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Education Practicum in Valencia, Spain May 14-June 15, 2014
Longwood University Education Practicum in Valencia, Spain May 14-June 15, 2014 Wednesday, Meet at Richmond Airport Delta Airlines check-in area at 12:30pm. ¡No later! After check-in and going through May 14 security, we will meet in the gate area for our homework session. We will fly to Atlanta, where we’ll board our overseas flight to Madrid; onboard we’ll have dinner, movies and breakfast before arriving. The best advice is to eat the dinner, but sleep during the movies. It’s morning when we arrive (8:35 AM). Thursday, Arrival in Madrid about 8:35am. You may use the ATM machines to withdraw some Euros from your debit May 15 account, before boarding our private bus for the 3 ½ hour ride to Valencia (one rest stop on the way). We will arrive in Valencia about 1:00 pm, and our host families will be there to greet us and take us home. Have lunch, un pack, rest. Afternoon options: Beach, explore, rest. Make sure to tell your host mom today that you would like to take a lunch on Saturday’s excursion, so she has time to buy necessary items. 9:00 pm (ask to make sure what time dinner will be): Be home for dinner. Then get a good night’s sleep! Friday, Your host mom will take you to the Institute, so that you can see (and remember) how to get there. You must May 16 arrive by 9:30 am. Please be punctual! 9:30-10:45 Orientation: Meet Institute staff and professors; practical info, safety info, etc. -
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo by Flora Thomas Ward A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Flora Thomas Ward 2014 Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo Flora Thomas Ward Doctor of Philosophy Department of Art University of Toronto 2014 Abstract My dissertation examines the Cámara Santa of the Cathedral of Oviedo as both a medieval and modern monument, shaped by twelfth-century bishops and twentieth-century restorers. I consider the space as a multi-media ensemble, containing manuscripts, metalwork, and sculpture, arguing that we must view it as a composite—if fragmented—whole. My analysis focuses on the twelfth century, a crucial period during which the structure, decoration, and contents of the Cámara Santa were reworked. A key figure in this story is Bishop Pelayo of Oviedo (d. 1153), who sought to enhance the antiquity and authority of the see of Oviedo by means of the cult of its most important reliquary: the Arca Santa. I argue that this reliquary shapes the form and function of the twelfth-century Cámara Santa, considering the use of the space in the context of liturgy and pilgrimage. Finally, I consider the sculpture that lines the walls of the space, arguing that it animates and embodies the relics contained within the Arca Santa, interacting with the pilgrims and canons who used the space. Thus, this sculpture represents the culmination of the long twelfth-century transformation of the Cámara Santa into a space of pilgrimage focused around the Arca Santa and the memory of the early medieval patrons of the Cathedral of Oviedo, a memory which abides to this day. -
Trip Details
Trip Details Spain & Portugal Explored The 11-day tour will take you to the some of the big cities, old towns and beautiful beaches. Enjoy delicious tapas and Portuguese spices and relax and unwind over a glass of sangria. Plenty of cultural and historical sites to visit as well as amazing nightlife and great weather! Duration 12 Days Group Size 13-35 People Destination Spain & Portugal Age Req. 18+ Start/Ends in Madrid/Lisbon Trip Theme Discovery, Overland Hotels 4 Star Departs April to October Why You Will Love This Tour The perfect blend of bustling cities, charming towns and coastal paradises – This 12-day tour through * Spain and Portugal ticks all the boxes! Stay in hand-picked and centrally located 4 & 3 star hotels, with all breakfasts included in your tour * package. Drink, dine and party until the early hours with fellow travellers! A trip to Madrid and Lisbon wouldn’t * be complete without a night out experiencing the quirky bars, delicious sangria and iconic nightlife! Explore the Moorish palaces of Spain as you follow our local guide through charming gardens, * alleyways and stunning plazas with two nights in Seville and one night in Granada. Get ready to eat your weight in Tapas, Paella and the world-famous Pastel de Nata (or Portuguese * ‘Natas). Shape your holiday the way you want with optional activities including a traditional Flamenco Show in * Sevilla, a boat day in Lagos, Granada’s iconic Alhambra or relaxing by the ocean in Valencia … this tour gives you a taste of it all! This tour starts in Madrid and finishes in Lisbon, making for the perfect excuse to extend your stay in * Portugal a little longer. -
INESLE Madrid 2020 SPANISH PROGRAM June 27Th - July 26 Th , 2020 Madrid - SPAIN
