The Discourse on Humour in the Romanian Press Between 1948-1965
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From Woods and Water to the Gran Bazaar: Images of Romania in English Travelogues After Wwi
LINGUACULTURE 2, 2015 FROM WOODS AND WATER TO THE GRAN BAZAAR: IMAGES OF ROMANIA IN ENGLISH TRAVELOGUES AFTER WWI ANDI SÂSÂIAC Alexandru Ioan Cuza University of Iasi, Romania Abstract Although globalization brings different countries and cultures in closer and closer contact, people are still sensitive when it comes to aspects such as cultural specificity or ethnicity. The collapse of communism and the extension of the European Union have determined an increase of interest in Romania’s image, both on the part of foreigners and of Romanians themselves. The purpose of this paper is to follow the development of Romania’s image in English travelogues in the last hundred years, its evolution from a land of “woods and water” in the pre-communist era to a “grand bazaar” in the post- communist one, with clear attempts, in recent years, to re-discover a more idyllic picture of the country, one that should encourage ecological tourism. The article is also intended to illustrate the extra-textual (historical, economic, cultural) factors that have impacted, in different ways, on this image evolution. Key words: image, cliché, stereotype, travel writing, travelogue, history, power relations Introduction According to Latham jr. (25), immediately after WWI, Romania remained a subject of interest to the English-speaking world because of its war debts and because it was a member of the Little Entente (also comprising Czechoslovakia and Yugoslavia). Both the cultural and political life of Romania and its relations with the Western countries took a rather paradoxical turn after the accomplishment of the long standing ideal of Romanian unity in 1918. -
TS Eliot's the Waste Land As a Place Of
T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges: A Translation Perspective By Roxana Ştefania Bîrsanu T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges: A Translation Perspective, by Roxana Ştefania Bîrsanu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Roxana Ştefania Bîrsanu All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5969-9, ISBN (13): 978-1-4438-5969-1 To my son, Iustinian, with infinite love. TABLE OF CONTENTS List of Tables .............................................................................................. ix Acknowledgements ..................................................................................... x Preface ........................................................................................................ xi Chapter One ................................................................................................. 1 Perspective on the Translation Phenomenon in 20th Century Romania The Position of Translated Literature within the Romanian Literary System ............................................................................................. -
Romanian Literature Intoday'sworld
Journal of World Literature 3 (2018) 1–9 brill.com/jwl Romanian Literature in Today’s World Introduction Delia Ungureanu University of Bucharest and Harvard University [email protected] Thomas Pavel University of Chicago [email protected] What remains of a literature written and published for nearly half a century under a dictatorial regime? Will it turn out to be just a “‘parenthesis’ in history, meaningless in the future and unintelligible to anyone who did not live it”? So asks a major Romanian comparatist who chose exile in 1973, Matei Călinescu, quoting literary critic Alexandru George’s open letter to another preeminent figure of Romanian exile, Norman Manea. “What will last, indeed, of so many works written precisely to last, to bypass the misery and shame of an immediate nightmarish history?” (247). And how will this totalitarian legacy affect the present-day literature and its circulation and reception on the international market today? Călinescu concludes his 1991 article by placing his bet on “the young gener- ation of Romanians, less affected by the Ceaușescu legacy than their parents,” a generation that is “spontaneously inclined toward Europe, democracy and pluralism,” and includes “the young writers who call themselves ‘postmodern.’” (248). Quoting The Levant, a major epic in verse by Mircea Cărtărescu, the lead- ing figure of this generation, Călinescu trusts that “It is on such trends—which might well coalesce into a major new style equaling in importance the phe- nomenon of magical realism of the last forty years or so—that one could base one’s fondest hopes for the cultural future of Romania and of the newly liber- ated Eastern Europe as a whole” (248). -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Georgiana Galateanu CV
