For Immediate Release the 30Th Annual Florida Film
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47Th TFF Lineup.Docx
August 3, 2020 FOR IMMEDIATE RELEASE 47TH TELLURIDE FILM FESTIVAL ANNOUNCES FILM LINEUP FOR ITS CANCELLED 2020 EVENT TELLURIDE, CO – Telluride Film Festival, presented by the National Film Preserve, released today its official program selections for the now-cancelled event. The Festival, whose ethos is to bring together film enthusiasts, filmmakers and artists to celebrate cinematic excellence, was scheduled to take place over Labor Day weekend, September 3-7, 2020. The Festival previously announced its cancellation due to the COVID-19 global pandemic. Representing twenty-five countries, the Festival’s program includes twenty-nine new narrative and documentary feature films and twenty-three shorts. In addition, the Festival chose three distinguished artists to receive its Silver Medallion Award. “Though we aren’t able to present our program in-person as planned, we still want to announce the lineup to bring attention to these brilliant films,” said Telluride Film Festival executive director Julie Huntsinger. “We’ve listed everything we know about screening opportunities so that audiences may watch as many of these films as possible. The Festival will continue to do everything in its power to champion and promote this artform and the people who create it.” Telluride Film Festival is proud to have selected the following new narrative and documentary feature films for its main program. THE SHOW AFTER LOVE (dir. Aleem Khan, UK, 89 min) ALL IN: THE FIGHT FOR DEMOCRACY (dir. Liz Garbus, Lisa Cortés, USA, 102 min) How to watch: In select theaters Sept. 9, available to stream on Amazon Prime Video Sept. 18 THE ALPINIST (dir. -
PREVIEW PRESS CONFERENCE FIRST HIGHLIGHTS of VIENNALE 2020 Vienna, August 20, 2020
PREVIEW PRESS CONFERENCE FIRST HIGHLIGHTS OF VIENNALE 2020 Vienna, August 20, 2020 Dear ladies and gentlemen, We are pleased to inform you about the current state of preparations for the Viennale 2020. This year, the Viennale will take place from October 22 to November 1. The existing documents present the first preview, as well as already established points of the program from the 58th edition of the Viennale. We also introduce the poster subject of the festival and the Retrospective. Continuously updated information can be found on our website www.viennale.at/en; press material and photos to download at viennale.at/en/press/download. For any further questions, please contact us. With kindest regards, The Viennale Press Team [email protected] Fredi Themel +43/1/526 59 47-30 Sadia Walizade +43/1/526 59 47-20 Accreditations, from August 21: Sadia Walizade +43/1/526 59 47-20 [email protected] (Accreditation applications accepted until October 2) viennale.at/en/press/accreditation VIENNALE – Vienna International Film Festival Siebensterngasse 2, 1070 Vienna • T +43/1/526 59 47 • F +43/1/523 41 72 [email protected] • viennale.at printed by VIENNALE 2020 OKTOBER 22—NOVEMBER 1 VIENNALE 2020 A Festival of Synergies, Collaborations and Coexistence Poster subject Trailer Textur #2 MONOGRAPHY SAY GOODBYE TO THE STORY Passages through Christoph Schlingensief’s Cinematic Work CINEMATOGRAPHIES ŽELIMIR ŽILNIK The Spirit of Solidarity AUSTRIAN AUTEURS The 1970s – A Film Decade on the Move AUSTRIAN DAYS RETROSPECTIVE RECYCLED CINEMA VIENNALE 2020 The 58th edition of the Viennale is taking place in a very unusual year. -
REVIEW 2013 - 2014 Dear Friend of Randall’S Island Park
