The Lives and Tales of Mark E. Smith
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Stop Smiling Magazine :: Interviews and Reviews: Film + Music
Stop Smiling Magazine :: Interviews and Reviews: Film + Music + Books ... http://www.stopsmilingonline.com/story_print.php?id=1097 Downtown Dedication: The Return of Polvo (Touch and Go) Monday, June 23, 2008 By Dan Pearson We could have flown out of Newark, landed in Charlotte, and just hit a barbecue spot in Reidsville, but this was after all the Polvo reunion and it deserved more. We needed to feel as if we were making the descent, notice the disparity in New England and Southern spring, endure interminable DC traffic and feel that we had earned our ribs and slaw. So, I packed the Malibu with I-Roy and U-Roy, stomached $4 gas and my friend Bose and I left from Connecticut in a rainstorm, both of us in fleece. Night one we spent at a Ramada in Fredericksburg, never made it to the battlefield or historic downtown, but instead drove down the divided highway to Allman’s BBQ. I’m wary of food blogs, but the culinary scribes were dead-on: best ribs I have ever had outside Texas, enviable pulled pork and slaw, notable sauce in the squirt bottle — all in an old corner diner with spinning stools. What a foundation, not only for the evening, which consisted of ice cold tap Yuengling and inebriated dancing to Def Leppard in the Ramada lounge, but for the show to come. Just a stateline south, yes, Polvo, the seminal math rock quartet, reunited at their Ground Zero, the Cat’s Cradle in Carrboro. In the morning, it was only better, the slow slalom down Route 40 country roads leaving trails of red clay and another barbecue platter at Short Sugar’s in Danville, Virginia. -
People & Economic Activity
PEOPLE & ECONOMIC ACTIVITY STARBUCKS An economic enterpise at a local scale Dr Susan Bliss STAGE 6: Geographical investigation ‘Students will conduct a geographical study of an economic enterprise operating at a local scale. The business could be a firm or company such as a chain of restaurants. 1. Nature of the economic enterprise – chain of 5. Ecological dimension restaurants, Starbucks • Inputs: coffee, sugar, milk, food, energy, water, • Overview of coffee restaurants – types sizes and transport, buildings growth. Latte towns, coffee shops in gentrified inner • Outputs: carbon and water footprints; waste. suburbs and coffee sold in grocery stores, petrol stations and book stores. Drive through coffee places • Environmental goals: sustainability.‘Grounds for your and mobile coffee carts. Order via technology-on garden’, green power, reduce ecological footprints demand. Evolving coffee culture. and waste, recycling, corporate social responsibilities, farmer equity practices, Fairtrade, Ethos water, • Growth of coffee restaurant chains donations of leftover food 2. Locational factors 6. Environmental constraints: climate change, • Refer to website for store locations and Google Earth environmental laws (local, national). • Site, situation, latitude, longitude 7. Effects of global changes on enterprise: • Scale – global, national, local prices, trade agreements, tariffs, climate change, competition (e.g. McDonalds, soft drinks, tea, water), • Reasons for location – advantages changing consumer tastes. Growth of organic and • Growth in Asian countries https://www.starbucks. speciality coffees. Future trends – Waves of Coffee com/store- locator?map=40.743095,-95.625,5z Starbucks chain of restaurants 3. Flows Today Starbucks is the largest coffee chain in the world, • People: customers – ages as well as the premier roaster and retailer of specialty • Goods: coffee, milk, sugar, food coffee. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Lush's Final Show @ Manchester Academy
LUSH’S FINAL SHOW @ MANCHESTER ACADEMY larecord.com /photos/2016/11/26/lushs-final-show-manchester-academy November 26th, 2016 | Photos Photos by Todd Nakamine 2016 brought a very successful return for Lush with sold out shows, festival appearances and a new EP Blind Spot. But 2016 also brought the final show the band would play at the Manchester Academy to a somewhat somber crowd. We were soaking in every last note all knowing this was the last show ever (sometimes knowing is worse). Kicking off their high energy set with “De-luxe” and plowing through classic after classic covering their entire career including “Kiss Chase,” “Thoughtforms,” “Etheriel,” “Light From A Dead Star,” “Hypocrite,” “Undertow” plus the new already classic Lush track “Out of Control.” While nothing can replace the late Chris Acland’s subtleties that helped define Lush’s sound, drummer Justin Welsh’s hard and fast style of playing added an extra kick apparent in songs like “Ladykiller,” or as Miki Berenyi said should be renamed “Pussygrabber” in light of U.S.A.’s new president elect, as well as “Sweetness and Light.” Acland’s close friend Michael Conroy of Modern English filled in on bass as Phil King left the band in October. Finishing with the final song of the night “Monochrome,” Emma Anderson, Berenyi and Welsh gave their last waves, left the stage for the final time and the crowd quietly shuffled out having been treated with a very special goodbye. Kicking off the night was Brix & The Extricated featuring post punk legends Brix Smith, Steve Hanley and Paul Hanley (The Fall). -
