Fall 2021 EDITORIAL

“To Whom It May Concern,” an overview of his intensive work on the image. On the occa- sion of ’ 100th birthday, the juxtapositions Beuys We live in new times. I have become unsure how I can, should, and Lehmbruck and Beuys and Duchamp are published, and an- may or would like to address you. Intense shifts in perspective other catalog is devoted to the artist’s language. A contempo- around the major themes of gender, Black Lives Matter, and rary of his is American photographer Ruth Orkin. Since it is high postcolonialism are disrupting old assumptions, but also un- time that her photographs are seen more widely, this attracti- settling our linguistic fluency. Many words and grammatical ve photo is being published. With the quirky and colorful concepts that may have felt familiar no longer seem fit for gift book, Odd Apples, we hope we can keep the doctor away! purpose. We do not yet have new ones to render communica- In the midst of the new digital day-to-day reality, our tion unselfconscious again. That’s why we write “To Whom It continue to appear predominantly on , allowing a ­piece of May Concern” instead of addressing you directly. physical sensuality and freedom of experience. The books let us About a year of various lockdowns, 360 days with hopes and share spaces of experience, image and thought, because they fears, with constantly changing perspectives on life, the world are fascinating objects, carefully made by everyone involved. and the many individual questions of everyday life, lie behind Where can sustainable concepts be introduced with prudence us. Time has become elastic through the waves of infections and a sense of proportion to make book production and dis- and in anticipation of vaccinations—it is breathtakingly fast in tribution as resource-efficient as possible? What are digital the presence of the big issues. What lies ahead of us? formats that work for large-format illustrated books? In pro- Since March 16, 2020, our team has been meeting in a digital duction, we are analyzing the possible certifications for prin- standup every day at 10 am. We are all impressed by how diffe- ters, inks, glue and . Our distribution team are looking rent our work has become in this virtual space and how import- at transport routes and—if possible—developing bundling for ant this daily exchange is for us across all departments. them. On the program side, print runs and volumes of books The new program reflects many contemporary themes: are weighed up even more carefully, and we have looked at mo- Lynette Yiadom-Boakye’s paintings focus on human figures. dels for CO2 offsetting. All of these findings sharpen our focus They are fictional characters who still touch us emotionally on which titles can be improved in terms of sustainability. and provide rich references to the history of painting. Sandra You have all helped us in various ways to ensure that these Pisot confronts human emotions and art history with Klasse physical objects open up themes, images and spaces that Gesellschaft, as Dutch genre painting meets pictorial inven- help us get through the pandemic—for this we thank you tion by Lars Eidinger and Stefan Marx. In the long exposures from the bottom of our hearts. of the renovation of Mies van der Rohe’s Neue Nationalgalerie in from 2016 to 2020, time is compressed into magical Nicola von Velsen and Hans-Gerd Conrad, images. Daniel Richter’s monograph “dawn ’til dusk” provides and the Hatje Cantz Team CONTENTS

Highlights 40 Lipp&Leuthold 41 Thomas Pihl 42 Hendrik Beikirch 2 Francisco de Goya 43 Leelee Chan’s Art Journey 3 Daniel Richter 44 Spatial Affairs 4 Cézanne 44 Enzyklopädie der Medien 5 Cezanne A–Z 45 Bouchra Khalili 6 Class Society 45 Ali Kaaf 7 Still Life 8 Group Dynamics 9 Michael Wesely Photography 10 Fassbinder 11 Ruth Orkin 46 Ruth Walz 12 Look up, Aya, and you can reach for the stars 47 Benedikt Partenheimer 13 Nick Brandt 48 Frédéric Brenner 14 Odd Apples 49 Peter Miller 50 Xu Yong New Series 51 Elisabeth Neudörfl 52 Gianluca Galtrucco 53 Manfred Baumann 16 Rosa Barba 54 Marie Tomanova 16 Niklas Maak 55 Sven Jacobsen 17 Why Art Criticism? A Reader 56 Florian Reinhardt 57 Max Siedentopf Art 58 Sjoerd Knibbeler 59 Nicolas Boyer 18 Heidi Bucher 60 Katharina Gruzei 19 Alexandra Bircken 61 Jean Molitor 20 Renée Green 21 In Lieu of Higher Ground 22 Yahon Chang Architecture 23 Sonia Leimer 62 Gonzalez Haase AAS 24 Border Crossings 63 FGP Atelier 25 Lehmbruck & Beuys 64 Peter Gustaf Dorén 26 Starting from Language 65 Sparano + Mooney Architecture Joseph Beuys at 100 66 gmp · Architekten von Gerkan, 27 Beuys & Duchamp Marg und Partner Artists of the Future 67 Parangolé 28 Rainer Fetting 68 Nicolas Schuybroek 29 Interior Garden 30 Klaus Littmann 31 Lukas Glinkowski 69 Backlist 32 Camille Henrot 33 Liliane Tomasko 80 Credits 34 Enrique Martínez Celaya & Käthe Kollwitz 35 Margrit Linck 81 Contact 36 Marius Glauer 37 No Plan At All 38 Daniel Theiler 39 House for a Boxer Toward the Modern Age

He was one of the last great court artists and at the same time a significant trailblazer for modern art: Francisco de Goya. The Fondation Beyeler is preparing one of the most extensive exhibitions of his work outside of Spain. In his more than sixty-year-long career, Goya was an astute ob- server of the drama of reason and irrationality, of dreams and nightmares. His pictures show things that go beyond social conventions: he depicts saints and criminals, witch- es and demons, breaking open the gates to realms where the boundaries between reality and fantasy blur. The show gathers more than seventy paintings, around sixty masterful drawings, and a selection of prints that invite the viewer to an encounter with the beautiful, as well as the incomprehensible. The extensive catalogue examines Goya’s unique artistic impact in texts by renowned inter- preters, and splendid photo galleries.

FRANCISCO DE GOYA’S (1746–1828) oeuvre covered the spectrum from Rococo to Romanticism. The show is being produced in collabo- final ration with the Museo Nacional del Prado in Madrid. For the first time, rarely seen paintings from private collectors in Spain are united with publication key works from the most famous European and American museums date and private collections in the Fondation Beyeler. HIGHLIGHTS ● One of the most comprehensive exhibitions of Goya’s work outside of Spain ● Co-production with the Fondation Beyeler Francisco de Goya ● Key works from private collections on display EDITOR for the first time Martin Schwander on behalf of Fondation Beyeler, Riehen/Basel TEXTS Andreas Beyer, Ioana Jimborean, José Manuel Matilla, Gudrun Maurer, Manuela Mena, Martin Schwander, Colm Tóibín, Bodo Vischer GRAPHIC DESIGN Uwe Koch

English 288 pp. ● ca. 300 ills. ● 27.4 x 31 cm ● Hardcover €58.00, $68.00, £58.00 September 2021

EXHIBITION Fondation Beyeler, Riehen/Basel, ​October 10, 2021–January 23, 2022

ISBN 978-3-7757-4657-1 English 2 “As a politically thinking person, I am not a morally thinking person.” (D. R.) While German painting of the postwar period essentially concerned itself with coming to terms with the past and presenting it in gestures ranging from the heroic to the ironic, Daniel Richter focuses on positioning himself in the present. Time and again he devises new ways of being “modern” in a medium that has long been labeled old-fash- ioned and anachronistic. His pictures constantly challenge the spectator by their painterly and contextually excessive demands, but they do not lecture on moral issues. In five chapters featuring more than 200 examples of his works, the author Eva Meyer-Hermann traces the chronological development of Richter’s artistic output for the first time. The turns from abstraction to figuration and back again that until now have been described as abrupt, prove on closer examination to be a logical consequence and a sign of conscious artistic action.

DANIEL RICHTER (*1962), born in the city of Eutin in Schleswig-Holstein, has been one of the most significant and internationally renowned HIGHLIGHTS painters of his generation for more than twenty years. His beginnings in the autonomous left-wing underground and late studies with Werner Büttner at the Hochschule der bildenden Künste in Hamburg contrib- utes to his reputation, as does his eloquent public presence.

● Extraordinary paintings ● First extensive monograph Daniel Richter ● Excellent authors Paintings from Early until Today

EDITOR & AUTHOR Eva Meyer-Hermann TEXTS Eva Meyer-Hermann, Verena Dengler, Max Hollein, Roberto Ohrt, Cord Riechelmann GRAPHIC DESIGN Yvonne Quirmbach

German, English ca. 496 pp. ● 400 ills. ● 26 x 28 cm ● Hardcover ca. €68.00, ca. $75.00, ca. £68.00 December 2021

ISBN 978-3-7757-5088-2 German, English 3 Cézanne Hosted in the Far North

There are collectors who have built outstanding art collec- v tions through foresight and devotion, disseminating them widely with the help of public museums. Among these collectors were Samuel Courtauld in London and Ras- mus Meyer in Bergen. Both focused on unique artists: for c é z a n n e Masterpieces from The Courtauld at KODE Art Museums Courtauld, it was Paul Cézanne; for Meyer, . The KODE Art Museums in Bergen are showing master- pieces by Cézanne from the holdings of the Courtauld In- stitute London in Bergen. To mark this collaboration, the volume focuses on the question of how collectors and art- ists became aware of Cézanne. Along with key works, this publication presents eyewitness accounts that describe Cézanne’s great influence on the Norwegian art scene around 1900. The book includes essays by Barnaby Wright, Øystein Sjåstad, and Karen Serres, an introduction by Line Daatland, and forewords by Petter Snare and Ernst Vegelin van Claerbergen.

PAUL CÉZANNE (1839–1906) was a French painter. His works and ideas continued to influence the work of many artists and art move- ments, especially Cubism. Both Matisse and Picasso are said to have declared that Cézanne is “the father of us all.”

HIGHLIGHTS ● Cézanne and the collectors of his time ● Cézanne’s influence on Nordic art ● New history of his reception Cézanne Masterpieces from The Courtauld at KODE Art Museums

EDITOR KODE Art Museums TEXTS

View of Samuel Courtauld’s study at 12 North Audley Ernst Vegelin van Claerbergen, Line Daatland, Karen Serres, Street, London, with Farm in Normandy, Summer (Hattenville). Published in House and Garden, summer 1948, p. 21. Øystein Sjåstad, Petter Snare, Barnaby Wright GRAPHIC DESIGN Benedikt Reichenbach View of Samuel Courtauld’s study at 12 North Audley Street, London, with Farm in Normandy, Summer (Hattenville). Published in House and Garden, summer 1948, p. 21. English 128 pp. ● ca. 75 ills. ● 28 x 28.4 cm ● Hardcover >2 Farm in Normandy, Summer (Hattenville) 1882, oil on canvas, 70.5 × 84.4 €44.00, ca. $50.00, ca. £44.00 June 2021

Part of Jørgen B. Stang’s collection hanging in his home in Oslo, around 1928: his three Cézannes can be seen on the wall, including his Card Players EXHIBITION Summer 2021

Part of Jørgen B. Stang’s collection hanging in his home in Oslo, around 1928: his three Cézannes can be seen on the wall, including his Card Players

>8 The Card Players circa 1892-96, oil on canvas, 90.5 × 102 cm >2 Farm in Normandy, Summer (Hattenville) 1882, oil on canvas, 70.5 × 84.4

ISBN 978-3-7757-5055-4 English 4

>8 The Card Players circa 1892-96, oil on canvas, 90.5 × 102 cm Portrait of an Artist in the Early Days of Modernism The incomparable play of light and color in Paul Cezanne’s work was the foundation of his reputation as a forerun- ner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his Romantic, , Impressionist, and finally Classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker’s family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin trac- es Cezanne’s life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author—and established connois- seur—succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

PAUL CEZANNE (1839–1906) was one of the most influential paint- HIGHLIGHTS ers in the early days of modernism and has often been described as a pioneer of Neues Sehen, or New Vision. His work still exercises undi- minished influence to this day. JAMES H. RUBIN (*1944) is an art historian and professor at the State University of New York in Stony Brook. His research focuses on nineteenth-century European art, especially the history, theory, and critique of French Modernism. Paul Cezanne

● A fresh look at Paul Cezanne A–Z ● Pioneer of modernist painting TEXT ● New volume built around an A to Z concept James H. Rubin GRAPHIC DESIGN Torsten Köchlin and Joana Katte

* Yes, the name Cezanne is written English once with and once without an 120 pp. ● 40 ills. ● 13 x 19.5 cm ● Hardcover accent. For once this is not bad editing, ca. €18.00, ca. $20.00, ca. £18.00 but a story worth reading: More in August 2021 Cezanne A—Z.

Paul Cézanne Edward Hopper A–Z A-Z ISBN 978-3-7757-4912-1 ISBN 978-3-7757-4656-4 (German) (English)

ISBN 978-3-7757-4913-8 English 5 The Timeless Presence of the Ordinary

One feature of seventeenth-century Dutch genre painting is its focus on daily life. It was not uncommon for artistic beauty to find itself challenged by the claim to aesthet- ic truths. What was once a novelty in Netherlandish art, however, has lost none of its charisma for today’s viewers. This illustrated volume offers evidence of this in a fasci- nating dialogue between the historic masters of genre painting and the shooting stars of . Works by Johannes Vermeers, Pieter de Hoochs, and other painters meet Stefan Marx’s contemporary typefaces and Lars Eidinger’s photographs. This unique synopsis not only reveals historic distinctions but the surprising similarities in themes and pictorial inventiveness are captivating.

LARS EIDINGER (*1976) is a versatile artist. He can be seen in numer- ous TV and film productions, as an ensemble member of the Berlin Schaubühne and as a DJ. With his precise eye for the contradictions and

poetry of everyday life, he is also a sought-after photo and video artist. Alltag im Blick niederländischer Meister STEFAN MARX (*1979) is an artist. He processes his precise obser- Mit Lars Eidinger und Stefan Marx vations of his environment in apt, mostly humorous, poetic, but also thought-provoking typefaces and figurative works. He has had numer- ous international exhibitions, including in Paris, New York and Tokyo. He self-publishes artist books and makes record covers for various labels. Marx founded the T-shirt label Lousy Livin in 1995. Since 2017 he has had Class Society a cooperation with KPM Berlin; in August 2019 he drew a daily column Everyday Life as Seen by Dutch

HIGHLIGHTS in The New York Times. SANDRA PISOT (*1974) studied art history, classical archaeolo- Masters: With Lars Eidinger and gy, as well as modern and contemporary history at the universities of Augsburg, Parma, and Stuttgart; after holding positions at the Stefan Marx Bavarian Staatsgemäldesammlungen and the Staatliche EDITOR Kunstsammlungen Dresden, she has been head of the Old Masters Sandra Pisot for the Hamburger Kunsthalle collection at the Hamburger Kunsthalle since 2014. TEXTS Christina Kuhli, Justus Lange, Uta Neidhardt, Sandra Pisot, Annemarie Stefes, Jasper Warzecha ● Masters of Dutch genre painting GRAPHIC DESIGN Margarethe Hausstätter ● Art(history) in a dialogue ● Contemporary art reacts to Old Masters German 336 pp. ● 250 ills. ● 24 x 28 cm ● Hardcover ca. €48.00, ca. $55.00, ca. £48.00 November 2021

EXHIBITION Class Society Everyday Life as Seen by Dutch Masters: With Lars Eidinger and Stefan Marx, Hamburger Kunsthalle, November 26, 2021–March 27, 2022

Stefan Marx Lars Eidinger Schriftbilder / Type Works Autistic Disco ISBN 978-3-7757-4690-8 ISBN 978-3-7757-4781-3 (German, English) (German, English)

ISBN 978-3-7757-5036-3 German 6 HIGHLIGHTS 7 TIMELESS BEAUTYTIMELESS STILL LIFE LIFE STILL Stillleben ISBN 978-3-7757-5113-1 (German) ZEITLOSE SCHÖNHEIT AUS DRESDEN AUS SCHÖNHEIT ZEITLOSE STILLLEBEN EDITOR TEXTS GRAPHIC DESIGN EXHIBITION Staatliche Kunstsammlungen Dresden, Dresden, Kunstsammlungen Staatliche Krüger and Konstanze Stephan Koja Krüger Konstanze Stephan Koja, Jacobsen Kathrin English cm ● Hardcover ● 20 x 25.7 ● ca. 100 ills. 144 pp. ca. £34.00 ca. $40.00, ca. €34.00, October 2021 Dresden Kunstsammlungen Staatliche Still Life Beauty: Timeless 2022 October 06, 08, 2021–March Still Life English - - - - - 978-3-7757-5114-8 978-3-7757-5114-8

The fascination of still-life painting of still-life The fascination Dutch and Flemish High Culture Dutch and Flemish High Culture 1600—1800 glossary illustrated With ● ● ● this magical genre. of optical illusion to extremes? More than 70 still lifes than 70 still lifes More of optical illusion to extremes? such as Corne by painters collection Dresden the from and Frans Ruysch, Rachel Mignon, Abraham lis de Heem, of age golden the into insight a unique provide Snyders What meaning, what content, and what function did still and what meaning, content, What what in concealed symbols are allegories and what have, lifes messages? How did the artists the game their coded take Dresden’s Gemäldegalerie (Picture Gallery). Focusing on on Gallery). Focusing (Picture Gemäldegalerie Dresden’s of Dutch and Flemish paint the dazzling masterpieces facets. in all its diverse the genre ing, this book examines of the Baroque era. This lavishly illustrated book that book that illustrated This lavishly era. of the Baroque the pictorial a glossary sets the stage for features even housed in of still lifes collection renowned internationally musical instruments and scientific instruments. Magi instruments. and scientific instruments musical hedonism as wealth and cal things testifyto exuberant fervor curiosity and religious well as to the enlightened They fascinate us today as they did 500 years ago: elab ago: did 500 years as they us today fascinate They with oys fruits or platters of exotic compositions orate decorated exquisitely and skulls, arrangements floral ters, Magical Paintings Paintings Magical HIGHLIGHTS their members, theiraestheticmethodologies, political groups was (and stillis) universal, theconcerns of throughout thetwentieth century. While thetendencyto Tokyo: allover joinedforces theworld,artists incollectives Buenos Aires, Khartoum, Lahore, Casablanca, , asCommunityArt 8 2022 24, 19,2021–April October Group Dynamics–Collectives oftheModernistPeriod, Lenbachhaus, 2023 5, March 23,2021–March Group Dynamics– The BlueRider, Lenbachhaus, EXHIBITIONS ● ● ● whomadeupDerBlaueReiter.artists sive survey of works and new insights into the circle of Cantz Verlag, isalready available. Itoffers a comprehen Group Dynamics– The BlueRider catalogue accompanying ofthe exhibition, thefirstpart tion in conjunction with its MuseumGlobal initiative. The project is funded by the German Federal Cultural Founda the publication ofprogrammatic texts andjournals. The schoolsandcollectivesthe establishment ofart aswell new nations. These events were often accompanied by ly includesdecolonization processes andthefounding of verse international modernization movements andfinal to 1980 covered here coincides with the beginning of di pending ontimeandplace. The periodfrom about1900 goals, andutopianaspirations differed fundamentally de ideas of artistic modernism ideas ofartistic constituting andcommunicating central ofcollectives function Important in autonomy, andcanonicalaesthetics Addresses thethemesofauthorship, Interdisciplinary andtranscultural view , alsopublishedbyHatje

ISBN 978-3-7757-5040-0ISBN - - - - -

English October 2021October ca. €58.00, ca.$68.00, ca. £58.00 448 pp. ills. ●300 ●20x27 cm●Softcover English magma designstudio Aihe Wang,Siegert, Stephanie Weber, Carol Yinghua Lu,etal. Muzyczuk, Thiago GildeOliveira Virava, Iheanyi Onwuegbucha, Nadine Jumabhoy, Morad Montazami, Noriko Murai, Jaroslaw Suchan, Daniel Hassan, Sarah Louisa Henn, Eva Huttenlauch, SaminaIqbal,Zehra Karin Althaus, Sergio Baur, SusanneBöller, ElisabethGiers, SalahM. München StädtischeGalerieimLenbachhausMatthias undKunstbau Mühling, Collectives theModernistPeriod of Group Dynamics GRAPHIC DESIGN GRAPHIC TEXTS EDITOR (German) 978-3-7757-5039-4ISBN Kollektive der Moderne Gruppendynamik (English) 978-3-7757-4841-4ISBN The BlueRider Group Dynamics HIGHLIGHTS 9 Weski arz, Thomas Weski 34 x 27.6 cm ● Hardcover ● 34 x 27.6 201209 PECIAL EDITION TEXTS S GRAPHIC DESIGN 2 C-prints inside the book ● Ed.: 50, numbered and signed numbered 50, inside the book ● Ed.: 2 C-prints ● ISBN 978-3-7757-5111-7 cm ● €600.00 x 17.6 32 Format Joachim Jäger, Bernd Gruber, Alexander Schw Alexander Bernd Gruber, Joachim Jäger, £64.00 $75.00, €64.00, 2021 May Philip Radowitz Philip German English, ● ca. 200 ills. pp. 224 Michael Wesely Neue Nationalgalerie 160401- - - - English, German English, ISBN 978-3-7757-5033-2 (*1963) is a celebrated master master (*1963) is a celebrated MICHAEL WESELY MICHAEL Photography as historiography Photography of an of the renovation Behind the scenes the Neue Nationalgalerie icon: Fascinating perspective of Mies van der Rohe of Mies van perspective Fascinating

● ● ● The photographer The photographer ceal histories, too. In this case, world-famous architectural architectural In this case, world-famous too. histories, ceal renowned Neue Nationalgalerie years the five For history. der Gallery),Ludwig Mies van designed by (New National Nevertheless, renovation. public for closed to the was Rohe, - to accommo able was Wesely Michael the photographer cameras, building: four guests” inside the iconic “four date installed were direction, in a different each one pointing took between 600 and 1100 they day on the ceiling. Every Edit each. minutes two time of exposure an with pictures al- synopsis fascinating this montages, bewitching into ed as it metamorphosis the building’s to envision readers lows time is an The long exposure renovations. undergoing was movements rapid restless, ephemeral, for aesthetic coup, the still, timeless quality of the architecture, with contrast change.and identity of interplay sophisticated a presenting tech to this photographic approach His precise of the long exposure. His unique him world renown. to each object,nique, tailored brought collections and exhibitions in numerous aesthetic can be found in Berlin. the globe. He lives around There is more to numbers than sums; they can also con can also sums; they to numbers than is more There An Archaeology of Time An Archaeology of Virtuoso Visual Language between Theater, Film, and Contemporary Document Fassbinder’s prominence, creative non-conformity, and ar- tistic radicalism led to now legendary films, television se- ries, and theatrical plays. Works such as Ali: Fear Eats the Soul, The Marriage of Maria Braun, Eight Hours Don’t Make a Day, Berlin , and Querelle have etched them- selves into our collective visual memory. He was exceedingly prolific in his short life, writing, directing, or shooting some forty-five feature films and twenty-five plays. Fassbinder was an artist who succeeded in synthesizing radical sub- jectivity and social analysis in his works. He lived and de- Methode manded intensity. His sometimes unwieldy, critical stance that stood in contrast to often affectionate portrayals of Rainer Werner people regardless of their respective social backgrounds Fassbinder was unparalleled and also of deeply respectful consistency. Often viewed controversially during his lifetime, Fassbind- er’s work has lost none of its relevance, intensity, and cha- risma to this day.

