25Th Anniversary

Total Page:16

File Type:pdf, Size:1020Kb

25Th Anniversary 25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times. Departing from this awareness, and coupled with the enduring conviction in the irrefutable link between knowledge and the written Sam Bardaouil word, the Foundation’s mission is underpinned by a profound understanding that several key players demand our support and recognition for a thriving arts culture to flourish. This has been manifested in the Foundation’s equal commitment to both, the artists who, needless to say, form the nucleus of any artistic community, and the patrons whose support provides artists with the various types of resources and opportunities they need to develop and disseminate their work. Since 1992, through the Montblanc de la Culture Arts Patronage Award, the Foundation has awarded some 280 patrons from more than 20 countries, recognising the considerable efforts and sacrifices that true patronage entails. The awardees have ranged from not-for-profit organisations to individual philanthropists. Till Fellrath They have included museum directors whose innovative programming, despite financial hardship, has made it possible for their respective communities to continue having access 4 to artworks that otherwise would have ended up in storage. Among the awardees have 5 Sam Bardaouil and Till Fellrath been descendants of seminal artists whose hard work and perseverance has led to the Co-Chairmen, preservation and dissemination of that artist’s legacy. The awardees have also comprised Montblanc Cultural Foundation a heterogeneous number of foundations that, each in their own resourceful and creative manner has managed to create opportunities for a wide array of artists to conceive, create and exhibit new artworks. There have also been private collectors who, in recognising the importance of education, have opened up their collections making art ranging from countries as far flung as Japan, South Korea, China and India, to Germany, France, Italy, accessible through cutting-edge community outreach programmes. What the Montblanc Mexico and the US, just to name a few, mirrors the Foundation’s conviction in our responsibility as de la Culture Arts Patronage Award has identified amongst all these considerably diverse cultural practitioners to challenge the notions of centre vs. periphery leading the way to a more patrons is a shared courage to take risks, to envision the world differently, while inclusive art-historical canon that acknowledges diverse centres of artistic production, both from recognising all along the central position that artists and artworks occupy in this process the past and of the present. This is yet another one of the Montblanc Cultural Foundation’s visionary of evolution. This is one of the Montblanc Cultural Foundation’s achievements that we positions that we are cherishing today. acknowledge and celebrate today. With 25 years of great accomplishments to its name, the Foundation continues to firmly look ahead Another initiative that we must mark on the occasion of the 25th anniversary of the towards all that is yet to be achieved. We are delighted to have been called upon to contribute to the Montblanc Cultural Foundation is its Cutting-Edge Art Collection programme. Initiated in shaping and advancement of the direction that the Foundation will take in the next chapter of its rich 2002, it now stands 210 works strong, representing more than 170 artists hailing from history. We are equally conscious of the responsibility at hand. While building on the successful 32 countries. Beyond including some of the last three decades’ most significant figures programmes that are already in place, we seek to develop new, inclusive initiatives that open up within the contemporary visual arts – most of whom were introduced into the collection additional possibilities for artists to produce and showcase their work, through an innovative plethora long before they rose to prominence – the collection’s geographical diversity reflects a of multidisciplinary platforms, where new audiences can connect with art that will challenge us today, fundamental conviction that remains integral to its raison d’être. The inclusion of artists and over the years to come. Preface Anniversary Patron of Art 2016 As the physical manifestation of the spoken language, the written word is the backbone de la Culture Arts Patronage Award was established, a visionary award that would recognize the work of human civilization. More than a means of communication between people, it gives and contributions of modern day art patrons. cultures a way of recording the events and thinking that has shaped their collective history. As an art form, otherwise knows as literature, it gives humanity the ability The Award continues to grow strong with more countries involved than ever before underscoring to express beliefs, ideas and stories. The written word gives every culture a sense of the importance of giving arts and culture the support they deserve. On the occasion of its permanence, a lasting reminder of who they are, where they came from, and where they 25th anniversary, sixteen