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ASPSU President Approves SFC 2012–13 Budget Proposal
INDEX Nationals or bust NEWS............................2 FREE ARTS...............................6 The Vanguard is published every Senior Sean MacKelvie moves OPINION.........................11 Tuesday and Thursday SPORTS..........................14 on to nationals in javelin SPORTS pagE 14 PSUVANGUARD.COM PORTLAND STATE UNIVERSITY PUBLISHED SINCE 1946 PORTLAND STATE UNIVERSITY PUBLISHED SINCE 1946 THURSDAY, MAY 31, 2012 • VOL. 66 NO. 59 Strategies for a ASPSU president approves global university SFC 2012–13 budget proposal PSU releases internationalization of the local re- new vision for gion, leveraging global engagements and mobilizing international alumni. internationalization The strategy was created by the In- ternational Council, a group of more KATRINA PETrovICH VANGUARD STAFF than 20 faculty, staff and student rep- resentatives from all of PSU’s differ- Portland State has a new vision for ent academic colleges and institutes. global education. The university recent- According to the council’s chair, ly released the Strategy for Comprehen- Professor Vivek Shandas, this inter- sive Internationalization, a report that nationalization strategy was two and establishes an eight-year framework for a half years in the making. how PSU plans to become a more glob- “This strategy tries to help coor- ally focused institution. dinate, integrate and then ultimately “The creation of this strategy follows disseminate all the internationaliza- from a recognition that we live in a global tion efforts happening on campus,” society now. All of the things that a uni- Shandas said. versity does need to fit into that context,” He claimed that, unlike a lot of uni- explained Provost and Vice President for versities, PSU has a multitude of in- Academic Affairs Roy Koch. -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
The Uk's Top 200 Most Requested Songs in 1980'S
The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
January 14, 1978 TT Waillif 41.4941
January 14, 1978 TT WAillif 41.4941 www.americanradiohistory.com (E-45450) A very special single from the Neil Simon film, The Goodbye Girl written and performed by DAVID GATES Available from Elektra Produced & arranged by David Gates 3 Logo Design Copyright ©1977 Metro -Goldwyn -Mayer Inc. and Warner Bros. Inc. www.americanradiohistory.com VOLUME XXXIX - NUMBER 35 - January 14, 1978 THE INTERNATIONAL MUSIC RECORD WEEKLY GOSH BOX GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT General Manager DAVE FULTON Editor In Chief A Glance At Radio '78 More markets are opening up for the soft -rock J. B. CARMICLE Radio, an interesting topic for any year, should format, which has proved highly successful in re- General Manager, Eást Coast not disappoint anyone in 1978, based on some con- cent years. While listenership is high, the question is East Coast Editorial tinuing trends as well as surprises. Passive re- "do those listeners buy records?" KEN TERRY, East Coast Editor PHIL DIMAURO search, automation, soft -rock formats, R&B and jazz Look for R&B stations to become even stronger. CHARLES PAIKERT are some of the items that will surely be interesting And the playlist preference for these stations ap- MARK MEHLER to watch. pears to be more album -oriented. West Coast Editorial It appears that the current rage of passive re- Jazz continues to explode and it appears that it ALAN SUTTON RANDY LEWIS search will continue to expand in the coming year, will capture airplay from AOR stations as well as the JEFF CROSSAN but some industry sources contend that its success devoted jazz airwaves. -
Labor Songs: the Provocative Product of Psalmists, Prophets, and Poets
Journal of Catholic Legal Studies Volume 50 Number 1 Volume 50, 2011, Numbers 1&2 Article 12 Labor Songs: The Provocative Product of Psalmists, Prophets, and Poets Raymond A. Franklin David L. Gregory Follow this and additional works at: https://scholarship.law.stjohns.edu/jcls Part of the Catholic Studies Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Catholic Legal Studies by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. LABOR SONGS: THE PROVOCATIVE PRODUCT OF PSALMISTS, PROPHETS, AND POETS RAYMOND A. FRANKLINt & DAVID L. GREGORY* The words of the prophets are written on subway walls and tenement halls. "The Sounds of Silence," Simon & Garfunkel' [The Rolling Stones are] the most dangerous rock-and-roll band in the world. Life, Keith Richards and James Fox2 A singing movement is a winning movement.3 Attributed to, inter alia, Pete Seeger 4 and Utah Phillips' Associate, Sapir and Frumkin; J.D., 2010, Dean's Fellow, St. John's University School of Law; B.A., 2001, Villanova University. * Dorothy Day Professor of Law and Executive Director of the Center for Labor and Employment Law, St. John's University School of Law; J.S.D., 1987, Yale University; L.L.M., 1982, Yale University; J.D., magna cum laude, 1980, University of Detroit Law School; M.B.A., Labor Relations, 1977, Wayne State University Graduate School of Business; B.A., cum laude, 1973, The Catholic University of America School of Philosophy. -
Top 40 Singles Top 40 Albums
