Treasures of Which We Part [Pdf]
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
POWER MTS 251Si a Digitally-Controlled, Multi-Process MIG/TIG/Stick Welder
EVERLAST POWER MTS 251Si A Digitally-Controlled, Multi-Process MIG/TIG/Stick Welder CC CV GMAW SMAW GTAW IGBT DC PULSE Operator’s Manual for the PowerMTS 251Si Safety, Setup and General Use Guide Rev. 1 0 11114-16 everlastwelders.com Specifications and Accessories subject to change without notice. 1- 877-755-9353 329 Littlefield Ave. South San Francisco, CA 94080 USA Table of Contents Section……………………………………………….Page Letter to the Customer …………………....………… 3 Everlast Contact Information…………….…………. 4 Safety Precautions…………………………………… 5 Introduction and Specifications…..………………… 9 Overview of Parameters and Specifications……. 9 Technical Parameters……………………………... 10 General Description, Purpose and Features……. 11 Set Up Guide and Component Identification….…... 12 Suggested Settings…….…………………...…….. 12 Connections and Polarity…………………………. 14 General Polarity and Amp Recommendations…. 15 Installing The Wire Spool…………………………. 17 Front View Main Panel……………………….…… 18 Front Panel Item Description and Explanation…. 19 Side View …………………………………..…….... 26 Side View Item Description and Explanation..….. 27 Rear View Back Panel…………………………….. 28 Rear Panel Item Description and Explanation….. 29 Basic Theory and Function…………………………. 30 Basic MIG Operation…..………………………….. 30 Pulse MIG Operation……………………………… 37 Pulse MIG Work Sheets………………………….. 45 Stick Operation…………………………………….. 51 Special Notes Concerning Operation………….… 52 Basic TIG Operation………………………………. 55 TIG Arc Starting……………………………………. 57 Tungsten Preparation…………………………….. 58 Pulse TIG Operation………………………………. 59 TIG Work Sheets…………………………………... 61 25 Series MIG Torch……………………………… 64 25 Series Consumables………………………….. 65 24 Series MIG Torch……………………………… 66 24 Series Consumables………………………….. 67 26 Series TIG Torch………………………………. 68 Trouble Shooting Guide……………………………... 69 Error Codes………………………………………… 71 2 Dear Customer, THANKS! You had a choice, and you bought an Everlast product. We appreciate you as a valued customer and hope that you will enjoy years of use from your welder. -
Dennis Morris: Pil - First Issue to Metal Box 23 March - 15 May 2016 ICA Fox Reading Room
ICA For immediate release: 13 January 2016 Dennis Morris: PiL - First Issue to Metal Box 23 March - 15 May 2016 ICA Fox Reading Room Album cover image from PiL’s first album Public Image: First Issue (1978). © Dennis Morris – all rights reserved. The ICA presents rarely seen photographs and ephemera relating to the early stages of the band Public Image Ltd’s (PiL) design from 1978-79 with a focus on the design of the album Metal Box. Original band members included John Lydon (aka Johnny Rotten - vocals), Keith Levene (lead guitar), Jah Wobble (bass) and Jim Walker (drums). Working closely with photographer and designer Dennis Morris, the display explores the evolution of the band’s identity, from their influential journey to Jamaica in 1978 to the design of the iconic Metal Box. Set against a backdrop of political and social upheaval in the UK, the years 1978-79 marked a period that hailed the end of the Sex Pistols and the subsequent shift from Punk to New Wave. Morris sought to capture this era by creating a strong visual identity for the band. His subsequent designs further aligned PiL with a style and attitude that announced a new chapter in music history. For PiL’s debut single Public Image, Morris designed a record sleeve in the format of a single folded sheet of tabloid newspaper featuring fictional content about the band. His unique approach to design was further illustrated by the debut PiL album, Public Image: First Issue (1978). In a very un-Punk manner, its cover and sleeve design imitated the layout of popular glossy magazines. -
