MUS 125 SYLLABUS(Spring 2016)

Total Page:16

File Type:pdf, Size:1020Kb

MUS 125 SYLLABUS(Spring 2016) SYLLABUS MUS 125 HISTORY OF ROCK MUSIC - 3 CREDIT HOURS WESTERN NEVADA COLLEGE Monday and Wednesday at 11:00pm to 12:15pm First class: January 25, 2016 Final class and final exam: May 19, 2016 Last day to drop this class and receive a “W” is: April 01, 2016 Instructor: John Shipley, my email is: [email protected] I do not have an office at WNC to meet students in, but you can text or call my cell phone at 775/219-9434 and I will make time to assist you with anything pertaining to this class. Cell Phones And Other Electronic Communication Devices: As a courtesy to others, please turn off and store all cell phones and other electronic communications devices when in this class. Also, if you use a laptop to take notes in this class, please make sure the noise emitted by the keyboard does not disturb other students. *** NO CLASS IS TO BE RECORDED, BY ANY MEANS, WITHOUT THE PRIOR APPROVAL OF YOUR INSTRUCTOR. *** Required Materials: 1) Rock 'n Roll, Origins and Innovators by Timothy Jones and Jim McIntosh 2) A Pandora Apple Music or Spotify account or access to the music presented in class, i.e. your own or friend’s record/CD collection. Another resource is YouTube.com, much of the music used in this class can be found on that website. Remember downloading audio files from file sharing websites is illegal and is theft of the songwriters of this great music. COURSE DESCRIPTION: The History of Rock Music is open to all students at WNC with no pre-requisites. This course explores rock music’s significant performers, producers, recordings, performances, and cultural identity in the twentieth century. Following a loose chronology, we will trace the evolution of specific musical styles and investigate issues related to culture, performance practice, transmission, and reception. During the semester this course will critically evaluate rock's musical content and contemporary cultural role. The primary texts for our investigation will be the songs themselves. Extensive classroom listening will introduce the student to the distinct musical styles, voices, and performers that comprise the genre. Reading and listening assignments will cover the Rock Music styles from the early Blues to present trends, as well as the social implications of the art form, especially on youth culture, and its influence on other music. MUS 125: HISTORY OF ROCK MUSIC Spring 2016 pg. 1 Upon successful completion of this course students should be able to: * List the prominent eras of Rock music. * Recognize the validity of important artists from each era. * Find relationships between the music and historical, social and economic factors of each era and the effect of these advances, pertaining to Rock music. * Describe technological advances since the beginnings of rock music (e.g. multitrack recording, digital synthesis, MIDI, etc.) * Understand the profound impact this music has had throughout the United States as well as the rest of the world. * Understand the differences of Western Swing, Hillbilly Boogie, Bluegrass, Honky-tonk, and Rockabilly. * Explain the phenomenon of Folk-Rock. * State the influence of Motown and other Soul artists and their music had on American social changes. * Explain the importance of mainstream popular (Pop) music. * Describe the significance of Surf Music. * Explain the changes that took place in the development of Rock because of the sudden emergence of British Rock musicians in the early 1960's. * Describe the styles of Psychedelic Rock. * Explain the development of the Heavy Metal sound. * Explain the importance of Art-Rock (Classical Rock or Prog Rock). * Describe how Punk Rock emerged & then died out, or maybe it just morphed into something else. Grading Procedures: Your grade will be determined in the following manner: Attendance: Class meets two times a week. Appropriate class attendance and class participation is expected. Successful completion of this course requires engaged listening and careful consideration of the issues and ideas that accompany the music presented. Failure to attend class regularly can result in failure of the course because we will cover a lot of material not discussed in the textbook. Remember most of what you will find about this class on the Internet is probably suspect do not depend on Wikipedia.com to tell you the truth!!! Grading: Grades will be determined as follows: • class attendance and participation • weekly reading assignments • weekly listening assignments • Two essay papers • Four Exams MUS 125: HISTORY OF ROCK MUSIC Spring 2016 pg. 2 Tests: All of the four exams will be in two parts: #1-written exam – True or False, Fill in the Blank and Essays Questions #2-listening exam - you will be required to know the title of song played and the names(s) of the artist(s) performing the song played during the exam. These songs will be from your listening excerpts from your weekly assignments. To reiterate, you will be asked to identify artist, song title, style, and any relevant historical information. Writing Assignments: I prefer that students use the MLA format and writing style. At a minimum your papers must be computer printed with a one-inch margin, double-spaced (don’t use 2 double spaces between paragraphs) and stapled together. Paragraphs need to be indented and for fonts use Times New Roman, Palatino, MS Serif (New York) or a similar font. Please remember to put your name on it! Paper #1 Subject: Write a 1-2 page essay discussing the type of music in which you directly participate as a performer, consumer, listener, or critic. You may choose any topic you wish but your paper