REVIEW 2013 - 2014 Dear Friend of Randall’s Island Park, Thank you for your interest in Randall’s Island Park. As Co-Chairs of the Randall’s Island Park Alliance (RIPA) Board of Trustees, we invite you to enjoy our 2013-2014 Review. RIPA’s continued success in reaching our goals comes through the great work and generosity of our many partners and supporters – a true Alliance in support of the Park’s programs, fields, facilities and natural areas. You will find in the following pages photos and acknowledgements of the many local program partners, donors, volunteers, elected officials and City and State agencies who have helped to bring us to this point. We are especially grateful to the New York City Department of Parks & Recreation for extraordinary support and guidance throughout our successful partnership of more than 20 years. Following its recent transformation, Randall’s Island Park’s visibility continues to grow, and more and more New Yorkers are visiting its shores. Our fellow Board Members, challenged and inspired by what the Park can be, continue to contribute countless hours and crucial support. In 2014 the Board undertook a comprehensive plan for improvement and expansion of our free public programs. Visits to the Island have nearly doubled in recent years, to approximately 3 million! We expect our increased free programming will continue to expand our universe of visitors and friends. Many thanks to these millions of fans who visit and who compliment the Park through positive feedback on our social media, sharing photos and observations, and who help us to grow our Alliance every day. -
ART THAT KILLS 04 Introduction by CARLO Mccormick 04 06 a Beginning, and an End 06 10 the Precursors: WILLIAM S
ART THAT KILLS 04 Introduction by CARLO McCORMICK 04 06 A Beginning, and an End 06 10 The Precursors: WILLIAM S. BURROUGHS 10 14 The Precursors: ANTON LaVEY 14 20 The Precursors: KENNETH ANGER 20 22 The Precursors: ROBERT WILLIAMS 22 30 The Precursors: CHARLES MANSON 30 38 The Precursors: GENESIS P-ORRIDGE 38 46 The Precursors: MONTE CAZAZZA 46 50 The Precursors: HARLEY FLANNAGAN / CRO-MAGS 50 54 Soundtrack to 1984: Rev. Jim Jones — The Last Supper 54 55 Soundtrack to 1984: PSYCHIC TV 55 56 Soundtrack to 1984: ANTON LaVEY et al - The Satanic Mass 56 57 Soundtrack to 1984: CHARLES MANSON - Lie 57 58 Soundtrack to 1984: LYDIA LUNCH 58 59 Soundtrack to 1984: FOETUS 59 60 Soundtrack to 1984: NON 60 61 Soundtrack to 1984: RADIO WEREWOLF 61 62 Soundtrack to 1984: WHITEHOUSE 62 63 Soundtrack to 1984: Skinned Alive 63 64 Soundtrack to 1984: MICHAEL MOYNIHAN 64 65 Soundtrack to 1984: GG ALLIN 65 66 Soundtrack to 1984: KING DIAMOND / CRO-MAGS show 66 67 Soundtrack to 1984: SWANS 67 68 JOE COLEMAN 68 76 LYDIA LUNCH 76 82 NICK ZEDD / THE UNDERGROUND FILM BULLETIN 82 88 RICHARD KERN / DEATHTRIP FILMS 88 94 J.G. THIRLWELL a.k.a. FOETUS 94 98 FRED BERGER / PROPAGANDA 98 106 JONATHAN SHAW 106 112 Killer Clowns 112 124 BOYD RICE/NON . 124 132 JOHN AES-NIHIL 132 138 NICKBOUGAS 138 144 ZEENA SCHRECK nee LaVEY 144 148 NIKOLAS SCHRECK / RADIO WEREWOLF 148 154 ADAM PARFREY / FERAL HOUSE 154 162 Your host, GEORGE PETROS 162 170 MICHAEL ANDROS 170 174 ROBERT N. -
Process Summer 2014
PROCESS The alumni newsletter of the Indiana University Department of Anthropology Vitzthum Receives $1.5M NSF Grant to Study Climate Impact in Greenland Virginia Vitzthum is leading an Indi- ana University collaboration with Mon- tana State University and the University of Greenland to conduct a three-year, $1.5 million National Science Foun- dation-funded study of the biological, cultural and environmental challenges facing an Arctic population. Like many coastal and modernizing communities worldwide, northern Greenlanders are confronted by a changing climate, demo- graphic shifts and global economic forces that threaten their continued existence. -CONTINUED ON PAGE 8 Virginia Vitzthum Coastal town in Greenland | Photo by Glenn Mattsing Sept Receives Student focus: PhD Candidate Distinguished Anyur Onur on her field work My doctoral dissertation project, supervised by Prof. Nazif Shahrani Teaching Award and Prof. Sara Friedman, explores the interconnections between mili- tary services, gender equity goals, and pursuit of modernity in Turkey, Jeanne Sept where the society is predominantly Muslim and the political system was named the is secular. I focus on the lives of Turkish -CONTINUED ON PAGE 8 2014 recipient of Anyur Onur the prestigious Frederic Bachman Lieber Memorial Suslak Helps Award. The award, which recognizes Community distinguished teaching and is the Revitalize Ayöök oldest of Indi- Jeanne Sept ana University’s Language teaching awards, was established in 1954 by In the spring, Daniel Suslak Mrs. Katie D. Bachman in memory of her received a $253,000 grant from grandson and was further endowed by Mrs. the National Endowment for the Herman Lieber. Dr Sept was honored at the Humanities to fund his project 2014 Celebration of Distinguished Teaching “Community Directed Audio-Visu- dinner Friday, April 4. -
