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TECNOLOGÍA NAVARRA DE NANOPRODUCTOS S.L. (TECNAN) THINK BIG, ACT NANO! REFERENCES RESTORATION AND CONSERVATION OF HERITAGE BUILDINGS TECNADIS PRODUCTS - REMARKABLE WORKS Metropolitan Cathedral Seville Cathedral Oviedo Cathedral (Panama City) (Sevilla - Spain) (Asturias - Spain) Mosque-Cathedral of Cordoba La Almudena Cathedral Tui Cathedral Santander Cathedral (Córdoba - Spain) (Madrid - Spain) (Pontevedra - Spain) (Cantabria - Spain) Tarazona Cathedral Burgo de Osma Cathedral Pamplona Cathedral Segovia Cathedral (Zaragoza - Spain) (Soria - Spain) (Navarra - Spain) (Segovia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Cologne Cathedral Pisa Cathedral Saint Bavon Cathedral Saint Esteban Cathedral (Italy) (Germany) (Ghent - Belgium) (Wien - Austria) (Bélgica) São João National Theatre Santo Domingo de la Calzada Cathedral Casa Milá – La Pedrera Viana Do Castelo Cathedral (Porto-Portugal) (La Rioja - Spain) (Barcelona - Spain) (Portugal) Buen Pastor Cathedral The Real Alcazar Casa Batlló Valencia Cathedral Museum (San Sebastián - Spain) (Sevilla - Spain) (Barcelona - Spain) (Valencia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Bank of Spain Headquarters Santander Bank Headquarters National Library Parador of Leon (Madrid-Spain) (Santander - Spain) (Madrid - Spain) (León - Spain) ) Bank of Spain Building Spain Square Canalejas Complex Prado Museum (Málaga - Spain) (Sevilla - Spain) (Madrid - Spain) (Madrid - Spain) Royal Pavilion - Mª Luisa Park The old Seville Artillery Factory Astorga Episcopal Palace Catalunya Caixa Bank Headquarters -
Map of La Rioja Haro Wine Festival
TRAVEL AROUND SPAIN SPAIN Contents Introduction.................................................................6 General information......................................................7 Transports.................................................................10 Accommodation..........................................................13 Food.........................................................................15 Culture......................................................................16 Region by region and places to visit..............................18 Andalusia........................................................19 Aragon............................................................22 Asturias..........................................................25 Balearic Islands...............................................28 Basque Country................................................31 Canary Islands.................................................34 Cantabria........................................................37 Castille-La Mancha...........................................40 Castille and León.............................................43 Catalonia........................................................46 Ceuta.............................................................49 Extremadura....................................................52 Galicia............................................................55 La Rioja..........................................................58 Madrid............................................................61 -
Libro Omen?Aca