RAINER WERNER FASSBINDER (1945–1982) was a director, film pro- ducer, actor, and author. He is regarded as one of the most important exponents of the New German Cinema movement. Like almost no other artist, he shaped and inspired the intellectual image of post- war through his work. HIGHLIGHTS Methode Rainer Werner Fassbinder ● Life and work of the legendary director ● Milestone in German film history EDITORS ● Masterful wealth of forms Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn and DFF, Deutsches Filminstitut und Filmmuseum, Frankfurt a. M., in cooperation with the Rainer Werner Fassbinder Foundation, Berlin TEXTS David Barnett, Isabelle Bastian, Ines Bayer, Elisabeth Bronfen, Rai Gandra, Andrea Hartmann, Udo Kier mit Ulrich Sonnenschein, Susanne Kleine, Juliane Maria Lorenz-Wehling, Verena Lueken, Hans-Helmut Prinzler, Hans-Peter Reichmann, Annette Reschke, Ralf Schenk, Wolfram Schütte, Bernd Schultheis, Petra Terhoeven, Michael Töteberg, Barbara Vinken, Nicolaus Wackerbarth, Wim Wenders GRAPHIC DESIGN Karl-Heinz Best, mind the gap!

German 272 pp. ● 350 ills. ● 28 x 26 cm ● Softcover ca. €48.00, ca. $45.00, ca. £48.00 September 2021

EXHIBITION The Rainer Werner Fassbinder Method. A Retrospective Bundeskunsthalle, Bonn 10.9.2021–6.3.2022

ISBN 978-3-7757-5105-6 German 10 HIGHLIGHTS 11 ● 27.5 x 27.5 cm ● Hardcover x 27.5 ● 27.5

● 180 ills. ● 180 ills.

– Freiraum für Fotografie, Berlin, October 2021–January 2022 Berlin, für Fotografie, – Freiraum 3 EDITOR EDITOR TEXTS GRAHPIC DESIGN EXHIBITIONS Kultur Kutxa Artegunea, San Sebastian (Spain), Summer 2022 Kutxa Kultur 2022 Fall (Portugal), de Cascais Cultural Centro and further venues Nadine Barth, MaryNadine Barth, Engel Orkin Ruth Gresh, Kristen grafikanstalt Julia Wagner, English pp. 224 ca. £38.00 ca. $44.00, ca. €38.00, July 2021 2021 September–November York, New Fotografiska, F Bassano (Italy), Januar 2022 Museo Civico Ruth Orkin Ruth Spirit A Photo English ------ISBN 978-3-7757-5095-0 . She was awarded awarded . She was Home Journal (1978) is her best-known book of (1978) is her best-known ’ , which she made with her husband Ladies , and Little Fugitive Look , Life (1921–1985)Work Angeles City College. Los studied at World Through Window Through My World Large-scale, international exhibition tour exhibition international Large-scale, Iconic street photography and prominent and prominent photography street Iconic portraits Marking the photographer’s 100th birthday Marking the photographer’s RUTH ORKINRUTH ● ● ● azines such as the film an Oscar for in 1953. photographs. exceptional artist’s oeuvre. artist’s exceptional published in mag were her pictures photographer, ing as a freelance lished on the occasion of the photographer’s 100th birth of the photographer’s lished on the occasion and work life Orkin’s book celebrates this illustrated day, of this overview and fascinating with an equally extensive ren Bacall. These inimitable images seemingly combine images seemingly combine These inimitable Bacall. ren star in his or her role the to present snapshot and pose autonomous individual. Pub the same time as an and at penetrating insights into the time and personality of her the time into insights penetrating of portraits fantastic in her shows subjects. And it likewise and Lau Allen, Woody such as Albertcelebrities Einstein, today. But Orkin’s specialty not only encompassed the ur the not only encompassed specialty But Orkin’s today. unique in her This is evident ban but also the personal. offer to consistently scenes her street enabled that eye Ruth Orkin is a legend of street photography – her atmos – her photography street Orkin is a legend of Ruth York New Florence, as such cities in taken pictures pheric metropolises the image of these still shape and London Moments of Eternity Moments Artist Picture Book

This enchanting volume by an artist couple who are also parents tells a very touching rite of passage story. Jeppe Hein and his wife Silke have teamed up to create a very special kind of picture book. It tells of the multifaceted experiences of the caterpillar Aya and its metamorpho- sis into a no less multifaceted radiant butterfly. The illus- trations bring the story to life: Jeppe Hein’s watercolor drawings are congenially and sensitively enhanced by Silke Hein’s collages. Areas of color and texture of almost magical depth are created. There is no question that this attractive work is not only just for kids. Images of such so- phisticated colorfulness will captivate viewers of all ages and lend wings to their own flights of fancy.

SILKE AND JEPPE HEIN (both *1974) have four children together. This first picture book by the artist couple arose from their experiences as a family. At the same time, it is an amalgamation of Jeppe Hein’s wa- tercolors and Silke Hein’s collages. They live and work in Berlin.

● Enchanting picture book ● Story for young and old (from 4 years) ● Sympathetic family project HIGHLIGHTS

Look up, Aya, and you can reach for the stars

EDITORS Silke & Jeppe Hein ILLUSTRATIONS Silke and Jeppe Hein TEXT Elisabeh Kiertzner GRAPHIC DESIGN All the Way to Paris

German, English 88 pp. ● 19.2 x 25 cm ● Hardcover ca. €24.00, ca. $24.00, ca. £26.00 September 2021

Silke und Jeppe Hein Schau nach oben, Aya, und du kannst die Sterne greifen ISBN 978-3-7757-5099-8 (German)

ISBN 978-3-7757-5100-1 German, English 12 HIGHLIGHTS 13 EDITOR TEXTS EXHIBITIONS Oslo Negativ, Det Gamle Biblioteket, Oslo, October 2021 Oslo, Det Gamle Biblioteket, Oslo Negativ, 2021 November York, New Houk, Edwyn Nick Brandt Break May The Day Nadine Barth Petina Everett, Percival Nick Brandt, Adhiambo Uwour, Yvonne Gappah English with dust jacket x 34 cm ● Hardcover ● 32 ● 60 ills. ca. 168 pp. ca. £54.00 ca. $62.00, ca. €54.00, September 2021 2021 September Angeles, Los Klein Gallery, Fahey September 2021 London, Gallery, Atlas

English - On This ISBN 978-3-7757-5089-9 ) This Empty World . His more recent bod recent . His more (2016) and The Dragonfly Sea The Dragonfly and Inherit the Dust Across the Ravaged Land the Ravaged Across , photographed in Zimbabwe and Kenya Kenya and Zimbabwe in photographed , , Dust (*1964) studied film and painting at St. (*1964) studied film and painting in Martin’s A Shadow Falls A Shadow , (author of (author New series by the world-famous photographer New series by the world-famous table book coffee Impressive Uwuor Adhiambo Yvonne by a text With NICK BRANDT ● ● (2019). He lives in California. (2019). He lives ● London. He turned to photography in 2001 with his trilogy He turned to photography London. Earth are ies of work / books in spite of their loss, these people and animals are the people and animals are these in spite of their loss, hope. lies possibility and And therein survivors. the same frame. The fog on location is the unifyingthe is visual, location on fog The frame. same the a in a kind of limbo, find ourselves as we increasingly However, view. from world now fading once-recognizable sanctuaries, the animals were rescues that can never be never can that rescues were the animals sanctuaries, to human strangers for safe it was As a result, re-wilded. within so close to them, photographed be close to them, environmental degradation and destruction. The people in The and destruction. degradation environmental change, displaced by climate all affected the photos were five at Photographed droughts. years-long and cyclones by The Day May Break May Day The first part is the of a global series portraying 2020, in late been impacted by have animals that people and Survivors Odd Apples: Covers for Small Edition WORK IN PROGRESS Alternative layout / Photo A

“An Apple a Day” ODD APPLES Upon closer inspection, inconspicuous things that are fre- ODD quently taken for granted tend to reveal a whole universe of fascinating details and unusual features. You just have ODD to have the right eye for them. This is absolutely the case with William Mullan. His encounter with the varying ap- ODD pearances of an Egremont Russet apple gave him a taste for it. Since then, he has explored the vast range of apple varieties, capturing their individual charms in loving, styl- ishly elegant portraits. It is precisely this odd charm com- bined with the hitherto unknown that make these photo- graphs fascinating studies of a supposedly commonplace fruit. Mullan confides completely in their idiosyncratic aesthetics and invites us in this attractive gift book to em- bark on a visual expedition into the world of the apple.

New Yorker WILLIAM MULLAN (*1989) came to photography as an autodidact and his talent was quickly recognized. His Odd Apple pro-ject developed into an influential and much talked-about series (for example in The New Yorker and i-D Magazine) that soon gained wide-spread attention. APPLES APPLES APPLES ● Attractive gift book Layout A1 Layout A2 Layout A3 Layout A4 ● Favorite fruit as a motif HIGHLIGHTS ● Colorful apple studies

Odd Apples

TEXT William Mullan GRAPHIC DESIGN ODDTrabucco-Campos APPLES & / Mullan TRABUCCO-CAMPOS & MULLAN March 2021 • 3

English 128 pp. ● ca. 90 ills. ● 15 x 19 cm ● Hardcover with embossing ca. €18.00, ca. 18.00, ca. $20.00 October 2021

ISBN 978-3-7757-5112-4 English 14 NEW SERIES 15 €28.00, $32.00, £28.00 £28.00 $32.00, €28.00, (German) ISBN 978-3-7757-4863-6 (epub) ISBN 978-3-7757-4886-5 Philipp Zitzlsperger Philipp Das Design-Dilemma und zwischen Kunst Problemlösung Future of the Museum Future 28 Dialogues £22.00 $25.00, €22.00, (English) ISBN 978-3-7757-4827-8 (Ebook) ISBN 978-3-7757-4828-5 Sterngast Tal Paintings Twelve £24.00 $26.00, €24.00, (German) ISBN 978-3-7757-4766-0 (English) ISBN 978-3-7757-4767-7 András The András Szántó: - Clémentine Deliss Clémentine The Metabolic Museum £18.00 $20.00, €18.00, (English) ISBN 978-3-7757-4780-6 (Ebook) ISBN 978-3-7757-4801-8 Donatien Grau Donatien Living Museums £22.00 $25.00, €22.00, (English) ISBN 978-3-7757-4753-0 (Ebook) ISBN 978-3-7757-4798-1 Dirk Boll ist diesmal anders? Was £22.00 $25.00, €22.00, (German) ISBN 978-3-7757-4811-7 and on fine paper can be taken in hand. All content is also is content All hand. in taken be can paper fine on and in downloadable digital formats. in parallel accessible fresh forms of expression, a pleasure to read and a pleas and a to read a pleasure of expression, forms fresh to look at. ure typography clear with set topics, good which in series A A series dedicated to text and image, to the diverse voices voices and image, diverse to the to text A series dedicated criticism. of art, and to current to curating, find and to set new impulses, sharpen focus, A series to A Feel for Text for A Feel NEW SERIES 16 of thinkingbydestabilizingoutdated structures ofcinema. present—a workingprinciplethat aimstoform anewway ney toward politicaltrope animaginary for thecinemaof matic spaces, theauthorembarks inthisvolume onajour Employing the concept of an anarchic organization of cine ● ● ● July 2021 ca. €22.00, ca.$25.00, ca.£22.00 176 pp. ●40 ills. ●14x21 cm●Paperback withflaps English Neil Holt Rosa Barba Spaces beyond Cinema Cinematicof Spaces –Evoking On theAnarchic Organization Rosa Barba GRAPHIC DESIGN GRAPHIC TEXT Rosa Barba beyond Cinema Evoking Spaces Cinematic Spaces Organization of the Anarchic On Theory ofcinematicTheory spaces Installative videoart filmmakerImportant (Ebook) (English) 978-3-7757-5028-8ISBN Cinematic Spaces Organization of On theAnarchic Rosa Barba

ISBN 978-3-7757-5027-1ISBN

English

(English, Italian) 978-3-7757-4326-6ISBN From Source toPoem Rosa Barba - - envisions radical solutionsfor thefuture. Frankfurt, explores thisquestioninhisnewpublication and tural criticandProfessor for Architecture at Städelschule where itisstored stillsoinvisible? NiklasMaak, architec basic material for businessandpolitics: Why are theplaces If data isthegreatest collective treasure ofadigitalsociety, ● ● ● September 2021 ca. €22.00, ca.$25.00, ca.£22.00 64 pp. English Neil Holt Harvard Graduate SchoolofDesign Niklas MaakandStudents oftheStädelschuleFrankfurt andthe Niklas Maak, Francesca Bria Servermanifest Niklas Maak GRAPHIC DESIGN GRAPHIC ILLUSTRATIONS TEXT The debate ondigitalrights Urban planningindata capitalism Architecture inthedigitalage

● 12x19cmPaperback (German) 978-3-7757-5069-1ISBN Servermanifest Niklas Maak ISBN 978-3-7757-5070-7ISBN English Servermanifest Niklas Maak (Ebook) (English) 978-3-7757-5080-6ISBN - Art Critique Reader

How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the gen- re, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Söntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to com- ment upon. How have these writers approached art crit- icism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings to- day, and why is it important in its contemporary context?

BEATE SÖNTGEN (*1963) is professor of art history at Leuphana Uni- versity Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group Cultures of Critique: Forms, Media, Effects and co-director of the program PriMus – Doctoral Studies in Museums. JULIA VOSS (*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and phi- losophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung. NEW SERIES NEW Why Art Criticism? A Reader ● Compendium of art criticism ● Plurality of voices and styles of writing EDITORS ● With short comments on each art critique Beate Söntgen, Julia Voss TEXTS Ananda Kentish Coomaraswamy, Denis Diderot, Takashi Kashima, Patrick Mudekereza, Annemarie Sauzeau-Boetti, Bertha Zuckerkandl and many more COMMENTS Juli Carson, Yuriko Furuhata, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson, and many more GRAPHIC DESIGN Neil Holt

English 384 pp. ● ca. 30 ills. ● 14 x 21 cm ● Paperback with flaps ca. €24.00, ca. $26.00, ca. £24.00 September 2021

Why Art Criticism? A Reader ISBN 978-3-7757-5092-9 (Ebook) (English)

ISBN 978-3-7757-5074-5 English 17 ART ebrated herconcept ofsculpture assomethingbetween tures backintheearly1970sCalifornia. The works cel and fashion gave risetowearable genderlessbodysculp Heidi Bucher’s fascination withtheinterplay betweenart Neo-Avant-Garde’s MostSignificant Artists Rediscovering the Oneof 18 ● ● ● collections around theworld. ifornia. Herworks canbefound innumerous museumsandprivate enjoyed herinitialsuccesses inthelate 1960sinNew York andCal was raised inSwitzerland, studiedunderJohannesItteninZurich, and The sculptor and performative artist years ofherlife onLanzarote. al andhumanskins, totheworks shecreated inthelast and 1970sthemainbodyofworkwitharchitectur imental phaseinNew York andLos Angelesinthe1960s from its beginnings in Zurich in the 1940s, to theexper gender roles. This monograph presents Bucher’s oeuvre was always dedicated toacriticalsubversion ofnormative and theirembeddinginpowerstructures. Indoingso, she and sensual,sheinvestigated humanforms ofexistence With material transformations that were at once radical off againwithgreat physical force after ithadsolidified. which sheappliedtosurfaces inliquidform andpulled to experiment withunusualmaterials suchasrubber, Alreadyperformance at andobject. shebegan thistime, films andphotomaterial of previously unknown works andunreleased Many black-and-white andcolor photographs concept ofsculpture Expanded material andperformative neo-avant-garde scene art Rediscovering amajorfigure onthe HEIDI BUCHER HEIDI

(1926–1993) (1926–1993) ISBN 978-3-7757-5078-3ISBN - - - - - English Haus derKunst, Munich, September17, 16, 2022 2021–January September 2021 ca. €54.00, ca.$62.00, ca.£54.00 272 pp. ●170 ills. ●24 x30 cm●Softcover English Harald Pridgar DESIGN GRAPHIC Jana Baumann, Carina Bukuts, JenniSorkin ChusMartínez, TEXTS Jana Baumann Metamorphoses Heidi Bucher EXHIBITION EDITOR (German) 978-3-7757-4792-9ISBN Metamorphosen Heidi Bucher ART 19 ● Paperback Swiss binding Swiss ● Paperback

, Museum Brandhorst, Munich , Museum Brandhorst, Alexandra Bircken Bircken Alexandra A–Z ISBN 978-3-7757-5043-1 (German) EDITOR TEXTS GRAPHIC DESIGN HIT EXHIBITION Alexandra Bircken: A—Z Bircken: Alexandra July 28, 2021–January 2022 16, Alexandra Bircken Alexandra A—Z Bayer-Wermuth Monika Kirsty Bell, Bayer-Wermuth, Monika Marie-Luise Angerer, Smith T’ai Sebastian Hackenschmidt, Hans-Christian Dany, English x 30 cm ● 24 ● ca. 250 ills. pp. ca. 328 £48.00 $55.00, €48.00, June 2021 – Z A

ALEXANDRA BIRCKEN Museum Brandhorst English - - - - - ISBN 978-3-7757-5042-4 ISBN 978-3-7757-5042-4 49 237 Netz mit Maria, 2008 Cassius Demolition Ball, 2011 (*1967) is internationally renowned for her for renowned internationally is (*1967) Hülle, 2013 Artistic anthropology Comprehensive survey of work survey Comprehensive art Contemporary 236 48 ALEXANDRA BIRCKEN ALEXANDRA ● ● ● 58th Venice Biennale in 2019. She is professor of at the Acad at of sculpture Biennale in 2019. She is professor Venice 58th in Berlin. of Fine Arts and works emy and lives in Munich multifaceted repertoire of forms. Her work has been shown in numer of forms. repertoire multifaceted the at e.g., prominently exhibitions, ous institutional solo and group periods, which here enter into a dialogue that explores the explores a dialogue that into enter which here periods, move body, surface, on statements multi-layered artist’s shell, and skin. ment, ment, as defenselessly at its mercy as it is dependent on as it is dependent its mercy at as defenselessly ment, comprehensive a to provide is the first This catalogue it. all creative from practice sculptural of Bircken’s overview materials and industrially produced goods. The constant The constant goods. and industrially produced materials is the human in her artistic point explorations reference to the environ relationship body and its contradictory Bircken’s charged objects and installations. Whether it’s it’s Whether objects installations. and charged Bircken’s everything parts, machine or bones, materials, packaging raw as well as the inorganic, finds a use—the organic The title seems to announce a comprehensive encyclo a comprehensive to announce The title seems has objectmaterial or each and every A to Z, pedia: from in one of Alexandra an element become to the potential Media Theory of Body the Media ART probed andforegrounded underrepresented historiesof photography,writing, andsoundworks printmaking, have ship between aesthetics and power. Her films, sculpture, practice has,art over twodecades, examined therelation Renée Green’s impressive andlong-standingmultimedia Histories Movement of andDisplacements 20 ● ● ● at theMassachusettsInstituteof Technology. and is currentlyInstitute, Culture at and the Art, Technology Program fessor at theAkademie derKünste in Vienna andtheSanFrancisco Art al aestheticshasmadeherknownaround theworld.Shewas apro Program. Heruniqueapproach tonatural sciences, history, andcultur University, Harvard University, and the Whitney Independent Study constellations. ence, inwhichvisionandknowledgeare brought into new for contemporary audiences. This bookisauniqueexperi a hostof new writers who recontextualize her artwork documented with recent artworks productions, alongside Green’s works initsmany facets, combining earlyandun resentation. This exceptional catalogue features artist migration, displacement, ethnography, andcultural rep RENÉE GREEN RENÉE New contextualization Unique range ofmaterials andmigrationArt (*1959)studiedat Parsons SchoolofDesign, Wesleyan ISBN 978-3-7757-5061-5ISBN ------English October 16, 2021–January 9, 16,October 2021–January 2022 KW Institutefor Contemporary Berlin, Art, December 2021 ca. €34.00, ca.$40.00, ca.£34.00 160 pp. ●ca.80ills. English Carolina Aboarrage Melanie Roumiguière Katherine McKittrick, Taylor Le Ima-AbasiOkon, Melle, Kathrin Bentele, HowieChen, Renée Green, Krist Gruijthuijsen, TEXTS Mason Leaver-Yap Inevitable Distances Renée Green EXHIBITION DESIGN GRAPHIC EDITOR

● 21.6 x28cm●Paperback withFlaps Distances Inevitable Renée Green

ART 21 In Lieu of of In Lieu Higher Ground TEXTS GRAPHIC DESIGN EXHIBITION Lee Kwang Rae, Yoon Jin Sup Yoon Rae, Kwang Lee Migyeong Im) Park, and Design Unit (Sora Gallery Baton Korean English, ● 20 x 28 cm ● Hardcover ● 60 ills. 120 pp. ca. £40.00 ca. $46.00, ca. €40.00, October 2021 2020 January 30–FebruaryGallery 29, Baton, In Lieu of Higher Ground Jang-Nyun, Park Won, Suk Park Song Burnsoo ------English, Korean English, ISBN 978-3-7757-4871-1 ISBN 978-3-7757-4871-1 (1938–2009) became an important representa (*1943) is an internationally renowned contempo renowned (*1943) is an internationally (*1941) is one of the most prominent figures of Kore of figures most prominent one of the (*1941) is Minimalism from Korea Minimalism from volume illustrated Attractive Contemporary Korean art Korean Contemporary SONG BURNSOO PARK JANG-NYUN PARK PARK SUK WON PARK ● ● ● rary Korean artist whose works are exhibited both nationally and in both nationally exhibited artist are whose works Korean rary A vast collections. prominent in many and can be found ternationally paper reliefs, tapestries, prints, artworks encompasses of Song’s range installations. and environmental tive of the Korean Monochrome movement in the 1970s, known as in the 1970s, movement Monochrome of the Korean tive shapes of hemp himself with representing He occupied Dansaekhwa. manner. hyperrealistic in a fabric at the beginning of his career, his minimalist works from the 1970s from works his minimalist the beginning of his career, at sculpture. Korean made him a luminary of abstract have onward Korean artists. Korean Expressionism art. in Abstract an postwar still rooted he was Although paintings in which his exploration of religious symbols of religious in which his exploration paintings in offers publication richly illustrated This is articulated. important contemporary of three the oeuvres into sight Park Jang-Nyun dealt with the depiction of hyperrealistic depiction Jang-Nyun dealt with the of hyperrealistic Park fabric.hemp represented of is made Burnsoo Song forms tapestrymade in the early 1990s and his later by a large an art. In the 1970s and 1980s, Park Suk Won presented presented Won an art. Suk Park and 1980s, In the 1970s his ar which he pursued through his wood , paintings In large-format of accumulation. tistic practice This catalogue is devoted to the Korean artists Park Suk artists Park Korean to the devoted is This catalogue their lifelong Song Burnsoo for and Jang-Nyun, Park Won, Kore of contemporary to the establishment commitment Three Great Contemporary Korean Artists Korean Contemporary Great Three ART East and West. Typically standingonlarge sheetsoflinen ern forms expression ofartistic toproduce asynthesis of together traditional Chineseink-wash painting and West In hispaintings the Taiwanese artist Yahon Changbrings Western Performance Chinese Calligraphy Meets 22 ● ● ● since theearly2000s. launched hiscareer inAsia,hehasalsoexhibited inEurope andtheUS (1976) and the sity of Arts Taipei (2009). Having University of theArts sons at theageofsixandlater studiedat theNational Taiwan Univer bition views aswellaccompanying texts. sight into theartist’s extensive oeuvre andincludesexhi training in calligraphy. This publication offers the firstin axis for theseexpressive paintings andisinfluenced byhis connects body and mind. His entire as an body functions understands painting thatditions, as anactivity the artist Drawing on Chinese literati and Zen (Chan) Buddhist tra andcharacterizedergy bylarge, sweepingbrushstrokes. is tall, Chang creates works imbued with performative en or Xuan paperandwieldingabrushalmostaslonghe YAHON CHANG Asian ink-wash painting performance art Chinese calligraphy meets Western extensive oeuvre First publication tofeature theartist’s (*1948)beganhisfirstcalligraphy andpainting les

ISBN 978-3-7757-4919-0ISBN ------English INKstudio, Beijing, 2021 Beijing, INKstudio, June 2021 ca. €58.00, ca.$68.00, ca. £58.00 320 pp. ●370 ills. ●28.5xcmHardcover English Julia Wagner,grafikanstalt Antony Gormley Maria Rus Bojan, BrittaErickson, Maya Kóvskaya, Manu Park, Britta Erickson andNadineBarth Painting asPerformance Yahon Chang EXHIBITION DESIGN GRAPHIC TEXTS EDITORS PERFORMANCE AS PAINTING CHANG YAHON

Foundation of Perception

Sonia Leimer has risen to international renown in recent years with her large-scale installations. In her exhibition Space Junk she continues to pursue her longstanding interest in architecture, the working world, and globali- zation. Forming the springboard for her practice is her ongoing research into objects and materials that are of cultural, social, historical, and also personal significance. Her book highlights special moments in the artist’s work process, revealing her schematic approach. Photos are mixed in a dense sequence with notes, found footage, video stills, and visual documentation of the exhibition. This web of associations makes it possible to imagine the issues surrounding the meaning of the materials in the context of its conceptual treatment. Essays by Letizia Ragaglia and Silvia Eiblmayr give discursive depth to the visual approach.

