe’s approach (1978) or different degrees of stress are to be distinguished (compare Lotman and Lotman 2007, 2011), is not significant in this case. On the other hand, in the syllabic-quantitative system, it is not the disposition of stresses, but the quantities that are relevant. -
Dissertationes Historiae Universitatis Tartuensis 11 Dissertationes Historiae Universitatis Tartuensis 11
DISSERTATIONES HISTORIAE UNIVERSITATIS TARTUENSIS 11 DISSERTATIONES HISTORIAE UNIVERSITATIS TARTUENSIS 11 TARTU ÜLIKOOLI TEENISTUJATE SOTSIAALNE MOBIILSUS 1802–1918 LEA LEPPIK Kaitsmisele lubatud Tartu Ülikooli filosoofiateaduskonna ajaloo osakonna nõu- kogu otsusega 21.03.2006. Juhendaja: Professor Aadu Must Oponendid: Prof Dr iur Marju Luts (TÜ), ajalookandidaat Väino Sirk (Ajaloo Instituut) Kaitsmine toimub 21.04.2006 kell 16.15 Tartu Ülikooli Nõukogu saalis ISSN 1406–443X ISBN 9949–11–292–3 (trükis) ISBN 9949–11–293–1 (PDF) Autoriõigus Lea Leppik, 2006 Tartu Ülikooli Kirjastus www.tyk.ee Tellimus nr. 199 SISUKORD 1. SISSEJUHATUS ..................................................................................... 8 1.1. Ühiskond, teadus ja ülikoolid 19. sajandi Euroopas ja Venemaal .... 8 1.2. Küsimusepüstitus .............................................................................. 13 1.3. Metoodika, struktuur ja mõisted........................................................ 15 2. UURIMISSEIS JA ALLIKAD................................................................. 19 2.1. Uurimisseis ....................................................................................... 19 2.2. Allikad .............................................................................................. 34 3. ÜHISKONNA ÜLDINE KORRALDUS — SEISUSED, TEENISTUSASTMED, MAKSUSTAMINE .............................................. 42 3.1. Seisused Vene impeeriumis ja selle Läänemerekubermangudes ..... 42 3.1.1. Aadel .................................................................................... -
Several Lives of Tallinn's Christmas Tree
30.6.2021 https://kesklinn.sendsmaily.net/template/preview/id/7/ If you do not see this message properly, click here. Dear Tallinn City Centre Residents, International Women's Day is celebrated globally on March 8. This year is notable for Estonia, as two women currently lead the Estonian Republic: Kersti Kaljulaid as President, and Kaja Kallas as Prime Minister. A recent survey conducted by the National Statistics Board and published symbolically on March 8th shows that Estonian women are well- educated, hard-working, and in great physical shape. Our health is strongly connected to the environment we live in, which is why the webinar “Waste Sorting and Recycling in Tallinn” initiated by the City Center New Arrivals Council was particularly topical. If you missed the webinar, you can watch the recording here. In this newsletter, you will learn about the multiple lives of Tallinn’s Christmas tree, how Tallinn’s participatory budget will be implemented in the City Center, and how to furnish your life in Tallinn for under 200 euros. Happy reading! Photo by Külli Kittus Several lives of Tallinn's Christmas tree https://kesklinn.sendsmaily.net/template/preview/id/7/ 1/6 30.6.2021 https://kesklinn.sendsmaily.net/template/preview/id/7/ The gorgeous spruce that has adorned Town Hall square in Tallinn’s Old Town since the end of November last year has lived several lives: first as a Christmas tree, then as the heart of a maze inspired by cornflowers, and finally — for a dignified end — the tree helped celebrate Estonia’s 103rd birthday in blue, black, and white tricolor. -
London School of Economics and Political Science Department of Government
London School of Economics and Political Science Department of Government Historical Culture, Conflicting Memories and Identities in post-Soviet Estonia Meike Wulf Thesis submitted for the degree of PhD at the University of London London 2005 UMI Number: U213073 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U213073 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Ih c s e s . r. 3 5 o ^ . Library British Library of Political and Economic Science Abstract This study investigates the interplay of collective memories and national identity in Estonia, and uses life story interviews with members of the intellectual elite as the primary source. I view collective memory not as a monolithic homogenous unit, but as subdivided into various group memories that can be conflicting. The conflict line between ‘Estonian victims’ and ‘Russian perpetrators* figures prominently in the historical culture of post-Soviet Estonia. However, by setting an ethnic Estonian memory against a ‘Soviet Russian’ memory, the official historical narrative fails to account for the complexity of the various counter-histories and newly emerging identities activated in times of socio-political ‘transition’. -
Vanemuine Buklett 148X210mm