El gótico navarro en el contexto hispánico y europeo* Clara Fernández-Ladreda Aguadé Universidad de Navarra Resumen Durante el Gótico Pleno (1200-1276) el influjo foráneo será puntual y no tendrá casi eco. Procede, en general, de Francia, tanto en el caso de la arqui - tectura y escultura monumental, como en el de las piezas importadas. En el Gótico Radiante (1276-1387) la influencia exterior es más visible. En la arquitectura y escultura monumental, el principal receptor de los influjos foráneos es la catedral de Pamplona, claustro y dependencias, donde trabajan maestros franceses (Miguel y Arnalt Puyssiveler) e ingleses conocedores del arte francés (Guillermo Inglés). A su vez, ejercerá un gran ascendiente sobre el arte navarro y alavés. Destacan también las obras importadas: de Francia (vírgenes de Roncesvalles y Huarte, y relicario del ajedrez de Carlomagno ), Italia (Cristo de Puente la Reina) y Cataluña (Virgen de Sorauren). En el rei - nado de Carlos III sobresalen las obras de promoción real, abiertas al influjo exterior e influyentes de cara al interior. En escultura descuellan Jehan Lome y su taller, vinculados a la tumba real, que traen a Navarra el estilo borgoñón. Entre las piezas importadas destaca el retablo de las Navas, primer retablo esculpido de Navarra. El Tardogótico (1441-1512) es una etapa artísticamen - te pobre. Lo más sobresaliente son las obras importadas de Castilla (Cristo de Viana, Virgen de Marañón) y Países Bajos meridionales (Virgen de Cortes, Santa Ana de Tudela y retablo de Artajona). Abstract During the High Gothic period (1200-76), influence from outside Navarra was sporadic and had almost no followers. -
El Maestro Esteban En Pamplona: ¿Arquitecto Y…
JAVIER MARTÍNEZ DE AGUIRRE El Maestro Esteban en Pamplona: ¿arquitecto y… El Maestro Esteban en Pamplona: ¿arquitecto y urbanista? Javier Martínez de Aguirre Universidad Complutense de Madrid Resumen: Como sucede con otros artistas románicos, la personalidad del Maestro Esteban, artífice al servicio del obispo Pedro de Roda en la catedral de Pamplona a comienzos del siglo XII, ha sido objeto de interpretaciones encontradas y en ocasiones abusivas. El artículo aborda algunos aspectos de su labor como arquitecto. En primer lugar, lleva a cabo una revisión de la documentación relativa al maestro y sus circunstancias. A continuación, examina ciertos restos arquitectónicos románicos (en su mayor parte hasta ahora totalmente ignorados) que, integrados en la actual fábrica catedralicia gótica, probablemente formaron parte de la construcción proyectada y dirigida por Esteban. Por último, explora su hipotético papel como urbanista en el trazado del burgo de San Saturnino de Pamplona, lo que constituye una face- ta verosímil de su trayectoria profesional que nunca ha sido considerada. Palabras clave: Mestre Esteban, Pedro de Roda, catedral románica de Pamplona, catedral de Santiago de Compostela, urbanismo románico, burgo de San Saturnino, San Fermín, reforma gregoriana. Master Esteban in Pamplona: architect and urban planner? Abstract: As with other Romanesque artists, the figure of Master Esteban, artisan in the service of Bishop Pedro de Roda at Pamplona Cathedral in the early 12th century, has been the subject of conflicting, and sometimes even disparaging, interpretations. This article covers certain aspects of his work as an architect. It begins with a review of the documentary sources relating to the master and his circumstances. -
Paris to the Pyrenees 10 Or 12 Days | France | Spain
Watch videos, read reviews and enroll on your teacher’s Tour Website eftours.com/ This is also your tour number PARIS TO THE PYRENEES 10 or 12 days | France | Spain The Pyrenees separate Spain and France, making for an interesting blend of the two cultures. Bookended by Paris and Barcelona—where some of the world’s best art and architecture are on display—border cities like Biarritz, San Sebastian and Pamplona show subtle variations in French and Spanish culture. Experience the local flavor in the plazas and cathedrals. EVERYTHING YOU GET: Full-time Tour Director Sightseeing: 3 sightseeing tours led by expert, licensed local guides (4 with extension); 3 sightseeing tours led by your Tour Director; 2 walking tours (3 with extension) Entrances: Notre Dame Cathedral; Chenonceau; Park