Ion Luca Caragiale

Total Page:16

File Type:pdf, Size:1020Kb

Ion Luca Caragiale ION LUCA CARAGIALE ▪ 1852-1912 ▪ Romanian playwright, short story writer, poet, theater manager, political commentator and journalist ▪ leaving behind an important cultural legacy, he is considered one of the greatest playwrights in Romanian language and literature, as well as one of its most important writers and a leading representative of local humor ▪ works: • Conul Leonida (1879; “Mr. Leonida”) • O noapte furtunoasă (1880; “A Stormy Night”) • O scrisoare pierdută (1884; “A Lost Letter”) • Năpasta (1890; “The False Accusation”) • O făclie de Paște (1889; “An Easter Torch”) • Păcat (1892; “The Sin”) • Kir Ianulea (1909) • Momente and Schițe MIRCEA ELIADE ▪ 1907-1986 ▪ Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago ▪ leading interpreter of religious experience, who established paradigms in religious studies that persist to this day ▪ his theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential ▪ works: • Maitreyi ("La Nuit Bengali" or "Bengal Nights"), • Noaptea de Sânziene ("The Forbidden Forest"), • Isabel și apele diavolului ("Isabel and the Devil's Waters") • Romanul Adolescentului Miop ("Novel of the Nearsighted Adolescent"), • Domnișoara Christina ("Miss Christina") • Tinerețe fără tinerețe ("Youth Without Youth) • Secretul doctorului Honigberger ("The Secret of Dr. Honigberger") • La Țigănci ("With the Gypsy Girls"). MIRCEA ELIADE ▪ 1850-1889 ▪ Romantic poet, novelist, and journalist, generally regarded as the most famous and influential Romanian poet, as well as the first modern poet in Romanian literature ▪ works: • Doina (the name is a traditional type of Romanian song), 1884 • Lacul (The Lake), 1876 • Luceafărul (The Vesper), 1883 • Floare albastră (Blue Flower), 1884 • Dorința (Desire), 1884 • Sara pe deal (Evening on the Hill), 1885 • O, rămai (Oh, Linger On), 1884 • Epigonii (Epigones), 1884 • Scrisori (Letters or "Epistles-Satires") • Și dacă (And if...), 1883 • Odă în metru antic (Ode in Ancient Meter), 1883 • Mai am un singur dor (I Have Yet One Desire),1883 • La Steaua (At Star),1886.
Recommended publications
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • Demisol - Sala 1 Colegiul National "Ion Luca Caragiale"
    DEMISOL - SALA 1 COLEGIUL NATIONAL "ION LUCA CARAGIALE" Nr.crt. NUMELE ŞI PRENUMELE ELEVULUI ŞCOALA DE PROVENIENŢĂ CLASA 1 AGBA RAHIM CNILC 3 2 ALBU FILIP CNILC 3 3 ALDEA ROBERT REGINA ELISABETA BUSTENI 3 4 ALEXANDRESCU ALINA ANTON PANN PLOIESTI 3 5 ALIONTE ALEXANDRU OCTAVIAN TOMA CARAGIU PLOIESTI 3 6 ANGHEL DENISA ANDREEA GEORGE COSBUC PLOIESTI 3 7 ARDELEANU DENNIS SFANTA VINERI PLOIESTI 3 8 ARICISTEANU DORA TOMA CARAGIU PLOIESTI 3 9 ARMACZKI ADRIANA SFANTUL VASILE PLOIESTI 3 10 AURELIAN DANNY SFANTUL VASILE PLOIESTI 3 11 AVRAM DARIA CNILC 3 12 AVRAM DRAGOS ANDREI MURESANU 3 13 BACIU SARA SFANTA VINERI PLOIESTI 3 14 BAJENARU BIANCA EMILIANA SFANTA VINERI PLOIESTI 3 15 BAJINARU DENISA NR 2 BOLDESTI SCAENI 3 16 BANARIU MAIA CNILC 3 17 BANU ANDREI VLAD CONSTANTIN CANTACUZINO BAICOI 3 Nr.crt. NUMELE ŞI PRENUMELE ELEVULUI ŞCOALA DE PROVENIENŢĂ CLASA 1 ABIBULA AISEL SPECTRUM CONSTANTA 5 2 ACSINTE TANIA NR. 56 BUCURESTI 5 3 ALDEA MARIA NESTOR URECHIA BUSTENI 5 4 ALDOIU EDUARD GRIGORE MOISIL 5 5 ALEXANDRU DARIA CNILC 5 6 ALEXANDRU EDMOND FLORIN GRIGORE MOISIL 5 7 ALEXANDRU VALENTINA SFANTA VINERI PLOIESTI 5 8 ALEXE MIHNEA ANDREI ALEXANDRU IOAN CUZA PLOIESTI 5 9 ANDREESCU ALEXANDRU NR. 56 BUCURESTI 5 10 ANDREI ALBERTO NESTOR URECHIA BUSTENI 5 11 ANDREI IOANA REBECCA GRIGORE MOISIL 5 12 ANDREI MADALINA STEFANIA ALEXANDRU IOAN CUZA PLOIESTI 5 13 ANDRONACHE MADALINA GEORGIANA CNILC 5 14 ANDRONESCU CATALINA ANDREI MURESANU 5 15 ANDRONIC ARTHUR MIHAI CNILC 5 16 ANGHEL DAVID CNILC 5 17 ANTON STEFAN MIRCEA CEL BATRAN CONSTANTA 5 DEMISOL - SALA 2 COLEGIUL NATIONAL "ION LUCA CARAGIALE" Nr.crt.
