Tom Morris Producer / Engineer / Mixer

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Tom Morris Producer / Engineer / Mixer Fear of Men ‘Fall Forever’ / Album Co-Prod/Rec/Mix Algiers ‘Algiers’ / Album Co-Prod/Rec/Mix Daunt ‘Unbearable Light’ / EP (2 Songs) Prod/Rec Ghost Outfit ‘No Sleep for Lovers’ / Album Mix Daunt ‘This Body Rushes’ Single Prod/Rec/Mix Outfit ‘Slowness’ / Album Mix Woman’s Hour ‘Conversations’ / Album Prod/Rec/Mix Eaux ‘Plastics’ / Album Prod/Rec/Mix Hockeysmith ‘But Blood’ / E.P. Mix Woman’s Hour ‘Darkest Place’ / Single Prod/Rec Mozart’s Sister ‘Being’ / Album Mix Outfit ‘Performance’ / Album Mix Bloc Party ‘The Nextwave Sessions’ / 3 Tracks Mix Glass Animals ‘Black Mambo’ / Single Add-Prod/Rec Woman’s Hour ‘To the End/Our Love Has No Rhythm’ / Single Prod/Mix Daughter ‘Drift’ B-Side Rec Esben and the Witch ‘Wash the Sins Not Only The Face’ / Album Prod/Mix The Big Pink ‘Future This’ Album Drum Rec Zulu Winter ‘Language’ / Album Prod/Rec F**cked Up Tracks Rec Laurel Halo 4AD Sessions Rec Hype Williams 4AD Sessions Rec Weird Dreams 4AD Sessions Rec/Mix Porcelain Raft 4AD Sessions Rec/Mix Faust ‘10’ / Album Co-Prod/Mix Matthew C H Tong ‘God is Great’ / Single Co-Prod/Mix Slime ‘Increases’ / E.P. Mix/Mastering The Breeders ‘Fate to Fatal’ / Single Rec Lydia Lunch ‘Trust the Witch’ / Album Rec/Mix Ice Sea Dead People ‘Teeth Union’ / Album Prod/Rec/Mix Electricity In Our Homes ‘We Agree Completely’ E.P. Rec/Mix Clean George IV ‘God Save the Clean’ / Album Prod/Rec/Mix The Boxer Rebellion ‘Union’ / Album Prod/Rec Gallon Drunk ‘Rotten Mile’ / Album Co-Prod/Rec/Mix Jet Tracks Rec/Mix Basement Jaxx ‘Hush’ / Itunes band version Rec/Mix Selfish C**t ‘England Made Me’ / Album Rec/Assistant Eng The Go Team ‘Thunder Lightning Strike’ / Album Mix Assistant The Duke Spirit Radio Session Assistant Eng The Killers ‘Midnight Show (Live Version)’ / B-Side Assistant Eng Fiery Furnaces ‘We Got The Plague’ / B-Side Assistant Eng KaitO Radio Session Assistant Eng Piano Magic ‘Dissaffected’ / Album Assistant Eng Piano Magic ‘Saint Marie’ / EP Assistant Eng Help She Can’t Swim ‘Fashionista Super Dance Troupe’ / Album Assistant Eng For further information, please contact Laura Jones. Email: [email protected].

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Digitalisation and Intermediaries in the Music Industry
CREATe Working Paper 2017/07 (June 2017) Digitalisation and intermediaries in the Music Industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, Finance, University of East Anglia University of East Anglia and Economics, University of Huddersfield [email protected] [email protected] [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.809949 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Abstract Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of artists [composers, lyricists and musicians] supplying creative expressions to a small number of larger record labels and publishers who funded, produced, and marketed the resulting recorded music to subsequently sell these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with “self- publishing” by artists, will lead to the demise of powerful firms in the record label segment, thus shifting market power from the record label and publisher segment to the retail segment, rather than increasing the number of segments with market power. i Table of Contents 1. Introduction ................................................................................................................................. 1 2. How the advancement of technologies shapes the music industry .................................
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Russian Red in San Francisco SAN FRANCISCO
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Bloc Party Gets Intimate on New LP
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Process Summer 2014
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For Immediate Release the 30Th Annual Florida Film
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Eastern News: January 20, 2012 Eastern Illinois University
Eastern Illinois University The Keep January 2012 2-20-2012 Daily Eastern News: January 20, 2012 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2012_jan Recommended Citation Eastern Illinois University, "Daily Eastern News: January 20, 2012" (2012). January. 9. http://thekeep.eiu.edu/den_2012_jan/9 This Article is brought to you for free and open access by the 2012 at The Keep. It has been accepted for inclusion in January by an authorized administrator of The Keep. For more information, please contact [email protected]. “Tell the truth and don’t be afraid.” Friday THE DAILY JANUARY 20, 2012 VOLUME 96 | No. 176 EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILL. DENNEWS.COM EastErn nEws TWITTER.COM/DENNEWS JANUARY 20, 2012 Check out this week’s Panthers come up cold edition of Verge! on Miller’s hot night The Daily Eastern News' weekly arts and entertainment section Section B Page 8 VPunk Yankees mix dance, humor “Even for general audiences, enough is contextualized that they completely enjoy it. It’s inviting to pretty much everybody.” Julia Rhoads, artistic director for Lucky Plush Productions By Sara Hall Verge Editor Many people recognize stealing music is wrong, but they may never consider the ram- ications behind borrowing someone else’s dance and choreography. is is the idea the Lucky Plush Produc- tions’ show “Punk Yankees” will be present- BOARD OF TRUSTEESing on Jan. 21 and 22 at Doudna Fine Arts Center. Julia Rhoads, artistic director for Lucky Plush Productions, said many mainstream dances and choreography are often stolen without acknowledging the artist.
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Doc Nyc Announces Full Lineup for Tenth Anniversary Edition November 6-15, 2019
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The Three Imaginary Girls .*.*. Lydia Lunch * Willing Victim .*.*
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Digitalisation and Intermediaries in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO CREATe Working Paper 2017/07 (March 2017) Digitalisation and intermediaries in the music industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, University of East Anglia University of East Anglia Finance, and Economics, [email protected] [email protected] University of Huddersfield [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.439344 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Table of Contents 1. Introduction ..................................................................................................................................... 1 2. How the advancement of technologies shapes the music industry ................................................. 2 2.1 Pre-digitalisation production of recorded music ..................................................................... 2 2.2 The role of digitalisation on recorded music ........................................................................... 4 2.2.1 The compact disc ............................................................................................................ 4 2.2.2 MP3 ................................................................................................................................. 5 2.2.3 Peer-to-peer
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