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Playlist - April 3, 2020 I Hate You When You’re Pregnant - Stuff In This World Trollin’ Withdrawal - Pretty Ugly The Bags - Spread It Around Rock Starve The Chats - Do Tell Me What to do High Risk Behavior The Ex Bats - Immediate Girl Kicks, Hits and Fits Josh Hardy and Dexter Prahin - Untitled (Cheap & Nasty) Thoughts (Demo) Electric Joey - Soundwave Reanimator The Girls - I don’t Want Be Your Friend - The New Rock ’n Roll Daddy Long Legs - Mornin’ Noon and Nite Lowdown ways Twin Guns - The Dark Is Rising - Pandemic Punch Beneﬁt for Otto’s Shrunken Head Mini Skirt - Security Taste - EP PGX - Peter Gutteridge - Naive Vintage Crop - New Age New Age Spam Risk - Google Bookchin Self-Titled Gonzo - Send It Self-Titled Johnny Jewel - Untitled (4/1/2020) Itchy - O Jaywalker Burn the Navigator Savage Republic - Attempted Coup: Madagascar Tragic Figures Happy Diving - Electric Soul Unity - Electric Soul Unity The Van Pelt - Evil High Imaginary Third Ausmuteants - All Talk Shock - We Were That Noise This Generation’s on Vacation The Nips - All The Time In The World Bops, Babes, Booze and Beaver Wild Youth - What About Me? W H I L T D E Y N O U I T S H E The Petticoats - Normal EP Unity Station - Our Man in Washington C11777 The Triangle Love - 7 and 7 is Self-Titled Unwound - Feel$ Real Death - Where Do We Go From Here? For the Whole World to See Apple and The Three Oranges - Curse Upon the World California Funk Dark Day - Invisible Man Hand in the Dark/Invisible Man - Single Oto - Anway Anyway/Bats/Bad Boy -Single Jacobites - Sloth Robespierre’s Velvet Basement No Man - Diamondback Whamonexpress Monorchid - S.S. Hopeless The Birthday Party - The Plague Drunk on Pope’s Blood Long Fin Killie - Rocket Head on Mandatory Surveillance Houdini Able Tasmans - What Was That Thing A Cuppa Tea and a Lie Down Syd Barret - Octopus The Madcap Laughs Perry and The Harmonics - Do The Monkey With James/James Out of Sight The Fall - Stepping Out (Live at the Electric Circus ) Live at The Witch Trials The Fall - Extricate - Extricate The Fall - Detective Instinct Room To Live The Fall - Cloud of Black Twenty- Seven Points The Fall - The War Against Intelligence - Shift-Work.

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NEW RELEASE Cds 24/5/19
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(2020) Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird
Wilkinson, David (2020) Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird. Open Library of Humanities. ISSN 2056- 6700 Downloaded from: https://e-space.mmu.ac.uk/624332/ Version: Published Version Publisher: Open Library of Humanities DOI: https://doi.org/10.16995/olh.535 Usage rights: Creative Commons: Attribution 4.0 Please cite the published version https://e-space.mmu.ac.uk The Working-Class Avant-Garde How to Cite: Wilkinson, D 2020 Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird. Open Library of Humanities, 6(2): 11, pp. 1–26. DOI: https://doi.org/10.16995/olh.535 Published: 09 September 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. David Wilkinson, ‘‘Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird’ (2020) 6(2): 11 Open Library of Humanities. DOI: https://doi.
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1 Mark's spell reached me through his records, and since always and forever I took it for granted that he would remain unapproachable – in more ways than one. "Never meet your heroes" as MES once said. And that’s how it would remain, apart from close proximity every so often (post-gig in the back stairwell at Krazy House in Liverpool 1997: just me and the man who I flew across the Atlantic to see perform in his indigenous environment. “Up the stairs mister!” I could practically hear MES cackle as he swerved past to avoid physical contact – I was wearing a massive winter coat (I’d imagined that he’d alluded to it derogatorily on stage: “a jacket like that, in weather like this... HUP!”) The Fall gripped me early in life. I didn't ask for it, it came and sought me out with smoky tendrils like the ones portrayed on the Early Years 77-79 compilation. Live at the Witch Trials was purchased for me in Salem MA - of all places. It was exactly one day after my 17th birthday. At Salem Record Exchange my uncle (a distinguished local artisan with finely honed musical tastes) held an armful of Jamaican LPs and said "The Fall are great. I have too many records, but I can't not buy this, so, Happy Birthday." Off we went to his apartment at 12 Cowell Street in Marblehead MA where I listened to the first track, Frightened. "He sounds just like Johnny Rotten" I said, unenthused. "No - he's a bit different, listen." It sounded like a bad Doors album.
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Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird
The Working-Class Avant-Garde How to Cite: Wilkinson, D 2020 Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird. Open Library of Humanities, 6(2): 11, pp. 1–26. DOI: https://doi.org/10.16995/olh.535 Published: 09 September 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. David Wilkinson, ‘‘Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird’ (2020) 6(2): 11 Open Library of Humanities. DOI: https://doi. org/10.16995/olh.535 THE WORKING-CLASS AVANT-GARDE Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird David Wilkinson Manchester Metropolitan University, UK [email protected] This article develops my existing published work on The Fall, which seeks to examine the consequences of Mark E. Smith’s classed, educational and regional formation on the band’s aesthetics and politics.
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