    [Show full text]
  • Diary of a Short-Sighted Adolescent Free
    FREE DIARY OF A SHORT-SIGHTED ADOLESCENT PDF Mircea Eliade | 176 pages | 01 Jul 2016 | Istros Books | 9781908236210 | English | Bristol, United Kingdom Review: Diary of a Short-sighted Adolescent by Mircea Eliade | Eliade records his thoughts in his diaries with the hopes that he will eventually turn his writings into a novel. He is trying to figure out what the plot of his novel will be and decides he wants to have a hero as the center character of his novel. He introduces us to his friends, especially Robert and Dinu, whom he contemplates basing the novel of his hero on. Eliade also wants to include some sort of a romantic relationship in his novel but his lack of experience with girls frustrates him. He asks Diary of a Short-Sighted Adolescent female cousin for advise and uses his imagination to dream about possibilities of a romantic plot line in his book. Eliade believes that he is ugly and awkward and he often dwells on his lack of self-esteem throughout his diary. He would rather be doing a million other things than attending classes and he is easily distracted by his friends and his favorite books. Despite failing grades and disappointed teachers, Eliade is never motivated to be more studious with his school work. He decides that he will cram for his math exams and makes a strict schedule to reread his math book in the few days leading up to his exam. He always finds something to distract him from his studies; he reads a book, talks a walk, has a nap and basically does anything but study for his exam.
    [Show full text]
  • Eminescu Şi Epoca Sa'' (Iunie 2000) Cronica Unei Expozitii. Vedere Din Interior
    ,,EMINESCU ŞI EPOCA SA'' (IUNIE 2000) CRONICA UNEI EXPOZITII. ' VEDERE DIN INTERIOR Liliana-Nicoleta Hanganu A treia în seria manifestărilor pe care Cabinetul Numismatic al Muzeului Municipiului Bucureşti le organizează anual, după „Portretul în medalistică" ( 1998) şi „Monumente şi edificii în medalistică" (1999), expoziţia „Eminescu şi epoca sa" s-a înscris în amplul program naţional dedicat Anului 2000 - Anul Eminescu. Aceasta a reprezentat o noutate prin colaborarea dintre două instituţii - Muzeul Municipiului Bucureşti şi Monetăria Statutului, care au prezentat colecţia col. (r) Ioan Dogaru, precum şi piese din colecţiile regretatului Nicolae Curdov şi Aurel N. Curdov. La acestea s-au adăugat medalii, plachete şi machete din patrimoniul celor două .instituţii organizatoare. De asemenea, expoziţia s-a deosebit de altele de acest gen prin criteriile de abordare a tematicii, susţinută de o varietate de piese medalistice şi de cartofilie. Pornind de la subiectul central - Eminescu - s-a încercat reconstituirea unei întregi epoci, cuprinsă între 1850 şi 1889, fie în ceea ce a avut ea ca evenimente istorice, politice şi militare majore: Unirea Principatelor Române, Războiul de Independenţă, Proclamarea Regatului, fie ca personalităţi marcante ale spiritualităţii româneşti, care, într-un fel sau altul, şi-au legat numele de cel al lui Eminescu: prieteni şi susţinători - Titu Maiorescu, Ion Luca Caragiale, Ion Creangă, Petre P. Carp, A. C. Cuza, dar şi ne-prieteni şi adversari politici, criticaţi în publicistică - C. A. Rosetti, Mihail Pherekyde, Eugeniu Carada. Organizată în spaţiul generos al elegantei Săli de comunicări a Muzeului Municipiului Bucureşti, expoziţia a cuprins 214 medalii şi plachete, dintre care 178 de medalii şi 14 machete cu tematica „Eminescu'', la care s-au adăugat o serie de litografii, cărţi poştale şi fotografii.