15 August 1982 CHART #344 Top 40 Singles Top 40 Albums Beautiful Woman Telegram Sam Avalon Pelican West 1 Toots and the Maytals 21 Bauhaus 1 Roxy Music 21 Haircut 100 Last week 1 / 12 weeks Gold / FESTIVAL Last week 12 / 5 weeks RTC Last week 3 / 8 weeks POLYGRAM Last week 12 / 15 weeks EMI Forever Now 65 Love Affair Circus Animals Pavarotti's Greatest Hits 2 Cold Chisel 22 Paul Davis 2 Cold Chisel 22 Luciano Pavarotti Last week 2 / 9 weeks WEA Last week 16 / 8 weeks EMI Last week 1 / 19 weeks Gold / WEA Last week 14 / 5 weeks POLYGRAM E-Ipo Have You Ever Been In Love Time And Tide Memories 3 Prince Tui Teka 23 Leo Sayer 3 Split Enz 23 Barbra Streisand Last week 3 / 12 weeks RCA Last week 23 / 9 weeks FESTIVAL Last week 2 / 16 weeks POLYGRAM Last week 27 / 8 weeks Gold / CBS The Other Woman Going To A Go Go Eye In The Sky Pinky Blue 4 Ray Parker Jnr 24 Rolling Stones 4 The Alan Parsons Project 24 Altered Images Last week 4 / 8 weeks EMI Last week 31 / 4 weeks EMI Last week 5 / 9 weeks Gold / EMI Last week 17 / 5 weeks CBS Poison Arrow Empty Garden Business As Usual Architecture & Morality 5 ABC 25 Elton John 5 Men at Work 25 Orchestral Manoeuvres in the Dark Last week 5 / 13 weeks POLYGRAM Last week 22 / 5 weeks POLYGRAM Last week 4 / 27 weeks Platinum / CBS Last week 33 / 7 weeks RTC If I Were You Radio A Flock Of Seagulls Tattoo You 6 Lulu 26 The Members 6 Flock of Seagulls 26 Rolling Stones Last week 8 / 9 weeks CBS Last week - / 1 weeks FESTIVAL Last week - / 1 weeks FESTIVAL Last week 39 / 45 weeks Platinum / EMI Cat People Maid -
Historia Del Oi
Historia del oi Por: V. Marchi Tomado de: "Skin and Red" Esta es la historia del Oi!, el movimiento juvenil mas odiado, explotado e incomprendido de nuestro tiempo: asi comienza "The Story of Oi!", de Garry Johnson, uno de los analisis mas lucidos y apropiados jamas publicados del Oi! Movement. Por que "odiado, explotado e incomprendido"? Porque, como ya había sucedido con Sham 69 en los annos 1978-79, grupos ciertamente no fascistas aun venian siendo seguidos por sectores juveniles simpatizantes del National Front y de otras organizaciones neofascistas britanicas. Pero, al contrario de lo que había pasado con el real punk, que ciertamente no habia sido considerado por esto un movimiento de extrema derecha, el Oi! se halla al centro de una verdadera campanna de desinformacion, que acabara por sepultarlo bajo la infame etiqueta de "musica para nazis". Paradojicamente, en el curso de los annos de oro del Oi! -mas o menos de 1980 a 1982- la presencia fascista en los conciertos estaba fuertemente disminuida en relacion con los tiempos de Sham 69: pero esta es la vida real, y aquí hablamos de otra cosa Por que, nos preguntamos, tanto encarnizamiento contra este particular filon del punk, esta escena en la cual skinheads punkizados y punks skinheadizados gritan la propia rabia frecuentemente apolitica, aun mas frecuentemente provocadora, siempre gozosamente plebeya? Porque -responde Johnson- el Oi! es demasiado real para "ellos". Los espanta porque no pueden transformarlo en un suplemento del "Sunday", botarlo a la basura El Oi! es lo que el punk era en sus inicios: la musica de la clase obrera tocada por grupos de la clase obrera para jovenes de la clase obrera recordar la "voz del 78": No Seguir a Ningun Lider!. -
Record-Business-1983
MATURE Britain'son top the world than to thenew music It's been a very ton -John has become a big star in South successful year America, selling 25,000 albums in Mex- for Virgin. Their ico alone, and the days of the jibe 'Big in new, trend -setting Japan' are long gone. acts notched up Paul McCartney's Tug Of War album bighitsabroad sold 150,000 in Norway - an enormous while old favourite percentage of the population - while Mike Oldfield EMI outsells Elektra with Queen pro- (left) achieved one duct three to one without having North of the highest -ever America, Japan or Australasia. grossing tours of "EMI's great strength is its interna- tional delivery power. At EMI we are America. involved right from the start and get LET THE message ring out The The US industry is in a real mess andbehind the band. UK acts today realise "Dance clubs started the popularity British are coming' - or perhaps itexecutives and radio stations must bethe enormous potentialof overseasof New Music and MTV is beginning to should be 'We've arrived' because inthinking that anything is worth a try. business and are keen to get involved,"help break acts. One advantage is that 1982 home-grown acts flew the flag Another reason much suggested is thesaid Lyttelton. British videos are so much better than overseas in a way unseen since 1965. influence of the cable TV channel Music Europe is still the major launchingUS ones but the big reason for the A British invasion of the US may seemTV which uses a lot of UK videos. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Past the First Association
Arts & Entertainment 2 A Thursday, May 30,1985 Daily Nexus Past The First Association On the first listen Paul Young’s new album, The Secret of You Go Away.” Like most of Paul Young’s covers it’s Association gets lost in over-production and over-powering ambitious and showy, yet Young’s vocals never hit any details. The blend of rhythm and blues ballads and funky strains. With the contrast of modern instrumentation and dance tunes are, at first, buried in hard-to-follow melodies Temptation-sounding back-ups, “ Everytime” does more and confusing special effects. Give Association a few than justice to the original. It revives, enhances, and blends listens, however, and the lyrical content combined with its older rhythm and blues style into a heart breaking love Young’s incredibly powerful voice sends the album off and song. This song also shows, however, how good the flying. production of the entire album might have been. Most of Association has a sixties* R&B feel laced with modern synthesizers and off-beat effects. Young makes his The strength of The Secret of Association is the com first attempts at writing on half of the album with flair and bination of Young’s powerful voice and cutting lyrics. Both surprising depth. The R&B influence of the songs he côvers “ One Step Forward” and “ Soldier’s Things” have haunting clearly inspires his own writing. Most of Association con lyrics with images of the desolation of war. Like the soul he sists of fantastically stabbing ballads of love gone awry.