patrons from around the world join a notable list of past winners that may be going. includes HRH The Prince of Wales, British maestro Sir Simon Rattle, Italian architect Renzo Piano and Japanese artist Yoko Ono. The 25th Montblanc de la Culture Arts Patronage Award is being Anchored in the culture of writing since 1906, Montblanc has never been the creator presented to patrons in China, France, Germany, Hong Kong, Italy, Japan, Korea, Mexico, Russia, Spain, of the written word, merely a facilitator, crafting the tools that allow the expression of Switzerland, United Kingdom, United States, and for the first time in Brazil, Colombia and Greece. The Montblanc de la Culture ideas, thoughts and emotions through the art of writing. Some would say quite simply, it’s winners are selected from a shortlist by an international jury of art influencers, a passionate network Arts Patronage Award about putting ‘pen to paper’. In the same way, there is a small group of individuals in every of the world’s most creative individuals brought together by the Montblanc Cultural Foundation to 1992 – 2016 society who do not actually create art or perform or curate. Rather, they are facilitators evaluate the candidates based on their history of personal commitment to the arts, and a concern that who give artists the means to express their creativity by providing financial means. the wider public should benefit from cultural projects. This year, the jury is made up of 43 members Patrons of art through the ages from Roman diplomat Maecenas, one of the earliest emanating from all countries participating in the award, and each member of the jury is invited to vote recorded patrons, to the illustrious Medici family or the eccentric Peggy Guggenheim, for the nominees in every country including their own. each and everyone has contributed to arts and culture, allowing them to flourish, and thus making an important contribution to human society. Indeed, it is difficult to imagine While the annual award in each of these countries pays homage to the the trajectory of human civilization without the creativity, thoughtfulness and beauty of most deserving and committed patrons following a thorough evaluation, the poems of Ovid, the masterpieces of Leonardo da Vinci or the experimental painting of Montblanc believed that the Montblanc de la Culture Arts Patronage Award has become much 6 Marcel Duchamp. the enjoyment of culture bigger than the individual ceremonies. Over the past 25 years, a network 7 comes from discovery, of international arts and culture experts, influencers, enthusiasts has When the Montblanc Cultural Foundation decided to honour artistic achievement in its emerged thanks to the award, bringing together individuals who are own unique way, it somehow didn’t make sense to create another award to celebrate first-hand experience constantly thinking about the arts, the challenges ahead but also the an artist, a work of art or a performance. Rather, it made sense to shine a light on a and education. opportunities for the future. Again, the Montblanc Cultural Foundation very small group of dedicated people working behind the scenes to help great works of has become the facilitator for these conversations, mobilizing an active art, performances and other cultural projects come to life.
Recommended publications
  • Mildura Arts Centre Collections Policy Policy
    Mildura Arts Centre Collections Policy Policy – CP069 Prepared Reviewed Approved Date Council Minute No. July 2020 Arts & Culture Council February 2021 2021/0029 Development Manager Trim File: 18/02/01 To be reviewed: February 2026 Document Owner: Review Frequency: 5 Yearly Manager Community Futures 1. The purpose of this policy is: To provide guidelines for the considered collection of items for the Mildura Arts Centre Permanent Collection (the ‘Collection’) by purchase, gift/bequest, transfer or commission. Founded upon the bequest of R.D. and Hilda Elliott the Collection is a significant and valuable asset which is often referred to ‘as one of Victoria’s best kept secrets’. There are significant opportunities for our community and region through development and promotion of the Collection. Mildura Arts Centre is a leading regional arts, culture and heritage precinct which includes a public gallery, performing arts theatre, sculpture park, and Mildura’s most important heritage building, Rio Vista Historic House. This policy provides avenues for the Collection to be embraced on a local, national and international level, to preserve it and invest in cultural heritage. This policy provides guidance regarding acquisitions to the Collection which will enhance the cultural vitality and viability of our community. The Collection’s Areas of Significance are: Period: 1890s to 1930 approx. Work by Frank Brangwyn or William Orpen 1 British Art Work by artists associated with Brangwyn and Orpen Work associated with existing collection works 2 Historical Period: pre-1950s Australian Art Work depicting the Murray-Darling Region (the ‘Region’) Period: 1960 to early 1980s approx. Work by artists associated with the events collectively known as the Sculpture Triennials.