INESLE Madrid 2020 SPANISH PROGRAM June 27th - July 26 th , 2020 Madrid - SPAIN INESLE Madrid Insti tute of Spanish Summer @ INESLE Madrid Summer @ INESLE www.inesle.com “My experience at INESLE Madrid has been an unforgettable one. In a matter of 4 weeks, I was able to immerse myself in a cultural and educational experience that has helped me to feel not only more conident with my linguistic abilities, but also with my views on world politics, mass culture and more. This has been a trip of discovery and quite frankly, I have completely fallen in love with this country. I couldn´t be more grateful to everyone who helped to make my time here all that it was”. Monika Cepeda Phillips Academy - Andover, MA W E E K 1 Saturday 27 Sunday 28 Monday 29 Tuesday 30 Wednesday 1 Thursday 2 Friday 3 9:30 - 11:45 9:00 - 10:00 9:00 - 10:00 INAUGURATION Classes Classes Presentations by Directors Teachers 10:00 - 11:00 10:00 - 11:00 Students Classes Classes - Speech by program directors - Speech by program teachers - Speech by host families - Program handover 11:00 - 11:30 11:00 - 11:30 - Explanation of photo contest Recess Recess 11:45 - 12:15 11:30 - 12:30 11:30 - 12:30 Recess Classes ARRIVAL OF ARRIVAL OF Classes Cooking Lessons (Group A) STUDENTS STUDENTS 12:15 - 1:45 IN MADRID IN MADRID 12:30 - 1:30 12:30 - 1:30 Placement Test Classes Classes STAY WITH STAY WITH Cooking Lessons (Group A) HOST HOST FAMILIES FAMILIES 2:00 2:15 1:30 Host Host families families Lunch in the gardens of collect the collect the Lunch in El Prado Museum Gardens The Opera -
The North Way
PORTADAS en INGLES.qxp:30X21 26/08/09 12:51 Página 6 The North Way The Pilgrims’ Ways to Santiago in Galicia NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:19 Página 2 NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:20 Página 3 The North Way The origins of the pilgrimage way to Santiago which runs along the northern coasts of Galicia and Asturias date back to the period immediately following the discovery of the tomb of the Apostle Saint James the Greater around 820. The routes from the old Kingdom of Asturias were the first to take the pilgrims to Santiago. The coastal route was as busy as the other, older pilgrims’ ways long before the Spanish monarchs proclaimed the French Way to be the ideal route, and provided a link for the Christian kingdoms in the North of the Iberian Peninsula. This endorsement of the French Way did not, however, bring about the decline of the Asturian and Galician pilgrimage routes, as the stretch of the route from León to Oviedo enjoyed even greater popularity from the late 11th century onwards. The Northern Route is not a local coastal road for the sole use of the Asturians living along the Alfonso II the Chaste. shoreline. This medieval route gave rise to an Liber Testamenctorum (s. XII). internationally renowned current, directing Oviedo Cathedral archives pilgrims towards the sanctuaries of Oviedo and Santiago de Compostela, perhaps not as well- travelled as the the French Way, but certainly bustling with activity until the 18th century. -
Map of La Rioja Haro Wine Festival
TRAVEL AROUND SPAIN SPAIN Contents Introduction.................................................................6 General information......................................................7 Transports.................................................................10 Accommodation..........................................................13 Food.........................................................................15 Culture......................................................................16 Region by region and places to visit..............................18 Andalusia........................................................19 Aragon............................................................22 Asturias..........................................................25 Balearic Islands...............................................28 Basque Country................................................31 Canary Islands.................................................34 Cantabria........................................................37 Castille-La Mancha...........................................40 Castille and León.............................................43 Catalonia........................................................46 Ceuta.............................................................49 Extremadura....................................................52 Galicia............................................................55 La Rioja..........................................................58 Madrid............................................................61 -
Late German Gothic Methods of Vault Design and Their Relationships with Spanish Ribbed Vaults
