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Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
The Queers Beat Off Mp3, Flac, Wma
The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
Lobotomy: Surviving the Ramones Free Download
LOBOTOMY: SURVIVING THE RAMONES FREE DOWNLOAD Dee Dee Ramone,Veronica Kofman,Legs McNeil | 256 pages | 28 Sep 2000 | Thunder's Mouth Press | 9781560252528 | English | New York, United States Lobotomy: Surviving the Ramones Also, he's a very good writer. Need to dig this out and read it again, if I've still got it. Dee Dee IS punk rock. I have to qualify that five star. I think I use it to yell at everybody. Apr 03, Ed Wagemann added it. But, I suppose there are other books dedicated to that. More Details I do wish the Lobotomy: Surviving the Ramones had more specific details about albums, tours etc. Just listen to the songs and music and it will tell you everything you need Lobotomy: Surviving the Ramones know. I found it to be interesting and well-written, as well as descriptive and smart. I have lived with a close family member's decades-long addictions, so I Lobotomy: Surviving the Ramones very surprised to find myself feeling sympathy and compassion for Dee Dee Ramone. Dee Dee was the son of a US soldier stationed in Germany and married to a local lady whose name Dee Dee cannot even be bothered to divulge. I read this book back in high school because I needed a non-fiction contribution to my culminating English project and this was the only one within arms reach three days before the due date. I recently revisited this old favorite. And he'd started making music, having left the Ramones behind for good. The story in Lobotomy: Surviving the Ramones about him uncovering a ring behind a brick in a wall is disturbingly fascinating. -
M a G a Z I N
JUNE VOLUME 17 2017 MAGAZINE ® ISSUE 3 Where everyone goes for scripts and writers™ If I Had Wings: Producer Cynde Harmon’s Passion Project Soars to Festival Success PAGE 8 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! If I Had Wings: Producer Cynde Harmon’s Passion Project Soars to Festival Success INKTIP OFFERS: 8 • Listings of Scripts and Writers Updated Daily • Mandates Catered to Your Needs Scripts Represented by Agents/Managers • Newsletters of the Latest Scripts and Writers • Personalized Customer Service 34 • Comprehensive Film Commissions Directory Teleplays 36 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers then InkTip – nobody. PASSIONATE and not the guys trying THEY OPENED DOORS that I would to make a buck.” have never been able to open.” – DWAIN WORRELL, OPERATOR – RICKIE BLACKWELL, MOBSTER KIDS PRODUCERS “We love InkTip. -
EPA-Management and Treatment of Water from Hard Rock Mines
Management and Treatment of Water from Hard Rock Mines 1.0 PURPOSE Index The U.S. Environmental Protection Agency (EPA) Engineering Issues 1.0 PURPOSE are a new series of technology transfer documents that summarize the 2.0 SUMMARY latest available information on selected treatment and site remediation technologies and related issues. They are designed to help remedial 3.0 INTRODUCTION project managers (RPMs), on-scene coordinators (OSCs), contractors, 3.1 Background: Environmental Problems and other site managers understand the type of data and site charac at Hard-Rock Mines teristics needed to evaluate a technology for potential applicability to 3.2 Conceptual Models at Hard-Rock their specific sites. Each Engineering Issue document is developed in Mines conjunction with a small group of scientists inside the EPA and with 3.3 The Process of Selecting Remedial outside consultants, and relies on peer-reviewed literature, EPA re Technologies ports, Internet sources, current research, and other pertinent informa 3.4 Resources for Additional Information tion. The purpose of this document is to present the “state of the sci ence” regarding management and treatment of hard-rock mines. 4.0 TECHNOLOGY DESCRIPTIONS 4.1 Source Control Internet links are provided for readers interested in additional infor 4.1.1 Capping and Revegetation for mation; these Internet links, verifi ed as accurate at the time of publi Source Control cation, are subject to change. 4.1.2 Plugging Drainage Sources and Interception of Drainage by Diversion Wells 2.0 SUMMARY 4.1.3 Prevention of Acid Drainage via Contaminated water draining from hard rock mine sites continues Protective Neutralization to be a water quality problem in many parts of the U.S. -
ARS Audiotape Collection ARS.0070
http://oac.cdlib.org/findaid/ark:/13030/c8f769x2 No online items Guide to the ARS Audiotape Collection ARS.0070 Franz Kunst Archive of Recorded Sound 2012 [email protected] URL: http://library.stanford.edu/ars Guide to the ARS Audiotape ARS.0070 1 Collection ARS.0070 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: ARS Audiotape Collection Identifier/Call Number: ARS.0070 Physical Description: 15 box(es): 419 open reel tapes, 15 audiocassettes, 60 videocassettes Date (inclusive): 1900-1991 Stanford Archive of Recorded Sound Stanford University Libraries Stanford, California 94305-3076 Material Specific Details: 3" reels-5 4" reels-1 5" reels-37 7" reels-334 10.5" reels-40 1/2" tapes on 10" reels - 4 audiocassettes-15 video reels-2 videocassette (VHS)- 59 videocassette (Beta) - 1 Abstract: Miscellaneous tape recordings, mostly small donations, that span the history of the Archive of Recorded Sound. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation ARS Audio Miscellany, ARS-0070. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Arrangement Most recordings are described under the series marked "Miscellaneous" according to format and reel size. -
Multiple Personality Climbs Progressive Hill Climbs
Audio Master Class Multiple Personality Climbs Progressive Hill Climbs Created By: Jennifer Sage Ride Objective: Five progressive climbs Working intensity: Zones 3–5a Class Length: 60 minutes Ride Objective The primary objective of this ride is five progressive climbs of varying cadence and intensity. The first is more for fun; the second raises the intensity and emotion. The third and fourth climbs are the hardest, and the final climb becomes a consistent, inward-focusing, Zen-like experience. When you ride outside, every climb is different. Some are steeper or longer, some are undulating, some are consistent in grade. Some are straight, some curve gently, some have 180- degree hairpin turns. The sights and sounds, the trees and scenery—they will be different on every climb. Even the same climb done on different days may feel different. This could be due to your mood or thoughts, the weather, your level of fatigue or fitness, or your personal motivation on that day to push hard or ride easier. It could be due to whom you are riding with, or if you are alone. Sometimes your goal is just to ride for fun; sometimes it’s for a specific training purpose. In this profile, each climb will be different. The personalities of the climbs will be achieved through varying genres of music. This particular profile uses pop, indie rock, classic rock, alternative electronic (an angry song), and a world-beat song for each of the differing personalities. You can create many rides based on this concept using some of the following additional genres: • Hip-hop • Rap • Heavy metal • Acid rock • Dance/trance • Psychedelic trance • Heavy drums • Retro • Disco • Grunge • Downtempo • Movie soundtracks • Trailer music/symphonic • Country • Reggae • Classical Copyright © 2015 Jennifer Sage and Indoor Cycling Association Page 1 Indoor Cycling Association Audio Master Class Multiple Personality Climbs As you can see, the possibilities are endless! The beauty of this profile is that it is also an educational tool to show your riders why you use different genres.