    [Show full text]
  • Litterära Gnistor. Ett Urval Av Rumänsk Litteratur Översatt Till Svenska
    2016-08-09 12:55 CEST Litterära gnistor. Ett urval av rumänsk litteratur översatt till svenska Rumänska kulturinstitutet Skeppsbron 20 24 augusti, kl 18.30 På rumänska och svenska Fri entré! Förhandsanmälan till [email protected] Medv: skådespelarna Marius Manole och Christian Fex Konferencier: Dan Shafran Varmt välkomna till höstsäsongens första program på Skeppsbron 20! Vi läser texter på både rumänska och svenska ur några av Rumäniens största författare, klassiska såväl som samtida. För att fira det rumänska språkets dag arrangerar Rumänska kulturinstitutet i samarbete med Rumänska Ambassaden i Sverige en afton tillägnad några av Rumäniens mest kända författare översatta till svenska. Vi läser utdrag ur deras verk, både på rumänska och svenska, med syftet att ge prov på den variationsrikedom som det senaste seklets rumänska litteratur uppvisar. Åldersmässigt spänner urvalet från klassikern Ion Luca Caragiale och den rumänska avantgardiska litteraturen till författare som är födda i början av 60-talet. Programmet binds samman av att alla dessa författare har sina rötter i Rumänien, har skrivit på rumänska och har översatts till svenska. Med tanke på att rumänskan trots allt betraktas som ett mindre kulturspråk har den rumänska litteraturen varit relativt flitigt översatt i Sverige under senare decennier. Det är vår förhoppning att kvällen ska ge ett litet smakprov på rikedomen hos och värdet av den rumänska litteraturen och samtidigt väcka ett intresse hos publiken att bekanta sig med ytterligare verk inom detta språkområde. Bland dem som uppmärksammas denna kväll finns prosaförfattarna Ion Luca Caragiale, Urmuz, Mihail Sebastian, Norman Manea, Mircea Cartarescu, Varujan Vosganian och Gabriela Adamesteanu samt poeterna Gellu Naum, Geo Bogza, Marin Sorescu, Nichita Stanescu, Nina Cassian och Ioan Es Pop.
    [Show full text]
  • Perpessicius-Mentiuni-Critice.Pdf
    PERPESSICIUS MEN|IUNI CRITICE CUPRINS Not[ asupra edi\iei .....................................................................2 Tabel cronologic ..........................................................................3 MEN|IUNI DE ISTORIOGRAFIE LITERAR{ +I FOLCLOR LOCUL LUI DIMITRIE CANTEMIR }N LITERATURA ROM~N{ .... 11 LA CENTENARUL LUI ANTON PANN ......................................... 29 EMINESCIANA PROZA LITERAR{ A LUI EMINESCU ......................................... 64 EMINESCU +I TEATRUL .......................................................... 107 POSTUMELE LUI EMINESCU .................................................. 132 EMINESCU +I FOLCLORUL ..................................................... 140 ALECSANDRIANA POEZIA LUI VASILE ALECSANDRI ........................................... 170 ALECSANDRI +I LIMBA LITERAR{ .......................................... 191 VASILE ALECSANDRI, DUP{ 75 DE ANI .................................. 208 MEN|IUNI CRITICE BOGDAN PETRICEICU HASDEU .............................................. 215 CARAGIALE — }NTEMEIETORUL REALISMULUI NOSTRU CRITIC ..................................................................... 244 NOTE DESPRE ARTA PROZEI LA CARAGIALE .......................... 248 GEORGE CO+BUC .................................................................. 262 LIRISM +I NARA|IUNE }N OPERA LUI MIHAIL SADOVEANU 265 CARTEA POEMELOR NE-”OSTENITE” ..................................... 270 ACTUALITATEA LUI BACOVIA ................................................ 274 CAMIL PETRESCU +I
    [Show full text]
  • Textual Transpositions and Identity Games in I.L. Caragiale's Late
    Textual Transpositions and Identity Games in I.L. Caragiale’s Late Writings ∗ Doris MIRONESCU Key-words: cultural identity , irony , ambivalence , Balkan literature , textual transposition The first critical edition of I.L. Caragiale’s Works , initiated by Paul Zarifopol in 1930 at “Cultura Na ţional ă” Publishing House, opens with the famous photo of the author taken in Berlin, in which Caragiale sits cross-legged, oriental-style, on a similarly themed rug, dressed in Balkanic garb, wearing a fez and white long socks, posing evidently for the camera with his chin resting on his closed hand and his eyes gazing intently to the right. But, even in these carefully asorted Levantine surroundings, one cannot fail to notice that behind the posing artist there is a heavily stacked library, filled with thick manuscripts that seem to overflow. The image is, therefore, twice symbolic: on the one hand, because