SONIA LEIMER (*1977) lives in Vienna. She studied architecture at the Technical University of Vienna and at the Academy of Fine Art ­Vienna and was a founding member of the architecture office and gallery Nullmaschine (2001–02). She has exhibited her work internationally in New York, Zurich, Munich, Cologne, Frankfurt, Vienna, Aachen, Los Angeles, Salzburg, Bolzano, and at the 14th Triennale für Kleinplas- tik, the Fellbach Manifesta 7, Rovereto, and the 5th and 6th Moscow ­Biennials.

● Attractive artist’s book Sonia Leimer ● Large-scale installations Space Junk ● With accompanying essays

EDITOR ART Museion - Museum für moderne Kunst, Bolzano TEXTS Silvia Eiblmayr, Letizia Ragaglia GRAPHIC DESIGN Atelier Liska Wesle Vienna, Berlin

English, German, Italian 240 pp. ● 116 ills. ● 21 x 27.5 cm ● Paperback €44.00, $50.00, £44.00 available

ISBN 978-3-7757-4910-7 English, German, Italian 23 Art as a Mirror of Political Ideology

Korea is still a divided country that apparently never found its way out of the Cold War. The differences between the socialist North, which follows a dynastic leadership cult, and the capitalist South, with its developed democracy, could hardly be greater. Encompassing all areas of life, this divergence is also reflected in the art of the two countries: through the vibrant contemporary art scene in South Korea and the socialist-realist tradition of painting in North Korea, two diametrically opposed artistic attitudes exist in parallel, reflecting the incompatibility of the po- litical systems and the stark differences in the way of life of the populations. To mark the exhibition of both North and South Korean works from the Sigg Collection at the Kunstmuseum Bern, a comprehensive, richly illustrated catalogue is being published, which sheds light upon the theme of the border in contemporary Korean art from both sides.

The Swiss art collector, consultant, and manager ULI SIGG (*1946) began collecting contemporary in the 1970s, gradually assembling the world’s largest and most important collection. During his time as the Swiss ambassador to and North Korea, he suc- ceeded in acquiring some works from the art academies there.

● Art from an isolated country ● Art as a mirror of political ideology Border Crossings ● Korean contemporary art North and South Korean Insights from the Sigg Collection

ART EDITORS Kathleen Bühler, Nina Zimmer, Kunstmuseum Bern TEXTS Kathleen Bühler, Sunhee Kim, Sunjung Kim, Wonseok Koh, Carol Yinghua Lu, B. G. Muhn, Kyong Park, Stefanie Marlene Wenger, Min-Kyung Yoon

German, English 280 pp. ● ca. 250 ills. ● 19 x 28 cm ● Paperback with flaps €40.00, $46.00, £40.00 May 2021

EXHIBITION Kunstmuseum Bern, April 30–September 5, 2021

ISBN 978-3-7757-4916-9 German, English 24 Two Art Giants in Dialogue

Almost no one has had more of an influence on 20th cen- tury art than Joseph Beuys. When he received the Wilhelm Lehmbruck Prize from the city of Duisburg in 1986, he de- scribed in his speech how he had arrived at his concept of social sculpture via the work of Lehmbruck: „Everything is sculpture!“ was the call that came to him from an image of Wilhelm Lehmbruck’s work. High time, then, to present the work of both sculptors in dialogue with each other. To mark the 100th anniversary of Beuys’s birth, the Lehm- bruck Museum and the Bundeskunsthalle have joined forces. This exhibition catalog shows that sculpture is more than what we see, feel, hear and smell. It is a means of discovery and an experience of the new. The exhibition shows the works of two artists who saw a great potential of freedom in the sculptural field, which had to be realized beyond the borders of art.

JOSEPH BEUYS (1921–1986) was a German sculptor, draftsman, and action artist. With his concepts of the “expanded concept of art” and social sculpture, he shaped the art of the second half of the twentieth century. WILHELM LEHMBRUCK (1881–1919) was a German sculptor, painter, and draftsman. He is considered one of the most significant artists of ART – 100 YEARSBEUYS the turn of the twentieth century and had a great influence on subse- quent generations of artists. Beuys – Lehmbruck ● Two innovators of sculpture in dialog Thinking is Sculpture ● A highlight in Beuys’s anniversary year Everything is Sculpture ● A new insight into the work of Wilhelm Lehmbruck and Joseph Beuys EDITORS Stiftung Wilhelm Lehmbruck Museum, represented by Söke Dinkla, and Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, represented by Eva Kraus TEXTS Söke Dinkla, Johanna Adam, Jessica Keilholz-Busch, Inke Maria Hahnen GRAPHIC DESIGN cyan

German 240 pp. ● ca. 175 ills. ● 24.5 x 28.5 cm ● Hardcover €40.00, $46.00, £40.00 June 2021

EXHIBITIONS Bundeskunsthalle Bonn Beuys – Lehmbruck. Thinking is Sculpture June 25–November 1, 2021 Lehmbruck Museum Duisburg Lehmbruck – Beuys. Everything is Sculpture June 26–November 1, 2021

ISBN 978-3-7757-5108-7 German 25 ART – 100 YEARS BEUYS 26 October 2021October €30.00, $35.00, £30.00 128 pp. ●ca.60ills. ●20x24 cm●Paperback withflaps German Rutger Fuchs Steffen Groh andBirgitta Siegel,Martin Coers, etc. Birgitta Coers, Groh Martin Dieter Schwerdtle (1952–2009) Imaging Beuys. The Photographer 26 autumn 2021 Exhibition oftheDocumenta archive intheNeueGalerie Kassel, foring, example, onbehalfofthemagazine ist andcultural scene asadocumentary photographer since 1981,work M. Neusüßat theKunsthochschule Kassel. Hewas active inthelocalart ● ● ● EXHIBITION SCHWERDTLEDIETER DESIGN GRAPHIC TEXTS EDITORS Documentary artist photographyDocumentary artist ofDocumentaHistory Beuys upclose Imaging Beuys Dieter Schwerdtle Der Fotograf ISBN 978-3-7757-5098-1ISBN (1952–2009) studiedphotography with Floris (1952–2009) German Kunstforum International - - .

Starting from Language Starting June 13–September 19,June 13–September 2021 Hamburger Berlin, Bahnhof –MuseumfürGegenwart, ● ● ● June 2021 €38.00, $44.00, £38.00 208 pp. ills. ●300 ●20x27 cm●Paperback withflaps English eot: LillaHinrichs&AnnaSartorius Weiß, and Wiese / Ripplinger, HolgerSchulze, NinaSchallenberg, Tobias Vogt, Matthias Claudia Ehgartner, Barbara Gronau, Kolja Kohlhoff, MajaNaef, Stefan Nina Schallenberg for theNationalgalerie –Staatliche MuseenzuBerlin Joseph Beuys at 100 EXHIBITION DESIGN GRAPHIC TEXTS EDITOR New approach toresearch Language andart Marking theartist’s one-hundredth birthday (German) 978-3-7757-5037-0ISBN 100. Geburtstag Joseph Beuyszum Von derSprache aus جرم

ISBN 978-3-7757-5038-7ISBN English (English) ISBN with JosephBeuys Cosmopolitical Exercises Everyone IsanArtist: 978-3-7757-4866-7 Radical Modernism Squared

In conversations and interviews Joseph Beuys mentioned more than any other artist. And hardly anyone else seems to have challenged him more than this artist from the previous generation. Direct evidence of this is his oft-cited action Das Schweigen von Marcel Duchamp wird überbewertet (The Silence of Marcel Duchamp is Overrated) from 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and con- nections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. This richly illustrated catalogue is the first to undertake a profound exploration of this mul- tilayered relationship, while investigating both artists’ fu- ture-oriented potential.

MARCEL DUCHAMP (1887–1968) was one of modernism’s most in- fluential artists. From 1913 on, his readymades, objects, installations, and word games radically questioned the common concept of art. JOSEPH BEUYS (1921–1986) fundamentally altered art after 1960 in his many roles as a draftsman, sculptor, performance and installation artist, teacher, politician, and activist. At the center of his concept of ART – 100 YEARSBEUYS expanded art and the universal work of art is the vision of changing society.

● First juxtaposition of these two artists Beuys & Duchamp ● A new perspective Artists of the Future ● Extensive presentation, richly illustrated EDITORS Magdalena Holzhey, Kornelia Röder AUTHORS Hans Dickel, Antje von Graevenitz, Gerhard Graulich, Christa-Maria Lerm Hayes, Katharina Neuburger, Leah Sweet et al.

GRAPHIC DESIGN Christoph Steinegger

English 428 pp. ● 300 ills. ● 22 x 28 cm ● Flexibound ca. €44.00, ca. $50.00, ca. £44.00 October 2021

EXHIBITION Kunstmuseen Krefeld, Kaiser Wilhelm Museum, October 8, 2021–January 16, 2022 Marcel Duchamp Beuys & Duchamp Die Erfindung der Künstler der Zukunft Gegenwart ISBN 978-3-7757-5067-7 ISBN 978-3-7757-4729-5 (German) (German, English)

ISBN 978-3-7757-5068-4 English 27 Painting, Still New and Wild

Rainer Fetting achieved international recognition with the “New Wild Ones” in the early 1980s. With its elements of Expressionist painting, his art formed in opposition to the conventions of Abstract and Conceptual Art toward the end of the 1970s is highly topical again today. Fetting’s painting is a significant precursor for the “queer” discours- es on gender, identity, the individual, and power that not only shape the works of younger generations in our glo- balized art world but also current mainstream debates. His “expressive” portraits, cityscapes, and landscapes as well as the still lifes and flower paintings no which this publication focuses capture psychosocial energies that are evident in every painterly decision he makes. Works from four decades are presented here, some of them unpub- lished, early drawn studies and paintings from the time Fetting was commuting between New York and Berlin the 1980s and 1990s in addition to recent paintings, works on paper, and sculptures. The illustrated book is published in conjunction with the exhibition in the spaces of the Miet- tinen Collection in Berlin.

RAINER FETTING (*1949) studied painting at the Hochschule der Künste, Berlin, 1972–78. In 1977, he founded the Galerie am Moritzplatz together with Helmut Middendorf, Salomé, Bernd Zimmer, Anne Jud, and Berthold Schepers. From 1983–1994 he lived in New York and Berlin. Recent solo exhibitions have been shown at the Berlinische Galerie, Berlin, and Gottorf, Schleswig. Rainer Fetting lives and works in Berlin and Westerland. Rainer Fetting Blumen &

● The New Wild Ones EDITOR ● Flowers in the most diverse facets Robert Grunenberg ART ● Unpublished works by Rainer Fetting TEXTS Oliver Koerner von Gustorf, Norman Rosenthal GRAPHIC DESIGN Enver Hadzijaj

German, English 176 pp. ● 120 ills. ● 20.5 x 27 cm ● Hardcover ca. €38.00, ca. $44.00, ca. £38.00 August 2021

Desmond Reclining Teneriffa Fantasie 2021 1995 Acryl, Leinwand Öl, Leinen 200 cm × 230 cm 50 51 220 cm × 120 cm EXHIBITION Miettinen Collection, Berlin September 10–December 23, 2021

Cop Relaxing (Sebastian) Gladiolen 2004 2020 Öl, Leinwand Acryl auf Leinwand 100 cm × 130 cm 60 61 160 cm × 100 cm

ISBN 978-3-7757-5087-5 German, English 28 In the Magic Garden

At the onset of WWII, the visionary Dada artist Hannah Höch retreated to a secluded house on the outskirts of Berlin, flee- ing persecution for her radical collage work and her unflag- ging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables were a vital source of sustenance during wartime, and its soil served as the hiding place for her priceless collection of Dada artworks, deemed “degenerate” by the Nazi regime. Eighty years later, this richly illustrated yet deeply researched book reimagines Höch’s garden from an artist’s perspective. It brings togeth- er Höch’s botanical collages and garden photographs with deep archival cuts exploring her connection with writer Til Brugman; new art by the artists Scott Roben and Johanna Tiedtke, based on visits to Höch’s garden; and an essay by the writer Alhena Katsof that understands Höch’s collage practice as a form of pruning. Together, these elements in- terweave past and present, private and public, personal and political, offering new views into Höch’s lush refuge.

SCOTT ROBEN is an artist and writer living in Berlin. He holds an BA in Visual and Environmental Studies from Harvard College and an MFA from the Milton Avery Graduate School of the Arts at Bard Col- lege. His writings on art have appeared in Frieze, Art in America, and Texte zur Kunst. JOHANNA TIEDTKE is an artist living in Berlin. She has earned MFA degrees from both the Hochschule für bildende Künste in Hamburg and the Milton Avery Graduate School of the Arts at Bard College. Her Interior Garden works have been exhibited at the Villa Romana in Florence, at the Aus- trian Cultural Center in New York, and at the Museum Marta in Her- EDITOR ford, among others. She has been awarded stipends from the DAAD Leah Pires

and Kunstfonds Bonn. ART TEXTS Hannah Höch, Alhena Katsof, Leah Pires, Scott Roben, and Johanna Tiedtke ● Charming album GRAPHIC DESIGN Gregor Schreiter ● Garden book ● Artistic encounters German, English ca. 80 pp. ● ca. 50 ills. ● 16 x 23 cm ● Paperback ca. €28.00, ca. $32.00, ca. £28.00 August 2021

EXHIBITION Museum Reinickendorf, August 2021

ISBN 978-3-7757-5090-5 German, English 29 ART chael Sailstorfer, MiriamCahn, Kounellis, GiuseppePenone, Günther Uecker, Tony Cragg, Mi ing works byAlexandre Calame, JosephBeuys, Christo, Jannis Basel H. Geiger Kulturstiftung inMay 2021, featur starting art, andcurator.art, LittmannisbasedinBasel. creativity. He enjoys international a mediator renown of as an artist, in the1970s. Hisencounters withJosephBeuysthere influenced his what project Klaus Littman shows us in his startling sites, they are closelyinterwoven. actually This isprecisely we are usedtoperceiving nature andculture asoppo- a second glance proves ittobeaclever For theme. though A cultural ofnature history may soundlike aparadox, but A Forest inaFootball Stadium? 30 ● ● ● ties. insights into ourcurrent, unecological ideasandactivi breathtaking views ofthisuniqueproject offer fascinating them practically At indistinguishable. the thesametime, the constructed worldsblurstheirboundaries, making separatestrictly kinds of spaces. Blending the natural and of witnessingaconfrontation betweentwo otherwise The resultin Klagenfurt. istheextraordinary experience planted in the pitch at the Wörthersee football stadium Connections. In2019,around three hundred trees were KLAUS LITTMANN

Intelligent contemporary critique Documents auniqueproject andenvironmentArt An exhibition curated byLittmannwilltake place at the (*1951) studied at the Düsseldorf Kunstakademie (*1951)studiedat theDüsseldorf and SolLeWitt, amongothers. ISBN 978-3-7757-5035-6ISBN Tree German, English - - - May 11–July 11,2021May 11–July Kulturstiftung BaselH.Geiger von ChristianFriedrich GillebisChristo April 2021 ca. €48.00, $55.00, £48.00 288 pp. hardcover ●210 ills. ●22.5x28.5cmQuarterbound German, English Studio MarieLusa,Dominique Wyss DESIGN GRAPHIC Florian Illies, JohnMcDonald,IsabelZürcher TEXTS Kulturstiftung BaselH.Geiger Klaus Littmann TREE CONNECTIONS TREE EXHIBITION EDITOR TREE CONNECTIONS TREE ART 31 TEXTS GRAPHIC DESIGN Katja Andreae, Christoph Schreier Andreae, Katja Uta Kopp German English, binding with lay-flat ● 22.5 x 28.5 cm ● Paperback ● 138 ills. pp. 232 £38.00 $44.00, €38.00, 2021 May Lukas Glinkowski Lukas I am barking up the wrong Maybe see! – but we’ll tree - - - - - English, German English, ISBN 978-3-7757-5047-9 ISBN 978-3-7757-5047-9 (*1984) graduated from the Düsseldorf from Art (*1984) graduated Urban spaces as an element of as an element Urban spaces art contemporary culture / everyday interactions Experimental Contemporary painting painting Contemporary LUKAS GLINKOWSKI LUKAS ● ● ● many grants and prizes, he has also exhibited a great deal, most re a great he has also exhibited and prizes, grants many the Deich at Wiesbaden, Chemnitz, and in Bonn, in museums cently in Berlin. Berghain torhallen in Hamburg, and at questions. questions. of The recipient Grosse. he studied under Katharina where Academy, often included in the process of painting and rediscover rediscover and painting of process the in included often paint world. Glinkowski’s familiar their own seemingly many poses instead but explain, to attempt not does ing ates room to play with habitual ways of seeing and think with habitual ways to play room ates Still, by themselves. contexts can configure Viewers ing. of viewing; visitors are the process it does not stop with life, creating a visual mashup: citations from art history, art from history, a visual mashup: citations creating life, backgrounds on unusual found be can figures and comics, cre Glinkowski or mirrors. tiles, , such as ingrain In his first comprehensive monograph, Lukas Glinkowski Glinkowski Lukas monograph, comprehensive first his In paintings world. His studio his visual into opens up insights everyday from and encounters impressions recompose Painting in between Pop and Sub-Culture Pop in between Painting Selling points Dan voices: theartist on scholarship new extensive by accompanied areimages The reflect deeply Henrot Camille humanisolation, and humancommunication on reflection poignant Increasingly oeuvre. Meister, the 200 images 200 exhibited The Pale Fox, Pale work The paper, 2020, artist on Henrot and Art,Contemporary of Curator NGVSenior This volume This knowledge. of systems established June Published: RRP: Category: ISBN: 9781925432770 debossing

the life, everyday of banality the and religion biology, evolutionary anthropology, cinema, from subjects as varied as literature, mythology, drawing and sculpture, andtaking a With linen 225mm,275mm x portrait, Publisher: NationalGallery Victoria of Camille Henrot

enormous status and meaningand status § § Henrot Camille the first major themonographfirst

49.95 AUD / 48 Euro 48 AUD / 49.95

hardback

from including a group of new works on on works new of group a including

and diverse

Henrot Camille on monograph major First than 200 colour reproductions colour 200 than Richly throughout illustrated with more

Jane Devery and Pip Wallis. Pip and Devery Jane

Grosse Fatigue Grosse

Contemporary

–

the beg the imageryfrom theimmersive

featured volume this in Jhaveri, Shanay Fox,

features key works –

on existence, in all its shades. its all in existence, on edited by Dr Simon Maidment, Maidment, Simon Dr by edited

divers

creative with encourages us to to us encourages

2021 the work of of work the

inning of her career her of inning and 2014,

acutely acutely cameo sticker ity

in this period of global global of period this in

practice combining and potency of Henrot’s of potency and of

by a range of , 2013. ,

art

objects 304 reconsiders reconsiders

the widely widely the

pages, by the by The moreThe Clara Clara

and inspiration inspiration

and

illuminate

to up to than than film,

ART

oeuvre insofar astheabundance ofmaterial canalways that runsthrough themultifaceted richnessofherentire home innumerous media.Itisalsothegoldenthread than justCamille Henrot’s individualworks, whichare at Versatility isanattribute that canbeusedtodescribemore A Language the of World 32 ● ● ● and works inParis andNew York. Baltimore andtheKunsthal MuseumofArt Charlottenborg). Shelives claimed with numerous solo exhibitions worldwide (including the Nationale SupérieureDécoratifs. desArts Herworkhasbeenac first majormonograph—makes accessible. sense ofsensualitythat theillustrated book—theartist’s well asinitsenigmatic splendor. Itisthisvery individual the here andnowispresented initssupposedprofanity as procession of materiality, form and color, through which secret. Insteadofananswer, they putontheirmultiform this candorisalsoaneloquent silence. Things keep their of anexistentialist At however, thesametime, meaning. their sleeves inHenrot’s work. They appearasthepromise on andinstallation allseemtoweartheirhearts art, object be experienced as an outer shell. Film and video, drawing, CAMILLE HENROT Ingenious artistic mindgames Ingenious artistic Key works andnewpieces The firstmajormonograph abouttheartist