GEORGIANA GALATEANU, a.k.a. FARNOAGA UCLA Department of Slavic, East European and Eurasian Languages and Cultures 322 Kaplan Hall, Box 951502, Los Angeles, CA 90095-1502 [email protected], tel. 310-825-8123 EDUCATION 1999 TESOL/CLAD/TEFL Certificate, UCLA Extension, Lifelong Education Department 1984 Ph.D. in Foreign Language Pedagogy, Foreign Languages Department, University of Bucharest, Romania 1969 M.A., English Language and Literature and Romanian Language and Literature, Foreign Languages Department, University of Bucharest, Romania 1967 B.A., English Language and Literature and Romanian Language and Literature, Foreign Languages Department, University of Bucharest, Romania EMPLOYMENT 1997 to present Continuing Lecturer, Romanian Language, Literature, and Civilization Dept. of Slavic, East European and Eurasian Languages and Cultures, UCLA Courses taught - Romanian 90, Introduction to Romanian Civilization - Romanian 152, Survey of Romanian Literature - Romanian 101 A-B-C, Elementary Romanian - Romanian 103, Intensive Elementary Romanian (Summer Session A) - Romanian 102 A-B-C, Advanced Romanian - Romanian 187 A-M, Advanced Language Tutorial Instruction in Romanian New courses – proposed, developed & taught - C&EE ST 91 (General Education/Central and East European Studies pre-requisite): Culture and Society in Central and Eastern Europe - M120 (Multi-listed Upper Division seminar): Women and Literature in Southeastern Europe - Fiat Lux seminar: Slavic 19. Politics and Literature in Eastern Europe - Applied Linguistics 119/219: -
Translation and Dissemination in Postcommunist Romanian Literature
CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2012 Culture and Axiology is a semiannual peer-reviewed journal devo- 2 2012 Vol IX No 2 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages OLOGY the submission of manuscripts based on original research that are I judged to make a novel and important contribution to understan- LOSOPHY OF I ding the values and cultural phenomena in the contempo rary world. CULTURE AND AX AND CULTURE ONAL JOURNAL OF PH I INTERNAT ISBN 978-3-631-62905-5 www.peterlang.de PETER LANG CULTURA 2012_262905_VOL_9_No2_GR_A5Br.indd 1 16.11.12 12:39:44 Uhr CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2014 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2014 Vol XI No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL www.peterlang.com CULTURA 2014_265846_VOL_11_No1_GR_A5Br.indd.indd 1 14.05.14 17:43 Cultura. -
The Tragicomedy of Romanian Communism
RESEARCH REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : THE TRAGICOMEDY OF ROMANIAN COMMUNIS M AUTHOR : Vladimir Tismanean u CONTRACTOR : Foreign Policy Researc h Institute PRINCIPAL INVESTIGATOR : Vladimir Tismanean u COUNCIL CONTRACT NUMBER : 903-0 4 DATE : September, 198 9 The work leading to this report was supported by funds provided b y the National Council for Soviet and East European Research . Th e analysis and interpretations contained in the report are those o f the author . a NOTE This report, based on an article to be published i n Eastern EuropeanPolitics andSocieties, is an inciden- tal product of the Council Contract identified on the title page . It is not the Final Report, which wa s distributed in August, 1989 . TABLE OF CONTENTS Page Introduction 1 Stalin's Romanian Disciples 1 1 The Comintern and the RCP 1 6 Stalinism for All Seasons 3 4 The Anti-De-Stalinization Platform 3 9 The Road to Absolute Power 43 The Manipulated Manipulator 47 Assault on the Party Apparatus 5 2 Notes 57 The Tragicomedy of Romanian Communis m Vladimir Tismanean u Un monde sans tyrans serait aussi ennuyeux qu'un jardi n zoologique sans hyenes . E . M . Cioran, Histoire et utopi e Now, despite eternal cabals in the inner clique and unendin g shifts of personnel, with their tremendous accumulation o f hatred, bitterness, and personal resentment, the Leader' s position can remain secure against chaotic palace revolution s not because of his superior gifts, about which the men in hi s intimate surroundings frequently have no great illusions, bu t because of these men's sincere and sensible conviction tha t without him everything would be immediately lost . -
Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context
Psychology, 2019, 10, 1159-1175 http://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context Emanuel-Alexandru Vasiliu Apollonia TV, Iași, Romania How to cite this paper: Vasiliu, E.-A. Abstract (2019). Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context. Psy- The objective of my work is to shed light on the way in which the post-1953 chology, 10, 1159-1175. ideology of the Romanian Communist Party influenced Romanian theatre https://doi.org/10.4236/psych.2019.108075 and film director Lucian Pintilie’s career, resulting in a ban to work in Roma- Received: May 21, 2019 nia. Reacting to the imposition of the cultural revolution and against the laws Accepted: June 27, 2019 of coagulating the socialist realist work of art, Lucian Pintilie managed to Published: June 30, 2019 mark the Romanian theatrical and cinema landscape through the artistic quality of the productions and the directed films, replicated by the renown of Copyright © 2019 by author(s) and Scientific Research Publishing Inc. the imposed interdiction. This work is licensed under the Creative Commons Attribution International Keywords License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Lucian Pintilie, Censorship, Ideology, Theatre Open Access 1. General Presentation Ceauşescu’s Romania was a closed society, characterised by repression in all fields of human existence: limitations of ownerships rights, hard labour condi- tions and small wages, lacking freedom of movement, bureaucratic obstacles against emigration, violations of the rights of national minorities, contempt for religious faiths and the persecution of religious practices, drastic economic aus- terity, constant censorship in the field of culture, the repression of all dissident views and an omnipresent cult around the president and his family, which con- tributed to the demoralisation of the population. -