Potamkin Blackmore Bolton Dweck Press
MUSEUM OF ARTS AND DESIGN ANNOUNCES NEW TRUSTEES AND TREASURER Andi Potamkin Blackmore and Simon Bolton Elected New Trustees Michael Dweck Named Treasurer NEW YORK, NY (January 13, 2017) – The Museum of Arts and Design (MAD) announced today the appointment of two new Trustees: Andi Potamkin Blackmore and Simon Bolton. The Board of Trustees also named current Finance Committee Chair Michael Dweck Treasurer. The election took place at the December 8, 2016, board meeting. “The Board is thrilled to welcome new Trustees Andi Potamkin Blackmore and Simon Bolton, both of whom have made MAD a philanthropic priority,” said Michele Cohen, Chair of the Board. “Their demonstrated commitment to the fields of art and design and their audiences will support the Museum’s mission and visibility efforts.” In Dweck’s expanded role as Treasurer, “his financial expertise, leadership skills, and strategic acumen will serve him well in guiding the Museum in the next phase of its growth,” said Cohen. “We look forward to working with all three in their new roles.” Andi Potamkin Blackmore was elected Trustee in December 2016. A passionate champion of the arts, Potamkin Blackmore is the founder of Le Mise, a Brooklyn-based art and design advisory firm, as well as Three Squares Studio, a hair salon and art gallery in Manhattan, where she currently serves as Creative Director. She also works for the Potamkin Automotive Group, founded by her grandfather, Victor Potamkin, in 1954. Previously, she was the Potamkin in Kasher|Potamkin, a gallery and boutique in Chelsea. Potamkin Blackmore writes about art, design, well- being, and philosophy for publications including L’Oeil de la Photographie and 1stdibs and publishers including Glitterati Incorporated. -
MODERNISM Inc. 685 Market Street, Ste
MODERNISM Inc. 685 Market Street, Ste. 290, San Francisco, CA 94105 Tel 415.541.0461 Fax 415.541.0425 Michael Dweck “Nymphs and Sirens” Thursday, May 7-June 27, 2015 Opening reception: Thursday, May 7th, from 5:30 to 8:00pm Modernism Presents a Multiform Collection of Work by Michael Dweck “The human body in motion is the ideal picture of the human soul” – Michael Dweck Modernism is pleased to present Nymphs and Sirens, a diverse collection of new and reimagined works by acclaimed American visual artist Michael Dweck. Since his childhood on Long Island’s cloistered shores, the sea has served as muse, subject and metaphor in Dweck’s art. It revealed itself as an Eden for the “forever young” surfers in 2004’s paradisiacal and symbolic The End: Montauk, N.Y., and appeared again as an abstract environment for the evasive female forms that populated 2009’s impressionistic Mermaids. Now, in his latest body of work, Nymphs and Sirens, Dweck, turns his focus to motion and medium, while carrying along reference points from the aforementioned sea-inspired collections. Scuptural Forms At the center of the new collection is a series of Sculptural Forms that feature photographs from Montauk and Mermaids printed on silk and coated with fiberglass and layers of high-gloss resin by skilled artisans to create beautiful, handmade surfboard-shaped sculptures that seamlessly merge Dweck’s subject and medium. “I love the implied movement of these forms, as well as the smooth, fluid shapes,” says Dweck. “They become vehicles that transport you to other places… I would like people to have a transporting experience with the work.” Mural Form Contrasting the subtle curves of the boards, is a Mural Form that renders one of Dweck’s “mermaids” larger than life, an apparition worthy of the Homeric legend. -
Tom Morris Producer / Engineer / Mixer