Güell; With extension: Palacio Real; Prado weShare, our online platform that taps into each student’s interests for a more engaging learning experience All of the details are covered: Round-trip flights on major carriers; Comfortable motorcoach; AVE high-speed train with extension; 8 overnight stays in hotels with private bathrooms (10 with extension); European breakfast and dinner daily Anyone can see the world. YOu’RE GOING TO Paris (2) EXpeRIENCE IT. Versailles Loire Valley Dordogne (1) Biarritz (1) San Sebastián Pamplona (1) As you can see, your EF tour includes visits to the places Montserrat Zaragoza Barcelona (3) you’ve learned about in school. That’s a given. But it’s so Madrid (2) much more than that. Immersing yourself in new cultures— surrounded by the people, the language, the food, the way of life—creates inspirational moments that can’t be listed in an itinerary. -
Navarre, a Unique Destination
Navarre, a unique destination LA ZONA MEDIA NAVARRA DESTINO ÚNICO | 1 © GOVERNMENT OF NAVARRE Department of Economic Development Directorate General of Tourism and Trade Tourism Marketing Service 1st edition – february 2019 Written by: Heda Comunicación Cover photo: Gaintza (G. Arrugaeta) DL/LG NA 368-2019 Ref. C203 Printed on recycled paper Plazaola Rail Trail 2 | NAVARRA DESTINO ÚNICO LA ZONA MEDIA You choose; we will win you over Navarre is a unique land of tracks, urbanites will fi nd a green city which is pathways and stunning views; an array home to great treasures, not to mention of villages, farmhouses, landscapes, a world famous festival, San Fermin; tre- traditions and people. Everything is at kkers can choose between the green hills your fi ngertips. Just 100 kilometres as of the Pyrenees and the wide open spaces the crow fl ies separate the high peaks of of the Middle Zone or the Ribera region; the Pyrenees from the lunar landscapes and gourmets will want the taste of the of the Bardenas Reales Natural Park. authentic local cuisine to linger in their The diversity and contrast of Navarre mouths for ever. If you are one of those makes it a paradise for all types of tra- travellers or all of them at the same time, veller. Culture lovers will be enraptured we invite you to live your own experience. by its artistic heritage and everything And remember, Navarre is committed to that has sprung up around the Way of St sustainable tourism! It is possible to dis- James over the years; those with more cover nature while taking care of it, pass curious minds will enjoy the store of through without leaving a trace, take in learning and customs of its people; culture and traditions while helping to adventurers will discover peaceful preserve them, and buy local products to villages and locations where they can help keep the places you visit alive. -
Imago Temporis Ii 2008
IMAGO TEMPORIS Medium Aevum II 2008 Lleida European Union Anglès.indd 1 08/06/2009 8:24:52 Editor Flocel Sabaté Scientific board David Abulafia, François Avril, Thomas N. Bisson, Marc Boone, Franco Cardini, Claude Carozzi, Enrico Castelnuovo, Giovanni Cherubini, Alan D. Deyermond, Peter Dronke, Paul Freedman, Claude Gauvard, Jean-Philippe Genet, Jacques Grand’Henry, Christian Guilleré, Eleazar Gutwirth, Albert G. Hauf, Hagen Keller, Dieter Kremer, Eberhard König, Peter Linehan, Georges Martin, Valentino Pace, Adeline Rucquoi, Teófilo Ruiz, Gennaro Toscano, Pierre Toubert, André Vauchez, Chris Wickham, Joaquín Yarza, Michel Zimmermann Editorial board Julián Acebrón, Stefano Asperti, Màrius Bernadó, Hugo O. Bizzarri, Maria Bonet, Joan J. Busqueta, Brian Catlos, Josep Antoni Clua, Pietro Corrao, Rita Costa Gomes, Ottavio Di Camillo, Luis Miguel Duarte, Francisco Javier Faci, Francesc Fité, Isabel Grifoll, Ariel Guiance, Amancio Isla, Nikolas