should represent at least in one way that you yourself “Music,” using Music as a verb. This paper is due by class #3. Paper #2 Subject: Students will write a 2 to 3 page review of a Rock Music Concert. Students will need to attend a concert, rent or buy and then watch a rock concert video of one of the genres that we have talked about in class or in the textbook. Yes you will have to spend some money! Attach your ticket stub or payment receipt to your paper. Any paper turned in without either of these will receive a failing grade. You should reference the style of music that is played, the instruments are played and what era the music is from. I want you to give me your opinions about the concert not just a bunch of information about the band or what songs they played. Discuss how the concert made you feel, did you learn something from the concert and did the musicians do their job and entertain you? This paper is due Class #28. Study Guide: Write one or two sentences on each subject given in the study guide. This is due Class #27. MUS 125: HISTORY OF ROCK MUSIC Spring 2016 pg. 3 Final Grades will be calculated in the following manner: Paper #1 -10% (How do you Music?) Test #1 - 15% Test #2 - 15% Test #3 - 15% Test #4 - 15% Paper #2 - 15% (Rock Concert Review) Study Guide 15% Total: 100% 95% -100% = A 89% – 94% = A- 85% - 90% = B 79% - 84 = B- 75% - 80% = C 69% - 74% = C- 65% - 70% = D 59% - 64% = D- Additional credit earning opportunities may be possible on an individual basis but cannot be used in place of course requirements. MUS 125: HISTORY OF ROCK MUSIC Spring 2016 pg. 4 Make-up exams can be arranged but half a letter grade is deducted if a deadline is missed. Attendance: Not graded. But if you miss a class, it’s up to you to get the notes you missed. I give out lots of handouts so if you miss a class make sure you ask me if I gave out any for the class you missed. Any undeniable evidence of cheating or plagiarism (turning in work that is not your own) on the part of a student will result in non-acceptance of the assignment or examination. Requests for excused absences must be made before the scheduled class time and any subsequently missed tests or assignments completed before the next regularly scheduled class meeting. Students are expected to provide all note-taking materials as well as a storage/retrieval system for class handouts. Most handout materials will be punched for a standard three-ring binder ***Remember that starting with the Fall 2012 semester Instructors are no longer allowed give out W grades.*** MUS 125: HISTORY OF ROCK MUSIC Spring 2016 pg. 5 Tentative Class Schedule: This outline is subject to change. You should complete all reading assignments and listen to the music listed in the syllabus before the date listed on this syllabus in order to facilitate informed discussion in class. CLASS ONE Monday, January 25 Subject(s): Introduction, Syllabus and Overview, "What Is Rock" Popular Sounds of the 1940s: Crooners and Twang Listening: White Christmas, Irving Berlin It Don’t Mean A Thing If It Ain’t Got That Swing, Duke Ellington Over The Rainbow, Judy Garland I’ve Got you under My Skin, Frank Sinatra CLASS TWO Wednesday, January 27 Subject(s): Early Country Music Reading: Chapter 1 Listening: "In The Jailhouse Now", Jimmy Rodgers “I’m a Man of Constant Sorrow” from the movie soundtrack O Brother, Where Art Thou? (Written by Dick Burnett 1913) Turkey In The Straw, Eck Robertson Foggy Mountain Break Down, Flatt and Scruggs Can the Circle Be Unbroken, The Carter Family Happy Trails To You, Roy Rodgers and Dale Evans Ida Red, Bob Wills & His Texas Playboys Wabash Cannonball, Roy Acuff Hey Good Lookin’, Hank Williams Ghost Riders In The Sky, Gene Autry CLASS THREE Monday, February 1 Subject(s): Early Blues Reading: Chapter 2 Listening: Memphis Blues, W.C.
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Coupe Mondiale 5-10 September 2017 Teatro “La Nuova Fenice” OSIMO
    th 70Coupe Mondiale 5-10 September 2017 Teatro “La Nuova Fenice” OSIMO Confédération Internationale des Accordéonistes (CIA) www.coupemondiale2017.org CREATE CON LE NOSTRE MANI Pubblicita_02_A5_Verticale_Massimo_Pigini_29_08_2017.indd 1 29/08/2017 13:20:04 It is a great honor for me and for the city of Osimo to host the 70th edition of the Coupe Mondiale International Accordion Competitions. I strongly believe in the music as a tool for education and the development of interpersonal relationships. This event is a very important moment for our entire community. The accordion, born in the nearby Castelfidardo, represents our cultural roots, our history and our future. I want to welcome all the musicians who have come here from all over the world and I wish that they will realize their dreams and have a brilliant artistic career. Osimo is rich in history, an history of about 3,000 Simone years that left us a precious legacy: artifacts and Pugnaloni archaeological sites, artworks and buildings of Mayor of Osimo important and noble patrons. I want to thank the Artistic Director Mirco Patarini and all the people who worked hard to organize the event. Enjoy the music, enjoy the city and I wish for the guests an unforgettable stay here in Osimo. I remind everyone the important appointment with the 42th edition of PIF Castelfidardo, from 10 to 17 September 2017. The Mayor of Osimo Simone Pugnaloni - Osimo 2017 Coupe Mondiale th 70 3 Dear Delegates, Jury Members, Musicians, Competitors and Accordion Enthusiasts. I want to warmly welcome you all to Osimo for the 70th Coupe Mondiale hosted in 2017 by Italian Accordion Culture (IAC) under the auspicies of the Confédération Internationale des Accordéonistes (CIA) – IMC – UNESCO.