    [Show full text]
  • A Paula Ortiz Film Based on “Blood Wedding”
    A Paula Ortiz Film A PAULA ORTIZ FILM INMA ÁLEX ASIER CUESTA GARCÍA ETXEANDÍA Based on “Blood Wedding” from Federico García Lorca. A film produced by GET IN THE PICTURE PRODUCTIONS and co-produced by MANTAR FILM - CINE CHROMATIX - REC FILMS BASED ON BLOOD WEDDING THE BRIDE FROM FEDERICO GARCÍA LORCA and I follow you through the air, like a straw lost in the wind. SYNOPSIS THE BRIDE - Based on “Blood Wedding” from F. García Lorca - Dirty hands tear the earth. A woman’s mouth shivers out of control. She breathes heavily, as if she were about to choke... We hear her cry, swallow, groan... Her eyes are flooded with tears. Her hands full with dry soil. There’s barely nothing left of her white dress made out of organza and tulle. It’s full of black mud and blood. Staring into the dis- tance, it’s dicult for her to breathe. Her lifeless face, dirtied with mud, soil, blood... she can’t stop crying. Although she tries to calm herself the crying is stronger, deeper. THE BRIDE, alone underneath a dried tree in the middle of a swamp, screams out loud, torn, endless... comfortless. LEONARDO, THE GROOM and THE BRIDE, play together. Three kids in a forest at the banks of a river. The three form an inseparable triangle. However LEONARDO and THE BRIDE share an invisible string, ferocious, unbreakable... THE GROOM looks at them... Years have gone by, and THE BRIDE is getting ready for her wedding. She’s unhappy. Doubt and anxiety consume her. She lives in the middle of white dessert lands, barren, in her father’s house with a glass forge.
    [Show full text]
  • 28Th Annual FINE ARTS FESTIVAL
    41st Annual FINE ARTS FESTIVAL Presented by the Arts Council of Moore County The Arts Council of Moore County (ACMC) created the Fine Arts Festival (FAF) in 1980 to provide incentive for local artists to improve their technique and a place to showcase and sell their artwork. Since then, the festival has grown into a major art exhibit featuring artwork by artists from all over the country. The artwork is also judged in seven categories and over $2,800 in cash prizes and ribbons are awarded. Sponsored by Doris & Pete Gulley Gulley’s Garden Center FINE ARTS FESTIVAL GUIDELINES EXHIBITION DATES: August 6–27, 2021 JUDGE: MOLLY BOARATI is the ART SALES & PRICING: ACMC prefers Assistant Curator at the Nasher all art be for sale. An additional $15 EXHIBIT LOCATION: Museum of Art; Master’s degree fee will be charged for any entry Campbell House Galleries from Boston University with a focus that is not for sale. To help in 482 E. Connecticut Avenue on Italian Renaissance art. pricing, art priced under $700 has a Southern Pines, NC better chance of selling. Prices may AWARDS: The following prizes are ELIGIBILITY & CATEGORIES: Any artist not change once the exhibit awarded at the judge’s discretion: (16+ years old) is invited to enter art opens. ACMC retains a 35% only in the following seven Sara Wilson Hodgkins commission on all sales. “Best in Show” ........................... $500 categories: Oil; Acrylic; Watercolor; ART REMOVAL: Art must remain on Drawing/Pastel; Photography; 1st Place (each category) ....... $125 exhibit through Aug. 26. The dates Mixed Media/Printmaking; 3-D.