Dj Shadow Return of the Master Beats Craftsman
SUMMER 2017 FREE ISSUE 31 DJ SHADOW RETURN OF THE MASTER BEATS CRAFTSMAN INSIDE: KRAFTWERK, SLOWDIVE, SAM LEE, BRICKWORK LIZARDS FESTIVAL REVIEWS: SEAN PAUL, PETE TONG IBIZA CLASSICS, RAG ‘N’ BONE MAN, THE MAGIC NUMBERS, DISCO SHED & MORE OMS31 MUSIC NEWS There’s a history of multi – venue metro festivals in Cowley Road with Truck’s OX4 and then Gathering setting the pace. Well now Future Perfect have taken up the baton with Ritual Union on Saturday October 21. Venues are the O2 Academy 1 and 2, The Library, The Bullingdon and Truck Store. The first stage of acts announced includes Peace, Toy, Pinkshinyultrablast, Flamingods, Low Island, Dead Reborn local heroes Ride are sounding in fine stage Pretties, Her’s, August List and Candy Says with DJ fettle judging by their appearance at the 6 Music sets from the Drowned in Sound team. Tickets are Festival in Glasgow. The former Creation shoegaze £25 in advance. trailblazers play the New Theatre, Oxford on July 10, having already appeared at Glastonbury, their The Jericho Tavern in Walton Street have a new first local show in many years. They have also promoter to run their upstairs gigs. Heavy Pop announced a major UK tour. The eagerly awaited are well – known in Reading having run the Are new album, the Erol Alkan produced Weather Diaries You Listening? festival there for 5 years. Already is just released. (See our album review in the Local confirmed are an appearance from Tom Williams Releases section). Tickets for New Theatre gig with (formerly of The Boat) on September 16 and Original Spectres supporting, can be bought from Rabbit Foot Spasm Band on October 13 with atgtickets.com Peerless Pirates and Other Dramas. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
I Wanna Be Yours - John Cooper Clarke
Edexcel English Literature GCSE Poetry Collection: Relationships i wanna be yours - John Cooper Clarke This work by PMThttps://bit.ly/pmt-edu-cc Education is licensed under https://bit.ly/pmt-ccCC BY-NC-ND 4.0 https://bit.ly/pmt-cc https://bit.ly/pmt-edu https://bit.ly/pmt-cc I WANNA BE YOURS John Cooper Clarke Brief Summary The poem features an unknown speaker addressing their lover, who is also unknown to the reader. The speaker asks to be let into every aspect of their lover’s life by listing the different mundane, everyday objects they want to replace. As well as asking to be needed and adored by their lover, the speaker demonstrates their devotion to their lover and the consistency of their affection. The exact relationship between the speaker and the object of their affection is unknown, but it is clear that the speaker wants to be closer to the person they are addressing. The poem is full of simplistic language, word play, and innuendo. Synopsis ● The speaker is talking directly to an unknown subject and we never hear their response to the speaker ● The speaker asks their lover if they will “let” them take the place of various everyday objects in their life ● The speaker makes it clear that their lover is in control ● The only thing the speaker desires is to belong to their lover ● The list of mundane objects continues as the speaker makes it clear that they want to make their lover’s life better and be with them everywhere ● The final stanza finishes with a grander, more metaphysical (deep) image than the mundane objects previously used to show the extent of the speaker’s devotion ● The speaker concludes by clarifying they want no one else other than the lover they are addressing in this poem Context John Cooper Clarke (1949 - present) John Cooper Clarke was born in Salford, Lancashire, in the north of England. -
Kick out the Cool Greenhouse Feb 19 2021
Cool Greenhouse w/Kick Out The James Feb 14 2021 www.artguy.com/KOTJ.html www.mixcloud.com/KOTJames The Cool Greenhouse - The End of The World London/The End of the World The Cool Greenhouse - I’m Into C.B. (Fall Cover) RIP Smitty Single The Cool Greenhouse - London London/The End of the World Single The Male Nurse - My Own Private Patrick Swayze The Cool Greenhouse - Life Advice The Cool Greenhouse (album) The Cool Greenhouse - Cardboard Man The Cool Greenhouse (album) The Cool Greenhouse - Dirty Glasses The Cool Greenhouse (album) The Cool Greenhouse - Alexa Single The Desperate Bicycles - Don't Back the Front B-Side to The Medium Was Tedium Wild Billy Childish & The Musicians Of The British Empire - Snack Crack b/w Elvis Presley Is Dead OOPS/ D’oh! The Cool Greenhouse - Dirty Glasses The Cool Greenhouse (album) The Cool Greenhouse - 4Chan The Velvet Underground - There She Goes The Velvet Underground and Nico The Modern Lovers - Pablo Picasso The Cool Greenhouse - Smile, Love The Cool Greenhouse (album) The Cool Greenhouse - Outlines The Cool Greenhouse (album) Greater Than One - Why Do Men Have Nipples? G-Force The Cool Greenhouse - Trojan Horse The Cool Greenhouse (album) Dry Cleaning - Strong Feelings New Long Leg Black Midi - bmbmbm Schlagenheim Uranium Club - Definitely Infrared Radiation Suit The Cosmo Cleaners The Fall - Winter 2 Hex Enduction Hour The Fall - Words of Expectation (Live Peel Session) The Fall - The NWRA Grotesque (After The Gramme) The Fall - Your Heart Out Dragnet The Fall - Fiery Jack Totale's Turns (It's Now Or Never). -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Journal of the National Collegiate Honors Council --Online Archive National Collegiate Honors Council
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Journal of the National Collegiate Honors Council --Online Archive National Collegiate Honors Council Spring 2000 Journal of the National Collegiate Honors Council -- Volume 1, no. 1 -- Complete Issue Follow this and additional works at: https://digitalcommons.unl.edu/nchcjournal Part of the Higher Education Administration Commons "Journal of the National Collegiate Honors Council -- Volume 1, no. 1 -- Complete Issue" (2000). Journal of the National Collegiate Honors Council --Online Archive. 239. https://digitalcommons.unl.edu/nchcjournal/239 This Article is brought to you for free and open access by the National Collegiate Honors Council at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Journal of the National Collegiate Honors Council --Online Archive by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. JNCHC JOURNAL OF THE NATIONAL COLLEGIATE HONORS COUNCIL Spring/Summer 2000 Vol. I, No.1 A Festschrift for Catherine Cater Liberal Learning in the New Century Essays by. .. Bernice Braid Ted L. Estess Faith Gabelnick Jim Herbert Carol Kolmerten Diane Levy Anne Ponder et al. Samuel Schuman Paul Strong Sara Varhus A PUBLICATION OF THE NATIONAL COLLEGIATE HONORS COUNCIL Editorial Policy Journal of the National Collegiate Honors Council is a refereed periodical publishing scholarly articles on honors education. The journal uses a double-blind peer review process. Articles may include analyses of trends in teaching methodology, articles on interdisciplinary efforts, discussions of problems common to honors programs, items on the national higher education agenda, and presentations of emergent issues relevant to honors education. Submissions may be forwarded in hard copy, on disk, or as an e-mail attachment. -
View the Redux Book Here
1 Photo: Alex Hurst REDUX This Redux box set is on the 30 Hertz Records label, which I started in 1997. Many of the tracks on this box set originated on 30 Hertz. I did have a label in the early eighties called Lago, on which I released some of my first solo records. These were re-released on 30 Hertz Records in the early noughties. 30 Hertz Records was formed in order to give me a refuge away from the vagaries of corporate record companies. It was one of the wisest things I have ever done. It meant that, within reason, I could commission myself to make whatever sort of record took my fancy. For a prolific artist such as myself, it was a perfect situation. No major record company would have allowed me to have released as many albums as I have. At the time I formed the label, it was still a very rigid business; you released one album every few years and ‘toured it’ in the hope that it became a blockbuster. On the other hand, my attitude was more similar to most painters or other visual artists. I always have one or two records on the go in the same way they always have one or two paintings in progress. My feeling has always been to let the music come, document it by releasing it then let the world catch up in its own time. Hopefully, my new partnership with Cherry Red means that Redux signifies a new beginning as well as documenting the past.