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Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
RIDING the WAVE Page 22 LGBT Issues by Kate Sosin
PAGE 29 LIZ PHAIR TALKS WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 JAN. 19, 2011 TIMES VOL 26, NO. 16 www.WindyCityMediaGroup.com BEHIV folds; AFC responds BY JOSEPH ERBENTRAUT “Over the last two decades, BEHIV has provid- Foundation of Chicago (AFC) as another factor MIGUEL DEL ed case management, prevention, housing, men- in their decision to shutter. Specifically, BEHIV VALLE INTERVIEW In a statement released Jan. 14, the Chicago- tal health, educational outreach, art and mas- pointed to a “pending decision” by AFC to sus- based HIV/AIDS service organization Better Ex- sage therapy to those affected with HIV/AIDS. pend its allocation of Ryan White Part A case PAGE 12 istence with HIV (BEHIV) announced it would The agency has literally reached thousands of management funding of agencies who, like BE- be closing its doors after 21 years of service to people throughout its tenure. And it has been HIV, do not have an on-site medical clinic. the community. an amazing run,” the statement read. “With the environment for funding becoming The news follows on the heels of Executive Di- “With that being said, how did we get here?” more and more competitive, AFC is encourag- rector Eric Nelson’s departure late last year and the statement continued.“ Alas, community- ing smaller organizations to merge or forcing confirms rumors of financial trouble within the based organizations are finding it more and the choice of consolidation,” the statement organization. According to the statement, is- more difficult to maintain their current level read. -
Wm- F*Ac*Mi*I J I AUGUST 12 AUGUST 161 AUGUST 19 FRIDAY AUGUST 201 77K HEY MIGHT E GIANTS Flilagess-Vogcte! SPINE on the HIGHWAY TOUR
;&;..—,>'• r..- :y „o Wm- F*Ac*Mi*i J I AUGUST 12 AUGUST 161 AUGUST 19 FRIDAY AUGUST 201 77k HEY MIGHT E GIANTS flilAGESS-VOGCte! SPINE ON THE HIGHWAY TOUR RY DJS PANDEMONH MALEflCENT - AND HSR BAND I RICHARD'S ON RICHARDS I I COMMODORE BALLROOM | | COMMODORE BALLROOM FRIDAY SEPTEMBER 31 1 SFPTEMBERTI I SEPTEMBER 7 BURJNI1NG factfto face SPEAR TOOTS AND THE- PINCH ^l»W&t* I I •COVE [TOUNTERFIT AND GUESTS MY CHEMICAL ROMANCE Conce. itember 51 BETA FACTOR B IS TICKETS ALSO AT SATURDAYS ZULU AND SCRATCH MALKIN BOWL, DOORS 7PM, SHOW 8PM t<Pr^ I ALL AGES IC8MMIIDME BSLLBOOM | IAN CULTURAL CEN I SEPTEMBER!?! fsiEPTEMBER2B| ^^MoJ^^^^^^Sy. momGRum TJLl m>J!'Z ev£~*4%S0i WmMMi ITHOUTYOU I mmmxtmn I CROATIAN CULTURAL CENTRE 1 I COMMODORE BALLROOM I WKBm SNOWj "*sarah IHSIDEIJUDOMMY^I ATR PI Jrarmer ECOBIBING with Josh ritter limp*: SEPTEMBER 28 ->mm October 16 RICHARD'S SEPTEMBER 27 ON RICHARDS COMMODORE OCTOBER 18 BALLROOM COMMODORE BALLROOM TICKETS ALSO AT ZULU PURCHASE TICKETS SQQGOO AT hob,com OR ticketmaster.ca ticUetmaster604-280-44427y SCREW THE REST, THIS IS THE REAL DEAL THAT "WHY YOU DIDN'T MIL ME?"MAGAZINE FROM CiTR 101.9FM EDITglX i-M Siddle ADMAN Jason Bennet FEATURES Attention all bands, PRODUCTION MANAGER BaserrlffiiT Sweets p.9 musicians, drumming monkeys! Blimp.10 ART DIRECTOR Fake Cops p. 11 Dale Davies ^^pder the Volcano pvl2 EDITORIAQKSSISTANT ^S^ei^^cording p. 13 TA EDITOR r^3j|^^pyra DraciMfic!/'"^ REGULARS FroT*rM®£) lsk of... S^ JI^EDITOR t mm ^;^uckj|(g|BlwIls1nit pjife |? LAYOUT & DESIGN -Dale Davies fff^iff I^Hp ^t^Saeme Worthy '^'|rextUal^^tjve p.8 ^^^on ^iisflliiif&b Underlf^^^vsf p^^" l^^^py^Draculem §||f|§y & rat (big tim|| Real Live Action p. -