1. oa aue o hr installation her for azure royal painted gallery a or That, DC. Washington,in Institution Smithsonian the of help the minuteswith thirteen universein the storyof the tell to attempt video her from images retrieved have would system the into deep tunnel earth a with my hands. burrowing and ditch a into climbing of is thought firstmy Henrot’s me, Camille to workmentions someone whendays, These blooms that accented the wild-haired hedgerow. Insects lazily zigzagged from otherbright the hollyhocks,name toand but unable waspoppies recognised I leaves. of canopy the by lane the in thick held was wildflowers, and grass over my head to form a hollow. Summer-stupefied air, the scent of earth, crap, kissed hedgerows tall of branches together.The fields two sutured that lane of necklace villagesfrominland Norfolkjust north the reachedhad I coast. a a strung that trail a On countryside. British the of middle the in afternoon, But that was then. ‘cataloguinga psychosis’.as described once artist the rubric a using corralled borrowed All shame. embarrassment, treasures of objects and and beauty of eBayobjects museums, from on bought bargains sculptures, and images (*1978)studiedfilmandanimation at the École If you had mentioned Henrot’s name to me a year ago, my mental filing This new association began in the middle of 2019. It was mid July, mid The earth work h Pl Fox Pale The Dan Fox 16 Rulers 234 21, ildwt hnrd of hundreds with filled 2014, , , 2013, an 2013, Fatigue, Grosse ISBN 978-3-7757-5062-2ISBN The Pale Fox Grosse Fatigue - English

June 18–October 24, 2021June 18–October NGV International, Melbourne 8,2021April 18–August Kestnergesellschaft, Hannover EXHIBITIONS July 2021 ca. €48.00, $55.00, £48.00 322 pp. ills. ●200 ●22.5x27.5 cm●Hardcover English James Langdon DESIGN GRAPHIC Clara Meister, Pip Wallis Jane Devery, DanFox, Shanay Jhaveri, SimonMaidment, Simon Maidment, National of Gallery Victoria Camille Henrot TEXTS EDITOR Cynopolis Edited by Dr. Simon Maidment and excavation.and In earth depicting films her in scenes with art, Henrot’s about thoughts with reverie my compost to started I behind, lane the leaving Reluctantlyessay. plan wastoher about speak worknotesmaking begin towardscould I so this forconversationset Skype afternoon.later artist a that The the had with I as with Henrot’s work replaced the previous one. I needed to return to my hotel, to get would know theearthcompletely. I definition this By ‘understand’. meant it 1930s the of African-Americanslang In hard. studying to referred ‘dig’ vernacular, American 1820s In badgers. and beetles inside moles, workstationearthworms, a the alongside up tunnel set the could I apparatus, breathing loam new my to acclimatised Once mulch. packedwith became nose and mouth and myears tunnel a excavating beneath begin the would footpath to I take camp me even base further my inside as the scene. this I would Using hedgerow.the dig until within nest a building then clothes my removing imagined I cobwebs. and lichen, flies, skeletons, frog carcasses, bird tops, bottle plastic discarded skin, dried particles, diesel dryearth, wetmud, pollen, dust, pesticide, seeds, butterflies, acorns, leaves, dock flint, nettles, shit, sheep dandelions, grass, other experience ofbeinginaplace. any from distinct tangibly became inhabiting’ ‘truly at thresholdsay couldn’t what I though even it inhabit truly to wanted I lane. this within For all the muck on my instep I felt an urge to be even more deeply enmeshed I wished. as much as things of middle the in as not I was England, of middle the afternoon, July,mid mid being it despite Here, locals. the to speak and thereperson,Go breathein air, the getfeel fora buyland, the coffeeof cup a of a place you shouldn’t rely on books. You had to ‘get the muck on your instep’. being swallowed by acornfieldhadplausibility to it. being dubbed into a perpetually re-composing landscape. The idea of a jogger herky-jerkyinto legs Myears. and nostrils rhythm,bodyairflooding the was how notice to begun mypushed landscape the body unevenaround,choreographingthe had earth my I walk my of course the over because me to way being was it if that looked it Perhaps as sea. wheat-ochre lookedundulating gently a It beneath sucked corn. the as colour same the away on further took moved body he his as and mine, to direction opposite the in running was He sneakers. and socks underpants, only wearing distance, middle the Staccato aircraft. light distant birdsong poppedagainstanechoicrural silence.It felt good inhere. a of engine the with harmony droned wobbling They in drivers. delivery stoned like pollen trading flower, to flower But there was no time for me to dig, and this is where my new association into incorporated was matter my if happen would what imagined I Someone once said to me that if you really wanted to know the history in cornfield a across jogging man a observed had I day, that Earlier , 2009, a super 8 film shot around the zigguratof the aroundCynopolis2009, shot , film super8 a Camille Henrot 17 235

ART 33 ● Quarterbound hardcover

24 x 29 cm 24

TEXTS GRAPHIC DESIGN Liliane Tomasko Fall We Sleep Where We Voigt Kirsten Sarkissian, Raphy Grovier, Kelly Studio Martin Steiner English ● ● 156 ills. pp. 268 £48.00 $55.00, €48.00, 2021 May English - - - ISBN 978-3-7757-5091-2 , 2018 Decipherous Acrylic and acrylic spray on linen × 70 in. cm / 19376 × 177.8 (*1967) is a Swiss artist of Hungarian origin. She artist is a Swiss of Hungarian origin. (*1967) , 2000 Developmental lines of abstraction lines of Developmental worlds of the unconscious Visual artists of the Overview work Bed III Bed Oil on linen 48 × 60 in. / 121.9 × 152.4 cm LILIANE TOMASKO ● ● ● Tomasko lives and works in and New York. New and in Bavaria and works lives Tomasko attended Camberwell College in London from 1991–92, from in London Camberwell College attended a completed of Art Arts in Fine & Design in 1995 and gradu Chelsea College BA at of Arts Academy 1998. in ArtsFine in the Royal with an MA from ated visual structures and materialized as emotions that allow that as emotions and materialized visual structures being. our innermost us to look deep into riors. It then traces the gradual dissolution of these initial dissolution of these the gradual It then traces riors. in paintings of her abstract the emergence and motifs into woven are color of intertwinedwhich layers and lines gins with figurative works in oil on canvas in which she in oil on canvas works figurative gins with of piles beds, of unmade qualities material the captures and somber inte still lifes and other melancholy clothes, For over twenty years Liliane Tomasko has explored the has explored Tomasko Liliane years twenty over For This book and the unconscious. sleep, dreams, themes of It be of her work as a painter. the development follows Textile, Texture, and Abstraction and Abstraction Texture, Textile, ART the Berlin-based collectors havethe Berlin-based builtasignificant pri Käthe Kollwitz andtheexamination ofherwork. While for many years: theirenthusiasm for Germanartist FritschGudrun andMartin have hadthesamepassion Celaya EnriqueMartínez The artist andthecollectors Affinities Artistic 34 ● ● ● ofthelastcentury.artists andsculpture made her oneofthemostsignificantmaking, German came Germany‘s first professor.female art Herworkindrawing, print institutionsworldwide. important California. Hisworkisrepresented inexhibitions andcollections of United States. He is a painter, sculptor, andwriter living in Los Angeles, in SpainandPuerto Rico, andstudiedphysics andpainting inthe with works from theFritsch Collection. of Käthe Kollwitz, shownhere inafascinating dialogue group ofworks that capture theessence ofhisexploration at GalerieJudin, Celaya EnriqueMartínez hascreated a adeeplyfeltarticulate humanism. For thisexhibition plore thecorrelation ofdrawing andsculpture, andboth Celaya practices ofMartínez artistic andKollwitz. Bothex Perhaps thisiswhy there are tellingparallels betweenthe 100-year-older predecessor inmany ofhisownworks. vate Kollwitz collection, hasreferenced theartist his KÄTHE KOLLWITZ MARTÍNEZ CELAYAENRIQUE Contemporaneity across 100years epochs dialoguebetweenculturesArtistic and A newlookat Käthe Kollwitz (1867–1945) studiedinBerlinandMunichbe (1867–1945) (*1964)was borninCuba,grew up ISBN 978-3-7757-4922-0ISBN German, English - - - - February 6–April 10,February 2021 6–April Galerie Judin, Berlin, available €44.00, $50.00, £44.00 120 pp. ills. ●100 ●24.3 x29.5 cm●Hardcover German, English Juerg Judin, Pay Matthis Karstens Anita Beloubek-Hammer, Celaya, EnriqueMartínez GudrunFritsch, Hanna Seibel CO-EDITOR Fritsch,Martin GudrunFritsch, Juerg Judin, Pay Matthis Karstens, From theFirstandLast Things Käthe Kollwitz CelayaEnrique Martínez & EXHIBITION TEXTS EDITORS MartínE EnriquE C E laya Kollwitz KäthE z

ART 35 Vasenkörper Margrit Linck Vogelfrauen und TEXTS GRAPHIC DESIGN Margrit Linck Margrit Bodies Vase and Women Bird Wismer Beat Kries, Linck von Regula Schibig Schott & Marco Franziska English German, with flaps cm ● Paperback x 27.5 ● 20.5 ● 150 ills. pp. 264 ca. £48.00 ca. $55.00, ca. €48.00, 2021 August - - - - German, English German, ISBN 978-3-7757-4904-6 ISBN 978-3-7757-4904-6 (1897–1983) grew up in Wichtrach, near Bern. In the near Bern. (1897–1983)Wichtrach, up in grew First monograph Outstanding ceramics objects Wonderful MARGRIT LINCKMARGRIT ● ● ● and abroad. in Paris, where they encountered avant-garde art. Back in Switzerland avant-garde encountered they where in Paris, ceramics her own up open the first woman to was she in the 1940s, an impressive to produce she continued her death Up until studio. shown both in Switzerland which were sculptures, series of ceramic freshing Linck’s work remains to this day. to this day. work remains Linck’s freshing sojourned often Linck, Walter 1930s she and her husband, the sculptor twentieth-century art movements, especially Surrealism. especially Surrealism. twentieth-century art movements, to delve readers section allows illustrated The attractive and re clear how current the work and makes deeper into forms. On the one hand, we encounter the artist and ce On the one hand, we encounter forms. a personal perspective, and through Linck Margrit ramicist of within the context her work is presented on the other, tures, which break up the simplicity and formal language language up the simplicity and formal which break tures, the playful them into and expand of utilitarian ceramics on feminine take vases beaks, birds jugs grow and surreal: long career, the ceramicist developed utilitarian pottery developed ceramicist the long career, to be deserves artistic that as well as a unique oeuvre on her sculp focuses This book therefore rediscovered. World and Sculptural Form Sculptural and World most prom century’s of the twentieth Linck is one Margrit her five-decade- of the course artists. Over ceramics inent Ceramic Creations between Everyday Everyday between Creations Ceramic ART today. Glauer’s camera takes anintimate andrevealing discursive range ofwhat canbeconsidered photography al-based photography, hetraverses theentire material and between photography and sculpture. With his sculptur Marius Glauerfocuses hisattention ontheborderline Sculptural Photography 36 ● ● ● Berlin andOslo. in international institutionsandexhibitions. Helives andworks in andDesign,sons SchoolofArt New York. Hisworks have beenshown with JosephinePryde at theUniversity Berlin, oftheArts, andat Par in thesocialandart-historical discourse. Concisedecade. texts accompany andpositionhisoeuvre groups of works he produced over the course of the last into the artist’s experimental oeuvre and presents the This monograph isthefirsttoprovide detailedinsights world into mediumofphotography. thetwo-dimensional works simultaneously question the translatability of the cades. Asexpansive, three-dimensional assemblages, his and flowers become hyperreal or monumental actors fa look at hisprotagonists: glitteringsurfaces, MARIUS GLAUERMARIUS New photographic voice Encounter ofphotography andsculpture Assemblages inflowstate (*1983) is a German-Norwegian artist. Hestudied artist. (*1983)isaGerman-Norwegian objets trouvés, ISBN 978-3-7757-5066-0ISBN English, German - - -

by the artist ●23x30cm€450.00by theartist Radical Rose, 2020 ●C-print ●Ed. 35+5APnumbered andsigned May 2021 ca. €48.00, ca.$55.00, ca.£48.00 296 pp. ●150ills. ●23x30cmHardcover English, German Diandra Donecker, MariusGlauer Josephine Pryde, GernotSeeliger, StephenA. Worsley, Clara Brender, SimonElson, ChristianGanzenberg, Lydia Korndörfer, Christian Ganzenberg GLAUER Marius Glauer EDITION HATJE CANTZ OFF OFFICE DESIGNGRAPHIC TEXTS EDITOR Brand New Radical Flowers Blow Joie deVivre Uniques Poème Ruby Blue Garland Birth All orNothing Creams & Tubes Hurryboy Glass Amazing Fotogramme

ART 37

● 23 x 29 cm ● Hardcover

● ca. 250 ills.

EDITORS TEXTS BY CONTRIBUTIONS GRAPHIC DESIGN ca. 288 pp. ca. 288 pp. ca. £44.00 ca. $50.00, ca. €44.00, September 2021 No Plan At All At No Plan of Niels the Danish Printshop How Artists’ Jensen Redefined Borch World the Contemporary for Prints Tallman Susan Jensen, Niels Borch Jensen with Niels Borch Tallman Susan Olafur Eliasson, Dean, Tacita Baselitz, Iñaki Bonillas, Georg Milan, Wardell Julie Mehretu, Löfdahl, Eva Kjartansson, Ragnar Tan Fiona Saunders, R, Matt Tal Martha Stutteregger English English - - - - ISBN 978-3-7757-5046-2 ISBN 978-3-7757-5046-2 (*1952) is one of the world’s most promi (*1952) is one of the world’s A Who’s Who of contemporary art Who of contemporary Who’s A A look behind the scenes A look behind the scenes History and the art of both the studio NIELS BORCH JENSEN ● ● ● major contemporary artists on works that can be found in renowned in renowned can be found artists that on works major contemporary the world. throughout museum collections nent printers and publishers of contemporary art. his founding Since and publishers of contemporary printers nent of with dozens he has collaborated in 1979, in Copenhagen printshop into context by critic and scholar Susan Tallman, offering offering Tallman, by critic and scholar Susan context into the art rele and its into printmaking of insights intriguing artists. most groundbreaking to today’s vance art. This volume is an excursion behind the scenes at the at behind the scenes is an excursion art.This volume and Artist contributions workshop. printmaking famous put Jensen are Borch of Niels the personal recollections nical expertise, which has enabled the creation of unprec nical expertise, has enabled the creation which the story and of the studio survey of art.To works edented of contemporary the breadth is also to survey its founder studio in Copenhagen over the past forty years. They come come They years. forty the past over studio in Copenhagen and invention in open-ended interest Jensen’s for only not tech extraordinary the workshop’s for but also discovery, , Olafur Eliasson, Tacita Dean, Julie Mehretu, Julie Mehretu, Dean, Tacita Eliasson, Baselitz, Olafur Georg artists who great the among Kjartansson Ragnar and are printmaking Jensen’s Borch with Niels collaborated have Prints for the Twenty-First Century Twenty-First the for Prints ART examining the manifestations of hierarchical power pol quarter’s cultural andsociocultural history context, while ed . Daniel Theiler has investigated this ofbuildings,structions oneofwhichisthenewlyerect ofBerlinismarkedThe Mittedistrict bynumerous recon Architectures Power of 38 ● ● ● and theUniversity ofStrathclyde inGlasgow. BerlinandstudiedarchitectureArts at the TU Berlin, theETHZurich, was a graduate student under Nina Fischer at the University of the Hannemann. Johannes Warda, Elisabeth Würzl, and a foreword byAnke Meyer, Constanze Müller, Elke Neumann, JulianeRichter, Theiler, Bargholz, aswellessays Bertolt byOrtrun turing aconversation betweenNatalie Keppler andDaniel artist’s workcompiles pieces from thelastfive years. Fea reconstruction. This first comprehensive catalogue of the with interdisciplinary essays onthecurrent debates about plays amajorrole inthisvolume, entering into adialogue architect on the reconstruction of the Berlin Castle, which itics. This hasresulted inaseriesofworks bytheartist/ DANIEL THEILER DANIEL Identität Gesellschaft Systeme Geschichte Identität Gesellschaft Systeme Geschichte Top Down Memory, in dem sich verschiedene Medien, Bilder, Themen, Fragmente und Protagonisten scheinbar wiederholen Jahrzehnte lang diesen prägte Ort und einen former Daniel Theiler. Ausgehend von seinem neuesten Kurzfilm Staatsratsgebäudes, wieder. Es ranken sich kontroverse media Auseinandersetzung mit dem Palast der Repu geworden war, dass die DDR nicht mehr exis getan, als hätte es die DDR dazwischen an von der architektonischen Seite genähert. vom „Palast der Republik“ bleibt, der vier genheit, Gegenwart und Zukunft. 20 nach Berlin kam, habe ich ihn in seiner Zwi und erinnern, reflektieren wir einige seiner Arbeiten der Vergan Darüber, wie sich Geschichte immer wieder selbst wiederholt Konstruktion, De-Konstruktion und das ganze wieder rückwärts. tierte, außerordentlich fasziniert. Als der Ab für mich hat dieser Berlin Ort bedeutet. Die Humboldt Forum und andererseits seit 1962 an der Fassade des Das Portal IV findet sich am Berliner Schlossplatz, einerseits am Down Memory Down oder einholt, spreche ich mit dem Künstler, Architekten und Per sich Anfang des Jahres 2020 in Konstruktion befindenden schichtsträchtigen, politisch aufgeladenen Gebäudeteils auf. durch die Asbestsanierung zum Symbol dafür sich diesen angeeignet. Ort Mich hat dieses aufdort Partys und Ausstellungen gegangen, schennutzung als „Volkspalast“ erlebt. Ich bin dieser Stelle nicht gegeben. schen Geschichte. dem Mit Wiederaufbau des dern auch des Volkes der Nicht DDR. zuletzt Konstrukt, das nach der Schließung 1990 und Berliner Kreativen und die ganze Stadt hatten Das erste Interesse am Berliner Schloss und DT: NK: Berliner schien mir, als wurde so Beschäftigung Ich damit. fragte mich, was le umdas Mythen Portal IV. war, dass das Berliner Schloss wieder aufge war er auch ein Symbol der deutsch-deut am Portal IV entstand zuallererst aus meiner riss wirklich dann vollzogen wurde und es klar blik und seinem geplanten Abriss. Als ich mit hungsgeschichte –dein Narrativ von Top nicht nur als Symbol der DDR-Führung, son besonders starken Symbolcharakter hatte – baut werden sollte, intensivierte sich meine

Ich habe mich Top Down Memory primär Daniel, was ist deine persönliche Entste Top Down Memory die führt doppelte Präsenz eines ge media art andarchitecturemedia art Contemporary onthethreshold art between ofBerlin’sHistory Mittedistrict architecture Current debates onreconstructing ? ------52 24 DE Thematik der Rekonstruktion leiten: Gibt es Zeiten gefunden, die am einen Ende als Spitze gen, die meine Auseinandersetzung mit der zige Rekonstruktion. Daraus ergaben sich Fra greifen? Schlosses Anfang der 1960er Jahre abgeris tionen? Nach wie vielen Jahren nach der Zer tischen sicht untersucht und dazu recherchiert wie den sozialgeschichtlichen Kontext der Berliner chen Zeit wie die Überreste des Berliner sen wurde und Ende dann der 60er Jahre darstellen. Bauten und ihr Standort Symbole beziehungs auch in urbaner stadtplanerischer Hin NK: ein Verfallsdatum „historischer“ Rekonstruk DT: Denkmäler oder Erinnerungsarchitekturen en? Welche ethischen Kriterien sollten dabei störung noch man oder darf wieder aufbau den Fernsehturm in verschiedenen Farben NK: DT: Kiste voller Plastik-Happenspieße aus DDR- weise sozusagen „aktive“ oder „inaktive“ wurde. Daraufhin habe ich begonnen die Ber nach historischem nach Vorbild rekonstruiert mit dem Fernsehturm einerseits für eine Vi hatte. Für mich standen diese Happenspieße im aus, welches zur glei in Leipzig, wo ich ein paar Jahre lebte, eine liner Mitte zu untersuchen, die ist eine ja ein

Du hast den architekturhistorischen und Zum Berliner 3. Herbstsalon stellten wir Wie hast du dich diesen rekonstruktivis Ich habe irgendwann auf mal der 1 Zeitfragen künstlerisch genähert? (*1981)isaGerman-Turkish He andarchitect. artist Straße Straße ------“active” or “inactive” monuments or commem themes, fragments and protagonists seem to repeat and re film film ways repeats or catches upwith itself. Based on his latest short Construction, de-construction and back again: to Italk the art your narrative of this work? tive and researched how buildings and their torical and socio-historical context of Berlin’s to me that it was pretended that the had GDR Lastthe GDR. but not least, it was also asym the leadership, GDR but also of the people of four decades and had aparticularly strong the Republic,” which shaped this place for through the asbestos removal. When the the German Democratic Republic (GDR) no traordinarily fascinated by this construct, the “People’s Palace.” Iwent to parties and Humboldt Forum under construction in early 2020, and and Portal IV is found twice on Berlin’s Schlossplatz, once on the of abuilding that is steeped in history and politically charged. ist, architect and performer Daniel Theiler about how history al construction of the Berlin Palace, it seemed symbolic character –not only as asymbol of dered what would remain of the “Palace of clear that the Berlin Palace was to be rebuilt, demolition was actually carried out and it was had appropriatedcity this place. Iwas ex exhibitions there; for me, this place meant Mitte also from an urban planning perspec NK: Berlin. Berlin’s creative people and the whole are controversial media myths surrounding Portal IV. again on the façade of the Staatsratsgebäude since 1962. There DT: NK: which had become asymbol of the fact that past, present and future. member each other, we reflect on some of his works of the with the Palace of the Republic and its arose first and foremost from my involvement not existed on this site in between. bol of history. German-German With the re my preoccupation with it intensified. I won my 20s, Iexperienced it in its interim use as planned demolition. When Icame to Berlin in marily from the architectural side. My initial interest in the Berlin Palace and Portal IV locations represent symbols or, so to speak, longer existed after its closure in 1990 and

Top Down Memory performs the double presence of apart You investigated the architectural-his I approached Top Down Memorypri Daniel, what is your personal genesis – Top Down Memory, in which different images,media,

------53 25 EN Germany (SED) would probably have liked to tions that guide my examination of the sub to investigate the Berlin Mitte, which is, after then reconstructed at the end of the 1960s to the future –the Socialist of Party Unity tic skewers from times GDR on the street in Happenspieß Happenspieß same time. Scaled up, it became the work becan united in such asmall skewer at the end of the morsel skewer is the classic white see this as asymbol for it –as asign of supe structionist criteriacal should apply? date on “historical” reconstructions? After of the Berlin Palace in the early 1960s and demolished at the same time as the remains orative architecture. stood on the one hand for avision that points end. For me, these skewers tower with the TV DT: NK: DT: Leipzig, where Ilived for afew years, which al andal an indicator of the simultaneity of allowed to reconstruct or rebuild? What ethi all, asingle reconstruction. This led to ques according to historical models. Ithen began how it is held and where it points, is direction man), akind of scepter that, depending on me, it was nice to realize that past and future plastic skewer pointing to the past for me. For riority over the class enemy, and on the other how many years after destruction is one still hibited in the Kronprinzenpalais, which was had the TV towerhad the TV in different colors at one ject of reconstruction: Is there an expiration

At some point Ifound abox full of plas How did you approach these recon For the 3rd Berliner Herbstsalon, we ex 1 questions of time artistically? (which means skewer in Ger - - - -

- - -

- - - - -

Identities Societies Systems History Identities Societies Systems History ISBN 978-3-7757-4918-3ISBN German, English - - - - May 2021 €38.00, $44.00, £38.00 232 pp. ●122ills. ●16x24 cm●Paperback withflaps German, English Bureau Est Elisabeth Würzl Constanze Müller, Elke Neumann, JulianeRichter, Johannes Warda, Bargholz, AnkeOrtrun Hannemann, Natalie Keppler, Meyer, Bertolt Reconstructing Tomorrow Daniel Theiler GRAPHIC DESIGN GRAPHIC TEXTS The Art of Sound from the Villa Massimo

Gravity always wins in battle and architecture. When the Boxer at Rest, a rare ancient bronze, was excavated on the south side of the Quirinal Hill in in 1885, it seemed “as if he was awakening again after a long pause in the fighting.” Seated and heavy, he still awaits his next round. In contrast, the Palazzetto dello Sport, built out of pre- fabricated parts by Pier Luigi Nervi for the 1960 Olympic Games, seems to defy gravity. These two icons of Rome were brought together in the imagination through archi- tecture, poetry, and music tracks: surrounded by a pala- zzettino woven together out of carbon bars, the boxer from the Quirinal gets a new home in an architectural sound-poetry installation. This book documents the col- laboration of the Rome Prize winners Sabine Scho, Se- bastian Felix Ernst, and Golden Diskó Ship, and is being produced by the Deutsche Akademie Rom Villa Massimo.