Jaspert, Henrik Karge, Peter Klein, Adam Kosto, Matías López, Igor Philippov, Josefina Planas, Olivier Poisson, Philip D. Rasico, Jesús Rodríguez Velasco, Karen Stöber, Xavier Terrado, Marie-Claire Zimmermann Secretariat Ferran Arnó, Jesús Brufal, Laia Messegué, Gemma Ortiz Linguistic correction Chris Boswell Published by ‘Espai, Poder i Cultura’ Consolidated Medieval Studies Research Group (Universities of Lleida and Rovira i Virgili) www.medieval.udl.cat © Edicions de la Universitat de Lleida, 2008 Layout: Edicions i Publicacions de la UdL Cover design: cat & cas Printed in INO Reproducciones, SA ISSN 1888-3931 D L: L-115-2008 Anglès.indd 2 08/06/2009 8:24:52 IMAGO TEMPORIS. MEDIUM AEVUM Aims to contribute to a renewal of medieval studies with particular attention to the different conceptual aspects that made up the medieval civilisation, and especially to the study of the Mediterranean area. -
PAMPLONA and NAVARRA Meetings&Events How to Get There
PAMPLONA AND NAVARRA meetings&events How to get there PLANE TRAIN CAR Approxi- Approxi- Approxi- From From From the airport of Km mate time mate time mate time FRANKFURT 2h PAMPLONA/IRUÑA 6 15’ MADRID 45’ MADRID 3h 10’ MADRID 379 4h CANARY 3h BARCELONA 4h 30’ BARCELONA 482 4h 30’ ISLANDS VITORIA 1h VITORIA/GAZTEIZ 97 45’ ZARAGOZA 1h 46’ ZARAGOZA 179 2h LOGROÑO 95 1h DONOSTI/ 82 45’ SAN SEBASTIÁN Frankfurt 2h BILBAO 156 1h 45’ SANTANDER 251 2h 45’ Bilbao NAVARRA BIARRITZ 127 1h 30’ Pamplona 45’ Barcelona PAU 240 2h 30’ Madrid LOURDES 274 2h 35’ SPAIN Málaga 3h Atlantic Ocean Donostia- Irún Biarritz San Sebastián Bera Pau Bilbao FRANCE Canary Islands BASQUE Areso N-121 COUNTRY A-15 Lourdes A-10 A-1 Vitoria- Ziordia Pamplona Gasteiz A-21 AP-1 A-12 AP-68 NAVARRA Viana Logroño AP-15 AP-68 ARAGÓN Cascante Cintruénigo LA RIOJA Saragossa INDEX OPCs ................................ 8 ] Unique headquarters in Navarra: Travel organisers ....................... 9 • Centro de Esquí ................... 27 • Circuit of Navarra ................. 28 ] Unique headquarters in Pamplona: • Sendaviva ........................ 29 • Baluarte ......................... 12 Pamplona Hotels ...................... 30 • Pamplona Cathedral ............... 18 Tudela, city of conferences .............. 44 • Colegio de Médicos ................ 19 Tudela Hotels ......................... 45 • MUN ........................... 20 MICE hotels ......................... 47 • Museum of Navarra ................ 21 Destination Navarra ................... 48 • Navarra Arena ................... -
Via De La Plata
Spain Spain Gothic Art Gothic Art EUROPEAN COMMUNITY European Regional Development Fund I TABLE OF CONTENTS SPANISH TOURIST INFORMATION UNITED STATES OF AMERICA Introduction 1 OFFICES ABROAD Los Angeles Tourist Office of Spain Gothic Art 2 CANADA. Toronto The three great cathedrals 8 8383 Wilshire Blvd, Suite 960 Tourist Office of Spain Beverly Hills, California 90211 A Tour 2 Bloor Street West Suite 3402 % 1(323) 658 71 88 Andalusia 14 Toronto, Ontario M4W 3E2 ) 1(323) 658 10 61 Aragon 20 % (1416) 961 31 31 www.okspain.org Asturias 24 ) Ireland (1416) 961 19 92 e-mail: [email protected] The Balearic Isles 26 United www.tourspain.toronto.on.ca Chicago The Canary Islands 27 Dublin e-mail: [email protected] Cantabria 28 Kingdom Tourist Office of Spain Castile-La Mancha 30 GREAT BRITAIN. London Water Tower Place, suite 915 East Castile and León 35 London Spanish Tourist Office 845 North Michigan Avenue Catalonia 45 PO BOX 4009 Chicago, Illinois 60 611 Murcian Region 49 London W1A 6NB % 1(312) 642 19 92 Valencian Region 50 % (44207) 486 80 77 ) 1(312) 642 98 17 Extremadura 53 Paris ) (44207) 486 80 34 www.okspain.org Galicia 56 www.tourspain.co.uk e-mail: [email protected] La Rioja 60 e-mail: [email protected] Miami Madrid 62 France Tourist Office of Spain Navarre 64 JAPAN. Tokyo 1221 Brickell Avenue Basque Country66Bay of Biscay Tourist Office of Spain Miami, Florida 33131 Daini Toranomon Denki % Glossary 70 1(305) 358 19 92 Bldg.6F. 3-1-10 ) 1(305) 358 82 23 General information 72 Toranomon. -
