A Lost Letter Caragiale
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TS Eliot's the Waste Land As a Place Of
T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges: A Translation Perspective By Roxana Ştefania Bîrsanu T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges: A Translation Perspective, by Roxana Ştefania Bîrsanu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Roxana Ştefania Bîrsanu All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5969-9, ISBN (13): 978-1-4438-5969-1 To my son, Iustinian, with infinite love. TABLE OF CONTENTS List of Tables .............................................................................................. ix Acknowledgements ..................................................................................... x Preface ........................................................................................................ xi Chapter One ................................................................................................. 1 Perspective on the Translation Phenomenon in 20th Century Romania The Position of Translated Literature within the Romanian Literary System ............................................................................................. -
The Discourse on Humour in the Romanian Press Between 1948-1965
SLOVO, VOL. 31, NO. 2 (SUMMER 2018), 17-47 DOI: 10.14324/111.0954-6839.081 The Discourse on Humour in the Romanian Press between 1948-1965 EUGEN CONSTANTIN IGNAT University of Bucharest INTRODUCTION Once the official proclamation of the Romanian People’s Republic takes place, on the 30th of December 1947, the process of imposing new cultural values on society gradually permeates all areas of Romanian social life. Humour also becomes part of this process of transforming the social and cultural life, often regarded as a powerful weapon with which to attack ‘old’ bourgeois mentalities. According to Hans Speier, the official type of humour promoted by an authoritarian regime is political humour, which contributes to maintain the existent social order, or plays its part in changing it – all depending on those holding the reins over mass- media.1 Taking the Soviet Union as a model, the Romanian new regime imposes an official kind of humour, created through mass-media: the press, the radio, literature, cinematography, and television. This paper analyses the Romanian discourse on humour, reflected in the press, between 1948-1965,2 in cultural magazines3 such as Contemporanul (1948-1965), Probleme de 1 Hans Speier, ‘Wit and politics. An essay on laughter and power,’ American Journal of Sociology, 103 (1998), p.1353. 2 This period represents the first phase in the history of the communist regime in Romania. After a transitional period (1944-1947), the year 1948 marks the establishment of the communist regime in Romania. Through a series of political, economic, social, and cultural measures, such as the adoption of a new Constitution, banning of opposition parties, nationalization of the means of production, radical transformation of the education system or ‘Sovietisation’ of culture, the new regime radically transforms Romanian society. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Demisol - Sala 1 Colegiul National "Ion Luca Caragiale"
DEMISOL - SALA 1 COLEGIUL NATIONAL "ION LUCA CARAGIALE" Nr.crt. NUMELE ŞI PRENUMELE ELEVULUI ŞCOALA DE PROVENIENŢĂ CLASA 1 AGBA RAHIM CNILC 3 2 ALBU FILIP CNILC 3 3 ALDEA ROBERT REGINA ELISABETA BUSTENI 3 4 ALEXANDRESCU ALINA ANTON PANN PLOIESTI 3 5 ALIONTE ALEXANDRU OCTAVIAN TOMA CARAGIU PLOIESTI 3 6 ANGHEL DENISA ANDREEA GEORGE COSBUC PLOIESTI 3 7 ARDELEANU DENNIS SFANTA VINERI PLOIESTI 3 8 ARICISTEANU DORA TOMA CARAGIU PLOIESTI 3 9 ARMACZKI ADRIANA SFANTUL VASILE PLOIESTI 3 10 AURELIAN DANNY SFANTUL VASILE PLOIESTI 3 11 AVRAM DARIA CNILC 3 12 AVRAM DRAGOS ANDREI MURESANU 3 13 BACIU SARA SFANTA VINERI PLOIESTI 3 14 BAJENARU BIANCA EMILIANA SFANTA VINERI PLOIESTI 3 15 BAJINARU DENISA NR 2 BOLDESTI SCAENI 3 16 BANARIU MAIA CNILC 3 17 BANU ANDREI VLAD CONSTANTIN CANTACUZINO BAICOI 3 Nr.crt. NUMELE ŞI PRENUMELE ELEVULUI ŞCOALA DE PROVENIENŢĂ CLASA 1 ABIBULA AISEL SPECTRUM CONSTANTA 5 2 ACSINTE TANIA NR. 56 BUCURESTI 5 3 ALDEA MARIA NESTOR URECHIA BUSTENI 5 4 ALDOIU EDUARD GRIGORE MOISIL 5 5 ALEXANDRU DARIA CNILC 5 6 ALEXANDRU EDMOND FLORIN GRIGORE MOISIL 5 7 ALEXANDRU VALENTINA SFANTA VINERI PLOIESTI 5 8 ALEXE MIHNEA ANDREI ALEXANDRU IOAN CUZA PLOIESTI 5 9 ANDREESCU ALEXANDRU NR. 56 BUCURESTI 5 10 ANDREI ALBERTO NESTOR URECHIA BUSTENI 5 11 ANDREI IOANA REBECCA GRIGORE MOISIL 5 12 ANDREI MADALINA STEFANIA ALEXANDRU IOAN CUZA PLOIESTI 5 13 ANDRONACHE MADALINA GEORGIANA CNILC 5 14 ANDRONESCU CATALINA ANDREI MURESANU 5 15 ANDRONIC ARTHUR MIHAI CNILC 5 16 ANGHEL DAVID CNILC 5 17 ANTON STEFAN MIRCEA CEL BATRAN CONSTANTA 5 DEMISOL - SALA 2 COLEGIUL NATIONAL "ION LUCA CARAGIALE" Nr.crt. -