Textual Communities in Il Caragiale and Radu Cosaşu
DORIS MIRONESCU BONDING THROUGH IRONY: TEXTUAL COMMUNITIES IN I.L. CARAGIALE AND RADU COSAŞU Reading Romanian 19th century literature may help us understand communities in literature in a threefold way. Firstly, the 1848 generation of writers manifests itself as a fairly solidary group of young men participating to a relatively homogeneous textual practice, with a common pool of themes and images and a stable rhetorical repertoire circulating among them; it is therefore a writerly community1. Secondly, their main literary theme is also one of the main concerns of the early modern Romanian society, namely “national character”; their nationalist drive, which they shared with most European young intellectuals at the time, is an expression of their interest in the aggregation of a coherent social community. Thirdly, as these writers address “the nation” in their writing, they are clearly identifying the national community to a reading community2. In the following literary generation, with writers active in the last quarter of the 19th century, there no longer exists a perfect superposition of social and reading communities, as in the previous generation, and the solidity of the writerly community also becomes highly questionable. Although Eminescu, Creangă or Caragiale contribute massively to the constitution of a spiritual solidarity with themes like national history, peasant life or joie de vivre in their generation, they also engage in a shrewd deconstruction of the old symbols of nationalist communities. Even when they address a wide readership, they rarely claim to speak to the nation, and instead tend to seek their readership in smaller circles of elite initiates. Even if they are friends with each other, the writer’s loneliness is their master trope. -
Humour As a Postmodern Weapon in a Totalitarian Regime. Ioan
ACTA UNIVERSITATIS SAPIENTIAE, PHILOLOGICA, 12, 3 (2020) 34–54 DOI: 10 .2478/ausp-2020-0022 Humour as a Postmodern Weapon in a Totalitarian Regime. Ioan Groşan’s One Hundred Years at the Gates of the East Zsuzsa TAPODI Sapientia Hungarian University of Transylvania (Cluj-Napoca, Romania) Department of Human Sciences tapodizsuzsa@uni .sapientia .ro Ingrid TOMONICSKA Sapientia Hungarian University of Transylvania (Cluj-Napoca, Romania) Department of Human Sciences tomonicskaingrid@uni .sapientia .ro Abstract. The paper aims to show that O sută de ani de zile la Porţile Orientului [One Hundred Years at the Gates of the East], Ioan Groşan’s historical picaresque postmodern novel, can be seen – due the presence of different techniques and devices of humour – as a weapon in and against a totalitarian system . In order to do so, our approach takes into account the problem of an East European totalitarian system, the East–West antipode, the condition of the author and his possible intention in a totalitarian system, the condition of the reader and his horizon of expectations in the same system, and the sources of humour used by the author . Humour as a weapon can have a lot of roles, for example, cracking, evading, or surmounting reality, and we want to show that Ioan Groşan succeeds in doing all that. In our paper, we grouped the humour-generating incongruences and contradictions into several categories: composition, frame (space and time, situations), identity (social status, names, physical appearance, ethnic and religious belonging), and language to underline the wide range of tools used by the author . Keywords: Ioan Groşan, totalitarian system, Postmodernism, humour 1. -
Proquest Dissertations
LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes. -
The Comic in the Works of Gogol and Caragiale
The Comic in the Works of Gogol and Caragiale Inga MARCU-REMENTOV1 Abstract: To consider theater only as literature is a long-standing point of view, but also to regard theater as a spectacle is a false position towards the art of the theater, of her essence and means of expression, the theater being a synthetic art, with a specific language , with their own autonomy. Why Gogol and Caragiale? It seems to me a natural attachment, I strongly believe that the two authors have changed, each in their own way, the gender literature of their countries, that they link a century full of social, political, effervescent phenomena, that the edifice of works is a fundamental one nationally, that they wrote with pathos, with almost fervor, about everything that needed to be addressed in everything around them. The study is a review of the main elements, strategies and models of dramatic construction in the comic work of the two. Key-words: Caragiale; Gogol; comic; theatre; dramatic literature. 1. Introduction The great creators of literature, especially the dramatic literature, have always aspired to create an art as close to life as possible, to be its clerks and their work, the huge mirror in which the world could reflect itself and recognize itself as it is. The acting profession brings me closer to the dramatic literature, it allows me a vision and a way of analysis specific to the profession, but this does not mean that we will deal mainly with it, we must not place the equal sign between dramatic literature and theater.