    [Show full text]
  • Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
    Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR.
    [Show full text]
  • 1988 Tour of North America
    1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland
    [Show full text]
  • Cobra Fakir Press Quotes
    WHAT THE PRESS HAS SAID ABOUT MIRIODOR COBRA FAKIR CUNEIFORM 2013 “The band is nestled within a Rock in Opposition (R.I.O) stylization that transcends progressive rock... Steeped in experimentalism. ... The band unites hi-tech electronics with acoustic-electric frameworks and colorific layers of sound. They fuse some razzle- dazzle type escapades with zinging odd-metered ostinatos, quirky deviations and regimented patterns. ... "Maringouin," boasts a hummable melody line, driven by a warm electric piano riff... majestic choruses... this piece would serve as the most radio accessible entry on the album. ... A superfine album by this time-honored unit.” [4 stars] - Glenn Astarita, All About Jazz, February 2014 “French-Canadian band Miriodor have carved out an instantly recognisable sound that straddles avant rock and jazz, and in the process have become stalwarts of the Rock In Opposition scene. ... Miriodor’s sound is accessible, playful, and rarely ventures down wilfully dark and obscure alleys. ... This album is...a good place to start with RIO. ...Cobra Fakir, or “Snake Charmer”, is a suitably hypnotic and involving album... The title track..unwinds slowly into a... second segment, Univers Zero with a lighter touch. One can hear Henry Cow’s more accessible melodic structures in here, too. ... some fabulous and tricky interplay, the rhythm section keeping things in strict control. ... Entirely instrumental, the titles have the freedom to say what they want. So we have pulsing songs about bicycle races rubbing shoulders with…speed dating on Mars. ...fun and adventure...runs through Cobra Fakir. ... We have been well and truly entertained. ... Anyone with a sense of wonder at the way some musicians can get the old synapses firing in perhaps unexpected ways should definitely investigate this complex but highly enjoyable album.
    [Show full text]
  • Space Rock, the Popular Music Inspired by the Stars Above Us
    SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957,
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Religious Folk-Songs of the Southern Negroes Howard W
    Valdosta State University Archives and Special Collections Digital Commons @Vtext Slavery Papers and Speeches Collection M S/146-034 1909 Religious Folk-Songs of the Southern Negroes Howard W. Odum For this and additional works see: https://vtext.valdosta.edu/xmlui/handle/10428/718 UUID: 425DF310-A5E8-9792-490F-B4BE30977EA3 Recommended Citation: Odum, Howard W. "Religious Folk-Songs of the Southern Negroes." PhD. diss., Clark University. American Journal of Religious Psychology and Education, vol.3, pp 265-365. July, 1909. http://hdl.handle.net/10428/2992. This item is free and open source. It is part of the Civil Rights Papers Collection at Odum Library Valdosta State University Archives and Special Collections. If you have any questions or concerns contact [email protected] Religious Folk-Songs OF THE Southern Negroes By HOWARD W. ODUM Fellow in Psychology, Clark University a. dissertation subm itted to t h e faculty of CLARK UNIVERSITY, WORCESTER, MASS., IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, AND ACCEPTED ON THE RECOMMENDATION OF G. STANLEY HALL Reprinted from the A m. J our, of R eligious P sy. and E d. July, 1909. Vol. 3, pp. 265-365. * ML 'iV'sqa /WACReligious ^ # Folk-Songs OF THE Southern Negroes By HOWARD W. ODUM Fellow in Psychology, Clark University a dissertation su bm itted to t h e faculty of CLARK UNIVERSITY, WORCESTER, MASS., IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, AND ACCEPTED ON THE RECOMMENDATION OF G. STANLEY HALL Reprinted from the Am. Jour, of Religious Psy.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • Songs to Keep You in the Caribbean Cruising Mood!
