W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2017 Nameless Art in the Mao Era Tianchu Gao College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Gao, Tianchu, "Nameless Art in the Mao Era" (2017). Undergraduate Honors Theses. Paper 1091. https://scholarworks.wm.edu/honorstheses/1091 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact
[email protected]. Nameless Art in the Mao Era A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Department of Art and Art History from The College of William and Mary by Tianchu (Jane) Gao 高天楚 Accepted for ___________________________________ (Honors, Non-Honors) ________________________________________ Xin Wu, Director ________________________________________ Sibel Zandi-Sayek ________________________________________ Charles Palermo ________________________________________ Michael Gibbs Hill Williamsburg, VA May 2, 2017 ABSTRACT This research project focuses on the first generation of No Name (wuming 無名), an underground art group in the Cultural Revolution which secretly practiced art countering the official Socialist Realism because of its non-realist visual language and art-for-art’s-sake philosophy. These artists took advantage of their worker status to learn and practice art legitimately in the Mass Art System of the time. They developed their particular style and vision of art from their amateur art training, forbidden visual and textual sources in the underground cultural sphere, and official theoretical debates on art.