in it Caragiale seems to claim to be returning to the “ethnic roots” that he often reclaimed polemically, orally and in writing, precisely to contradict the partisans of a ridiculous and violent Romanian nationalism; on the other hand, because this return takes place in the foreground of a library, or better yet of literature 1. Caragiale’s entire work is characterized by a frequent use of intertextual procedures, but these appear to become even more often in his last period of creation, in Berlin (1905–1912). The critics have long remarked that “Caragiale drew a character face for himself” (Tomu ş 1977: 340) but he exploited it especially now, in the later years at Berlin, to present himself under the largely known name “nenea Iancu” ( Ţal!..
    [Show full text]
  • Proquest Dissertations
    LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes.
    [Show full text]
  • Intercultural Fantasies of Female Cruelty: Reflections on Gender and Power
    DOSAR SPECIAL: EGALITATE, LIBERTATE, FEMINITATE INTERCULTURAL FANTASIES OF FEMALE CRUELTY: REFLECTIONS ON GENDER AND POWER Marina CAP-BUN Ovidius University of Constanţa, Romania Prezentul articol reprezintă o analiză exhaustivă a aspectelor interculturale bazată pe imaginea femeii în literatură, şi anume unele reflecţii asupra puterii feminine. Autoarea confruntă un număr impunător de opere pentru a scoate în evidenţă trăsăturile puterii şi luptei lăuntrice a Femeii. By the beginning of the twentieth century Ion Luca Caragiale (1852-1912) was already a well-established artist, aware of the fact that he had reached his artistic ma- turity. His plays were translated in many languages and successfully played in France, Germany, Italy, Hungary, and Russia, and his tragedy Năpasta (The Scourge) was even plagiarized by the French dramatist André de Lorde, provoking a huge scandal in both Romanian and French literary magazines. Caragiale refused to sue his French plagia- rist who, in fact, was making him more famous in Paris, as he acknowledged that his play was already entering the gallery of inciting universal themes, and it was by now provoking responses.1 In Romania, the controversies around his theatre were some- how diminished (although they never ceased to exist up to the present day), his texts were regularly reedited, his plays often staged, and the young scholar Horia Petra-Pre- descu was already conducting serious research about his life and career while writing a monographic doctoral thesis on the subject, which was to be published in 1911.2 So, in spite of his active enemies, he was generally recognized as a classic of Romanian literature.
    [Show full text]
  • Understanding the Punctuation and Spelling Signs in Romania to Eliminate Functional Illiteracy
    Bulletin of the Transilvania University of Braşov Series VII: Social Sciences • Law • Vol. 12(61) No. 2 – 2019 https://doi.org/10.31926/but.ssl.2019.12.61.2.10 UNDERSTANDING THE PUNCTUATION AND SPELLING SIGNS IN ROMANIA TO ELIMINATE FUNCTIONAL ILLITERACY Ramona Mirabela OPREA1 Abstract: The international comparative research initiated by the OECD in the 1990s has shown that a considerable proportion of Europeans are classified as functional illiterates, even though they have completed at least primary school. Spelling and punctuation condition the specific human- readable-writing process. We can counteract this deficit perfectly and diminish the scale of the phenomenon of functional illiteracy, giving individuals and social groups another chance for education. The need to express ideas in writing so that they can be understood by the reader may increase the interest in studying spelling and punctuation, as well as establishing rules for their use. This article proposes to address punctuation and spelling signs with examples that could be used as part of an option for primary education in Romania in order to reduce functional illiteracy. Keywords: functional illiteracy, literacy, primary education, spelling signs, punctuation marks 1. Introduction Until the late 1960s, illiteracy was treated in developed countries as a scary phenomenon in the poor and backward areas of the south. The conviction that the problem has been resolved forever has been universal and well anchored in the consciousness of European societies (Daniel, 2000). Later, discovering the scale of illiteracy in the developed countries of the West has caused shocks and surprises. The functional illiterate contemporary person knows the letters in their individuality but does not know how to connect them.