    [Show full text]
  • Palmeras En La Nieve Pdf 30
    Palmeras En La Nieve Pdf 30 Palmeras En La Nieve Pdf 30 1 / 3 2 / 3 Lee gratis todos los libros de Amazon Kindle Unlimited por 30 días. Suscribite hoy desde este link. ¿Por qué los lectores están descargando el libro Palmeras .... Palmeras En La Nieve Pdf 30. ... Palmeras en la nieve ngeles Coello Fernndez Como el libro detalla a la perfeccin casi la totalidad de los hechos histricos .... 2019- Descargar Palmeras En La Nieve de Luz Gabas Kindle, PDF, ... 30 Nov 2016 Teorias conductistas desde Ivan Pavlov hasta Albert .... Download | Watch. Palmeras En La Nieve Pdf 30golkes. palmeras nieve palmeras nieve 2015 palmeras nieve trailer palmeras nieve pelicula. Descargar el libro Palmeras en la nieve para leer en formato epub. Bajar y leer en el móvil, en la tablet o en el e-reader. Gratis, sin pagar nada, lee.. 4:53 Mar 30, 2016 · Me gustaria saber Donde puedo descargar libro Palmeras en la nieve en pdf por favor?!!! Descarga el libro en formato PDF .... Palm Trees in the Snow is a 2015 Spanish romantic drama film directed by Fernando González Molina. The screenplay is based on the novel of the same name, Palmeras en la nieve, by Luz Gabás. ... 30th Goya Awards, Best Art Direction, Antón Laguna, Won ... Create a book · Download as PDF · Printable version .... Descargar Palmeras en la nieve (Verano 2018) PDF Gratis, Buscas ✅ páginas para descargar libros electrónicos gratuitos en español en .... Editorial Reviews. About the Author. Nació en 1968 en Monzón (Huesca). Los mejores ... Reviewed in the United Kingdom on June 30, 2013. Format: Kindle ...
    [Show full text]
  • A National Study of Outdoor Arts Festivals
    Livefrom Your Neighborhood VOLUME A National Study of Outdoor O Arts Festivals NE: SUMMARY R EPORT National Endowment for the Arts Research Report #51 Livefrom Your Neighborhood A National Study of Outdoor Arts Festivals VOLUME ONE: SUMMARY REPORT National Endowment for the Arts Research Report #51 Research Report #51 August 2010 National Endowment for the Arts 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 Telephone: 202-682-5400 Prepared for the Office of Research & Analysis by Bohne Silber, Silber & Associates and Carole Rosenstein, PhD, George Mason University Produced by the Office of Research & Analysis Sunil Iyengar, Director Sarah Sullivan, Senior Program Analyst Other NEA staff contributors: Mario Garcia Durham, Tom Bradshaw, Bonnie Nichols, Nona Milstead, Kelli Rogowski, Patricia Shaffer, and Ellen Grantham Editorial and publication assistance by Don Ball Designed by Beth Schlenoff Design The National Endowment for the Arts would like to thank the Association of Performing Arts Presenters for providing valuable advice and feedback throughout the course of the study. Thanks are also due to the following individuals who composed an informal working group for the study: Michael Alexander, Philip Horn, Steve Schmader, Robb Woulfe, Stephanie Hughley, Huong Vu, Ted Russell, Helen Sause, Claudia Norman, David Rivel, Jennifer Lena, and Angela Han. Finally, the NEA would like to thank the organizations that helped to generate the list of festival organizers surveyed for the national study and/or that helped to distribute the survey to festival organizers. See page 67 for details. Front Cover Photo: Latin sensation Julieta Venegas reaches out to a packed crowd at SummerStage in Central Park, New York City, NY.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • Participación Española En Los Premios Del Cine Europeo (European Film Awards), Concedidos Por La Academia De Cine Europeo (1988-2020)