SABINE SCHO (*1970) is an author who photographs. All of her texts in- habit the border zone between photography and image and are exhibited. SEBASTIAN FELIX ERNST (*1987) is an architect and designer (E R N S T – Office for Architecture). His field of expertise lies at the intersection of architectural, academic, and artistic work. GOLDEN DISKÓ SHIP (*1982) is Theresa Stroetges, musician and sound artist. Under the name Golden Diskó Ship, she transcends conventional performance practices and the boundaries between genres. All three artists live in Berlin; during the academic year 2019–20, they were artists-in-residence at the Deutsche Akademie Rom Villa Mas- simo, and all perform around the world. Sabine Scho, Sebastian Felix Ernst, Golden Diskó Ship House for a Boxer ● Collaboration of outstanding contemporary ART artists EDITOR ● Antiquity meets the present day Deutsche Akademie Villa Massimo GRAPHIC DESIGN ● New art from the Villa Massimo Andreas Töpfer

German, English, Italian 160 pp. ● ca. 120 ills. ● 28 x 28 cm ● Softcover with slipcase + CD ca. €54.00, ca. $62.00, ca. £54.00 August 2021

ISBN 978-3-7757-5065-3 German, English, Italian 39 ART ing andsculpture withinexhaustible witandélan. Itbe leave itat that butexplode theboundariesbetweenpaint the workanditsviewer. Lipp&Leuthold, however, donot ment usuallytendstoapplytheconversation between The nature one. is—also—adialectical This state ofart Team Player: ina Art Twin Pack 40 ● ● ● 2020. CommissionFine Arts honored theuniqueespritoftheirworks in inanintelligent history art andwittymanner. The CityofLucerne’s students at the HGK in Lucerne. Together they explore painting and and themarket, senseandnonsense. ic experience asanexciting process ofthinkingaboutart an accomplished senseofhumorthat reveals theaesthet observation. At thesametimeeachworkisproduct of tonomy andadynamismthat theprocess electrifies of choice ofmaterials. Each piece isevidence ofgenuineau the congenial diversity ofform andcolor aswellintheir resulting opennessofthecreative process isreflected in ing andcomplementing eachotherinunique ways. The first tothelastdetail,they workcloselytogether, blend ered intheplural, since itinvolves From twoartists. the gins withtheauthorship, whichmustalways beconsid PAUL LIPP Electrifying newart Electrifying Unique collaboration Intelligent visualwit (*1977)andRETO LEUTHOLD (*1977)metwhilethey were ISBN 978-3-7757-5053-0ISBN German, English ------July 10–September 19,July 10–September 2021 I licked theyellow suitofthesun, Kunstmuseum Lucerne, July 2021 ca. €38.00, ca.$44.00, ca. £38.00 216 pp. German, English Megi Zumstein Jana Bruggmann, DanielMorgenthaler, In’t Martijn Veld City ofLucerne, Kunstmuseum Lucerne I licked theyellow thesun suitof Lipp&Leuthold EXHIBITION DESIGN GRAPHIC TEXTS EDITOR

● ca.130ills.

● 24 x32 cm●Hardcover The Materiality of Color, Light, and Dye

The history of monochrome painting goes back more than a century. Since Kazimir Malevich revolutionized the art world in 1915 with his Black Square, which was based on a single-color surface, this artistic form of expression has taken many different paths without ever losing its ability to fascinate. The distinctive works of Norwegian painter Thomas Pihl join this tradition, continuing and enlarging upon it. If they tell a story at all, it is about the process of how they were made and the physical and mental spaces they are exposed to. To create his pieces, Pihl applies many layers of paint to the canvas, making it possible to visu-alize the traces of his work process. The resulting visual world—which shows us the nature of perception through its play of light and color—is now summarized for the first time in this comprehensive publication.

THOMAS PIHL (*1964) divides his time between New York and Ber-gen. Over the course of his more than thirty years of artistic activity, he has worked with monochrome painting, drawing, and sculpture. Around 2000, he began working particularly on large- format studies of the interplay of natural light and color.

● First extensive showcase of the Norwegian artist ● Monochrome painting ● Minimalist play of light and color Thomas Pihl Sight Specific

EDITORS ART Karin Hellandsjø, Line Daatland, and Petter Snare TEXTS Karin Hellandsjø, Jeroen Chabot, Norman L. Kleeblatt GRAPHIC DESIGN Benedikt Reichenbach

English 96 pp. ● 94 ills. ● 28 x 28 cm ● Paperback with flaps (12 page cover) €38.00, $44.00, £38.00 available

EXHIBITION KODE Art Museums and Composer Homes, Bergen, Norway January 23–May 2, 2021

ISBN 978-3-7757-4920-6 English 41 ART pecially true of his Warrior series, for which he traveled the and landscapessoimpressive andmesmerizing. This ises cern; rather, itisthenuances ofcolor that make hisportraits painting its vivid plasticity. Contrast is not his major con Black andwhiteare thehuesthat give HendrikBeikirch’s WarColorsof 42 ● ● ● prominent collections around Beikirch theglobe. lives inKoblenz. white paintings have inherent aunique, intensity andare found in monumentalhaunting, portraits on building facades. His black-and- timacy that encourages thought aswelllongobservation. al existence. The pictures possessan inherent, intriguing in and movement, itrecognizes what isspecialaboutindividu chrome expresses intensity. this powerful In every tiny fold their fingersonthetriggers oftheirweapons. The mono much tooyoung. Their destiniesare reflected intheir eyes, the faces of aged combatants and child soldiers who are world visitingcrisiszones. Through hisprecise gaze wesee HENDRIK BEIKIRCH New cycle ofpaintings Images ofwar Intensive portrait painting (*1974) becameinternationally famous for his ISBN 978-3-7757-5059-2ISBN - - - - - English May 2021 €48.00, $55.00, £48.00 ca. 176 pp. ●45ills. ●26.5 x34cm●Hardcover English Katharina LuisaSchlotterbeck Galladé, Nils Müller Warriors Hendrik Beikirch TEXTS FOREWORD Material time travel

In collaboration with the sculptor Leelee Chan, a world- and time-spanning project has been selected for the 8th BMW Art Journey—an initiative of BMW and Art Basel. Chan explores old and new materials in order enter them into a dialogue with the present day. On her travels across Italy in 2020, she learned about traditional techniques used to extract and work marble, copper, iron, and bronze. In Switzerland and Germany, including at BMW’s Munich headquarters, she met engineers and scientists in order to learn about nanotechnologies and postindustrial materi- als. This richly illustrated volume brings together essays, documentary photographs, and works inspired by the trip to examine the core questions of Chan’s project: What does it mean to be a sculptor in the current time? What can we learn from the materials of yesterday? And how can tomorrow’s materials ensure a more sustainable future?

LEELEE CHAN’s (* 1984) whimsical and intimate sculptures are com- posed of everyday objects and reflect her experiences in Hong Kong. She earned an MFA from the Rhode Island School of Design and a BFA from the School of the Art Institute of Chicago. Her work is exhibited worldwide.

● Ingenious material history ● Tradition and reinvention of sculpture ● Cooperation between Art Basel and BMW Leelee Chan’s Art Journey Tokens from Time

EDITORS ART BMW Group Munich, András Szánto GRAPHIC DESIGN Double Standards

English ca. 180 pp. ● 100 ills. ● 17.5 x 24 cm ● Paperback ca. €30.00, ca. $35.00, ca. £30.00 September 2021

ISBN 978-3-7757-5026-4 English 43 ART 44 April 2021 €28.00, ca.$32.00, ca.£28.00 208 pp. ills. ●100 ●16.5 x23.5 cm●Paperback English Borbála Kálmán Giulia Bini,LíviaNolasco-Rózsás, JanElantkowski, Fruzsina Feigl, Spatial Affairs EDITORS ● ● ● Interdisciplinary approaches Exploring spaces virtual andScience indialogue Art ISBN 978-3-7757-5084-4ISBN English ● ● ● Enzyklopädie derMedien. Band4 March 2021 €40.00, $46.00, £40.00 650 pp. ills. ●100 ●16.5 x24.2 cm●Softcover German Renata Sas Peter Weibel und Medien Universität fürangewandte Kunst Wien, ZKM|Zentrum fürKunst Literatur undMedien GRAPHIC DESIGN GRAPHIC TEXT EDITOR Exciting mediahistory ofcodingHistory Fourth volume oftheseries ISBN 978-3-7757-3873-6ISBN German Ich bin ein Fremder. Zweifach Fremder

AlI KAAF

Bouchra Khalili Ali Kaaf Stories within Stories Ich bin ein Fremder.

EDITOR Zweifach Fremder Sofia Johansson TEXT TEXTS Doris von Drahten Joachim Ben Yacoub, Elvira Dyangani Ose, Bouchra Khalili, GRAPHIC DESIGN Sofia Johansson, Katarina Pierre, Abdellah Taïa, Arnisa Zeqo Ivo Wojcik English German, English 200 pp. ● 50 ills. ● 17 x 24 cm ● Hardcover 150 pp. ● 72 ills. ● 21 x 28 cm ● Hardcover ca. €44.00, ca. $50.00, ca. £44.00 ca. €30.00, ca. $35.00, ca. £30.00 November 2021 September 2021 ART

● Intermedia and intercultural approach ● New perspectives on Islamic art ● Exploration of boundaries, cultural spaces, ● Contemporary abstraction meets traditional and migration ornament ● A contribution to narrative theory ● Intermedial reflections on the Sufi mysticism and Islamic philosophy EXHIBITION Bildmuseet, Umeå, Sweden, October 8, 2021–March 13, 2022

ISBN 978-3-7757-5051-6 ISBN 978-3-7757-5101-8 English German, English 45 PHOTOGRAPHY that they stillgripustoday. Indoingso, she gives usexciting schooled hereye tocapture fleetingmoments onstageso half-a-century, thetheater photographer Ruth Walz photographerary HenriCartier-Bresson. For more than The “decisive is what moment” counts, saidthelegend Theater upClose 46 ● ● ● Wilson, andothers. Klaus MichaelGrüber, Pierre Audi, Peter Sellars, Peter Stein, Robert theater photographer until today; hascollaborated withLucBondy, Berlin; since 1991photographer for theSalzburg Festival; freelance at theMuseumfürFotografie in Berlin. companion totheextensive exhibition ofherphotographs well asinterviews withRobert Wilson, andPeter Sellars, isa by Gerhard Stadelmaier, NiklasMaak, andotherauthors, as undiminished to this day. This illustrated volume with texts ofthestageremaingaze andhercuriosity abouttheart paths through European theater andopera. Herprecise accompanying directors, setdesigners,ontheir andactors for theSchaubühneinBerlin, shespent theensuingyears After working for around fifteen years as a photographer dergoes ajourney into thefascinating worldofthetheater. and newinsights; anyone lookingat herpictures today un provided audiences of the time with matchless memories after-images of irretrievably lost theatrical productions. She RUTH WALZ Famous andproductions up close actors Gorgeous theater photography First complete monograph (*1941); 1976–1990 photographer for the Schaubühne (*1941); 1976–1990 ISBN 978-3-7757-5041-7ISBN German, English

- - Theater im Sucher Ruth Walz Ruth Sucher im Theater Museum fürFotografie, Berlin, 2022 2021–January October September 2021 ca. €54.00, ca.$62.00, ca.£54.00 ca. 320 pp. ●360ills. ●23.5 x30cm●Paperback German, English Dilan Perera DESIGN GRAPHIC GerhardReichart, Stadelmaier Klaus Bertisch, Wilfried Dickhoff, JensHarzer, NiklasMaak, Manuela TEXTS Theater imSucher Ruth Walz EXHIBITION im Sucher im Theater Ruth Walz PHOTOGRAPHY 47 Benedikt Partenheimer Is Fine Weather The EDITOR Nadine Barth TEXT Campany David GRAPHIC DESIGN fahnertkoch Uwe Koch, English cm ● Hardcover x 24 ● 32 ● ca. 60 ills. ca. 128 pp. ca. £54.00 ca. $62.00, ca. €54.00, September 2021 English - - - ISBN 978-3-7757-5073-8 (*1977) studied photography at the RMIT at (*1977) studied photography With a text by David Campany by David a text With Climate change in photographs Climate age the Anthropocene Images from BENEDIKT PARTENHEIMER ● ● ● awards, deals critically with socioeconomic issues and the processes issues and the processes deals critically with socioeconomic awards, in Berlin. He lives transformation. of ecological University, Melbourne, and Parsons School of Design, New York. His York. New Design, of School Melbourne,Parsons and University, with the world and showered which has been shown around work, The price of beauty is inscribed into each image. It makes into of beauty is inscribed The price above work aesthetically intriguing—but Partenheimer’s important and politically controversial. all, existentially irresistible is the human influence factor: the painterly mist the painterly factor: is the human influence irresistible am the urban panoramas, above of air pollution floating water. glacier melted in reflections mountain of bivalence ance between humans and the earth. Photographs of fas Photographs and the earth. between humans ance of ecological processes reveal elegance cinating, impressive so pictures these makes What transformation. cultural and human-driven turbo-capitalism. Benedikt Partenheimer’s human-driven turbo-capitalism. Benedikt Partenheimer’s to imagine—sensorily as well as it possible make works imbal and increasing close connection contextually—the Not only do we live in a period of rapid, exciting change, exciting in a period of rapid, we live Not only do age. the midst of the Anthropocene also in but we are of wake the in changing are climate and The environment Sign of the Times Sign of the PHOTOGRAPHY expressions andperformances ofJudaism. Inhisnewpho three years exploring Berlin—astagefor avast of spectrum ing ofJewishlife around theworld,Frédéric Brenner spent Following more thanforty years ofphotographic storytell the Twenty-FirstCentury New Home:Jewish Life inBerlinof 48 ● ● ● Archeology of Fear andDesire eth century. Hehaspublishedseven books, hismostrecent bookis create avisualrecord oftheJewishpeopleat theendoftwenti Exile belongingandexclusion.ing, Hismajoropus, human condition, far beyond ofBerlinorJews. thestory raphy ofdisplacement andestrangement incontemporary times bizarre anddisturbingreflection ofandonatopog shattered mirror, thesesome images offer apolyphonic, tion andgives light toanever sopresent absence.Like a dissonance, hereflects on narrativesconflicting of redemp of fragmentary insights into thisincubator ofparadox and Berlin theirhomeorare justpassingthrough. Via aseries timers, converts, immigrants andothers—whohave made tographic essay heportrays individuals—newcomers, old FRÉDÉRIC BRENNER BRENNER FRÉDÉRIC German land Anniversary: 1700years ofJewishlife in Amsterdam Exhibitions inJewishMuseumsBerlinand portraits Masterful istheresult ofatwenty-five-year search in over countriesforty to (*1959) is knownfor exploring questionsoflong (*1959) (2014).Helives inBerlinandJerusalem. Diaspora : Homelands in Homelands in

ISBN 978-3-7757-5103-2ISBN An An ------English Jewish MuseumAmsterdam, Fall 2022 Jewish MuseumBerlin, September 2021–March 2022 EXHIBITIONS August 2021 €48.00 [D],€54.00 [A],CHF55.00 168 pp. ●142 ills. ●28.5x33 cm●Linenhardcover English Julia Wagner,grafikanstalt Frédéric Brenner, EladLapidot Oren Myers Zerheilt Frédéric Brenner GRAPHIC DESIGN GRAPHIC TEXTS EDITOR FRÉDÉRIC BRENNER (English) 978-3-7757-4616-8ISBN This Place CHOREORAPHIES OF JEWISHNESS – A BERLINDIARY PHOTOGRAPHY 49 36 Exposures 36 Miller Peter EXHIBITION Peter Miller Peter 36 Exposures EDITOR Galerie Crone TEXTS Schönegg, Stahl Antje Chéroux, Kathrin Clément GRAPHIC DESIGN Malte Kaune German English, cm ● Hardcover x 26 ● 19.5 ills. ● ca. 260 pp. 240 £50.00 $44.00, €44.00, September 2021 September 11–December 2021 Berlin, 3, Berlin, C/O

Peter Miller 36 Exposures ISBN 978–3–7757–4361–7 ------English, German English, ISBN 978-3-7757-4361-7 (*1978) studied at the School of the Art (*1978) studied at Institute of , for example, the artist arranged approximate the artist arranged example, , for Set First major monograph theory media Contemporary experiments Fascinating PETER MILLERPETER ● ● ● photography and time-based media. photography lations have been shown at the Centre Pompidou in Paris, SFMOMA, SFMOMA, Paris, in Pompidou the Centre been shown at have lations the Berlinale, in Paris, Tokyo de the Palais York, New the New Museum, institutions and film other renowned Biennale and many Venice the of as a professor Essen University Folkwang teaches at He festivals. oeuvre of this extraordinary artist. this extraordinary of oeuvre and film instal His photo and Paris. in Essen Chicago and now lives casion of Miller’s first major survey show at the C/O Berlin the C/O at show first major survey casion of Miller’s publishedbe will monograph comprehensive a Foundation, the and presents work to date together Miller’s brings that sequence. For his contribution to the 2017 Venice Biennale, Venice to the 2017 his contribution sequence. For the projec so that projector a 16mm film he manipulated On the oc the screen. onto tor lamp cast its self-portrait minograms, Polaroids, short films, and photo collages. Incollages. short and photo films, Polaroids, minograms, his video a single quasi-filmic of sunsets into photographs ly 10,000 also in the technical universe of film and photography: he and photography: of film technical universe also in the chemical, screen, negative, light, with camera, experiments lu photograms, Miller creates In this way and projector. Universe of Film and Photography Universe magic. his hand at Miller tried In his artis Peter As a child, but world of illusion, himself in the immerses he work, tic Camera, Light, Magic: Peter Miller’s Miller’s Magic: Peter Light, Camera, PHOTOGRAPHY Zi U’s entries, diary Xu recorded herlife andmood. The re right after acustomerhadsaidgoodbye. Together with ing day tocontinually take close-upsofherface, often Heaccompaniedworker inBeijing. heronanormalwork Photographer Xu Yong took500portraits ofZiU—asex Facial Recognition 50 ● ● ● of the tising sector. Bestknownfor hisdocumentary work, heisacofounder fore hiscareer starting asaphotographer inthemarketing andadver banned there; thisillustrated volume makes itaccessible. as wellthelongingsofpresent-day China. The seriesis world. ZiU’s face reflects herpersonal feelings aboutlife shows howaChinesewomanobserves andreacts tothe of sex workers in China. On page after the book page, sult provides realistic andintimate insights into thelives XU YONG A very personalstory An unknownface ofChina Documentary photography 798 Art Zone798 Art (*1954)studiedat theHenanUniversity of Technology be Beijing. lives Beijing. andworksThe artist inBeijing. ISBN 978-3-7757-5096-7ISBN German, English - - - - May 2021 ca. €48.00, ca.$55.00, ca.£48.00 568 pp. German, English Büro211, BärbelMaxisch DESIGN GRAPHIC Zi U Catherine Cheng This Face Xu Yong TEXT EDITOR

● ca. 500 ills. ●ca.500 ●15x19.5 cm●Hardcover PHOTOGRAPHY 51 在街上 Out in the the Out in Streets Elisabeth Elisabeth Neudörfl EXHIBITION SPECIAL EDITION Elisabeth Neudörfl Out in the Streets GRAPHIC DESIGN Reiter Nicola English ● 22 x 29 cm ● Hardcover ● ca. 136 ills. pp. 224 £40.00 $46.00, €40.00, June 2021 2021 gallery & art (Berlin), April–July, bookshop Wien Barbara pp. 224 ● Elisabeth Neudörfl, (special edition) Out in the Streets and signed numbered 50, ● Ed. ● includes Digital C-print ca. 136 ills. ● £171.51 ● ISBN 978-3-7757-5110-0 $238.12, cm ● €200.00, 18 x 27 English - - - - ISBN 978-3-7757-5102-5 Political artist book Political Images of crisis and future present Hong Kong’s