The exhibition When the Stage Lights Came On... tells ... the multi-layered story of a theatre by displaying the folio of prints Wanemuine 100, which focuses on the beginning of the Vanemuine Theatre. The folio ties together two important moments in time: the birth of Estonian language theatre and the beginning of the 1970s, when the local theatre life was influenced by its Soviet environment but also by the begin- nings of the theatrical renewal. Inspired by these layers, the folio is the impetus and central exhibit of the present exhibition. The students of the Estonian Academy of Arts who curated the exhibition travelled from the world of art to the world of theatre and brought a small piece of Estonian theatre history to the museum. In all probability, the folio, which is part of the Tartu Art Museum’s collections, has never been exhibited. This allowed us to unravel the collages from the folio like detectives and to delve into their sources to bet- ter understand the backstory of the folio. As a result of the research, this playbill that you are reading contains most of the photos that form the basis of the collages. Archival materials tell a multifaceted story that covers the period from the birth of Estonian language theatre up to the founding of professional theatre. It includes images of the people associated with theatre, the public festivals, the costumes and the theatre buildings. The foundation of the Vanemuine Theatre took place during the phase of active construction of Estonian nationality. It focused on a national narrative, on connecting individual events and celebrating anniversaries that assisted in asserting a collective sense of continuity. -
And Estonian Kalev
Scandinavian Kalf and Estonian Kalev HILDEGARD MUST OLD ICELANDIC SAGAStell us about several prominent :men who bore the name Kalfr, Kalfr, etc.1 The Old Swedish form was written as Kalf or Kalv2 and was a fairly common name in Viking-age Scandinavia. An older form of the same name is probably kaulfR which is found on a runic stone (the Skarby stone). On the basis of this form it is believed that the name developed from an earlier *Kaoulfr which goes back to Proto-Norse *KapwulfaR. It is then a compound as are most of old Scandinavian anthroponyms. The second ele- ment of it is the native word for "wolf," ON"ulfr, OSw. ulv (cf. OE, OS wulf, OHG wolf, Goth. wulfs, from PGmc. *wulfaz). The first component, however, is most likely a name element borrowed from Celtic, cf. Old Irish cath "battle, fight." It is contained in the Old Irish name Cathal which occurred in Iceland also, viz. as Kaoall. The native Germ.anic equivalents of OIr. cath, which go back to PGmc. hapu-, also occurred in personal names (e.g., as a mono- thematic Old Norse divine name Hr;or), and the runic HapuwulfR, ON Hr;lfr and Halfr, OE Heaouwulf, OHG Haduwolf, Hadulf are exact Germanic correspondences of the hybrid Kalfr, Kalfr < *Kaoulfr. However, counterparts of the compound containing the Old Irish stem existed also in other Germanic languages: Oeadwulf in Old English, and Kathwulf in Old High German. 3 1 For the variants see E. H. Lind, Nor8k-i8liind8ka dopnamn och fingerade namn fran medeltiden (Uppsala and Leipzig, 1905-15), e. -
Vance D. Wolverton Chair Emeritus, Department of Music California
Vance D. Wolverton Chair Emeritus, Department of Music California State University, Fullerton [email protected] MART SAAR ESTONIAN COMPOSER & POET Consolidating the Past, Initiating the Future Vance D. Wolverton art Saar (1882-1963) was one of the most important Estonian Mcomposers of art music, espe- cially choral music, of the late nineteenth to mid-twentieth century. He lived and composed through a period of exponential political changes in Estonia—not altogether unlike the upheaval accompanying the collapse of the Soviet Union in 1990/91—including the fi rst period of independence (1918-1939), the fi rst period of Soviet occupation (1939-1941), the Nazi occupation (1941-1944), and nearly half of the second period of Soviet occupation (1944- 1991). It is common knowledge that the Soviets strongly discouraged participation in religious observations and activities, including the com- position of sacred music. It is also clear that such signifi cant disruptions to the political fabric of the nation were bound to infl uence all aspects of society, including music. Mart Saar lived and composed through these momentous times, and his compositions are refl ective of them. CHORAL JOURNAL Volume 57 Number 5 41 MART SAAR ESTONIAN COMPOSER & POET The Musical and Poetic Voice organist. He also edited the music journal “Muusikaleht.” of a Generation From 1943 to 1956, Saar was a professor of composition Along with his contemporary, Cyrillus Kreek (1889- at the Tallinn Conservatory. 1962), Mart Saar is considered one of the founders of Estonian professional music and its national style, espe- cially in the fi eld of choral music.