    Participación española en los Premios del Cine Europeo (European Film Awards), concedidos por la Academia de Cine Europeo (1988-2020) 2020 (33ª. Edición): La trinchera infinita. Dirección: Jose Mari Goenaga, Jon Garaño, Aitor Arregi. País: España / Francia. ■ European Make-up & Hair - Winner (Premio al maquillaje y peluquería): Yolanda Piña, Félix Terrero, Nacho Díaz. El hoyo (The Platform). Dirección: Galder Gaztelu-Urrutia. País: España. ■ European Make-up & Hair - Winner (Premio a los efectos visuales): Iñaki Madariaga. Josep. Dirección: Aurel. País: Francia. ■ European Animated Feature Film - Winner (Premio al largometraje de animación) Ventajas de viajar en tren. Dirección: Aritz Moreno. País: España / Francia. Nominación: European Comedy (Largometraje de comedia europeo). Klaus. Dirección: Sergio Pablos. País: España. Nominación: European Animated Feature Film (Largometraje de animación europeo). Madre. Dirección: Rodrigo Sorogoyen. País: España / Francia. Nominación: European Actress a Marta Nieto (Actriz europea). Debido a la pandemia de COVID-19 se suspendió la gala programada en Reikiavik (Islandia). Los premios se entregaron en un evento online en Berlín (Alemania) el 12 de diciembre de 2020. 1 | 21 © Ministerio de Cultura y Deporte 2019 (32ª. Edición): Dolor y Gloria. Dirección: Pedro Almodóvar. País: España. ■ European Actor - Winner (Premio al actor europeo): Antonio Banderas. ■ European Production Design - Winner (Premio a la dirección artística): Antxón Gómez. Nominación: European Film (Largometraje europeo). Nominación: European Director (Director europeo). Nominación: European Screenwriter (Guionista europeo). Buñuel en el laberinto de las tortugas. Dirección: Salvador Simó. País: España / Países Bajos. ■ European Animated Feature Film - Winner (Premio al largometraje de animación) Suc de síndria. Dirección: Irene Moray. País: España. Nominación: European Short Film (Cortometraje europeo).
    [Show full text]
  • The City of St. John's
    Th e City of St. John’s Arts Space: Demand and Needs Analysis Phase 1A & 1B Report City Arts Study - Report_15March2013.indd i 3/22/2013 1:58:30 PM Prepared by Sheppard Case Architects & Schick Shiner Associates For Th e City of St. John’s November, 2012 City Arts Study - Report_15March2013.indd ii 3/22/2013 1:58:40 PM Table of Contents: 1.0 Executive Summary and Conclusions 1. Executive Summary and Conclusions .......................................................................................................................................2 PHASE - 1A DEMANDS & NEEDS ANALYSIS 2.0 Introduction 1. Executive Summary and Conclusions .......................................................................................................................................2 2. Project Goal ...........................................................................................................................................................................14 3. Methodologies ........................................................................................................................................................................14 4. Business Plan .........................................................................................................................................................................15 5. Precursory Reports .................................................................................................................................................................16 6. Th e Forum ..............................................................................................................................................................................17
    [Show full text]
  • Key Title Information IT's URGENT!