Late German Gothic Methods of Vault Design and Their Relationships with Spanish Ribbed Vaults Rafael Martín Talaverano, Carmen Pérez de los Ríos, Rosa Senent Domínguez Polytechnic University of Madrid, Spain Despite the differences among the Late Gothic The vault of the Antigua Chapel has two vaults in different European countries in the striking characteristics: the first is the design of 15th century, masons travelled throughout the the vault plan, which is divided in four rectangles, continent, maintaining an ongoing exchange each reproducing a tierceron ribbed vault with among the different lodges. The Spanish case five keystones;2 the second is the aforementioned is particularly significant, as a great number of ribs that intersect in the tas-de-charge. These two masons from Europe arrived to Spain during the charac teristics can also be found in one of the 1440s and 1450s; for instance, Pedro Guas from vaults illustrated in the Codex Miniatus 3. Brittany and the Coeman family from Brussels Research work on Late Gothic vault construc- settled in Toledo, while Juan de Colonia travelled tion is usually restricted to a single country or from Cologne to Burgos. These masters brought region, and no comparative studies have been with them the advanced knowledge and the tech- carried out in order to prove a potential transfer nological improvements used in Their countries, of knowledge. This present paper, which com- which would appear in the vaults created in Spain pares a German-appearing Spanish vault with the from that moment on. This hypothesis is sup- theoretical German vault construction system, is ported by the fact that some Late Gothic vault intended as a starting point for further research models found in central Europe were also used on this field. -
Accessible Spain Travel Brochure PRICES 2016
Accessible Spain Travel Brochure PRICES 2016 What do we oer? YOUR ACCESSIBLE TRAVEL AGENT IN SPAIN Accessible Madrid provides a wide range of custom- ized accessible holidays for travelers with limited mobility in Madrid and surrounding cities. MOBILITY SCOOTERS During client’s tour, Accessible Our experienced team members work directly with Madrid oers a free of charge clients to cover all aspects of their accessible travel mobility scooter for client’s con- process; we provide tailor-made solutions for a safe, venience. fun and memorable trip. Our trips are customized and See picture below. organized so clients can choose tours and activities to suit their preferences. We oer our services to private individuals, private groups, travel agents, tour operators, etc. We believe people should enjoy their accessible vaca- tion with no surprises and we make sure this happens. We design accessible tours and all kind of free-barrier activities using wheelchair and scooter accessible transport Contact persons at Accessible Madrid: Arturo Garrido: +34694473663 / +34629067444 Oscar Olivier: +34656334838 Telephone numbers of interest: Euro Taxi Madrid (wheelchair accessible taxi): +34915932346 Radio Taxi: +34915478200 Police: 112 Emergencies / Ambulance: 061 More information and online bookings at: www.accessiblemadrid.com PRICES 2016 Visiting Madrid MADRID IS FUN AND VIBRANT! Madrid is a top tourist destination, oering everything from art and culture to leisure and sports, as well as restaurants, shops and green spaces. Madrid is a vibrant city with so many places to visit, so many things to do… And the city continues to improve its accessibility provisions so that all visitors can make the most of their trip to the Spanish capital. -
Libro Omen?Aca
El gótico navarro en el contexto hispánico y europeo* Clara Fernández-Ladreda Aguadé Universidad de Navarra Resumen Durante el Gótico Pleno (1200-1276) el influjo foráneo será puntual y no tendrá casi eco. Procede, en general, de Francia, tanto en el caso de la arqui - tectura y escultura monumental, como en el de las piezas importadas. En el Gótico Radiante (1276-1387) la influencia exterior es más visible. En la arquitectura y escultura monumental, el principal receptor de los influjos foráneos es la catedral de Pamplona, claustro y dependencias, donde trabajan maestros franceses (Miguel y Arnalt Puyssiveler) e ingleses conocedores del arte francés (Guillermo Inglés). A su vez, ejercerá un gran ascendiente sobre el arte navarro y alavés. Destacan también las obras importadas: de Francia (vírgenes de Roncesvalles y Huarte, y relicario del ajedrez de Carlomagno ), Italia (Cristo de Puente la Reina) y Cataluña (Virgen de Sorauren). En el rei - nado de Carlos III sobresalen las obras de promoción real, abiertas al influjo exterior e influyentes de cara al interior. En escultura descuellan Jehan Lome y su taller, vinculados a la tumba real, que traen a Navarra el estilo borgoñón. Entre las piezas importadas destaca el retablo de las Navas, primer retablo esculpido de Navarra. El Tardogótico (1441-1512) es una etapa artísticamen - te pobre. Lo más sobresaliente son las obras importadas de Castilla (Cristo de Viana, Virgen de Marañón) y Países Bajos meridionales (Virgen de Cortes, Santa Ana de Tudela y retablo de Artajona). Abstract During the High Gothic period (1200-76), influence from outside Navarra was sporadic and had almost no followers. -
La Deformación Del Tipo. Construcción De Bóvedas No-Canónicas En