● ● ● ELISABETH NEUDÖRFLELISABETH in Dortmund and studied photography (*1968) with the urban space oeuvre Leipzig. She deals in her photographic She is a of social, political, and historical discourses. as an expression Universität the Folkwang at photography of documentary professor in Essen. der Künste transigence of power, and the onset of the Covid-19 pan of the Covid-19 and the onset power, of transigence demic. on the demonstra taken Neudörfls were images dystopia are Signs of the universities. and at tion routes without traffic, desert streets closed stores, everywhere: conflicts reflects the alone graffiti The stations. ed metro viewers these images, With the city. and the changes in of the catastrophe. their picture in a position to form are Hong Kong in 2020: it is a medical, economic, and, above economic, a medical, it is above and, 2020: in Kong Hong The time.same the at emergency—all of state political all, But into words. is difficult to put of this crisis complexity Neudörfl Elisabeth set off in pictures. it can be expressed the on situation the capture to metropolis lively the for deeply a city She encountered in photographs. ground the in democracy, for and its struggle by protests marked Images of Hong Kong in Crisis of Kong Hong Images PHOTOGRAPHY 52 ● ● ● ver intheGermanPhoto BookPrize. Galtrucco’s firstmajorbook, For YourConsideration, whichwonaSil- RollingStone, Wired, In2017Hatje inAmerica. Cantz andArt published GIANLUCA GALTRUCCO (*1971)have appeared insuchpublications as The works oftheLos Angeles-basedphotographer andfilmmaker what could beinterplanetary colonies. naut eating inadinerormachinesandvehicles that fill antiquated, We othersfuturistic. come across anastro ends science. We encounter someofthemstrangely UFOs, oursensibilities,ducts castingusinto acosmos that up In hisnewbookofphotographs GianlucaGaltrucco ab Outer Space ontheGround every page. photography, with asly, enchanted whimsy, isapparent on what Galtrucco’s isscience fiction? cinematic approach to belief. What what what isactual, science isvirtual, fact, in reality, butallhover inagray area offantasy anddis these scenes Galtrucco hasstaged,othershefound of unlikely scenes that collapse timeandspace. Someof

Unconventional design Cinematic outerspace scenarios Whimsical andhumorous photography Time Traveler isfull ISBN 978-3-7757-5045-5ISBN - - - - English May 2021 ca. €44.00, ca.$50.00, ca.£44.00 88 pp. ●55ills. ●30x23cmHardcover English Julia Wagner,grafikanstalt DESIGN GRAPHIC Iliana Cepero, Gianluca Galtrucco, Sarah Scoles Nadine Barth Time Traveler Gianluca Galtrucco TEXTS EDITOR TIME TRAVELER (English) 978-3-7757-4344-0ISBN For YourConsideration Gianluca Galtrucco GIANLUCA G ALTRUCCO PHOTOGRAPHY 53 EDITOR TEXT GRAPHIC DESIGN Manfred Baumann Manfred Face to Face Nadine Barth Nelly Baumann Studio Es English cm ● Hardcover ● 25 x 31 ● ca. 180 ills. pp. 216 ca. £54.00 ca. $62.00, ca. €54.00, 2021 August EXHIBITION 2021–2022 Gallery (multiple worldwide locations), Leica English - - - - ISBN 978-3-7757-5085-1 (*1968) was born in Vienna, but he is at home but he is at Vienna, born in (*1968) was Stars in front of the camera Stars in front masterpieces Leica Brilliant portraits Brilliant MANFRED BAUMANN ● ● ● nowned for his portraits but for his landscape photography as well. as photography landscape his for but portraits his for nowned as an he also works to animal welfare, Due to his special commitment Jane Goodall. ambassador for honorary which readers might be all too happy to lose themselves. might which readers re the world. He is not only internationally all around with his Leica pictures that will congenially express the individuality of the individuality express will congenially that pictures tell also always faces the on film, Caught the other person. in and stances features, in the eyes, It can be read a story. does. Instead of guiding the stars through the same set the stars through Instead of guiding does. he presses before Long goes to them. he over, and ting over the for concepts refined develops he release, shutter the icon, or the photos into the witnesses of a personality. To the witnesses of a personality. or the photos into icon, this kind of art makes as imaginatively anyone hardly day, Baumann Manfred photographer as the Leica-wielding importance. Because it’s the photographer who sets the who sets the the photographer importance. Because it’s The pho stage, lighting, chooses the and selects the lens. an into picture work turns the person in the tographer’s When the talk is about photographing celebrities, most celebrities, talk is about photographing When the of the camera. in front about the person think inevitably of much greater one behind it is the though, Actually, Storyteller with a Camera PHOTOGRAPHY Tomanova’s first book The Cool New Kidsof York 54 ● ● ● and outmodeddefinitionsofbeauty. place, andacompelling future free gendermodels ofbinary andvitalpanoramaa powerful ofidentities ofpeopleand the significance andmeaningofeach. Tomanova shows us thephotographerlandscape, expands andrecontextualizes youth inNew York City. Deftly entwining portraiture and historian with art Thomas Beachdel,hersecond volume on overflowed withenthusiasm. Tomanova nowpresents, after itspublication.out shortly andfashion Art magazines foreword byacclaimed photographer Ryan McGinley, sold work explores themesofidentity, gender, immigration, andmemory. shemoveding painting, toNew York andturnedtophotography. Her MARIE TOMANOVAMARIE

debate Contribution tothegenderandidentity Young, diverse, inclusive America New York street andlifestyle photography grew upinMikulov, Czech Republic. After study Young American (2019), featuring a ISBN 978-3-7757-5086-8ISBN - English Les Rencontres delaPhotographie, Arles, July–August 2021 July 2021 ca. €38.00, ca.$44.00, ca. £38.00 ca. 176 pp. ●ca.150ills. ●27 x25cm●Hardcover English Mira Pipova DESIGN GRAPHIC Thomas Beachdel EDITOR New York,New York Marie Tomanova EXHIBITION PHOTOGRAPHY 55 ● 24 x 30 cm ● Hardcover ● 24

● ca. 150 ills. ● ca. 150 ills.

EDITOR Nadine Barth TEXTS Joachim Meyerhoff Nadine Barth, GRAPHIC DESIGN Simone Jacobsen German English, 208 pp. £48.00 $55.00, €48.00, 2021 May EXHIBITIONS 2021 April–May and Berlin, Hamburg Circleculture, Sven Jacobsen Sven Birds Like . ------English, German English, ISBN 978-3-7757-5032-5 ISBN 978-3-7757-5032-5 Interview , and Vanity Fair Vanity , by photographer Sven Jacobsen Jacobsen Sven by photographer Rolling Stone Rolling Like Birds Like (*1969) began working as a freelance photographer photographer freelance as a (*1969) began working Strongly expressive narrative photography photography narrative expressive Strongly edition Fine, linen-bound hardcover A look at a carefree world a carefree A look at SVEN JACOBSEN SVEN ● ● ● in 1999 after studying architecture. He is known for his campaigns for his campaigns for He is known for studying architecture. in 1999 after his ed as well as for and Coca-Cola, Nikon, such as BMW, major clients magazines such as itorials for lighthearted summer snapshot on the surface may sud may lighthearted snapshot on the surface summer of the subconscious. denly touch deeper layers landscapes captured in this way—the snapshots of free of free snapshots way—the in this landscapes captured its silence, and its loud its chaos, with its beauty, youth a like looks What pull. a narrative ness—quickly develop ing silly; kissing; skateboarding; or simply lying in the tall or simply lying in the skateboarding; kissing; ing silly; or apartments depict dunes, the lakes, In this way, grass. The spherical memory. collective in a places ed become cy, a timeless dimension develops in his photographs of in his photographs dimension develops a timeless cy, the jumping into exuberantly experimenting; youngsters and dunes; be poles, fences, on clambering around water; The photo book The photo self-aware youthful time of a carefree us back to takes In their immedia full of adventure. to a summer ness, The Kids Are Alright Are The Kids PHOTOGRAPHY these photosoffer a concentrated viewoftheseubiqui tentionally affectless, depersonalized, and repetitive, this genre around theworldwithhisiPhone camera. In Florian Reinhardt captured atotalof1,024 examples of Snapshots ofexit signs:over aperiodofnearlytenyears, Signs The Magicof 56 ● ● ● all over theworld. He focuses ondetailsofreadymades. Helives inCologne andworks pher. Heworks withmoving andstatic imagesaswellinstallations. rative context. highlighting detailsandplacing them ina personal, nar jects. Hisphotographs like function aninverted telescope, special attention toindustriallyproduced, practical ob Reinhardt explores themeaningsofthissignagebygiving tous anduniversal signifiersinaworldawash withsigns. FLORIAN REINHARDT Exit asametaphor Universalization andtypification ofsigns Photography ofsigns (*1978)isafilmmaker, director, andphotogra ISBN 978-3-7757-5104-9ISBN - - - - - English May 2021 ca. €44.00, ca.$50.00, ca.£44.00 160 pp. ●ca.90ills. ●25xcmHardcover English Rea Severain DESIGN GRAPHIC Anne Avramut, AniMenua,FlorianReinhardt TEXTS Moos Norbert FOREWORD Rudolf Budja EDITOR EXIT Florian Reinhardt PHOTOGRAPHY 57 EXHIBITION Max Siedentopf Max League Paintings EDITOR Nadine Barth GRAPHIC DESIGN Siedentopf Max English ● 16 x 23 cm ● Hardcover ● ca. 60 ills. pp. 96 £20.00 $22.00, ca. €20.00, June 2021 Stuttgart, 2021 July–September Galerie Kernweine,

English - - ISBN 978-3-7757-5106-3 Home Alone Home (*1991) is a London-based artist, photographer, artist,(*1991) is a London-based photographer, . Ordinary Formalization of soccer Formalization on merchandising commentary Humorous Europe’s top football clubs top football Europe’s MAX SIEDENTOPF SIEDENTOPF MAX ● ● ● video director and freelance art director. He is the founder of the art He is the founder art director. and freelance video director magazine stripes, taking a humorous look at the aestheticization of of the aestheticization look at taking a humorous stripes, remains what of question the and soccer international stripped of their logos. are when club colors tographs, he pairs fans wearing jerseys from clubs like clubs like from wearing jerseys fans he pairs tographs, Chelsea Dortmund,Borussia Milan, Inter Munich, Bayern of art with a work in the club painted FC, and FC Barcelona about all the weird things you could do at home during home at do could you things about all the weird now turns art Siedentopf Max young director lockdown, pho whimsical In fashion. its and soccer to attention his soccer jersey stands for identification and the desire to be to desire and the identification for stands jersey soccer the same and at It is a symbol of loyalty long to a group. bestseller the After exclusivity. demands time For the clubs, they are an important economic factor; for for factor; an important economic are they the clubs, For in textile charged most emotionally the are they the fans, the accessory, fashion almost no other their closet. Like Soccer Jerseys as Color-Field Painting as Color-Field Jerseys Soccer PHOTOGRAPHY 58 ● ● ● model making. tography, usingstrategies suchasobservation, experimentation, and plores thescientific viewoftheworldthrough themeansofpho In hisworktheDutchvisualartist turn animate ustoexplore theircontent. processes inaestheticallysophisticated images, whichin tographs that make itpossibletoperceive quasi-invisible rienced. At theendoftheseexplorations, hecreates pho phenomena, such as gusts of windor sunlight, tobe expe Knibbeler constructs fragile models that allow ephemeral periments, andexchanges withscientists. Onthisbasis, so heengagesinmeticulousobservations ofnature, ex world through humanimagination andtechnology, and works. His work is rooted in his interest in discovering the nomena, whichhemakes visibleinhisphotographic Sjoerd Knibbelerartist dealswithcomplex natural phe research. Inlinewiththistradition, theAmsterdam-based ward, photography hasbeenaninstrument ofscientific it? From its invention in the early nineteenth century on tograph, whenitisalready difficulttogetavisualfixon picture ofair?Howdoyou capture somethinginapho How doyou make windvisible?Howdoyou create a The Image theInvisible of Climate research topic Science and art Aspiring photographer SJOERD KNIBBELER (*1981)ex ISBN 978-3-7757-4911-4ISBN German, English ------February 28–September 5, 2021February 28–September Museum Kunst der Westküste, Wyk onFöhr, available €38.00, $44.00, £38.00 144 pp. ●70 ills. ●21 x28cm●Hardcover German, English Rutger Fuchs Jörg Colberg, David Keith, ArianeKoek, PiaLittmann Museum Kunst der Westküste In Elements Sjoerd Knibbeler EXHIBITION DESIGN GRAPHIC TEXTS EDITOR SJOERD KNIBBELERINELEMENTS

Ironizing the “Social Obligation”

In the case of a word acrobat, one would speak of some- one being “sharp-tongued.” For a photographer, however, the appropriate term is still lacking. Boyers imagery not only hits the mark with precision but also gets closer to the heart of the matter than the sharpest pen can. The title of his book plays on the Japanese word giri, which denotes a social obligation. Boyers Japan cycle is a special masterpiece, for what he stages for the camera is a Japan as seen through the cultural history of Europe—imagined in the guise of exotic remoteness and crafty stereotypes. Boyers photographs confront this superficial appearance with the reality on the ground as a clever unmasking. While the view behind the curtain of ones own imagina- tion can also be oppressive, in Boyers work, however, it is infused at the same time with a subtle humor that makes any critique of perception an absolute pleasure.

NICOLAS BOYER (*1972) studied at GOBELINS, l’école de l’image in Paris and then worked as an art director. He found his true calling and also international fame as a street photographer with a special eye for the unusual. His honors include the Sony World Photo Award.

● Witty visual language ● Staged ideology critique ● Current photography of Japan Nicolas Boyer Giri Giri

EDITOR Richard Volante GRAPHIC DESIGN Yves Bogart PHOTOGRAPHY

English, French 256 pp. ● ca. 200 ills. ● 22 x 28.9 cm ● Hardcover ca. €40.00, ca. $46.00, ca. £40.00 June 2021

ISBN 978-3-7757-5097-4 English, French 59 PHOTOGRAPHY 60 derground ofMoscow, ametropolis ofmillions. an extraordinary journey through timeandspace intheun are madelegible. With enables herphotoseries, theartist living space where social,politicalandsocietaltendencies ed asaplace for peopletocongregate andisstilltoday a conceived toalsobeusedasabunker. Itwas always intend Metro asaprestige was started project andsimultaneously cally charged and symbolicofRussia’s eventful history, the socioculturally remarkable photographic survey. Ideologi years andnowpresents anaestheticallyfascinating and tems intheworld.Katharina Gruzei explored itover several of themostheavily frequented underground subway sys stations, and nearly nine million passengers a day, it is one 400 kilometersoflines, exceptionally deeptunnelsand The Moscow Metro isauniqueplace. With anetworkof Underground Palaces ● ● ● phy, video, film, sound,andinstallation. and Vienna asafreelance specializinginthemediaofphotogra artist Berlin.in LinzandtheUniversity oftheArts Shelives andworks inLinz KATHARINA GRUZEI Interdisciplinary view Street photography Book abouttheMoscow Metro (*1983) studied fine arts at theUniversity (*1983)studiedfinearts ofArt English, German, Russian ISBN 978-3-7757-5083-7ISBN - - - - - September 2021 ca. €40.00, ca.$46.00, ca.£40.00 pp.ca. 400 ills. ●300 ●25x32 cm●Paperback Swiss binding English, German, Russian Christian Konrad DESIGN GRAPHIC Katharina Gruzei Anna Bronovitskaya, Valentin Diaconov, Andrea Gnam, BorisGroys, Mir Metro Katharina Gruzei TEXTS Bauhaus Around the Globe

There is no question that the Bauhaus was the most in- fluential institution on architecture in the twentieth cen- tury. But does this aesthetic legacy live on in buildings? In what shape do we encounter it today, after about 100 years, in changing cityscapes? The photographer Jean Mo- litor has examined this question in depth all around the world. In his new illustrated volume bau2haus, he tracks the architecture that owes something to the Bauhaus and its special style across the globe. In strongly contrasted black-and-white photographs he draws attention to these fascinating structures. Selected with a meticulous eye, the photos play with perspective, perfectly balancing the openness and existing volume of each building. The result is a vivid history of architecture that readers will hardly be able to get enough of.

JEAN MOLITOR (*1960) studied fine arts photography at the Hoch- schule für Grafik und Buchkunst in Leipzig. He is known around the globe as a documentary filmmaker as well as a specialist in street and architectural photography. His works have been seen in many exhibi- tions worldwide. He is based in Berlin.

● The next in a successful series ● Bauhaus today ● Masterful architectural photography Jean Molitor bau2haus—more modernism around the globe

EDITOR

Nadine Barth PHOTOGRAPHY TEXT Kaija Voss GRAPHIC DESIGN Julia Wagner, grafikanstalt

German, English 160 pp. ● 100 ills. ● 29 x 25 cm ● Hardcover ca. €40.00, ca. $46.00, ca. £40.00 June 2021

EXHIBITIONS Ministry for Foreign Affairs, Berlin, September 2021 German Embassy, Ankara, November 2021 Goethe-Institut, various, 2021/22

Jean Molitor bau1haus – die moderne in der welt ISBN 978-3-7757-4468-3 (German, English)

ISBN 978-3-7757-5052-3 German, English 61 474 474

ARCHITECTURE 62 ● ● ● of numerous museums, exquisite offices, and commercial spaces. mand around theworld. conceptsTheir select have shapedthedesign quickly establishedthemselves asadesignfirmthat isinhighde JORGE GONZALEZ. PIERRE With the Berlinduo theiruniquestyle, Gonzalez Haase AAS wasHAASE and founded in 1999 by JUDITH book shows andisatypical AAS project. True totheirownstyleandalways daringthenew, the impressions andexperiments withexciting imagebreaks. likecial media,thebookfunctions astream offascinating illustrated publication. Committed totheaestheticsofso ness oftheirstyleisalsoexpressed inthismagnificent staged choreography ofspace andlight. The distinctive private dwellings. They focus onaskillfully inparticular installationslarge-scale toretail art stores andluxurious has left its mark on built spaces across from the globe, quickly madedesignhistory. Their puristyet offbeat style their firmAAS, Pierre Jorge Gonzalez andJudithHaase the influential workoftwoicons ofthe design field. With one bookisamammothtask. Especially whenitinvolves Bringing togethertwenty-one years and475 projects in Pure Perfection 450 450 450 5 Bam 450 Unique publication design Ingenious spatial concepts Two Berlindesignicons 09Berlin 2019 emn Office Germany 450 450 ISBN 978-3-7757-5094-3ISBN - - - English August 2021 ca. €68.00, ca.$75.00, ca.£68.00 640 pp. ●ca.700 ills. ●23x30 cm ●Swiss brochure English Bureau Borsche PierreJudith Haase, Jorge Gonzalez 2020–1999 475–001 Gonzalez HaaseAAS GRAPHIC DESIGN GRAPHIC EDITOR A AAS Gonzalez 6 Komono MDC 461 483 No. 4 Hagius 449 5 Bam 450 4 Artifact Bureau 443 447 4 MCM 440 2 Tem-plate Slam 426 433 2 AM3: 120 Hetzler 119 0 IFAM 101 9 Birkenstock 399 4 Acne 144 Galerie Atelier028 069 AM2: 097 0 The 001 Pink 070 Galerie MvG 371 Balenciaga 379 Fischerappelt 382 Ernst 386 397 3 Assembling: Oberpollinger 339 370 Marta 332 2 How 321 KaDeWe 331 Artek 319 Theatre 324 5 Andreas The 257 MDC 264 293 Holzweiler Andreas 306 312 3 Jarla vGGG 233 252 Manufactum 301 7 Grauraum 177 Galerie Peter193 214 Galerie 175 Deutsche 190 Galerie Coma 148 Lindenhaus 149 160 Galerie 173 6 Petronio 161

TITLE Watermill Catastrophe Bench Soon Partilager office Jam Studios Vitra Heimer Andreas Andreas No.2 3 Melanie Herford Centre Teschner Building Store Nordenhake Berinson Berinson Konrad Thomas Nordenhake Borsche Nanterre-Amandiers Associates Murkudis Murkudis Updates Guggenheim x for Agency at Is

loft Nike Gallery

AAS

Bikini Now: Residence Mondstudio for Center Office Dal Museum Murkudis Murkudis Collection Fischer

Schulte

at Opinions

Colours

Exhibition Canton

The and Andreas Berlin Building and Byrd

Interior Aspesi Self

Cosmetics Hoffman in as 45 2020 475 Haase Murkudis Music Service at I

like

Bikini and Foundation Magazine Berlin Art fie 06 Paris 2006 Office YEAR 00 Berlin 2020 00 Antwerp 2020 09 Berlin 2019 Berlin 2019 09 Munich 2019 Milan 2019 Munich 2019 08 Lisbon 2018 09 Florence 2019 05 Berlin 2005 04 Berlin 2004 04 Munich 2004 04 Bremen 2004 07 Berlin 2017 99 Long 1999 Berlin 2001 Montreuil 2002 Bremen 2006 Berlin 2003 07 olwd Wrdie Retail, Worldwide Munich 2016 Berlin 2016 Berlin 2016 Worldwide 2017 Berlin 2017 Berlin 2016 04 Berlin 2014 04 Berlin 2014 04 Herford 2014 04 Nanterre 2014 Berlin 2014 02 Berlin 2012 Berlin 2014 04 olwd Wrdie Exhibitions, Worldwide Berlin 2013 Berlin 2010 Worldwide 2014 Stuttgart 2012 Oslo 2014 Berlin 2014 00 Berlin 2010 08 Berlin 2008 Berlin 2009 Berlin 2008 Berlin 2009 06 Berlin 2006 Berlin 2007 06 Berlin 2006 Berlin 2006 Berlin 2007 0 1999 001 CITY

Art USA Island COUNTRY emn Retail, Germany egu Retail, Belgium emn Hospitality Office Germany Germany Art Retail, Germany Design, Italy Germany otgl Retail, Portugal tl Exhibitions, Italy emn Retail, Germany emn Retail, Germany emn Retail, Germany emn Exhibitions, Germany emn Retail, Germany Art Germany ai Residential Art Germany Urban Paris Retail, Germany Germany emn Retail, Art Germany Office Germany Germany Office Restaurant Germany Germany emn Exhibitions, Germany emn Exhibitions, Germany Art Germany Art Retail, France Germany emn Retail, Germany Retail, Germany emn Buildings, Retail, Germany Germany Lighting, Retail, Germany Norway Design, Germany Art Germany Art Art Germany Art Germany Art Germany Germany Art Germany Art Germany Art Office Germany Art France Germany CATEGORIES related, related, related, related, related, Related, related, related, related, related, related, related, related, related, related, related, Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Scenography Office Lighting, Retail, Residential

Cultural Cultural, Cultural Cultural Cultural Cultural, Cultural, Cultural Cultural, Cultural Cultural, Cultural Cultural Cultural, Cultural Installations, Installations, Installations, Installations, Installations, Cultural Commercial Retail, Commercial

Residential Lighting Lighting Design Design, Buildings Performances Performances Performances Performances Performances Residential

Contemplating the Future of Architecture

This illustrated volume provides insight into the work of the internationally renowned architectural firm FGP Atelier, famous for its spectacular high-rises in Asia and the construction of the biggest baseball stadium in Mex- ico City. Accompanying the many photographs are essays that elucidate the basic conceptual principles behind the firm’s architectural work. The result is a multilayered “big picture” that always allows for a clearly visible signature, despite the differences among the projects. Using the terms “values,” “network,” and “ambition,” the publica- tion discusses current issues, such as sustainability, ethics, technical design, the infrastructure for a more equitable city, and finally the future of living. WithProgression , FGP Atelier provides interesting food for thought about the question of which direction architecture as a discipline might take as it continues to develop.