NEW RELEASE Cds 24/5/19
NEW RELEASE CDs 24/5/19 BLACK MOUNTAIN Destroyer [Jagjaguwar] £9.99 CATE LE BON Reward [Mexican Summer] £9.99 EARTH Full Upon Her Burning Lips £10.99 FLYING LOTUS Flamagra [Warp] £9.99 HAYDEN THORPE (ex-Wild Beasts) Diviner [Domino] £9.99 HONEYBLOOD In Plain Sight [Marathon] £9.99 MAVIS STAPLES We Get By [ANTI-] £10.99 PRIMAL SCREAM Maximum Rock 'N' Roll: The Singles [2CD] £12.99 SEBADOH Act Surprised £10.99 THE WATERBOYS Where The Action Is [Cooking Vinyl] £9.99 THE WATERBOYS Where The Action Is [Deluxe 2CD w/ Alternative Mixes on Cooking Vinyl] £12.99 AKA TRIO (Feat. Seckou Keita!) Joy £9.99 AMYL & THE SNIFFERS Amyl & The Sniffers [Rough Trade] £9.99 ANDREYA TRIANA Life In Colour £9.99 DADDY LONG LEGS Lowdown Ways [Yep Roc] £9.99 FIRE! ORCHESTRA Arrival £11.99 FLESHGOD APOCALYPSE Veleno [Ltd. CD + Blu-Ray on Nuclear Blast] £14.99 FU MANCHU Godzilla's / Eatin' Dust +4 £11.99 GIA MARGARET There's Always Glimmer £9.99 JOAN AS POLICE WOMAN Joanthology [3CD on PIAS] £11.99 JUSTIN TOWNES EARLE The Saint Of Lost Causes [New West] £9.99 LEE MOSES How Much Longer Must I Wait? Singles & Rarities 1965-1972 [Future Days] £14.99 MALCOLM MIDDLETON (ex-Arab Strap) Bananas [Triassic Tusk] £9.99 PETROL GIRLS Cut & Stitch [Hassle] £9.99 STRAY CATS 40 [Deluxe CD w/ Bonus Tracks + More on Mascot]£14.99 STRAY CATS 40 [Mascot] £11.99 THE DAMNED THINGS High Crimes [Nuclear Blast] FEAT MEMBERS OF ANTHRAX, FALL OUT BOY, ALKALINE TRIO & EVERY TIME I DIE! £10.99 THE GET UP KIDS Problems [Big Scary Monsters] £9.99 THE MYSTERY LIGHTS Too Much Tension! [Wick] £10.99 COMPILATIONS VARIOUS ARTISTS Lux And Ivys Good For Nothin' Tunes [2CD] £11.99 VARIOUS ARTISTS Max's Skansas City £9.99 VARIOUS ARTISTS Par Les Damné.E.S De La Terre (By The Wretched Of The Earth) £13.99 VARIOUS ARTISTS The Hip Walk - Jazz Undercurrents In 60s New York [BGP] £10.99 VARIOUS ARTISTS The World Needs Changing: Street Funk.. -
Russian Red in San Francisco SAN FRANCISCO
MUSIC Russian Red in San Francisco SAN FRANCISCO Thu, October 16, 2014 8:00 pm Venue The Independent, 628 Divisadero St, San Francisco, CA 94117 View map Phone: 415-771-1421 Admission Buy tickets. Doors open at 7:30 pm- More information Russian Red Credits The Spanish singer tours the U.S. and Canada to present her U.S. tour organized by The Windish third album ‘Agent Cooper.’ Agency, Charco and Sony Music Entertainment España S.L. Image courtesy of the artist. During the last few years Russian Red has become one of the most renowned artists in the Spanish music scene. Russian Red’s singer, Lourdes Hernández, has an exceptional voice and an innate ability to communicate and captivate a variety of audiences. She broke through the music scene in 2008 and became THE indie phenomenon with her debut album I Love Your Glasses (achieving a Gold record in Spain) and soon began performing on the main Spanish stages (Primavera Sound Festival, FIB, Jazzaldia, among many others), and reaching audiences in the USA, Mexico, Colombia, Venezuela, Argentina, Costa Rica, Germany, Holland, Belgium, etc. In 2011 she released her second LP, Fuerteventura (with Sony Music) thus taking a big leap forward in her career. Produced by Tony Doogan (Belle & Sebastian, Mogwai, David Byrne, etc.) and recorded with Stevie Jackson, Bob Kildea and Richard Colburn from Belle & Sebastian, Fuerteventura debuted at #2 on the topselling albums charts in Spain, where it stood for over 39 weeks, consolidating her position as one of the most outstanding and international Spanish artists. Russian Red rounded the year off taking home the MTV EMA Award as “Best Spanish Artist.” Fuerteventura was not only a great success in Spain, but it also launched Russian Red onto the international scene, placing her in the international bands spectrum. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Music Rights Specialists