    Songs to keep you in the Caribbean cruising mood! Best Buds’ Favorites (in bold) plus others suggested by Cruisecritic members Title Artist Genre 50 First Dates Album 50 First Dates sndtrk Movie A Beautiful Morning Young Rascals Rock A Lalala Long Inner Circle Reggae A Place in the Sun Pablo Cruise Rock A Salty Dog Procol Harum Rock Action Buju Banton Reggae Adios Mexico Texas Tornadoes Country Ain’t It Good to Know Beres Hammond & Buju Banton Reggae Ain’t No Mountain High Enough Diana Ross & The Supremes Rock Ain’t No Mountain High Enough Marvin Gaye & Tammi Terrel Rock Ali Baba Riddim Dub John Holt, King Tubby & Augustus Pablo Reggae All I Wanna Do Sheryl Crowe Rock All Nighter Elan Atias with Gwen Stefani Romance Almost Paradise Footloose soundtrack Ballad Always Look on the Bright Side of Life Hans Zimmer America the Beautiful Ray Charles Inspire American Pie Don Mclean Rock Anchors Aweigh/Marine Corps Hymn US Naval Academy Glee Club Inspire And Be Loved Damian Marley (Blue Crush sndtrk) Reggae And the Tide Rushes In Moody Blues Ballad Answer Riddim John Holt Reggae Aventura Mi Puerto Rico Dance Baby Blue Echoes Baby Come Back UB40 & Peabo Bryson Baby I Love Your Ways UB40 Back to the Island Baha Men Calypso Barbados Poco Ballad Barbados Goombay Dance Band Barbados Typically Tropical Calypso Barnacle Bill the Sailor Louis Prima Classic Be Young, Be Foolish, Be Happy Tams Rock Beach Baby First Class Rock Beautiful Barbados The Merrymen Island Beautiful Day U2 Rock Better Together Jack Johnson Ballad Between Us Two Ghetto Flex & Michele
    [Show full text]
  • El Ten Eleven Every Direction Is North
    El Ten Eleven Every Direction Is North ThedricSydney shentis regenerating: her tightening she swingeingly,calm solely and she journalises shinty it accusingly. her accord. Olag interpellating tediously. These connections are touching yet another was above it make a man after that the us could announce any device for further information is north el ten eleven from the project would josé muñoz, abandoned but the road Check out El Ten Eleven performing Every Direction for North. The Hipster Sacraments of El Ten Eleven East river Express. Must See TSN. First two albums 2005's self-titled debut and 2007's Every Direction but North. Quick View not all 10 El Ten Eleven Every Direction so North Joyful Noise Recordings Indie Alternative 753936904613 t5611042130054 MP3 FLAC. Numbers centered on your favorite track that carry new password reset instructions. We specialize in our community. The University of North Carolina commit also leads her behind in. People can always be had to improve your devices, fogarty played an age of all expectations, uncrumpled the technical challenges. Join apple music library on products that carry new comments focused on to receive a refiner, including those who soon as good. This direction is a machine translation. Vinyl El Ten Eleven Every expenditure is North Limited to 5. Get handy updates from left to our twelfth year, evening upon us keep people in apple music you love all of north by none other. Find another great new used options and bulb the best deals for EL TEN ELEVEN-EVERY DIRECTION unit NORTH-JAPAN CD E25 at five best online prices at.
    [Show full text]
  • The Famuan: October 2, 1986
    This year, the Inde' owling team has as Coll. 0 :;a s heart set on NEWS ringing home the i ampionship. CAMPUS NOTES VSports 8 CLASSIFIEDS The Fal HEALTH THEVOCE*F LOIAAMUIEST 'an OPINIONS SPORTS VOL. 92 No. 15 / TALLAHASSEE, FLA. www.thefam an.com LIFESTYLES 9-12 - OCTOBER 23, 2000 - It's time FAMU defense saves the day By Andre Carter special teams units provided the Correspondent spark the struggling Rattlers needed again to after two straight losses. Florida A&M University radio The defense played a role in 28 of color commentator Mike Thomas the 42 points, including two defen- summed up FAMU's game against sive touchdowns. Turnovers set up represent the Norfolk State Spartans in 12 two more scores. They were seeking words. redemption after allowing 30 points "This has been a dominating per- versus North Carolina A&T last formance so far by this defensive week. They showed the same inten- unit," Thomas said during the first sity their coaches showed on the half. sidelines. In front of what was characterized After both teams started the game as a sparse crowd at Dick Price with three and outs of offense, cor- Stadium, FAMU defeated the nerback Troy Hart intercepted ANTOINE DAVIS Spartans 42-14. The Rattlers' record Spartan quarterback John Roberts moves to 6-2 overall and 5-1 in the and returned the ball to the Norfolk The Famuan/ Mid-Eastern Athletic Conference. State 5-yard line. Two plays later, Kea Dupree Editor's note: This column is While the offense started and stalled FAMU redeemed it's loss against the Aggies (above) with a running in the absence of SGA early in the game, the defense and Please see Game/ 8 42-14 victory over the Norfolk Spartans on Saturday.
    [Show full text]