FRANCISCO GONZALEZ-PULIDO (*1970) is a Mexican architect known for his expressive yet rational approach to design. He has worked on many different types of buildings in America, Europe, Asia, and the Middle East and is the recipient of many awards.

● Monograph of a prominent architectural firm ● Insights into the conceptual work ● Life and construction in the future FGP Atelier Progression

EDITORS Francisco Gonzalez-Pulido, Gergana Gonzalez-Pulido, Mara Nuyens, Walker Thisted TEXTS Francisco Gonzalez-Pulido, Mark Lamster, Walker Thisted GRAPHIC DESIGN Mara Nuyens, Francisco Gonzalez-Pulido

English ca. 624 pp. ● 500 ills. ● 20 x 28 cm ● Hardcover

ca. €68.00, ca. $75.00, ca. £68.00 ARCHITECTURE July 2021

ISBN 978-3-7757-5057-8 English 63 The Real Art of Living

As differentiated as art history is today, a major chapter has been largely neglected: the craft of the interior de- signer. And this, even though the delicate aesthetic sen- sibilities, the sense of color, and the eye for composition required to decorate private rooms have more direct in- fluence on our lives than any work of art in any museum could lay claim to. This richly illustrated volume is dedicat- ed to one of the pioneering German masters of this craft: Peter Gustaf Dorén. Here we encounter his work, with its surprising plasticity and liveliness. This is due not least to the versatility of Dorén’s works, whose aesthetics still set the (color)tone for the history of interior design today. Thanks to the fantastic photos and splendid color docu- mentation Dorén himself produced, this opulent book of photos makes it possible to take a trip to the world of inte- rior decoration around 1900, while also allowing a look at the history of the reader’s own four walls.

PETER GUSTAF DORÉN (1857–1942) shaped the look of interiors in Hamburg around 1900 like no other. With his interior décor workshop and a far-reaching network of artists from all disciplines, his work re- mains a style-defining milestone in the rich history of interior decoration.

● History of interior design ● At home around 1900 ● Twentieth-century style icon Peter Gustaf Dorén Ein Hamburger Raumkünstler um 1900

EDITOR Peter Nils Dorén TEXTS Peter Nils Dorén, Roland Jaeger, Rüdiger Joppien GRAPHIC DESIGN Peter Nils Dorén

German 224 pp. ● 400 ills. ● 24 x 30 cm ● Quarterbound hardcover €48.00, $55.00, £48.00 April 2021

EXHIBITION Peter Gustaf Dorén. Ein Hamburger Raumkünstler um 1900, ARCHITECTURE Museum für Kunst und Gewerbe Hamburg, February 5–May 30, 2021

ISBN 978-3-7757-5050-9 German 64 ARCHITECTURE 65 ● ca. 465 ills. ● 21.6 x 30.5 cm ● Paperback x 30.5 ● 21.6 ills. ● ca. 465

EDITOR TEXTS GRAPHIC DESIGN Michael Webb John Sparano, Anne Mooney, Loe, Sidney Hikmet Thomas Carter, Michael Webb Studio Michael Aberman English pp. ca. 292 ca. £58.00 ca. $68.00, ca. €58.00, July 2021 Sparano + Mooney Architecture + Mooney Sparano of Working A Way English - - ISBN 978-3-7757-5058-5 137 Urban Treehouse 136 Processes of developing architecture of developing Processes Modern architecture in spectacular Modern architecture landscapes First monograph First monograph ● ● ● more than twenty books on architecture and design. He was named He was and design. on architecture books than twenty more and the American Institute of Architects member of an honorary his services to for des Arts et des Lettres de l'Ordre made a Chevalier culture. French the buildings to their regional contexts and also highlight and also highlight contexts the buildings to their regional analogies to Land Art. who has written Angeles-based British author WEBB is a Los MICHAEL fully executed buildings offer thoughtful perspective on perspective thoughtful offer buildings executed fully on the relationship thrives that architecture developing relate essays and place. Accompanying between concept in their plans to the overwhelming natural surroundings surroundings natural overwhelming in their plans to the of ma detailing innovative and the forms with restrained and drafts conceptual sketches, The firm's models, terials. projects with the aid of photographs, drawings, sketches sketches drawings, photographs, with the aid of projects architectural by which visualizing the process and texts, respond The architects and realized. conceived ideas are tainable and innovative buildings that are harmoniously harmoniously are that buildings innovative and tainable In this landscapes. embedded in spectacular mountain ten presents Webb Michael critic architectural volume, Concept and Place and Concept in + Mooney firm of Sparano architectural The American sus stands for CA, Angeles, and Los Utah City, Salt Lake Architecture as a Dialogue between as Architecture ARCHITECTURE 66 ● ● ● sensation. gmpisstilloneoftheworld’s leadingarchitectural firms. Berlin’sTheir very firstbuilding, causedaninternational Tegel Airport, by gmp ·Architekten von Gerkan, Marg undPartner was founded in1965 many, andPierA-West at Frankfurt Airport. Brazil, the New HansSachsHouseinGelsenkirchen, Ger the stadiumsbuiltorconverted for the2014 World Cupin Cultural Center, BundSOHOinShanghai,Baku Hall, Crystal seat of the Vietnamese National Assembly to the Tianjin projects from 2011 to 2015 discussed here range from the well-known series ofmonographs. The fifty buildings and tions, includingthisprofusely illustrated 13thvolume ofthe ings. Itsextensive oeuvre isreflected innumerous publica and has been honored with numerous awards for its build moredertaken than500projects intwenty-three countries over theworld.Since itsfounding thefirmhasun in1965, alized soccer airports, stadiums, andcultural buildingsall as contextual conditions, firmhas re thelong-established underawide varietyscale andtypology ofcultural aswell und Partner. With tremendous opennesstobuildingonany planned bythefirmgmp·Architekten von Gerkan, Marg form.most any otherart This alsoappliestothebuildings Architecture shapesourlives toagreater extent thanal To BeContinued MEINHARD VON GERKAN VON MEINHARD International building firm Works byGermany's greatest architectural Continuation ofthewell-knownseries (*1935)and VOLKWIN MARG (*1936). ISBN 978-3-7757-5056-1ISBN English, German ------October 2021October ca. €58.00, ca.$68.00, ca. £58.00 ca. 360pp. English, German Hendrik Sichler, Hamburg Meinhard von Gerkan Architecture 2011–2015, Vol.Architecture 2011–2015, 13 Marg undPartner gmp ·Architekten von Gerkan, GRAPHIC DESIGN GRAPHIC EDITOR

(English, German) 978-3-7757-4787-5ISBN Bd.12 Architecture 2007–2011, gmp ·Architekten von Gerkan, Marg undPartner ● ca.450ills. ● 22.5x29.5 cm●Hardcover Displacement and Migration as an Editor-in-chief Alfredo Brillembourg Guest editors Synne Bergby and Ida Zeline Lien Urban Issue a journal about the urbanised planet

Parangolé is an annual, independent journal that chal- ISSUE Nº1 2021 MOTHERLAND responds to the human need and desire for movement by offering creative strategies that redefine our relationship with the IN THIS ISSUE COVID-19 and the Containment Crisis in South lenges ideas on urbanization, design, and architecture urban environment. Africa . Venezuelans On the Move . Conflict Urbanism: Colombia . Camps: Interview with Charlie Hailey . Housing Toolbox for Transportable Architecture . Social Furniture . The Ephemeral Thresholds of by initiating a global dialogue on topics such as mobility, Europe . Interwoven Sovereignty . Border Fences . Stories of Displacement from and Palestina . Exclusive Photo Essay by Sergey Ponomarev. migration, fluidity, and multiplicity. The journal expands on the cultural, social, and political significance of what it means to live in the city. The title of the magazine pays homage to the work of Brazilian artist Hélio Oiticica, ex- tending his central tenet that “life is movement” from the body to the city. The first issue ofParangolé , titled Mother- land, focuses on the space of habitation for those who live in precarious and transitory conditions due to economic hardship, conflict, and violence. People on the move face unique challenges and vulnerabilities that must be identi- fied and addressed in urban settings. WithMotherland , re- searchers and practitioners are brought together to think about these issues and their solutions.

The Parangolé series was conceived by ALFREDO BRILLEMBOURG (*1961, New York). He studied architectural design at Columbia Univer- sity and architecture at the Central University of Venezuela. In 1998, he founded the Urban-Think Tank (U-TT) in Caracas, Venezuela, with Hubert Klumpner.

● New internationally oriented journal ● Interdisciplinary and transcultural approach Motherland ● Creative strategies for urban spaces PARANGOLÉ – A Journal About the Urbanised Planet (Issue No. 1)

EDITORS Gran Horizonte Media/ Parangolè Journal: Synne Bergby, Alfredo Brillembourg, Alexis Kalagas, Ida Zeline Lien GRAPHIC DESIGN Martí Canillas/Córdova Canillas

English ca. 268 pp. ● 168 ills. ● 20 x 28 cm ● Paperback €38.00, $44.00, £38.00 ARCHITECTURE available

10 M PEOPLE10 10M 10PEOPLEM 10PEOPLEM 10PEOPLEM PEOPLEM PEOPLE 5 M PEOPLE5 M5 PEOPLEM5 PEOPLEM5 PEOPLEM5 PEOPLEM PEOPLE NEW 1 M PEOPLE1 M1 PEOPLEM1 PEOPLEM1 PEOPLEM1 PEOPLEM PEOPLE 100 K PEOPLE100100 K100 PEOPLE K100 PEOPLE K100 PEOPLE K PEOPLE K PEOPLE Parangolé Journal Series – A New Journal Every Year

DISPLACEMENTDISPLACEMENTDISPLACEMENTDISPLACEMENTDISPLACEMENTDISPLACEMENT 2019 2019 2019 2019(UNHCR) 2019 2019 (UNHCR) (UNHCR) (UNHCR) (UNHCR) (UNHCR)

TOTALTOTAL POPULATIONTOTALTOTALTOTAL POPULATIONTOTAL POPULATION POPULATION POPULATION OFPOPULATION CONCERN OF OF CONCERN OF CONCERN OF CONCERN OF CONCERN CONCERN IDPs OFIDPsIDPs CONCERNIDPs OFIDPs OFIDPs CONCERN OF CONCERN OF CONCERN OFTO CONCERN CONCERNUNHCR, TO TO UNHCR, TO UNHCR, TOINCL. UNHCR, TO UNHCR, UNHCR, INCL.PEOPLE INCL. INCL. INCL.PEOPLE INCL.PEOPLE IN PEOPLE IDP-LIKEPEOPLE PEOPLE IN IN IDP-LIKE IN IDP-LIKE IN SITUATIONSIDP-LIKE IN IDP-LIKE IDP-LIKE SITUATIONS SITUATIONS SITUATIONS SITUATIONS SITUATIONS ASYLUM-SEEKERSASYLUM-SEEKERSASYLUM-SEEKERSASYLUM-SEEKERSASYLUM-SEEKERSASYLUM-SEEKERS (PENDING (PENDING (PENDING (PENDING CASES) (PENDING (PENDING CASES) CASES) CASES) CASES) CASES) TOTALTOTAL REFUGEESTOTALTOTALTOTAL REFUGEESTOTAL REFUGEES REFUGEES ANDREFUGEES REFUGEES PEOPLE AND AND AND PEOPLE AND PEOPLE INAND PEOPLE REFUGEE-LIKEPEOPLE PEOPLE IN IN REFUGEE-LIKE IN REFUGEE-LIKE IN REFUGEE-LIKE IN REFUGEE-LIKE REFUGEE-LIKE SITUATIONS SITUATIONS SITUATIONS SITUATIONS SITUATIONS SITUATIONS

CENTRAL CENTRALCENTRALCENTRAL CENTRAL CENTRAL SERBIA ANDSERBIA SERBIASERBIA ANDSERBIA AND SERBIA AND AND AND COLOMBIACOLOMBIACOLOMBIACOLOMBIACOLOMBIACOLOMBIA AFGHANISTANAFGHANISTANAFGHANISTANAFGHANISTANAFGHANISTANAFGHANISTAN UKRAINE UKRAINEUKRAINEUKRAINEUKRAINEUKRAINE TURKEY TURKEYTURKEYTURKEYTURKEYTURKEYCOTE D'IVOIRECOTECOTE D'IVOIRECOTE D'IVOIRECOTE D'IVOIRECOTE D'IVOIRE D'IVOIRE USA USAUSAUSAUSAUSA LEBANONLEBANONLEBANONLEBANONLEBANONLEBANON CHAD CHADCHADCHADCHADCHAD FRANCE FRANCEFRANCEFRANCEFRANCEFRANCE CHILE CHILECHILECHILECHILECHILEPHILIPPINESPHILIPPINESPHILIPPINESPHILIPPINESPHILIPPINESPHILIPPINES SWEDEN SWEDENSWEDENSWEDENSWEDENSWEDEN GEORGIA GEORGIAGEORGIAGEORGIAGEORGIAGEORGIA AFRICAN REP.AFRICANAFRICANAFRICAN REP.AFRICAN REP.AFRICAN REP. REP. REP. KOSOVO KOSOVOKOSOVOKOSOVOKOSOVOKOSOVO

SYRIAN SYRIANSYRIANSYRIANSYRIANSYRIAN ETHIOPIA ETHIOPIAETHIOPIAETHIOPIAETHIOPIAETHIOPIA SUDAN SUDANSUDANSUDANSUDANSUDANSOUTH SUDANSOUTHSOUTHSOUTH SUDANSOUTH SUDANSOUTH SUDAN SUDAN SUDAN PAKISTANPAKISTANPAKISTANPAKISTANPAKISTANPAKISTAN IRANIRAN IRAN IRAN IRAN PERU PERUPERUPERUPERUPERUMYANMARMYANMARMYANMARMYANMARMYANMARMYANMARAZERBAIJANAZERBAIJANAZERBAIJANAZERBAIJANAZERBAIJANAZERBAIJAN KENYA KENYAKENYAKENYAKENYAKENYA NIGERIA NIGERIANIGERIANIGERIANIGERIANIGERIA LIBYA LIBYALIBYALIBYALIBYALIBYA CHINA CHINACHINACHINACHINACHINA SOUTH SOUTHSOUTHSOUTH SOUTH SOUTH MALAYSIAMALAYSIAMALAYSIAMALAYSIAMALAYSIAMALAYSIA ARAB REP.ARABARAB REP.ARAB REP.ARAB REP.ARAB REP. REP. AFRICA AFRICAAFRICAAFRICAAFRICAAFRICA

DEM.REP.DEM.REP. DEM.REP.DEM.REP.DEM.REP. DEM.REP. UNITED REP.UNITED UNITEDUNITED REP.UNITED REP. UNITED REP. REP. REP. UGANDA UGANDAUGANDAUGANDAUGANDAUGANDA SOMALIA SOMALIASOMALIASOMALIASOMALIASOMALIA IRAQ IRAQIRAQIRAQIRAQIRAQ GERMANYGERMANYGERMANYGERMANYGERMANYGERMANYCAMEROONCAMEROONCAMEROONCAMEROONCAMEROONCAMEROONBANGLADESHBANGLADESHBANGLADESHBANGLADESHBANGLADESHBANGLADESH JORDANJORDANJORDANJORDANJORDANTHAILANDTHAILANDTHAILANDTHAILANDTHAILANDTHAILANDECUADORECUADORECUADORECUADORECUADORECUADOR NIGER NIGERNIGERNIGERNIGERNIGER EGYPTEGYPTEGYPTEGYPTEGYPT ITALY ITALYITALYITALYITALYITALY INDIA INDIAINDIAINDIAINDIAINDIA CONGO CONGOCONGOCONGOCONGOCONGO OF TANZANIAOF TANZANIAOF TANZANIAOF TANZANIAOF TANZANIAOF TANZANIA

DATA 6 7

ISBN 978-3-7757-5030-1 English 67 ARCHITECTURE for somethingbeyond theeveryday. Inbothcases, the day needs, andthere were temples, tosatisfy theneed were oftwotypes. There were houses, tosatisfy every began planningstructures, thebuildingsthey designed Eons ago, goes, thetheory backwhenhumanbeingsfirst Maximum MinimalistElegance 68 ● ● ● spaces that are indemandworldwide. iconically crafted andat thesametimeextremely concentrated furnishings are conceived Hiseye asawhole. for detailcreates proach withhispractice, inwhicharchitecture, interiors and NICOLAS SCHUYBROEK (*1981)pursues acomprehensive ap the multifaceted workofthisexceptional architect. ed bookprovides for thefirsttimeawide-ranging look at erence that hedescribesasalmostmystical. This illustrat iar—homes, offices, hotels, alike—with and objects a rev and states. Nicolas Schuybroek’s designstreat thefamil ing souls, joiningfamilies andcongregations into societies ofarchitecturefunction was tonurture culture by unit Building truetothematerial Shooting starofarchitecture New masterpieces ISBN 978-3-7757-5063-9ISBN ------English October 2021October ca. €64.00, ca.$75.00, ca.£64.00 352 pp. ●ca.250ills. ●25x30cmLinenhardcover English Javas Lehn Studio Louis Benech, Augustine DianaCampbell Sedgewick Betancourt, Nicolas Schuybroek Architects Works Selected VolumeOne Nicolas Schuybroek GRAPHIC DESIGN GRAPHIC TEXTS EDITOR BACKLIST

“This Atlas of Art and Memory is a wonder of the modern world” The New York Times

Aby Warburg Bilderatlas MNEMOSYNE The Original

€200.00, $230.00, £198.00

ISBN 978-3-7757-4693-9 English 69 NEW PUBLICATION DATES

ISBN 978-3-7757-4757-8 ISBN 978-3-7757-4878-0 English English

CLOSE-UP: Berthe Morisot, Mary Cassatt, Paula Modersohn-Becker, Lotte Laserstein, Frida Kahlo, Alice Neel, Marlene Dumas, Cindy Sherman, Elizabeth Peyton

€58.00, $68.00, £58.00 Zoe Leonard September 2021 Al Rio / To the River Exhibition: Fondation Beyeler, Riehen/Basel, September 19, 2021–January 2, 2022 €64.00, $75.00, £64.00

Taryn Simon Late Gothic The Innocents Threshold to Modernity

€78.00, $90.00, £78.00 €40.00, $55.00, £48.00 September 2021 available

ISBN 978-3-7757-4628-1 ISBN 978-3-7757-4755-4 English English

70 GIFT BOOKS

Small treats to lift the mood! These books bring joy and color to your bookshop and your customers! We wish you a great reopening and a successful trade!

€25.00, $20.00, £13.99 ISBN 978-3-7757-4167-5

Frauen auf Bäumen

€18.00, $20.00, £18.00 €16.00, $24.95, £14.99 ISBN 978-3-7757-4855-1 ISBN 978-3-7757-4558-1

Pascale Weber Stefan Draschan For Cats Only / Nur für Katzen Coincidences at Museums

€18.00, $20.00, £18.00 €18.00, $20.00, £18.00 ISBN 978-3-7757-4797-4 ISBN 978-3-7757-4656-4

Cezanne Edward Hopper A–Z A–Z

€12.00, $14.00, £12.00 €16.00, $24.95, £14.99

ISBN 978-3-7757-4797-4 ISBN 978-3-7757-4599-4

Max Siedentopf Polar Bears Home Alone Survival Guide

71 BACKLIST “The Master of Unknowing” of The New York Review Books of Master “The 72 May 5–July 18,2021 May 5–July Kunsthaus Zürich Exhibition: €44.00, $50.00, £44.00 Landscape Gerhard Richter ISBN 978-3-7757-4713-4ISBN English

TOPSELLERS €48.00, $55.00, £48.00 Past, Present, andFuture Women inArchitecture in Architecture All HailtheGroundbreaking Women ISBN 978-3-7757-4857-5ISBN English TOPSELLERS

ISBN 978-3-7757-4690-8 ISBN 978-3-7757-4781-3 German, English German, English

More than 6.000 copies sold!