Eminescu Şi Epoca Sa'' (Iunie 2000) Cronica Unei Expozitii. Vedere Din Interior
,,EMINESCU ŞI EPOCA SA'' (IUNIE 2000) CRONICA UNEI EXPOZITII. ' VEDERE DIN INTERIOR Liliana-Nicoleta Hanganu A treia în seria manifestărilor pe care Cabinetul Numismatic al Muzeului Municipiului Bucureşti le organizează anual, după „Portretul în medalistică" ( 1998) şi „Monumente şi edificii în medalistică" (1999), expoziţia „Eminescu şi epoca sa" s-a înscris în amplul program naţional dedicat Anului 2000 - Anul Eminescu. Aceasta a reprezentat o noutate prin colaborarea dintre două instituţii - Muzeul Municipiului Bucureşti şi Monetăria Statutului, care au prezentat colecţia col. (r) Ioan Dogaru, precum şi piese din colecţiile regretatului Nicolae Curdov şi Aurel N. Curdov. La acestea s-au adăugat medalii, plachete şi machete din patrimoniul celor două .instituţii organizatoare. De asemenea, expoziţia s-a deosebit de altele de acest gen prin criteriile de abordare a tematicii, susţinută de o varietate de piese medalistice şi de cartofilie. Pornind de la subiectul central - Eminescu - s-a încercat reconstituirea unei întregi epoci, cuprinsă între 1850 şi 1889, fie în ceea ce a avut ea ca evenimente istorice, politice şi militare majore: Unirea Principatelor Române, Războiul de Independenţă, Proclamarea Regatului, fie ca personalităţi marcante ale spiritualităţii româneşti, care, într-un fel sau altul, şi-au legat numele de cel al lui Eminescu: prieteni şi susţinători - Titu Maiorescu, Ion Luca Caragiale, Ion Creangă, Petre P. Carp, A. C. Cuza, dar şi ne-prieteni şi adversari politici, criticaţi în publicistică - C. A. Rosetti, Mihail Pherekyde, Eugeniu Carada. Organizată în spaţiul generos al elegantei Săli de comunicări a Muzeului Municipiului Bucureşti, expoziţia a cuprins 214 medalii şi plachete, dintre care 178 de medalii şi 14 machete cu tematica „Eminescu'', la care s-au adăugat o serie de litografii, cărţi poştale şi fotografii. -
Litterära Gnistor. Ett Urval Av Rumänsk Litteratur Översatt Till Svenska
2016-08-09 12:55 CEST Litterära gnistor. Ett urval av rumänsk litteratur översatt till svenska Rumänska kulturinstitutet Skeppsbron 20 24 augusti, kl 18.30 På rumänska och svenska Fri entré! Förhandsanmälan till [email protected] Medv: skådespelarna Marius Manole och Christian Fex Konferencier: Dan Shafran Varmt välkomna till höstsäsongens första program på Skeppsbron 20! Vi läser texter på både rumänska och svenska ur några av Rumäniens största författare, klassiska såväl som samtida. För att fira det rumänska språkets dag arrangerar Rumänska kulturinstitutet i samarbete med Rumänska Ambassaden i Sverige en afton tillägnad några av Rumäniens mest kända författare översatta till svenska. Vi läser utdrag ur deras verk, både på rumänska och svenska, med syftet att ge prov på den variationsrikedom som det senaste seklets rumänska litteratur uppvisar. Åldersmässigt spänner urvalet från klassikern Ion Luca Caragiale och den rumänska avantgardiska litteraturen till författare som är födda i början av 60-talet. Programmet binds samman av att alla dessa författare har sina rötter i Rumänien, har skrivit på rumänska och har översatts till svenska. Med tanke på att rumänskan trots allt betraktas som ett mindre kulturspråk har den rumänska litteraturen varit relativt flitigt översatt i Sverige under senare decennier. Det är vår förhoppning att kvällen ska ge ett litet smakprov på rikedomen hos och värdet av den rumänska litteraturen och samtidigt väcka ett intresse hos publiken att bekanta sig med ytterligare verk inom detta språkområde. Bland dem som uppmärksammas denna kväll finns prosaförfattarna Ion Luca Caragiale, Urmuz, Mihail Sebastian, Norman Manea, Mircea Cartarescu, Varujan Vosganian och Gabriela Adamesteanu samt poeterna Gellu Naum, Geo Bogza, Marin Sorescu, Nichita Stanescu, Nina Cassian och Ioan Es Pop. -