Trouser Press
ARTIST TITLE SECTION ISSUE A Band America Underground 50 ABBA article 45 incl (power pop) 27 Voulez-Vous Hit and Run 42 Super Trouper Hit and Run 59 The Visitors Hit and Run 71 ABC article 82, 96 Lexicon of Love 78 Beauty Stab 95 Fax n Rumours 90 Green Circles 72, 75, 78 A Blind Dog Stares America Underground 75 Mick Abrahams incl 11 Abwarts Der Westen Ist Einsam 77 incl (Germany) 78 Accelerators America Underground 44 AC/DC article 23, 57 incl 16, 17, 63 High Voltage 17 Powerage 32 Highway to Hell Hit and Run 43 Back in Black 56 For Those About to Rock Hit and Run 71 Fax n Rumours 50 A Certain Ratio The Graveyard and the Ballroom 60 To Each… 65 Sextet 75 I’d Like to See You Hit and Run 85 Green Circles 65 Acid Casualties Panic Station Hit and Run 79 Acrylix America Underground 84 Act Too Late at 20 Hit and Run 72 Action America Underground 34, 48 Green Circles 82 Action Faction America Underground 92 Action Memos America Underground 80 Actor America Underground 41 Actuel America Underground 87 Adam and the Ants cover story 69 article 63 family tree 65 live 64 Green Circles 65, 68 Kings of the Wild Frontier 60 Prince Charming 70 Fax n Rumours 62 See also Adam Ant Andy Adams One of the Boys Hit and Run 51 Bryan Adams Bryan Adams Hit and Run 50 You Want It, You Got It Hit and Run 67 King Sunny Adé live 92 Juju Music 80 Synchro System 91 Surface Noise 80 Adicts Green Circles 82 AD 1984 Green Circles 47 Adolescents America Underground 66 Adults America Underground 86 Advertising Jingles 32 Green Circles 27, 31 Adverts incl 55 Crossing the -
CHRISTIAN DEATH Street Date: Only Theatre of Pain, LP AVAILABLE NOW!
CHRISTIAN DEATH Street Date: Only Theatre of Pain, LP AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles Key Markets: Los Angeles, Orange County CA, New York, Europe (France, Germany, Belgium in particular), Japan, Mexico For Fans of: ROZZ WILLIAMS, 45 GRAVE, BAUHAUS, XMAL DEUTSCHLAND, SIOUXSIE AND THE BANSHEES, DELERIUM, SWANS The founding fathers of American goth-rock, CHRISTIAN DEATH released their debut, Only Theatre of Pain, on Frontier Records in March 1982, and that landmark album has had an enormous influence on goth, death-rock, ARTIST: CHRISTIAN DEATH dark-wave, metal and even industrial music scenes all over the world, TITLE: Only Theatre of Pain shaping the approach of more bands than can be counted. Led by vocalist LABEL: Frontier Records and founder Rozz Williams, the CHRISTIAN DEATH of Only Theatre of Pain CAT#: 31007-1-W included guitarist Rikk Agnew, fresh out of THE ADOLESCENTS, bassist FORMAT: LP James McGearty, drummer George Belanger and backing vocals from GENRE: Gothic Rock, Goth, Superheroines leader (and Rozz’s future wife), Eva O as well as performance Death Rock, Punk artist Ron Athey. It was this line-up, with its dirgy, effects-laden guitar riffs BOX LOT: 50 and ambient horror-soundtrack synths, that crystalized the ominous post- SRLP: $14.98 punk sound that has established this album as the ultimate archetype of goth UPC: 018663100715 EXPORT: NO RESTRICTIONS sensibility. Genre touchstones include “Romeo’s Distress,” “Spiritual Cramp” and “Mysterium Iniquitatis.” Marketing Points: Tracklist: • This is a one-time only MISS-PRESS of the newly remastered version of 1. Cavity - First Communion the OTOP but with the previous edition’s black and gold LP jacket 2. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