Tom Morris Producer / Engineer / Mixer Fear of Men ‘Fall Forever’ / Album Co-Prod/Rec/Mix Algiers ‘Algiers’ / Album Co-Prod/Rec/Mix Daunt ‘Unbearable Light’ / EP (2 Songs) Prod/Rec Ghost Outfit ‘No Sleep for Lovers’ / Album Mix Daunt ‘This Body Rushes’ Single Prod/Rec/Mix Outfit ‘Slowness’ / Album Mix Woman’s Hour ‘Conversations’ / Album Prod/Rec/Mix Eaux ‘Plastics’ / Album Prod/Rec/Mix Hockeysmith ‘But Blood’ / E.P. Mix Woman’s Hour ‘Darkest Place’ / Single Prod/Rec Mozart’s Sister ‘Being’ / Album Mix Outfit ‘Performance’ / Album Mix Bloc Party ‘The Nextwave Sessions’ / 3 Tracks Mix Glass Animals ‘Black Mambo’ / Single Add-Prod/Rec Woman’s Hour ‘To the End/Our Love Has No Rhythm’ / Single Prod/Mix Daughter ‘Drift’ B-Side Rec Esben and the Witch ‘Wash the Sins Not Only The Face’ / Album Prod/Mix The Big Pink ‘Future This’ Album Drum Rec Zulu Winter ‘Language’ / Album Prod/Rec F**cked Up Tracks Rec Laurel Halo 4AD Sessions Rec Hype Williams 4AD Sessions Rec Weird Dreams 4AD Sessions Rec/Mix Porcelain Raft 4AD Sessions Rec/Mix Faust ‘10’ / Album Co-Prod/Mix Matthew C H Tong ‘God is Great’ / Single Co-Prod/Mix Slime ‘Increases’ / E.P. Mix/Mastering The Breeders ‘Fate to Fatal’ / Single Rec Lydia Lunch ‘Trust the Witch’ / Album Rec/Mix Ice Sea Dead People ‘Teeth Union’ / Album Prod/Rec/Mix Electricity In Our Homes ‘We Agree Completely’ E.P. Rec/Mix Clean George IV ‘God Save the Clean’ / Album Prod/Rec/Mix The Boxer Rebellion ‘Union’ / Album Prod/Rec Gallon Drunk ‘Rotten Mile’ / Album Co-Prod/Rec/Mix Jet Tracks Rec/Mix Basement Jaxx ‘Hush’ -
Exclusive: A&F's New Ruehl
SOUNDS OF STYLE, A SPECIAL REPORT/SECTION II WWDWomen’s Wear Daily • TheTHURSDAY Retailers’ Daily Newspaper • September 2, 2004 • $2.00 Sportswear A knit display in A&F’s latest format, Ruehl. Exclusive: A&F’s New Ruehl By David Moin informally more like a big man on campus than the NEW ALBANY, OHIO — The chairman wears jeans and flip- company chieftain, the approach to brand-building is flops to work and his 650 associates follow suit at the anything but casual. The intensity is as evident as sprawling, campus-style Abercrombie & Fitch ever with A&F’s latest retail brand and its Teutonic- headquarters here. sounding name, Ruehl. That’s just the veneer, though, because for Michael And Ruehl is just the first of three new retail Jeffries and the youthful army of workers he greets See New, Page 4 PHOTO BY DAVID TURNER DAVID PHOTO BY 2 WWD, THURSDAY, SEPTEMBER 2, 2004 WWW.WWD.COM WWDTHURSDAY Hilton Launches Jewelry With Amazon Sportswear By Marc Karimzadeh GENERAL Paris Hilton in A&F ceo Michael Jeffries lays out the strategy for Ruehl, the firm’s latest chain “It’s just being a girl; every girl NEW YORK — her multicross aimed at post-college shoppers, set to open Saturday in Tampa, Fla. loves jewelry.” necklace. 1 It’s as simple as that for Paris Hilton, who on U.S. textile groups fired up the pressure on the Bush administration, saying Wednesday launched the Paris Hilton Collection of 2 they will file dozens of petitions to reimpose quotas on Chinese imports. jewelry in an exclusive agreement with Amazon.com. -
Doc Nyc Announces Full Lineup for Tenth Anniversary Edition November 6-15, 2019
DOC NYC ANNOUNCES FULL LINEUP FOR TENTH ANNIVERSARY EDITION NOVEMBER 6-15, 2019 Festival’s Biggest Slate Ever Includes 28 World Premieres, 27 US Premieres Among More Than 300 Films and Events Once Were Brothers: Robbie Robertson and The Band Opens Festival, The Capote Tapes Closes Event Bikram: Yogi, Guru, Predator Screens as Centerpiece Includes New Films by Veteran Documentarians Barbara Kopple, Joe Berlinger, Kim Longinotto, Michael Apted, Patricio Guzmán, Alan Berliner, Eva Mulvad, Weijun Chen, Thomas Balmès, Beth B, Geeta Gandbhir, Dror Moreh, Yung Chang, Kate Davis & David Heilbroner, Jennifer Siebel Newsom, Oren Jacoby, Ngawang Choephel, Treva Wurmfeld, Mark Benjamin & Marc Levin, Julia Ivanova, Deborah Shaffer & Rachel Reichman Special Guests include Robbie Robertson, Dr. Ruth Westheimer, Ben Taylor, Sally Taylor, Kori Withers, Chris Stills, André Leon Talley, Lydia Lunch, Thurston