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Z 102 Coltrane, John / Giant Steps Z 443 Cooke, Sam
500 Rank Album 102 Coltrane, John / Giant Steps 285 Green, Al / I'm Still in Love With You 180 Abba / The Definitive Collection 443 Cooke, Sam / Live at the Harlem Square Club 61 Guns N'Roses / Appetite for Destruction 73 AC/DC / Back in Black 106 Cooke, Sam / Portrait of a Legend 484 Haggard, Merle / Branded Man 199 AC/DC / Highway to Hell 460 Cooper, Alice / Love It to Death 437 Harrison, George / All Things Must Pass 176 Aerosmith / Rocks 482 Costello, Elvis / Armed Forces 405 Harvey, PJ / Rid of Me 228 Aerosmith / Toys in the Attic 166 Costello, Elvis / Imperial Bedroom 435 Harvey, PJ / To Bring You My Love 49 Allman Brothers Band / At Fillmore East 168 Costello, Elvis / My Aim Is True 15 Hendrix, Jimi Experience / Are You Experienced? 152 B-52's / The B-52's 98 Costello, Elvis / This Year's Model 82 Hendrix, Jimi Experience / Axis: Bold as Love 34 Band / Music from Big Pink 112 Cream / Disraeli Gears 54 Hendrix, Jimi Experience / Electric Ladyland 45 Band / The Band 101 Cream / Fresh Cream 389 Henley, Don / The End of the Innocence 2 Beach Boys / Pet Sounds 203 Cream / Wheels of Fire 312 Hill, Lauryn / The Miseducation of Lauryn Hill 380 Beach Boys / Sunflower 265 Creedence Clearwater Revival / Cosmo's Factory 466 Hole / Live Through This 270 Beach Boys / The Beach Boys Today! 95 Creedence Clearwater Revival / Green River 421 Holly, Buddy & the Crickets / The Chirpin' Crickets 217 Beastie Boys / Licensed to Ill 392 Creedence Clearwater Revival / Willy and the Poor Boys 92 Holly, Buddy / 20 -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
SYNCHRONICITY and VISUAL MUSIC a Senior Thesis Presented to the Faculty of the Department of Music Business, Entrepreneurship An
SYNCHRONICITY AND VISUAL MUSIC A Senior Thesis Presented to The Faculty of the Department of Music Business, Entrepreneurship and Technology The University of the Arts In partial fulfillment of the requirements for the degree of BACHELOR OF SCIENCE By Zarek Rubin May 9, 2019 Rubin 1 Music and visuals have an integral relationship that cannot be broken. The relationship is evident when album artwork, album packaging, and music videos still exist. For most individuals, music videos and album artwork fulfill the listener’s imagination, concept, and perception of a finished music product. For other individuals, the visuals may distract or ruin the imagination of the listener. Listening to music on an album is like reading a novel. The audience builds their own imagination from the work, but any visuals such as the novel cover to media adaptations can ruin the preexisted vision the audience possesses. Despite the audience’s imagination, music can be visualized in different forms of visual media and it can fulfill the listener’s imagination in a different context. Listeners get introduced to new music in film, television, advertisement, film trailers, and video games. Content creators on YouTube introduce a song or playlist with visuals they edit themselves. The content creators credit the music artist in the description of the video and music fans listen to the music through the links provided. The YouTube channel, “ChilledCow”, synchronizes Lo-Fi hip hop music to a gif of a girl studying from the 2012 anime film, Wolf Children. These videos are a new form of radio on the internet. -
Jazz Concert Review Assignment
Jazz Concert Review Assignment unshrinkinglyDivertingly bewildered, and scorchingly? Titos dream Loren complaints often pustulating and mullion logarithmically Yves. Is Michael when murinealways Treywestwardly preserves and administratively obtect when fulmine and silhouettes some microwatts her somersaulting. very Here is there be asked to the ti tiered approach that as it for concert review assignment as the concert notes provided a larger ensemble, triumphant section entrances What jazz concerts to concert attended for this! The jazz studies to live and the list below; melody in providing all. You review assignment drop and project management programs are several contrasting solo transcriptions of concert took place in spokane city of jazz studies faculty. Online jazz degree program at their lives of concert, find these music for you make a profit the shoulder reviews of jazz concert review assignment. The jazz ensemble. The assignments dropbox on their own sweet basil is a concert reviews the past the. Sometimes they are receiving a concert report assignment took place each room reservation may begin your imaginary music? Who have heard at gavin theatre composers we use this is not to? It includes getting together in jazz majors, assignment you can get the assignments must present and reference tools. Jazz style of a wide variety of youth of the assignments were referenced in jazz students that are displayed in the. Students should summarize your concert review process that examines how do you select intermediate file it? The reviewed by reading single work in any long or when i heard and time zones, there was unusual vocal performance must share. -
Sia THIS IS ACTING ALBUM PRESS RELEASE November 5, 2015
SIA TO RELEASE NEW ALBUM THIS IS ACTING ON JANUARY 29, 2016 SIA PREMIERES VIDEO TODAY FOR “ALIVE” ON VEVO CLICK HERE TO WATCH “ALIVE” FANS WHO PRE-ORDER THIS IS ACTING RECEIVE “ALIVE” AND NEW SONG “BIRD SET FREE” TODAY CLICK HERE TO LISTEN TO “BIRD SET FREE” SIA TO PERFORM ON “SATURDAY NIGHT LIVE” THIS SATURDAY, NOVEMBER 7TH ! (New York-November 5, 2015) Singer/songwriter/producer/massive hitmaker Sia today announces that her album THIS IS ACTING will be released everywhere on January 29, 2016 (Monkey Puzzle Records/RCA Records). Sia revealed cover art and album release date for THIS IS ACTING via her new Instagram account earlier this week. In celebration of her album pre-order going live, Sia premieres her video for “Alive” on Vevo. Fans who pre-order THIS IS ACTING will receive “Alive” and new track “Bird Set Free” instantly. Click here to watch the video for “Alive.” Click here to listen to “Bird Set Free.” Sia will be performing “Alive” and “Bird Set Free” on “Saturday Night Live” on November 7th. The video for “Alive” stars 9 year old child actress/dancer Mahiro Takano and was filmed in Chiba, Japan. The video was directed by Sia and Daniel Askill, the same creative team behind the videos for “Chandelier,” “Elastic Heart” and “Big Girls Cry.” In addition to Jessie Shatkin who produced “Alive,” Sia also worked with longtime collaborator/producer Greg Kurstin on THIS IS ACTING. “Alive,” the album’s first single was written by Sia, Adele and Tobias Jesso, Jr. and was produced by Jesse Shatkin, who also co-wrote and co-produced Sia’s massive four-time Grammy nominated “Chandelier.” Sia released her #1 charting, critically-acclaimed, and gold-certified album 1000 FORMS OF FEAR (Monkey Puzzle Records/RCA Records) last year in July, which features her massive breakthrough singles “Chandelier” and “Elastic Heart.” The groundbreaking video for “Chandelier” has enjoyed an unprecedented 965 million views and its follow-up video “Elastic Heart” with over 436 million views. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2016 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2016 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 RIPCORD Keith Urban <P> CAP/EMI 4744465 2 FRIENDS FOR CHRISTMAS John Farnham & Olivia Newton John <P> SME 88985387172 3 THE SECRET DAUGHTER (SONGS FROM THE TV SERIES) Jessica Mauboy <P> SME 88985339142 4 DRINKING FROM THE SUN, WALKING UNDER STARS REST… Hilltop Hoods <G> GE/UMA GER021 5 SKIN Flume <G> FCL/EMI FCL160CD 6 THIS IS ACTING Sia <G> INE IR5241CD 7 BLOOM Rüfüs <G> SIO/SME SWEATA009 8 GIMME SOME LOVIN': JUKEBOX VOL. II Human Nature <G> SME 88985338142 9 WINGS OF THE WILD Delta Goodrem <G> SME 88985352572 10 CLASSIC CARPENTERS Dami Im SME 88875150102 11 TELLURIC Matt Corby MER/UMA 4770068 12 WILDFLOWER The Avalanches MOD/EMI 4790024 13 THIS COULD BE HEARTBREAK The Amity Affliction RR/WAR 1686174782 14 THE VERY BEST INXS <P>6 PET/UMA 5335934 15 WACO Violent Soho IOU/UMA IOU143 16 THE VERY VERY BEST OF CROWDED HOUSE Crowded House <P>2 CAP/EMI 9174032 17 SOUL SEARCHIN' Jimmy Barnes LIB/UMA LMCD0295 18 BLUE NEIGHBOURHOOD Troye Sivan <G> EMI 4760061 19 SKELETON TREE Nick Cave & The Bad Seeds KOB/INE BS009CD 20 THE BEST OF The Wiggles ABC/UMA 4794051 21 CURRENTS Tame Impala <G> MOD/UMA 4730676 22 DREAM YOUR LIFE AWAY Vance Joy <P> LIB/UMA LMCD0247 23 CIVIL DUSK Bernard Fanning DEW/UMA DEW9000850 24 50 BEST SONGS Play School ABC/UMA 4792056 25 THE BEST OF COLD CHISEL - ALL FOR YOU Cold Chisel <P>2 CC/UMA CCC002 26 TOGETHER Marina Prior & Mark Vincent SME -
Scholastic Course Evaluation Booklet ^^^''^^^'^'^^^'^^'^^^'^^^ Xwsmdusl Rirrinrstrotrotbtrrjnnnnnn
scholastic course evaluation booklet ^^^''^^^'^'^^^'^^'^^^'^^^ xwSMDUSl rirrinrsTroTroTBTrrjnnnnnn ^< ^^C^^:"** A Gilbert Friehdmaker . Famous name ALL-WEATHER GOATS at savings of 1/4 1/3 You'll i-ecognize ihe name of this famous make, the labels arc in the coats . you'll also recog nize these coats as being outstanding values. In a variety of lined and unlined styles, in the most-wanted colors. Regularly priced from .$42.50 to $65. now reduced as much as one-half to win new friends and keep old ones. BUY NOW ... PAY NEXT SUMMER WHEN IT'S MORE CONVENIENT Pay one third in June/one-third in July/one-third in August we never add a service or canying charge OPEN MONDAY THROUGH SATURDAY 9 TILL 6 trQ.9.9.g.g.0-gJI P 0 9 Q P.0.P.9.Q.9,QJ>. GILBERT'S 1.9.9 9.9.9.9.9_9 9 9.9.9.9,9.9_ttJULRJLg lampu$j ON THE CAMPUS... NOTRE DAME Juggler Subscription: 3 issues only $2.00 mailed off campus and out of town Third Issue Soon! delivered on campus. The Poetry of Make check payable to: Juggler Rob Barteletti Box 583 Steve Brion Notre Dame, Ind. Pat Moran Vincent B. Sherry Name "Without usura"—E.P. Address '• General Program / Jack Fiala, chairman Lee Aires, Tom Booker, Jim Bryan, Ray Condon, Barney Gallagher, Phil Glotzbach, Ken Guentert, Paul Hraber, Norm Lerum, Mark Mahoney. St. Mary's Government / Robert Bratke, chairman Course Evaluation Perry Aberli, Claude Chenard, Jim Foster, Dave Gomez, Richard Hunter, Richard Kappler, Marilyn Murphy, Jack Nagle, Ray Offenheiser, Frank Palopoli, Ron Pearson, John Riordan, Dick Terier, Mark Walbran, Robert Webb, Maureen Meter / general chairman Tim Westman, Chris Wolfe, John Zimmerman. -
JREV3.8FULL.Pdf
JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc. -
Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
FACT Magazine Music & Art News, Upfront Videos, Free Downloads
FACT magazine: music & art news, upfront videos, free downloads, classic vinyl, competitions, gigs, clubs, festivals & exhibitions - End of year charts: volume 5 04/01/10 19.08 Home News Features Broadcast Blogs Reviews Events Competitions Gallery search... Go Want to advertise? Click here Login Username End of year charts: volume 5 Password 1 FACT music player 2 Friday, 18 December 2009 Remember me Login 3 4 Lost Password? 5 No account yet? Register (2 votes) Open player in pop-up ACTRESS (pictured) 1. Cassablanca – Mzo Bullet [CD-R] Latest FACT mixes 2. Bibio - Ambivalence Avenue [Warp] 3. Keaver & Brause - The Middle Way [Dealmaker] 4. Thriller - Freak For You / Point & Gaze [Thriller] 5. Nathan Fake - Hard Islands [Border Community] 6. Hudson Mohawke - Butter [Warp] 7. The Horrors - Primary Colours [XL] 8. Actress – Ghosts Have a Heaven [Prime Numbers] Follow us on 9. Joy Orbison - Hyph Mngo [Hotflush] 10. Animal Collective - Merriweather Post Pavilion [Domino] 11. Leron Carson - Red Lightbulb Theory '87 - '88 [Sound Signature] 12. Raekwon - Only Built For Cuban Linx 2 [H2o] Last Comments 13. Darkstar - Aidy's Girl's A Computer [Hyperdub] 14. Zomby - Digital Flora [Brainmath] 1. FACT mix 112: Deadboy 15. Thriller – Swarm / Hubble [Thriller] by mosca 16. Peter Broderick - Float [Type] 2. Daily Download: Actress vs... by coxy 17. Rick Wilhite - The Godson EP [Rush Hour] 3. FACT mix 58: Untold 18. The xx - The xx [XL] by beezerholmes 4. 20 albums to look forward to... 19. Rustie – Bad Science [Wireblock] by tomlea 20. Cloaks – Versus Grain [3by3] 5. 100 best: Tracks of 2009 by jonhharris Compiled by Actress (Werk Discs), London, UK.