NME, Going Underground
GOING UNDERGROUND Sonic Bouncing Souls Boom Six Alexisonfire Streetlight GOING Manifesto PLAYING AT A Wilhelm Scream UNDER- Frank Turner Anti-Flag GROUNDThis year’s Reading and Leeds sites are packed with balls off. Replete with buzzsaw guitars and neck- snapping drums this Exeter foursome care not for amazing punk rock. Ben Patashnik from NME.COM’s such minor conceits as the time of their billing (probably somewhere around the time much of the ‘Notes From The Underground’ picks out 10 highlights festival vomits themselves awake) because they know they are a truly fearsome alarm clock in punk entire weekend. Far less cheesy than Mad Caddies vicious chaos later the same day on the Lock Up, ot only has punk rock – both homegrown 2 A WILHELM SCREAM rock form. Here’s a tip: just stay up from the night (who are on the same stage on Saturday at Reading/ but throughout both there’ll be the feeling that if the AFI and imported – never been better When you talk of intensity, of violent music being before to ensure you don’t miss them. But don’t Friday at Leeds), go see them if you like deeply noir entire world was run through the democratisation represented at Reading and Leeds, but used intelligently and crafted symphonically, and of blame us if you die from fatigue immediately after. storytelling set to a rich, cinematic soundtrack; avoid of circle pits it’d be a much better place. the quality’s equally high. So with that live shows being ecstatic celebrations of something Opening Lock Up Stage, Saturday Reading/ if you’re scared of telling your friends you like bands Main Stage/Lock Up Stage, Friday Reading/ and social relevance into the faces of festival-goers in mind, we thought it’d be a crime to powerfully nameless, you talk of A Wilhelm Scream. -
Uniter Fiver H C E D
Free. Weekly. 5 December 14 // Issue 68 // Volume Weekly. Free. THE UNITER 30 We AsKeD, You VoTeD. cHECK ouT Your FAVourITe WINNIPeG THINGs oF 2013 IN our reADers Poll! WANNA geT YOUR Music heard in 2014? ENTer The Uniter Fiver The official s TudenT newspaper of The universiTy of winnipeg CUT AND SAVE. TAKE A LOOK AT WHAT IS COMING UP... DON’T MISS A DATE. THIS MONTH AT THE PARK THEATRE 698 OSBORNE ST. / 1 204 478 7275 / PARKTHEATRECAFE.COM FIND US ON CUT OUT THIS TAB AND BRING IT TO THE PARK THEATRE TO GET TICKETS TO THIS SHOW FOR $7 / DEAL ENDS DECEMBER 9 PROUDLY SERVING MANITOBAN CRAFT BEER Tickets to these events and others can be purchased at: The Park Theatre, Music Trader, & Ticketbreak.com/ParkTheatre THe uNITer // December 5, 2013 03 THE UNITER 30 This year we asked you to vote for your favourite Winnipeg things. The categories are based around topics that we cover, combined with what we think our readers are into - music, theatre, fashion, radio, visual arts, photography, comedy, blogging, podcast- ing, foods and beverages, intimate moments, sports, body modification, film, politics and events that happen around our home base at the University of Winnipeg. There’s a decent variety of people, events and places that represent what is great about our city. No chain restaurants, no people that spent only two weeks liv- ing here before moving to Hollywood and only a few silly categories here - but mostly, just pure, home- grown goodness. This is also our last issue of the year, so take a look for our contributor’s top ten lists! Lists are fun.