    [Show full text]
  • Instances of Faustian in Romanian Literature: ‘The Case’ of Caragiale
    Iulian Boldea, Cornel Sigmirean (Editors) MULTICULTURAL REPRESENTATIONS. Literature and Discourse as Forms of Dialogue Arhipelag XXI Press, Tîrgu Mureș, 2016 217 ISBN: 978-606-8624-16-7 Section: Literature INSTANCES OF FAUSTIAN IN ROMANIAN LITERATURE: ‘THE CASE’ OF CARAGIALE Ariana Bălașa Assist. Prof., PhD, University of Craiova Abstract: The Romanian literature in the second half of the XIXth century, and respectively, the first half of the XXth century is influenced by folk creations, which are visible especially in the fantastic prose. The myth of Faust, an important and defining myth, widely circulated in the entire European continent, blends with the themes and motives from folk literature, in the writings of such authors like Mihai Eminescu (Poor Dionis), I. L. Caragiale (Kir Ianulea, Mânjoală’s Inn), Vasile Voiculescu (Lostrița), Gala Galaction (Califar’s mill), Mircea Eliade (Miss Christina, The snake) etc. Our study, focused on ‘the case’ of Caragiale, emphasizes the idea that the author reinterprets in his writings the myth of Faust, and does so in an absolutely charming way, using the irony that defines his literary pieces, in all the genres he has approached. Keywords: instances, myth, faustian, folk, Caragiale Mitul faustic este detectabil în diferite variante, cu mici variaţii sau modificări, în mai toate culturile şi civilizaţiile europene, iar povestirile alegorice, obligatoriu cu morală inclusă, se conturează de obicei în jurul comunicării şi înţelegerii dintre om şi diavol, în contradicţie cu legile firii. Remintim aici celebra definiţie dată de Mircea Eliade mitului: „Mitul povesteşte o istorie sacră, adică un eveniment primordial care a avut loc la începuturile timpurilor şi ale cărui personaje sunt zei sau eroi civilizatori.
    [Show full text]
  • An. XLII, Nr. 15. Lei S
    IVII >||_ ILITEKAR ŢĂRANI, desen de ISER An. XLII, Nr. 15. 11 Aprilie 192«. Lei S. UNIVERSUL LITERAR Cina cea de Taină Băteai domol.., şi norii silnici cercau zadarnic să te-ascundă Când Ţi-am deschis, în noaptea ceia, cămara-mi sufle tului scundă. De cum intraşi, târând lumina de lunga-Ţi haină aninată, Chilerul mi-a părut mai muced, poiata mai întunecată, A dona înviere, In port Şi'n duhnitorul întuneric, pândind prin col juri înfoiat, Eu însu-mi n'aveam loc, bicisnic, ci stăm pe brânci şi 'ncovoiat. Am coborît vadul cu nădejdea să regă­ sesc imaginile de altădată. Circulara mi­ Dar ridicaşi din tindă mâna uşor spre-a binecuvânta nistrului de interne na sosit încă şi Sfin­ Şi iată, se bolti tavanul 'nălţându-se de-asupra Ta... tele Paşti se ţin de stilul nou. Insă stilul Te-am cunoscut, deşi veniseşi un tainic oaspc nechemat nou cade în iarnă şi în portul cariat de Şi-am priceput că'Ţi-este sete şi încă Doamne n'ai cinat: vreme, de „ocupaţie" (!) şi de politică va­ „M'am abătut să fac la tine, de'ngădui, Cina cea de taină. mală, bate crivăţul dinspre stepele Rusiei Chiverniseşte pentru Paşte şi pune-ţi grabnic altă haină. şi întărâtă apa Dunării, ca in preziua în­ gheţului. Grăbesc pasul printre liniile fe­ Adună rudele şi soţii, cu slugile Ja sărbătoare rate şi mă apropii de debarcaderul ofi­ Şi toarnă apă caldă'n vase să-i spăl frăţeşte pe picioare".,. cial. Câţiva hamali în zdrenţe dc sărbă­ — Stăpâne, Ţi-am răspuns, şi glasul în gât mi se făcuse ghem, toare, vântură un grâu posomorât.
    [Show full text]