The Chronology of Medival and Renaissance Architecture
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
A History of Architectu Twentieth Edition
SIR BANISTER FLETCHER'S A HISTORY OF ARCHITECTU TWENTIETH EDITION EDITED BY DAN CRUICKSHANK Consultant Editors ANDREW SAINT PETER BLUNDELL JONES KENNETH FRAMPTON Assistant Editor FLEUR RICHARDS ARCHITECTURAL PRESS \ CONTENTS ! List of Contributors ix I Sources of Illustrations xi I Preface xxiii I Introduction xxv I Part One The Architecture of Egypt, the Ancient Near East, Asia, Greece and the Hellenistic i Kingdoms 1 1 1 Background 3 I 2 Prehistoric 29 I I 3 Egypt I 4 The Ancient Near East I 5 Early Asian Cultures 6 Greece 153 I 7 The Hellenistic Kingdoms I 4 I Part Two The Architecture of Europe and the Mediterranean to the Renaissance 1 8 Background - 9 Prehistoric 10 Rome and the Roman Empire 11 The Byzantine Empire h I 12 Early Russia 13 Early Mediaeval and Romanesque 1 14 Gothic vi CONTENTS Part Three The Architecture of Islam 15 Background 16 Seleucid, Parthian and Sassanian 17 Architecture of the Umayyad and Abbasid Caliphates 18 Local Dynasties of Central Islam and Pre-Moghul India 19 Safavid Persia, the Ottoman Empire and Moghul India 20 Vernacular Building and the Paradise Garden Part Four The Architecture of the Pre-Colonial Cultures outside Europe 2 1 Background 22 Africa 23 The Americas 24 China 25 Japan and Korea 26 Indian Subcontinent 27 South-east Asia Part Five The Architecture of the Renaissance and Post-Renaissance in Europe and Russia 28 Background 29 Italy 30 France, Spain and Portugal 31 Austria, Germany and Central Europe 32 The Low Countries and Britain 33 Russia and Scandinavia 34 Post-Renaissance Europe Part -
El Claustro, Un Espacio Polifuncional: El Caso De La Catedral De Pamplona (Navarra)
EL CLAUSTRO, UN ESPACIO POLIFUNCIONAL: EL CASO DE LA CATEDRAL DE PAMPLONA (NAVARRA) Santiaga Hidalgo Sánchez* Université de Paris X-Ouest, France El claustro y las dependencias de la catedral de Pamplona (Navarra) que se conservan hoy en día vieron la luz a finales del siglo XIII e inicios del siglo XIV. Las funciones para las que fueron pensadas o que adoptaron estos espacios –lugar de habitación para el cabildo regular, lugar de enterramiento, marco para la liturgia, espacio cívico- son analizadas en este artículo a través de la documentación conservada en el archivo cate- dralicio de la ciudad, así como a través de la comparación con otros ejemplos hispanos o europeos. Palabras claves: cabildo regular, funcionalidad espacial, liturgia procesional THE CLOISTER, A POLIFUNCTIONAL SPACE: THE CASE OF PAMPLONAʼS CATHEDRAL (NAVARRE) The cloister and the facilities of the Pamplona Cathedral (Navarre) which are still standing nowadays, were started to be constructed at the end of XIIIth century and be finished at the beginning of the XIV century The: primary functions for which they were thought to be used or the reason why these spaces were adopted, such as, a dwelling place for the regular cathedral chapter, a burying spot, a frame for liturgy, civic space, etc. –are analyzed in this article though the documentation kept in the cathedral archive, likewise, by the comparison with other Hispanic or European cases. Keywords: regular cathedral chapter, spatial functionality, processional liturgy * Doctora en Historia del Arte Medieval (Universidad de Navarra y Universidad de Lille 3). e-mail: [email protected], Paris - Francia. INTUS-LEGERE HHIISTORIIA // IAñoSSN 0718-54562010, Vol.