The Tragicomedy of Romanian Communism
RESEARCH REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : THE TRAGICOMEDY OF ROMANIAN COMMUNIS M AUTHOR : Vladimir Tismanean u CONTRACTOR : Foreign Policy Researc h Institute PRINCIPAL INVESTIGATOR : Vladimir Tismanean u COUNCIL CONTRACT NUMBER : 903-0 4 DATE : September, 198 9 The work leading to this report was supported by funds provided b y the National Council for Soviet and East European Research . Th e analysis and interpretations contained in the report are those o f the author . a NOTE This report, based on an article to be published i n Eastern EuropeanPolitics andSocieties, is an inciden- tal product of the Council Contract identified on the title page . It is not the Final Report, which wa s distributed in August, 1989 . TABLE OF CONTENTS Page Introduction 1 Stalin's Romanian Disciples 1 1 The Comintern and the RCP 1 6 Stalinism for All Seasons 3 4 The Anti-De-Stalinization Platform 3 9 The Road to Absolute Power 43 The Manipulated Manipulator 47 Assault on the Party Apparatus 5 2 Notes 57 The Tragicomedy of Romanian Communis m Vladimir Tismanean u Un monde sans tyrans serait aussi ennuyeux qu'un jardi n zoologique sans hyenes . E . M . Cioran, Histoire et utopi e Now, despite eternal cabals in the inner clique and unendin g shifts of personnel, with their tremendous accumulation o f hatred, bitterness, and personal resentment, the Leader' s position can remain secure against chaotic palace revolution s not because of his superior gifts, about which the men in hi s intimate surroundings frequently have no great illusions, bu t because of these men's sincere and sensible conviction tha t without him everything would be immediately lost . -
Ion Luca Caragiale
ION LUCA CARAGIALE ▪ 1852-1912 ▪ Romanian playwright, short story writer, poet, theater manager, political commentator and journalist ▪ leaving behind an important cultural legacy, he is considered one of the greatest playwrights in Romanian language and literature, as well as one of its most important writers and a leading representative of local humor ▪ works: • Conul Leonida (1879; “Mr. Leonida”) • O noapte furtunoasă (1880; “A Stormy Night”) • O scrisoare pierdută (1884; “A Lost Letter”) • Năpasta (1890; “The False Accusation”) • O făclie de Paște (1889; “An Easter Torch”) • Păcat (1892; “The Sin”) • Kir Ianulea (1909) • Momente and Schițe MIRCEA ELIADE ▪ 1907-1986 ▪ Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago ▪ leading interpreter of religious experience, who established paradigms in religious studies that persist to this day ▪ his theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential ▪ works: • Maitreyi ("La Nuit Bengali" or "Bengal Nights"), • Noaptea de Sânziene ("The Forbidden Forest"), • Isabel și apele diavolului ("Isabel and the Devil's Waters") • Romanul Adolescentului Miop ("Novel of the Nearsighted Adolescent"), • Domnișoara Christina ("Miss Christina") • Tinerețe fără tinerețe ("Youth Without Youth) • Secretul doctorului Honigberger ("The Secret of Dr. Honigberger") • La Țigănci ("With the Gypsy Girls"). MIRCEA ELIADE ▪ 1850-1889 ▪ Romantic poet, novelist, and -
Perpessicius-Mentiuni-Critice.Pdf
PERPESSICIUS MEN|IUNI CRITICE CUPRINS Not[ asupra edi\iei .....................................................................2 Tabel cronologic ..........................................................................3 MEN|IUNI DE ISTORIOGRAFIE LITERAR{ +I FOLCLOR LOCUL LUI DIMITRIE CANTEMIR }N LITERATURA ROM~N{ .... 11 LA CENTENARUL LUI ANTON PANN ......................................... 29 EMINESCIANA PROZA LITERAR{ A LUI EMINESCU ......................................... 64 EMINESCU +I TEATRUL .......................................................... 107 POSTUMELE LUI EMINESCU .................................................. 132 EMINESCU +I FOLCLORUL ..................................................... 140 ALECSANDRIANA POEZIA LUI VASILE ALECSANDRI ........................................... 170 ALECSANDRI +I LIMBA LITERAR{ .......................................... 191 VASILE ALECSANDRI, DUP{ 75 DE ANI .................................. 208 MEN|IUNI CRITICE BOGDAN PETRICEICU HASDEU .............................................. 215 CARAGIALE — }NTEMEIETORUL REALISMULUI NOSTRU CRITIC ..................................................................... 244 NOTE DESPRE ARTA PROZEI LA CARAGIALE .......................... 248 GEORGE CO+BUC .................................................................. 262 LIRISM +I NARA|IUNE }N OPERA LUI MIHAIL SADOVEANU 265 CARTEA POEMELOR NE-”OSTENITE” ..................................... 270 ACTUALITATEA LUI BACOVIA ................................................ 274 CAMIL PETRESCU +I -
Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context
Psychology, 2019, 10, 1159-1175 http://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context Emanuel-Alexandru Vasiliu Apollonia TV, Iași, Romania How to cite this paper: Vasiliu, E.-A. Abstract (2019). Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context. Psy- The objective of my work is to shed light on the way in which the post-1953 chology, 10, 1159-1175. ideology of the Romanian Communist Party influenced Romanian theatre https://doi.org/10.4236/psych.2019.108075 and film director Lucian Pintilie’s career, resulting in a ban to work in Roma- Received: May 21, 2019 nia. Reacting to the imposition of the cultural revolution and against the laws Accepted: June 27, 2019 of coagulating the socialist realist work of art, Lucian Pintilie managed to Published: June 30, 2019 mark the Romanian theatrical and cinema landscape through the artistic quality of the productions and the directed films, replicated by the renown of Copyright © 2019 by author(s) and Scientific Research Publishing Inc. the imposed interdiction. This work is licensed under the Creative Commons Attribution International Keywords License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Lucian Pintilie, Censorship, Ideology, Theatre Open Access 1. General Presentation Ceauşescu’s Romania was a closed society, characterised by repression in all fields of human existence: limitations of ownerships rights, hard labour condi- tions and small wages, lacking freedom of movement, bureaucratic obstacles against emigration, violations of the rights of national minorities, contempt for religious faiths and the persecution of religious practices, drastic economic aus- terity, constant censorship in the field of culture, the repression of all dissident views and an omnipresent cult around the president and his family, which con- tributed to the demoralisation of the population. -
Textual Communities in Il Caragiale and Radu Cosaşu
DORIS MIRONESCU BONDING THROUGH IRONY: TEXTUAL COMMUNITIES IN I.L. CARAGIALE AND RADU COSAŞU Reading Romanian 19th century literature may help us understand communities in literature in a threefold way. Firstly, the 1848 generation of writers manifests itself as a fairly solidary group of young men participating to a relatively homogeneous textual practice, with a common pool of themes and images and a stable rhetorical repertoire circulating among them; it is therefore a writerly community1. Secondly, their main literary theme is also one of the main concerns of the early modern Romanian society, namely “national character”; their nationalist drive, which they shared with most European young intellectuals at the time, is an expression of their interest in the aggregation of a coherent social community. Thirdly, as these writers address “the nation” in their writing, they are clearly identifying the national community to a reading community2. In the following literary generation, with writers active in the last quarter of the 19th century, there no longer exists a perfect superposition of social and reading communities, as in the previous generation, and the solidity of the writerly community also becomes highly questionable. Although Eminescu, Creangă or Caragiale contribute massively to the constitution of a spiritual solidarity with themes like national history, peasant life or joie de vivre in their generation, they also engage in a shrewd deconstruction of the old symbols of nationalist communities. Even when they address a wide readership, they rarely claim to speak to the nation, and instead tend to seek their readership in smaller circles of elite initiates. Even if they are friends with each other, the writer’s loneliness is their master trope. -
Proquest Dissertations
LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes.