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Arts Council England Grant-In-Aid and Lottery Annual Report and Accounts 2007/08 HC
/<<C/:@3D73E & Review 08 State of the arts 7\bS`dWSeeWbV8]\ EW\abO\ZSgQ`SOb]` ]T;O\QVSabS`¸ac\W_cS AYSbQV1Wbg 4WdSgSO`a]T 5`O\baT]`bVSO`ba /Z]]YOb/`ba1]c\QWZ Tc\RSR^`]U`O[[Sa 1VOW`¸a`S^]`b $/gSO`OQ`]aabVSO`ba 1]\bS\ba Sir Christopher Frayling reflects on Arts Council staff across music, the heated debates and successful theatre, literature, dance and visual outcomes of the past year. arts consider their personal highlights of 2007/08. "1VWST3fSQcbWdS¸a`S^]`b Alan Davey reflects on an eventful '7[OUSa]TbVSgSO` year, and considers how we must A selection of images that showcase create the conditions under which work we have funded across 2007/08. great art must flourish. %4WdSgSO`a]T5`O\baT]`bVSO`ba $4W\O\QSaObOUZO\QS Our open application programme In 2007/08, we invested more than celebrated its fifth year in April 2008, £529 million of public money from making over 2,800 grants totalling the government and the National nearly £57 million in 2007/08. Lottery in the arts. !BVSgSO`ObOUZO\QS &/`bWabW\bS`dWSe( From the reopening of the Southbank 8]\EW\abO\ZSg Centre to Liverpool becoming Sketch City’s Jon Winstanley talks European Capital of Culture, it’s motivation, music, and street art. been a significant year for the arts. /`bWabW\bS`dWSe( ! =c`^`W]`WbWSa <Oh`W\1V]cRVc`g Our priorities for 2006–2008 are: Author Nazrin Choudhury explains children and young people, the creative how a Grants for the arts award economy, internationalism, vibrant gave her time to write her first novel, communities, celebrating diversity, My England. -
Beat Circus Dreamland
What the press has said about: BEAT CIRCUS DREAMLAND (CUNEIFORM, 2008) Lineup: Brian Carpenter (vocals, pump organ, harmonica, trumpet, slide trumpet, toy piano, composition), Ron Caswell (tuba), Käthe Hostetter (violin, viola), Julia Kent (cello), Alec K. Redfearn (accordion, jawharp), Curtis Hasselbring (trombone), Brandon Seabrook (tenor banjo, mandolin, slide guitar), Briggan Krauss (alto, baritone saxophones), Matt McLaren (drums, percussion, washboard) “…the music and the wonderfully well-realized arrangements are, if anything, even better than on the band's debut. This time, Carpenter is working with an expanded version of the band from the first album, including accordionist Alec K. Redfearn and drummer Matt McLaren …and New York alt-folk mainstay Brian Dewan, who provides his trademark electric zither as well as the album's lovely/creepy cover art, and the stylistically varied results make for a wonderfully imaginative record. Instrumental tracks like the opener "Gyp the Blood," and the mad Balkan dance tune "Slavochka" work the same stylistic street as folks like Beirut and A Hawk and a Hacksaw, while the more experimental pop-oriented songs recall the warped imagination of Elephant 6 associated eccentrics the Music Tapes. Fans of any of those acts will find much to love here.” - Stewart Mason, All Music Guide, www.allmusic.com “Dreamland…is proof positive that the concept album did not die with vinyl records and is still very much alive. In fact it is one of the most ambitious and peculiar musical endeavors I’ve ever experienced. … … Dreamland is a swirling maelstrom of theatrical post-cabaret and vaudevillian post-rock jazz. The...collective…create eccentric soundtracks for the equally eccentric stories and bizarre characters that inhabit Dreamland with an exotic array of instruments… …the music…is always a suitable score for Carpenter’s tale of an impoverished, alcoholic gold miner who makes a pact with the devil before fleeing eastward to work in Dreamland’s sideshows. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward. -
BASICS of WILL DRAFTING the Importance of Having a Will a Will
BASICS OF WILL DRAFTING PATRICIA J. SHEVY, ESQ. THE SHEVY LAW FIRM LLC [email protected] The Importance of Having a Will A Will sets forth a person’s directions with respect to the direction of his or her assets after death. Without a properly executed Will, the laws of intestacy will apply to the distribution of a person’s assets. Many clients assume that the laws of intestacy will suffice. However, what happens in the following example: Husband and Wife have 3 minor children. Husband has $700,000 in assets. Wife has $1,000 in assets. The house is owned jointly by Husband and Wife. Husband dies. Wife keeps the house as surviving joint tenant. The remaining $700,000 is divided between Wife and children according to the laws of intestacy (Wife receives $50,000 plus ½ of the remaining $650,000; the 3 children split the remaining $325,000). But remember the children are minors, so the court will be involved until the youngest child reaches majority. This is probably not the outcome Husband and Wife had in mind. Problems with Intestate Succession When a New York State resident dies leaving no Will, the assets of the decedent will be distributed under New York Estates, Powers and Trusts Law (“EPTL”) Article 4, which lists the order and amount that family members will take from the estate of the decedent. In cases where a person dies intestate, EPTL §4-1.1 provides that a decedent’s assets will be distributed as follows: . If survived by a surviving spouse and children, the spouse receives $50,000 and ½ of the balance. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Still Runnin' with the Devil
Music.Gear.Style. No.74 October 2015 Van Halen Live Still Runnin’ With the Devil NEW ALBUMS from the Dead Weather, Kurt Vile, Patty Griffin, Metric, the Weeknd, Iron Maiden, Slayer, Protomartyr, Mike Reed, and More THE GENIUS OF THE LATEST MILES DAVIS ARCHIVAL COLLECTION FOO FIGHTERS AND CHEAP TRICK ROCK WRIGLEY FIELD GERMAN EXCELLENCE: AMG’s Giro Turntable AMERICAN STYLE: Fern & Roby’s Compact Integrated Amp LONG-TERM LOVE: Rega’s Aria Phono BRITISH BRILLIANCE: The ProAc Tablette Anniversary Fun Toys from Apple, IKEA, and More! WCT_TONE_Dec2014.indd 1 6/10/15 3:31 PM Listen to Your Speakers In A New Way Don’t let your existing wired loudspeakers miss out on high-resolution streaming audio. Paradigm’s new PW AMP delivers 200-Watts of Ultra Class-D power and lets you wirelessly stream high-resolution audio to existing loudspeakers over your home Wi-Fi network. Set-up is simple, app control is easy, and your options are unlimited. Go wireless, with Paradigm-level performance. Exclusive Anthem Room Correction (ARC™) technology uses a digital microphone with advanced DSP algorithms to correct for room distortions in any space. You’ll actually hear the difference ARC makes. ™ PW600 Wireless Freedom. Paradigm Performance. PW800™ A Better Audio Experience. PWLINK ™ PWAMP™ Stream music to any Paradigm Premium Wireless Series product using your Android, PC or iOS device. Only Paradigm delivers wireless performance that is truly on par with traditional non-streaming audio systems. ARC ™ Digital Microphone Room Correction Technology Visit paradigm.com for more info. tone style Meteor M2 Powered 87 Speakers Vintage Look, Portable Sound 11. -
Nov. 17-23, 2016
NOV. 17-23, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM ----------------------------Feature • Festival of Trees --------------------------- Dressing Up for Christmas By Steve Penhollow Snare also promises entertainment on tival because it just grows larger and larger the Embassy’s iconic stage, which will in- each year. Although heading downtown for holi- clude those visitors from CW as well as the “We had record-breaking attendance last day fun is now a way of life, there may be Fort Wayne Children’s Choir on Wednesday, year at over 20,000 – actually it was 22, 210. some young residents who do not remember November 30. There will also be a visit from Our numbers have been slowly increasing the relatively dark days of downtown Fort Fort Wayne’s Sister City in the form of the since 2008 when the economy was down, Wayne. The only light to be seen downtown Taizhou Opera. going up hundreds and thousands each year in fact came the night before Thanksgiving As for the trees themselves, you can since then. We’re hoping to top 22,000 again when Santa and his reindeer and the Sea- expect a return of the popular Wells Fargo this year.” son’s Greetings wreath were all to be en- Money Tree, a refurbishing of the TinCaps Senior Day will take place on November Saturday, December 17 • 6pm joyed downtown during the holidays. Or maybe any time of year. $5 Plus a Canned Food Item That’s all changed now, and the for Community Harvest Food Bank streets are alive with not only light but with activity, enthusiasm and excite- ment. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
アーティスト 商品名 オーダー品番 フォーマットジャンル名 定価（税抜） URL Al Gorgoni/Trade Martin
アーティスト 商品名 オーダー品番 フォーマットジャンル名 定価（税抜） URL Al Gorgoni/Trade Martin/Chip Taylorガッタ・ゲット・バック・トゥ・シスコ&ゴーゴニ・マーティン&テイラーBSMF7512 CD COUNTRY/BLUES 2,400 https://tower.jp/item/3694855 Alan Jackson プレシャス・メモリーズ VOL.2 WRSI157 CD COUNTRY/BLUES 2,100 https://tower.jp/item/3227864 Ana Popovic Like It on Top AXR6 CD COUNTRY/BLUES 2,390 https://tower.jp/item/4773972 Anders Osborne ブラック･アイ･ギャラクシー PCD93549 CD COUNTRY/BLUES 2,300 https://tower.jp/item/3082492 Appalachian Road Show Barry Abernathy & Darrell Webb Present NEDY7602 CD COUNTRY/BLUES 2,390 https://tower.jp/item/4804207 Ashley Monroe Sparrow（US/LP） 1565008 Analog COUNTRY/BLUES 2,890 https://tower.jp/item/4704216 Ayiesha Woods INTRODUCING HMSB2025 CD COUNTRY/BLUES 1,980 https://tower.jp/item/2122666 B.B. Driftwood Southward Bound（HB） CD22112 CD COUNTRY/BLUES 2,590 https://tower.jp/item/4666771 B.B. King Live at San Quentin（LP） L79193 Analog COUNTRY/BLUES 2,990 https://tower.jp/item/3273204 B.B. King The Life Of Riley (Two Disc Version)（OST/INTL/2CD） 5340882 CD COUNTRY/BLUES 1,990 https://tower.jp/item/3161078 Barefoot 7 ウェインズ・ワールド SRCD1004 CD COUNTRY/BLUES 2,857 https://tower.jp/item/960381 Bert Jansch A Rare Conundrum（UK） EARTHCD028 CD COUNTRY/BLUES 2,090 https://tower.jp/item/4766726 Big Daddy Wilson ネックボーン・シチュー BSMF2546 CD COUNTRY/BLUES 2,400 https://tower.jp/item/4438023 Big Daddy Wilson ソングス・フロム・ザ・ロード ［CD+DVD］ BSMF2612 CD COUNTRY/BLUES 2,700 https://tower.jp/item/4731723 Big Jay McNeely/BLOODEST SAXOPHONEライヴ・イン・ジャパン FAMC214 CD COUNTRY/BLUES 2,300 https://tower.jp/item/4121348 Big Joe Turner ザ･リアル･ボス･オブ･ザ･ブルース（+2） -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.