    Key title information IT’S URGENT! Product Details A LUMA Project curated by Hans Ulrich Obrist £28.00 Editor(s) Luma Foundation Publisher Walther Koenig ISBN 9783960989363 “The point of departure for IT’S URGENT! is an exhibition model that I Format softback started (with Christian Boltanski and Betrand Lavier) in 1993 with DO Pages 320 IT. For this on-going, flexible and open-ended show, we invite artists to Illustrations 152 colour, 5 b&w write instructions, scores and recipes that can then be interpreted by others each time they are presented.” – Hans Ulrich Obrist Dimensions 310mm x 210mm Weight 1589 This book features all 153 original posters created by the 127 artists invited to participate in IT’S URGENT!, an open form touring exhibition. Publication Date: Feb 2021 IT’S URGENT! aims to make the artists’ ideas available to all, open up to new audiences and insert them into public life and the community at large. Artists from all over the world responded to this invitation to address the most pressing themes of our times – ecology, inequality, common future, solidarity, anti-racism and social justice had a profound presence in this vast ensemble of creative endeavour. Artists include – Etel Adnan, Tania Bruguera, Olafur Eliasson, Hans Haacke, Wolfgang Tillmans, Rirkrit Tiravanija, David Adjaye, Mark Bradford, Judy Chicago, Douglas Coupland, Jimmie Durham, Formafantasma, Cao Fei, Fernando Garcia-Dory, Liam Gillick, Renée Green, Newton Harrison, Luchita Hurtado, Pierre Huyghe, Koo Jeong A, Josh Kline, Suzanne Lacy, Yoko Ono, Trevor Paglen, Raymond Pettibon, Raqs Media Collective, Peter Saville, Stephen Shore, Lawrence Weiner, and Stanley Whitney.
    [Show full text]
  • Strategic Plan 2021 2026
    STRATEGIC PLAN 2021 2026 Letter from the Chief Executive Officer and We want to see more communities across our country recognizing and celebrating the contributions made by artists with disabilities, not just in Board Liaison, Strategic Planning the visual arts but across disciplines. To do that, we need to be a leader nationally, setting out high standards in program design and delivery, and giving our artists the right space and stage to properly showcase their At the time of writing, the world is still grappling with the COVID-19 talent and inspire others to follow. pandemic, and anxiety is dominating so many of our lives. Ultimately, what we are talking about is making Calgary and Alberta the What has remained unchanged, however, is Indefinite Arts Centre’s epicentre of our country’s disability arts movement. And we have all resiliency and adaptability in ensuring that we provide the platforms the ingredients to make this happen. and supports necessary to our growing community of artists living with disabilities. Through a combination of both virtual and mail-in We have an amazing team of staff and volunteers. By welcoming our programs, we continue to engage with more than 95% of our artist sister organizations Artistic Expressions and Momo Movement into community. More importantly, we are giving our artists the tools and our fold, we are now equipped with the infrastructure to expand our supports needed to continue their journey – as artists. program disciplines. Most importantly, we have public and private sector partners – and a growing community of donors – who believe in Though COVID-19 has made many things unclear, one unmistakable the work that we do and invest in our artists and our organization.
    [Show full text]
  • Poetry Project Newsletter
    THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St.
    [Show full text]
  • The Diminishing Power and Democracy of Hong Kong: an Analysis of Hong Kong's Umbrella Movement and the Anti-Extradition Law Amendment Bill Movement
    Portland State University PDXScholar University Honors Theses University Honors College Summer 2021 The Diminishing Power and Democracy of Hong Kong: An Analysis of Hong Kong's Umbrella Movement and the Anti-Extradition Law Amendment Bill Movement Xiao Lin Kuang Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Asian Studies Commons, and the Other International and Area Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Kuang, Xiao Lin, "The Diminishing Power and Democracy of Hong Kong: An Analysis of Hong Kong's Umbrella Movement and the Anti-Extradition Law Amendment Bill Movement" (2021). University Honors Theses. Paper 1126. https://doi.org/10.15760/honors.1157 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. The diminishing power and democracy of Hong Kong: an analysis of Hong Kong’s Umbrella Movement and the Anti-extradition Law Amendment Bill Movement by Xiao Lin Kuang An undergraduate honors thesis submitted in partial fulfillment of the Requirements for the degree of Bachelor of Arts In University Honors And International Development Studies And Chinese Thesis Adviser Maureen Hickey Portland State University 2021 The diminishing power and democracy of Hong Kong Kuang 1 Abstract The future of Hong Kong – one of the most valuable economic port cities in the world – has been a key political issue since the Opium Wars (1839—1860).
    [Show full text]