7. Bóvedas de crucería no canónicas (1681). Este texto ha sido analizado en la primera parte de la tesis (cfr. capítulo 4, apartado 4.3). Aunque no coinciden con la solución final adoptada, en las trazas aparecen dibujados tres propuestas de diseño de nervios para las bóvedas de la girola que adaptan la crucería a la planta trapecial. Este ajuste en planta implica necesariamente, una adaptación de la volumetría de la bóveda, donde entran en juego mecanismos de diseño distintos de los habituales. Vamos a analizar el diseño de la girola de la Catedral de Segovia y la construcción geométrica de la forma de las bóvedas trapezoidales que la cubren, tomando como punto de partida la documentación antes mencionada.62 El análisis se inició con un levantamiento de dos de las siete bóvedas, realizado por medio de una estación total. A partir de los datos obtenidos de dicho levantamiento, se analiza la forma de las bóvedas y los mecanismos de control Figura 7.109. Traza geométrico de las mismas, proponiendo una hipótesis sobre el proceso atribuida a Rodrigo Gil de Hontañón (c. 1561) (RUIZ de diseño y control de la forma durante su construcción. HERNANDO 2003, 25) El diseño de la girola de la Catedral de Segovia El diseño semicircular de la girola que rodea el ábside no es inmediato. Por una parte la girola coordina las dimensiones del ábside con las de las naves laterales e implica, además, la división en un número de lados aproximadamente iguales. Sin embargo, aunque las dimensiones de la girola vengan condicionadas por las del resto del templo, no hay una solución única ya que es posible actuar sobre algunas variables como el punto de inicio de la girola o el centro de radiación.63 Sin duda la mayor dificultad radica en la división en tramos de la girola. -
Heritage of Religion, Beliefs and Spirituality Patrimoine De La Religion, Des Croyances Et De La Spiritualité
Heritage of religion, beliefs and spirituality Patrimoine de la religion, des croyances et de la spiritualité A bibliography Une bibliographie By ICOMOS Documenta on Centre - October 2014 Par le Centre de Documenta on ICOMOS - Octobre 2014 Updated and edited by Valéria De Almeida Gomes, intern at ICOMOS Documentation Centre, and Lucile Smirnov. This bibliography refers to documents and materials available at ICOMOS Documentation Centre. It does not intend to be a comprehensive list of scientific literature on religions cultural heritage. Any reference can be consulted or scanned, subject to the limits of copyright legislation. Actualisé et mis en page par Valéria De Almeida Gomes et Lucile Smirnov. Cette bibliographie fait référence à des documents et ouvrages disponibles au Centre de documentation de l’ICOMOS. Elle ne prétend pas constituer une bibliographie exhaustive de la littérature scientifique sur e patrimoine culturel des religions. Toutes ces références peuvent être consultées ou scannées dans la limite de la loi sur le copyright. Contact ICOMOS Documentation Centre / Centre de Documentation ICOMOS http://www.icomos.org/en/documentation-center [email protected] © ICOMOS Documentation Centre, October 2014. ICOMOS - International Council on Monuments and sites Conseil International des Monuments et des Sites 11 rue du Séminaire de Conflans 94 220 Charenton-le-Pont France Tel. + 33 (0) 1 41 94 17 59 http://www.icomos.org Cover photographs: Photos de couverture : Hagia Sophia, Istanbul © David Spencer / Flickr; Borobudur near Yogyakarta. ©: Paul Arps/Flickr; Old Jewish Cemetery (Starý židovský hrbitov), Prague (Prag/Praha) © Ulf Liljankoski / Flickr Index Polytheism and early cults ......................................................... 2 African syncretism and traditional religions ................................. -
El Maestro Esteban En Pamplona: ¿Arquitecto Y…
JAVIER MARTÍNEZ DE AGUIRRE El Maestro Esteban en Pamplona: ¿arquitecto y… El Maestro Esteban en Pamplona: ¿arquitecto y urbanista? Javier Martínez de Aguirre Universidad Complutense de Madrid Resumen: Como sucede con otros artistas románicos, la personalidad del Maestro Esteban, artífice al servicio del obispo Pedro de Roda en la catedral de Pamplona a comienzos del siglo XII, ha sido objeto de interpretaciones encontradas y en ocasiones abusivas. El artículo aborda algunos aspectos de su labor como arquitecto. En primer lugar, lleva a cabo una revisión de la documentación relativa al maestro y sus circunstancias. A continuación, examina ciertos restos arquitectónicos románicos (en su mayor parte hasta ahora totalmente ignorados) que, integrados en la actual fábrica catedralicia gótica, probablemente formaron parte de la construcción proyectada y dirigida por Esteban. Por último, explora su hipotético papel como urbanista en el trazado del burgo de San Saturnino de Pamplona, lo que constituye una face- ta verosímil de su trayectoria profesional que nunca ha sido considerada. Palabras clave: Mestre Esteban, Pedro de Roda, catedral románica de Pamplona, catedral de Santiago de Compostela, urbanismo románico, burgo de San Saturnino, San Fermín, reforma gregoriana. Master Esteban in Pamplona: architect and urban planner? Abstract: As with other Romanesque artists, the figure of Master Esteban, artisan in the service of Bishop Pedro de Roda at Pamplona Cathedral in the early 12th century, has been the subject of conflicting, and sometimes even disparaging, interpretations. This article covers certain aspects of his work as an architect. It begins with a review of the documentary sources relating to the master and his circumstances.