Live Festival Recordings Promotional & Commercial Opportunities 1. Live Webcast Performances will be streamed through the at&t blue room (blueroom.att.com) with a prominent link directly from the festival website (www.lollapalooza.com - 3.3 million unique visitors / 16.1 million page views in 2006) ! 117,000 unique viewers of last year’s Lollaplaooza webcast ! During the performance, a link to your band’s website will be prominently featured in the blue room media player ! Past blue room participants include Dave Matthews Band, The Killers, Bjork, Depeche Mode, Tom Petty, Oasis, Yeah Yeah Yeahs, Trey Anastasio, Bloc Party, Jack Johnson, The Pixies, Widespread Panic, My Morning Jacket, Franz Ferdinand, The Arcade Fire, Arctic Monkeys and many more ! at&t provides major online & radio promotion for the webcast – over 43 million impressions o Extensive online media buys on sites such as Real Networks, MP3.com, Jam Base, Pandora, Billboard, and more o Radio promo in major markets throughout the country Online feedback from fans who watched performances from previous Lollapalooza and Austin City Limits Music Festivals on the at&t blue room: “This is the best idea I have seen for a live music festival ever! I have already bought several CDs and songs based on the performances.” “Keep up the great work! It is amazing because you can hear SOOOO clearly and no noise, wind, screams, etc....It is the best streaming presentation I have ever seen. Upclose, clear and very very easy to use. It is perfect and plays no matter what other apps are running on the computer! I LOVE it! I'm looking forward to more, especially more performances next year at ACL music festival. -
Kick out the Cool Greenhouse Feb 19 2021
Cool Greenhouse w/Kick Out The James Feb 14 2021 www.artguy.com/KOTJ.html www.mixcloud.com/KOTJames The Cool Greenhouse - The End of The World London/The End of the World The Cool Greenhouse - I’m Into C.B. (Fall Cover) RIP Smitty Single The Cool Greenhouse - London London/The End of the World Single The Male Nurse - My Own Private Patrick Swayze The Cool Greenhouse - Life Advice The Cool Greenhouse (album) The Cool Greenhouse - Cardboard Man The Cool Greenhouse (album) The Cool Greenhouse - Dirty Glasses The Cool Greenhouse (album) The Cool Greenhouse - Alexa Single The Desperate Bicycles - Don't Back the Front B-Side to The Medium Was Tedium Wild Billy Childish & The Musicians Of The British Empire - Snack Crack b/w Elvis Presley Is Dead OOPS/ D’oh! The Cool Greenhouse - Dirty Glasses The Cool Greenhouse (album) The Cool Greenhouse - 4Chan The Velvet Underground - There She Goes The Velvet Underground and Nico The Modern Lovers - Pablo Picasso The Cool Greenhouse - Smile, Love The Cool Greenhouse (album) The Cool Greenhouse - Outlines The Cool Greenhouse (album) Greater Than One - Why Do Men Have Nipples? G-Force The Cool Greenhouse - Trojan Horse The Cool Greenhouse (album) Dry Cleaning - Strong Feelings New Long Leg Black Midi - bmbmbm Schlagenheim Uranium Club - Definitely Infrared Radiation Suit The Cosmo Cleaners The Fall - Winter 2 Hex Enduction Hour The Fall - Words of Expectation (Live Peel Session) The Fall - The NWRA Grotesque (After The Gramme) The Fall - Your Heart Out Dragnet The Fall - Fiery Jack Totale's Turns (It's Now Or Never). -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’…