Moore, Donita Sparks, Maurice Hines, Nicholas Kristof, Sheryl WuDunn, Soledad O’Brien, Elliott Erwitt, Audrey Flack, Buster Williams NEW YORK, Oct. 10, 2019 – DOC NYC, America’s largest documentary festival, announced the full lineup for its expanded tenth anniversary edition, running November 6-15 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinépolis Chelsea. The 2019 festival includes 136 feature-length documentaries among over 300 films and events overall, making this landmark year DOC NYC’s biggest edition yet. Included are 28 world premieres, 27 US or North American premieres and 59 NYC premieres, with more than 500 doc -
The Three Imaginary Girls .*.*. Lydia Lunch * Willing Victim .*.*
.*.*. welcome to the three imaginary girls .*.*. Lydia Lunch * Willing Victim .*.*. Calendar Show Previews Album Reviews: Lydia Lunch "Willing Victim" Search tig.com: TIG Events Album Reviews Rating scale 0-11 11 = perfect ... 0 = irredeemablely awful. Live Show Reviews The Bulletin: Film / Theatre {see full scale} Photo Gallery Lydia Lunch — "Willing Victim" {7} Interviews Buy it! Politics {Music Video Distributors} Columns By Chris Estey Press and Props Buy TIG Stuff This is a live video of a Lydia Lunch performance Advertise commissioned by the "Festival des Masochismus" in Graz, Contact Austria, in June 2003. It was filmed by transgressive artists Josep M. Jordana and (gun collector, criminologist) Marc Viaplana. For those of you blessed and cursed enough to catch Lydia's throttling spoken word performance at the EMP Sky Church a few years back, when she showed some vintage fucked up old footage of her early damage with Teenage Jesus and the Jerks as well, this would be a wonderful introduction to her psychosis-inducing anti-pop. Lunch has been using her dark sexuality and fierce intelligence to make confrontational art for over two decades, and once even spit on me at a performance in a Seattle club that no longer exists. She's covered most the realms of literature (novels, confessionals, plays) and art, and worked with members of Sonic Youth, The Birthday Party, Swans, and many other scary noisy types. (Yes, I deserved to be spat on — I didn't wash that cheek for weeks.) For the indie-pop fan, this collection of grunting, pounding horror rock by all-star underground anti-heroes like Nels Cline and others from bands such as Godflesh, Foetus, and Unsane, featuring Lunch singing and screeching and humiliating the audience over the top, might seem like a total nightmare. -
DOCUMENTARY SUGGESTIONS….MARCH 2021… 76 DAYS Rating – 3.5/5 the Opening Sequences Feel Like a Genre Movie — Science- Fiction, Zombie Horror, Apocalyptic Thriller
Aurora Film Circuit AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMDb, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS DOCUMENTARY SUGGESTIONS….MARCH 2021… 76 DAYS Rating – 3.5/5 The opening sequences feel like a genre movie — science- fiction, zombie horror, apocalyptic thriller. We watch Director/Editor: Hao Wu I saw this DOC back in Sept.2020 and it left hospital workers, encased in PPE so that we only see their USA, 2020 me calmer and in a more retrospective eyes behind foggy goggles, as they race from one patient Mandarin mindset re: COVID. Seeing the chaos, to another. At the hospital doors, a desperate crowd is 1H 33 minutes compassion, sadness and dedication from clamouring for entry. The overwhelmed workers can only the Health Care Providers during the start admit a few people at a time. Available:Paramount/YouTube/Gog of the pandemic allowed me to become For all the fantastical elements, this is the reality of gle Play Movies & TV even MORE grateful for our front line 2020. The filmmakers of 76 Days capture an invaluable workers - just how much they have & record of life inside Wuhan, China, ground zero for the Content advisories: illness, dead continue to endure during this pandemic, outbreak of COVID-19. On January 23, the city of 11 million bodies and what my role in all of this has been and people went into a lockdown that lasted 76 days. This film continues to be.