Stefan Marx Lars Eidinger Type Works Autistic Disco

€40.00, $46.00, £40.00 €30.00, $35.00, £30.00

More than 26.000 copies sold! BACKLIST

Fred Herzog Hans J. Wegner Modern Color Just One Good Chair

€38.00, $48.00, £35.00 €58.00, $85.00, £55.00

ISBN 978-3-7757-4181-1 ISBN 978-3-7757-3809-5 German, English English 73 BACKLIST 74 €24.00, $26.00, £24.00 Lake Vereaby Anni andJosefAlbers ISBN 978-3-7757-4888-9ISBN ISBN 978-3-7757-4749-3ISBN €48.00, $55.00, £48.00 Beethoven Moves 978-3-7757-2593-4ISBN €49.80, $65.00, £45.00 Basquiat 978-3-7757-4862-9ISBN €40.00, $46.00, £40.00 Hidden Patterns BarabásiLab English ART ISBN 978-3-7757-4866-7ISBN €48.00, $55.00, £48.00 Everyone IsanArtist Joseph Beuys ISBN 978-3-7757-4883-4ISBN €44.00, $50.00, £44.00 Catalogue Raisonné Prints andObjects: Jeanne-Claude Christo und 978-3-7757-4487-4ISBN €25.00, $39.95, £22.99 RAGE IN WRITING Miriam Cahn 978-3-7757-3997-9ISBN €28.00, $45.00, £25.99 Tapestries The Spiderandthe Louise Bourgeois ISBN 978-3-7757-4841-4ISBN €48.00, $55.00, £48.00 The BlueRider Group Dynamics

ART

FREUD Berggasse 19 Life and Work

€54.00, $62.00, £54.00 €48.00, $55.00, £48.00 ISBN 978-3-7757-4735-6 ISBN 978-3-7757-4719-6

Hilma af Klint Franz Gertsch Artist, Researcher, The Seventies Medium

€44.00, $50.00, £44.00 €48.00, $55.00, £48.00 ISBN 978-3-7757-4809-4 ISBN 978-3-7757-4740-0

Adrian Ghenie Mira Calligraphiae Paintings 2014 to 2019 Monumenta

€58.00, $85.00, £55.00 €78.00, $90.00, £78.00 ISBN 978-3-7757-4352-5 ISBN 978-3-7757-4752-3

On Everyone’s Lips The Oral Cavity in Art and Culture

€48.00, $55.00, £48.00 ISBN 978-3-7757-4800-1 BACKLIST

Sondra Perry A Terrible Thing

€30.00, $45.00, £26.99 Edward Hopper ISBN 978-3-7757-4636-6 A Fresh Look at Landscape

€58.00, $68.00, £58.00

ISBN 978-3-7757-4654-0 English 75 BACKLIST 76 ISBN 978-3-7757-4806-3ISBN €44.00, $50.00, £44.00 Carrier inConversation Sean ScullyandDavid ISBN 978-3-7757-4795-0ISBN €44.00, $50.00, £44.00 Ottilie W.Roederstein 978-3-7757-4875-9ISBN €58.00, $68.00, £58.00 Rodin /Arp 978-3-7757-4505-5ISBN €60.00, $85.00, £55.00 Periods The BlueandRose Picasso ISBN 978-3-7757-4484-3ISBN €60.00, $85.00, £55.00 Realized Extraordinary Ideas— James Turrell ART €44.00, $50.00, £44.00 and HisGallerist The Artist The PicassoConnection ISBN 978-3-7757-4805-6ISBN ISBN 978-3-7757-4707-3ISBN €64.00, $75.00, £64.00 Shifting Perspectives FranzErhard Walther ISBN 978-3-7757-4743-1ISBN €30.00, $35.00, £30.00 Rose Wylie ISBN 978-3-7757-4758-5ISBN €88.00, $100.00, £88.00 Oil Paintings Catalogue Raisonné, Ting Yin Yung English PHOTOGRAPHY

Clemens Ascher There is no Release Kate Bellm from the Brain Police Amor

€34.00, $40.00, £34.00 €54.00, $62.00, £54.00 ISBN 978-3-7757-4774-5 ISBN 978-3-7757-4660-1

Roger Ballen Roger the Rat Midnight on Main

€28.00, $32.00, £28.00 €44.00, $50.00, £44.00 ISBN 978-3-7757-4819-3 ISBN 978-3-7757-4817-9

Olaf Otto Becker Donald Graham Siberian Summer One of a Kind

€68.00, $75.00, £68.00 €60.00, $70.00, £57.00 ISBN 978-3-7757-4790-5 ISBN 978-3-7757-4691-5

Tom Hegen Aerial Observations on Airports

€54.00, $62.00, £54.00 ISBN 978-3-7757-4851-3 BACKLIST

Olaf Heine Rwandan Daughters

€54.00, $75.00, £50.00 Female Photographers Org ISBN 978-3-7757-4547-5 The Body Issue

€28.00, $45.00, £25.99

ISBN 978-3-7757-4663-2 English 77 BACKLIST 78 ISBN 978-3-7757-4769-1ISBN €44.00, $50.00, £44.00 DI_GI_TA_LIS Achim Mohné 978-3-7757-4776-9ISBN €38.00, $44.00, £38.00 Translations Sofie Knijff ISBN 978-3-7757-4881-0ISBN €40.00, $46.00, £40.00 Meine Frauen Angelika Platen ISBN 978-3-7757-4783-7ISBN €54.00, $62.00, £54.00 Ibeji Land of ISBN 978-3-7757-4838-4ISBN €28.00, $32.00, £28.00 Merseyside andBrexit Sandra Ratkovic PHOTOGRAPHY €44.00, $50.00, £40.00 Strange Beauty Olaf Erwin ISBN 978-3-7757-4921-3ISBN ISBN 978-3-7757-4329-7ISBN €58.00, $85.00, £55.00 ISBN 978-3-7757-4701-1ISBN €58.00, $68.00, £58.00 Round Time IsNoLonger Santeri Tuori ISBN 978-3-7757-4671-7ISBN €48.00, $75.00, £45.00 Anton’s Berlin Kristian Schuller English ARCHITECTURE AND DESIGN

Landmarks Age-Inclusive Public The Modern House in Space Denmark

€32.00, $40.00, £34.00 €39.80, $60.00, £35.00 ISBN 978-3-7757-4590-1 ISBN 978-3-7757-3803-3

101 Danish Design Icons Digesting Metabolism

€39.80, $60.00, £35.00 €55.00, $75.00, £50.00 ISBN 978-3-7757-4212-2 ISBN 978-3-7757-4642-7

Erik Dhont Rights of Future Landscape Architects. Generations Works 1999–2020 Propositions

€44.00, $50.00, £44.00 €58.00, $68.00, £58.00 ISBN 978-3-7757-4815-5 ISBN 978-3-7757-4872-8

Elemental

€39.80, $60.00, £35.00 ISBN 978-3-7757-4142-2 Golden Lion Architecture Biennale 2021 BACKLIST

Finn Juhl and His House

€35.00, $55.00, £32.50 ISBN 978-3-7757-3797-5 Lina Bo Bardi 100

€49.80, $75.00, £45.00

ISBN 978-3-7757-3853-8 English 79 CREDITS

Covermotiv 13 (installation view), collection of the artist, 51 Lynette Yiadom Boakye, Lie To Me, 2019 © Nick Brandt New York © Courtesy of the artist and Elisabeth Neudörfl,Yee Wo Street, Cause­ © Lynette Yiadom Boakye und Corvi-Mora, 14 Kamel m´Mennour, Paris/London; König way Bay, Hong Kong, 2019; Route of protest London Hidden Rose, Niedzwetskyana, Knobbed Galerie, Berlin; Metro Pictures, New York; marches, 2019; MTR Prince Edward, Nathan 2 Russet, all © William Mullan. Photographer: Andy Keate Road / Prince Edward Road, Mong Kok, Francisco de Goya, Hexensabbat (El 18 33 Kowloon, 2019 © VG Bild-Kunst, Bonn 2021 Aquelarre), 1797/98, Museo Lázaro Heidi Bucher, Ablösen der Haut II – Liliane Tomasko, Hold on to Yourself: 52 Galdiano, Madrid © Museo Lázaro Herrenzimmer, 1979 ©The Estate of 5/5/2020, 2020 © Liliane Tomasko; photo: Asteroid; Astro Burger © Gianluca Galtrucco Galdiano, Madrid; Die bekleidete Maja (La Heidi Bucher, photo: Hans Peter Siffert; Elisabeth Bernstein; Bed III, 2000, 53 maja vestida), 1800–1808, Museo Nacional Libellenlust (Kostüm), 1976 © The Estate of © Liliane Tomasko © Manfred Baumann del Prado, Madrid © Photographic Archive. Heidi Bucher, photo: Daniele Kaehr 34 54 Museo Nacional del Prado. Madrid 19 Enrique Martínez Celaya, The Child’s Song, © Marie Tomanova 3 Alexandra Bircken, Hülle, 2013, private 2020, The Marker (K. K.), 2016, © The Artist; 55 Daniel Richter, Phienox, 2000, Sammlung collection; Cassius Demolition Ball, 2011, Courtesy Galerie Judin, Berlin; Käthe Leo Falling from a Bridge; Choreo of Two Falckenberg; Jingle, 2011, Essl Museum also photo: Thomas Müller, New York; Netz mit Kollwitz, Self-Portrait, 1890, Dancers © Sven Jacobsen on page 1; Tarifa, 2001, Collection Ken and ©The Fritsch Collection, Berlin Maria, 2008, collection Stadtsparkasse 56 Helen Rowe, all © VG Bild-Kunst, Bonn 2021 Düsseldorf in museum, Kunstpalast, AB 35 © Florian Reinhardt 4 104, photo: Fred Dott, Hamburg, all © Frau, la colomne, 1953; Oiseau blanc also on 57 Paul Cézanne, Tall Trees at the Jas de Alexandra Bircken. Courtesy BQ, Berlin, and page 1, 1948; Untitled, ca. 1982, © Max Siedentopf Bouffan, around 1883; Farm in Normandy, Herald St., London all © Margrit Linck 58 Summer (Hattenville), around 1882; The 20 36 © Sjoerd Knibbeler Card Players, around 1892–96, all: The Renée Green, Edmond Laforest, 1988, Installation view, Marius Glauer, Untitled, Courtauld, London (Samuel Courtauld Courtesy Collection of Marguerite Steed Daimler Contemporary Berlin, 2017 59 © Nicolas Boyer Trust) © The Courtauld, London Hoffman, photo: Kristian Laudrup;Certain 37 5 Miscellanies, 1995, Musée cantonal des Niels Borch Jensen and Keith Haring at 60 Paul Cézanne, French, 1839–1906 Turn in Beaux-Arts, Lausanne, 2009, Courtesy the the studio in 1985; Niels Borch Jensen and Kosmos Train; Arbatskaya © Katharina Gruzei the Road, about 1881, Museum of Fine Arts, artist and Free Agent Media; ED/HF, 2017 Georg Baselitz at Baselitz’ studio in 1998 61 Boston Bequest of John T. Spaulding 48.525 Courtesy the artist and Free Agent Media © and courtesy BORCH Gallery & Editions, Deutschland, Ahrendhoop, Bunte Stube, 6 21 Copenhagen/Berlin 1928, Walter Butzek, 2019; Kenia, Nairobi, Adriaen Brouwer, Der bittere Trank, ca. 1636– Song Burnsoo, Know Yourself, 2007, 38 Kenwood, Geschäftshaus, 1937, Ernst May, 1638, © Städel Museum, Frankfurt a. M. Courtesy of the Artist and Gallery Baton © Daniel Theiler 2018 © Jean Molitor Lars Eidinger, Untitled, Berkely, 2018 © Lars Installation view: Park Suk Won, Park Jang 39 62 Eidinger Nyun, Song Burnsoo, ‘In Lieu of Higher Titolo internazionale, WBC pesi Berlin, Germany, Office,2019 © 450 Bam; Pieter de Hooch, Der Liebesbote, ca. 1670, © Ground’, Gallery Baton, Seoul, 2020, superpiuma, Roma, 29/2/20, photo: photographs by Thomas Meyer Hamburger Kunsthalle / bpk photo: Elke Courtesy of Gallery Baton Sabine Scho; Knot patterns and shapes 63 Walford 22 under tension, tested with polymer strips, Diablos Stadium by Rafael Gamo; Casa M5 7 Yahon Chang, Poetry of the Flow, Manifesta stapled. Models and photos: Sebastian by Rafael Gamo Adriaen van Utrecht, Großes Stillleben mit 12 Biennial, 2018; Monkey, from the series Felix Ernst; graphical iterations on force 64 Hund und Katze, 1647 Animal, 2008, all © Yahon Chang flow and alignment of the carbon fibre Zeppelin-Koje, photography, 1908; Peter Staatliche Kunstsammlungen Dresden, 23 filament rods, details, photo: Sebastian Gustaf Dorén, 1857–1942 Selbstporträt, Gemäldegalerie Alte Meister © Sonia Leimer Felix Ernst ca. 1910; Musterblätter mit Farb- und Willem Claesz. Heda (1594-1680), Ein 24 40 Materialvorschlägen für Wohnungen und Frühstück mit einer Brombeerpastete, 1631, Lee Sea-Hyun, Between Red33, 2008; Pak Lipp&Leuthold, Heliumshit, 2018; Tunnel, Häuser verschiedener Auftraggeber, ca. 1910 Staatliche Kunstsammlungen Dresden, Yong Chol, The Missiles, 1994–2004; Ham 2020, all © Lipp&Leuthold © Peter Nils Dorén Gemäldegalerie Alte Meister Kyungah, Chandelier, 2012–2013, all © The 41 65 Fotos: Elke Estel / Hans-Peter Klut artist, photo: Sigg Collection, Mauensee © Thomas Pihl/BONO, Oslo Canyon House © Dennis Mecham, also 8 25 42 on page 1; Photo of model base detail Cover from the magazine Souffles, Joseph Beuys, awarding of the Wilhelm © Hendrick Beikirch (left), partial elevation (right) © Sparano + Casablanca 1966; Members of the Wuming Mooney Architecture; exterior photo: Matt Lehmbruck Prize on January 12, 1986, 43 Gruppe in Beidaihe, 1975. Front, left to right: Winquist photo: Britta Lauer © Leelee Chan Zheng Ziyan, Wang Aihe, Li Shan, back: Shi 66 26 44 Xixi, Wei Hai, Zhang Wei, Ma Kelu, Shao Rudi Fuchs (l.), künstlerischer Leiter © Marcus Bredt, © Christian Gahl Xiaogang, Yang Yushu, Zhao Wenliang, Alicja Kwade, Gegebenenfalls die documenta 7, und Joseph Beuys, Künstler 67 Zhao Rugang, Shi Zhenyu; Foto: Courtesy Wirklichkeit, 2017, photo: N. Miguletz, documenta 7, © documenta archiv / Foto: In Dobova, Slovenia, Saturday October, of Aihe Wang © Frankfurter Kunstverein, Courtesy the Dieter Schwerdtle artist and KÖNIG GALERIE 24, 2015 © Sergey Ponomarev; U-TT Map 9 27 , Struttura al Neon per la IX (Arboit/Brillembourg/Lien/Sehovic), based Michael Wesely, NN Grgb, 2021; NNG N Joseph Beuys, from: 3-Tonnen-Edition, Triennale di Milano, 51 A1-a, 1995, Courtesy on DISPLACEMENT DATA FROM (UNHCR), 170829, 2021; NNG N 170224, 2021; NNG 1973-1985, silkscreen print on both sides of Fondazione Lucio Fontana 2019 N 200807, 2021, all © Michael Wesely, / of PVC foil, Städtische Museen Heilbronn, Peter Weibel, Motion Poem, 1966, realisiert 68 Courtesy Galerie Fahnemann Deposit Ernst Franz Vogelmann-Stiftung, 2014, Ausstellungsansicht respektive Peter OV House © Koen Van Damme 10 Photo: Städtische Museen Heilbronn, Weibel, ZKM | Karlsruhe 2019; photo: B Apartment © Claessens Deschamps Rainer Werner Fassbinder with Michael © VG Bild-Kunst, Bonn 2021 Tobias Wootton, photo © ZKM | Zentrum Ballhaus on the set of WARNUNG VOR 28 für Kunst und Medien Karlsruhe EINER HEILIGEN NUTTE, BRD 1970/71; © Rainer Fetting 45 Prices, specifications, and terms subject Rainer Werner Fassbinder, Ulli Lommel and 29 Bouchra Khalili, Mother Tongue, 2012, view to change without notice. Hanna Schygulla on the set of FONTANE Floris M. Neusüss, Untitled (Hannah Höch at La Triennale, Palais de Tokyo, Paris, 2012. EFFI BRIEST, BRD 1972–74; Rainer Werner am Fenster, 1962) Courtesy of the artist and Mor Charpentier, Copy deadline: March 22, 2021 Fassbinder, Irm Hermann in DIE BITTEREN Hannah Höch, Blumentopf und Primel, Paris. TRANEN DER PETRA VON KANT, BRD 1912, © VG Bild-Kunst, Bonn 2021 Helmet, 2018 © 2021 Ali Kaaf 1972 © DFF – Deutsches Filminstitut Liselotte Orgel-Köhne, Armin Orgel-Köhne & Filmmuseum, Frankfurt am Main; 46 fotografiert Hannah Höch, 1971 Collection Peter Gauhe, photo: Peter Gauhe Ruth Walz, Only the Sound Remains; Kuss 30 des Vergessens, © Ruth Walz 11 Krištof Kintera, Nervous Trees, 2013, Ruth Orkin, American Girl in Italy, Florence, 47 installation view at Museum Tinguely, 1951; Couple in MG, Florence, 1951; White Benedikt Partenheimer, Drunken Trees, 2014, Electromechanical sculpture, Private Stoop, West 88th Street, NYC, 1952, all © The Alaska, 2017; Methane Experiment, Alaska, Collection © Krištof Kintera; photo: Stefan Estate of Ruth Orkin 2017 © Benedikt Partenheimer Holenstein 12 48 31 © Silke & Jeppe Hein © Frédéric Brenner, also on page 1 Lukas Glinkowski, Disaster, Photo: Excerpts from the Danish edition 49 © Lukas Glinkowski published by Stransberg Publishing, Peter Miller © VG Bild-Kunst, Bonn 2021 Denmark/Denmark 32 50 Camille Henrot, The Pale Fox 2014 © Xu Yong 80 CONTACT

UK EASTERN EUROPE TAIWAN AND KOREA Hatje Cantz Sara Ticci Helen Lee Christian Frederking Tel. +44 7952 919866 [email protected] Mommsenstraße 27 Group Director for Sales and Business [email protected] 10629 Berlin Development JAPAN Germany [email protected] EASTERN MEDITERRANEAN, Sian Edwards Tel. +49 30 3464678-00 BULGARIA, ROMANIA [email protected] Fax +49 30 3464678-29 Andrius Juknys Stephen Embrey SOUTH EAST ASIA [email protected] Head of Distributed Books Tel. +44 7952 919866 APD Singapore PTE Ltd www.hatjecantz.de Tel. +44 (0)20 7845 5000 [email protected] Fax +44 (0)20 7845 5055 52 Genting Lane Sales & [email protected] FRANCE #06-05, Ruby Land Complex Communications Interart S.A.R.L. Singapore 349560 Mark Garland Tel. +33 1 43 49 36 60 Tel. (65) 6749 3551 HEAD OF SALES & Manager, Distributed Books [email protected] Fax (65) 6749 3552 COMMUNICATIONS Tel. +44 (0)20 7845 5000 [email protected] Danja Mathari Fax +44 (0)20 7845 5055 IRELAND Tel. +49 30 3464678-21 [email protected] Karim White MALAYSIA Tel. +44 (0)207740 768 900 APD Kuala Lumpur [email protected] Ellen Morris [email protected] Nos. 22, 24 & 26 Jalan SS3/41 SALES MANAGER Distributed Sales Executive 47300 Petaling Jaya Elisabeth Pagel Tel. +44 (0)20 7845 5000 NETHERLANDS Selangor Darul Ehsan Tel. +49 30 3464678-20 Fax +44 (0)20 7845 5055 Van Ditmar b.v. Tel. (603) 7877 6063 [email protected] [email protected] [email protected] Fax (603) 7877 3414 [email protected] KEY ACCOUNT MANAGER Ben Gutcher SCANDINAVIA, BALTIC STATES, Ante von Postel Head of UK Sales RUSSIA AND THE CIS INDIAN SUBCONTINENT Tel: +49 30 3464678-31 [email protected] Per Burell Roli Books [email protected] Michelle Strickland Tel. +46 (0) 70 725 1203 Kapil Kapoor Senior Key Accounts Manager [email protected] Tel. +91 11 2921 0886 HEAD OF PRESS DEPARTMENT Fax +91 11 2921 7185 [email protected] SPAIN, ITALY AND PORTUGAL Jennifer Berndt [email protected] Tel. +49 30 3464678-23 Ellen McDermot Natasha Ffrench [email protected] Key Accounts Executive [email protected] PAKISTAN AND SRI LANKA [email protected] Stephen Embrey Africa Tel. +44 7952 919866 Poppy Edmunds (maternity leave) [email protected] Sales Manager, Gift AFRICA (EXCLUDING SOUTH) [email protected] Sian Edwards Australasia [email protected] David Howson AUSTRALIA, NEW ZEALAND, SOUTH AFRICA, SWAZILAND, Distributors and [email protected] PAPUA NEW GUINEA & LESOTHO, NAMIBIA, AND BOTSWANA Sales Representatives London, South East THE PACIFIC ISLANDS Jonathan Ball Publishers Thames & Hudson Australia Pty Ltd GERMANY, AUSTRIA, Mike Lapworth 66 Mimetes Road 11 Central SWITZERLAND Tel. 07745 304088 Denver Port Melbourne Victoria 3207 Zeitfracht GmbH [email protected] Johannesburg, 2094 Tel. +61 (03) 9646 7788 Yvonne Espenhain The Midlands, East Anglia South Africa [email protected] www.jonathanball.co.za Industriestraße 23 Dawn Shield Brunette Mokgotlhoa 70565 Stuttgart [email protected] Latin America [email protected] Germany London Tel: +49 711 7899 2010 CENTRAL & SOUTH AMERICA, Fax: +49 711 7899 1010 Ian Tripp THE NEAR AND MIDDLE EAST MEXICO AND THE CARIBBEAN [email protected] Tel. 07970 450162 Stephen Embrey Natasha Ffrench www.knv-zeitfracht.de [email protected] Tel. +44 7952 919 866 Export Sales Department Wales and Southwestern Counties [email protected] Thames & Hudson Ltd SWITZERLAND [email protected] AVA Verlagsauslieferung AG Karim White Asia & Far East Centralweg 16 Tel. 07740 768900 NORTH EAST ASIA For countries not mentioned 8910 Affoltern am Albis [email protected] Thames & Hudson Asia above, please contact: Tel. +41 44 76242-50 Northern England, Scotland & Ireland Units B&D 17/F Export Sales Department Fax +41 44 76242-10 GIFT REPS Gee Chang ong Centre Thames & Hudson Ltd [email protected] Tel.+44 (0)20 7845 5000 Jamie Denton 65 Wong Chuk Hang Road www.ava.ch Fax +44 (0)20 7845 5055 Tel. 07765403182 Aberdeen [email protected] [email protected] Hong Kong North America South, Southeastern Counties/Gift T+852 2 553 9289 NORTH AMERICA F+852 2 554 2912 Colin & Jill MacLeod If you wish to stop receiving the Artbook | D. A.P. Tel. 07710 852197 (Colin) catalogue, please contact 75 Broad Street, Suite 630 Katherine Lee Tel. 07885 720175 (Jill) [email protected] New York, NY 10004 Managing Director [email protected] [email protected] USA Wales & Southwestern Counties/Gift Subscribe to our newsletter at CHINA, HONG KONG AND MACAU www.hatjecantz.de/newsletter and Tel. +1 212 627 1999 Rest of Europe Maggie Kong we will inform you regularly about our Fax +1 212 627 9484 [email protected] new releases, events, and special offers. [email protected] BELGIUM & LUXEMBOURG www.artbook.com Ian Bartley [email protected] ISBN 978-3-7757-4915-2 English hatjecantz.com