Micro-Architecture As the 'Idea' of Gothic Theory and Style
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The Moslim Saint in Toledo Cathedral By: Angus Macnab
The Moslim Saint in Toledo Cathedral By: Angus Macnab Studies in Comparative Religion, Vol. 2, No. 2. (Spring, 1968) © World Wisdom, Inc. www.studiesincomparativereligion.com THE main chapel of Toledo Cathedral has one curious feature which is sometimes allowed to pass unnoticed, though it must surely be unique among Christian churches. Amid the effigies of saints, holy bishops, abbots, and Christian monarchs—defenders of the faith—there stands a fine polychrome statue of an Islamic doctor of theology. This cathedral was not begun until the early thirteenth century; but the memory of the saintly Mussulman was still held in such regard at Toledo a century and a half after the reconquest of the city from the Arabs, that his image was set up in one of the two most prominent positions of honour. These two conspicuous sites are the two pillars which, with the two others beside the twin pulpits, sustain the vault of the main chapel. The one on the Gospel side has a statue of the mysterious Shepherd of Las Navas—thought by some to have been an apparition of St. Isidore the Farm-Hand, Patron of Madrid—who showed King Alfonso the Good the secret mountain pass that enabled the Christian army to win the decisive victory of the Reconquest at Navas de Tolosa in 1212, and who vanished after showing the path to the leaders; the statue is said to have been made from a rough sketch drawn by the king himself. And in the corresponding position on the Epistle-side pillar stands the Moslem who won the great victory of renunciation and peace. -
2010 Romanesque Confererence Abstracts
ROMANESQUE AND THE PAST ABSTRACTS John McNeill An Introduction to 11th and 12th-Century Attitudes to the Past One of the questions the conference is implicitly posing is whether there is a discernably Romanesque sense of the Past - an attitude or set of approaches to the past different to that of, say, the fourteenth century - or the fourth? And whether there is any consistency in the way this might be expressed - both across media - and across regions. By way of an introduction this paper will largely concentrate on architecture, and look at the ways in which spolia - material fragments of the past - were reused. It will suggest that the allusive capacity of spolia was important in certain areas of Europe in creating an architecture which attempted to emulate the architecture of Late Antiquity, particularly in the second half of the 11th century, though for the most part spolia was used for very specific and local reasons. It will conclude with a very brief consideration of emulation and architectural referentiality. Eric Fernie The Concept of the Romanesque The Romanesque style is one of the most loosely defined and controversial of art historical periods. The paper will assess the case against it and then that for it, concentrating on architecture and examining in particular when it is supposed to have begun, how it related to the political units of the time, and how it is used in conjunction with other period labels. The presentation concludes with an assessment of the origins of the Romanesque in a broad historical context. Richard Gem St Peter’s Basilica in Rome c.1024-1159: a model for emulation? The aim of this contribution is to evaluate the possible role of the ancient basilica of St Peter in Rome as a model for architectural design and for religious practice in Europe between the second quarter of the eleventh century and the middle of the twelfth (from Pope John XIX to Pope Hadrian IV). -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
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TECNOLOGÍA NAVARRA DE NANOPRODUCTOS S.L. (TECNAN) THINK BIG, ACT NANO! REFERENCES RESTORATION AND CONSERVATION OF HERITAGE BUILDINGS TECNADIS PRODUCTS - REMARKABLE WORKS Metropolitan Cathedral Seville Cathedral Oviedo Cathedral (Panama City) (Sevilla - Spain) (Asturias - Spain) Mosque-Cathedral of Cordoba La Almudena Cathedral Tui Cathedral Santander Cathedral (Córdoba - Spain) (Madrid - Spain) (Pontevedra - Spain) (Cantabria - Spain) Tarazona Cathedral Burgo de Osma Cathedral Pamplona Cathedral Segovia Cathedral (Zaragoza - Spain) (Soria - Spain) (Navarra - Spain) (Segovia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Cologne Cathedral Pisa Cathedral Saint Bavon Cathedral Saint Esteban Cathedral (Italy) (Germany) (Ghent - Belgium) (Wien - Austria) (Bélgica) São João National Theatre Santo Domingo de la Calzada Cathedral Casa Milá – La Pedrera Viana Do Castelo Cathedral (Porto-Portugal) (La Rioja - Spain) (Barcelona - Spain) (Portugal) Buen Pastor Cathedral The Real Alcazar Casa Batlló Valencia Cathedral Museum (San Sebastián - Spain) (Sevilla - Spain) (Barcelona - Spain) (Valencia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Bank of Spain Headquarters Santander Bank Headquarters National Library Parador of Leon (Madrid-Spain) (Santander - Spain) (Madrid - Spain) (León - Spain) ) Bank of Spain Building Spain Square Canalejas Complex Prado Museum (Málaga - Spain) (Sevilla - Spain) (Madrid - Spain) (Madrid - Spain) Royal Pavilion - Mª Luisa Park The old Seville Artillery Factory Astorga Episcopal Palace Catalunya Caixa Bank Headquarters -
Pentagons in Medieval Architecture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Építés – Építészettudomány 46 (3–4) 291–318 DOI: 10.1556/096.2018.008 PENTAGONS IN MEDIEVAL ARCHITECTURE KRISZTINA FEHÉR* – BALÁZS HALMOS** – BRIGITTA SZILÁGYI*** *PhD student. Department of History of Architecture and Monument Preservation, BUTE K II. 82, Műegyetem rkp. 3, H-1111 Budapest, Hungary. E-mail: [email protected] **PhD, assistant professor. Department of History of Architecture and Monument Preservation, BUTE K II. 82, Műegyetem rkp. 3, H-1111 Budapest, Hungary. E-mail: [email protected] ***PhD, associate professor. Department of Geometry, BUTE H. II. 22, Egry József u. 1, H-1111 Budapest, Hungary. E-mail: [email protected] Among regular polygons, the pentagon is considered to be barely used in medieval architectural compositions, due to its odd spatial appearance and difficult method of construction. The pentagon, representing the number five has a rich semantic role in Christian symbolism. Even though the proper way of construction was already invented in the Antiquity, there is no evidence of medieval architects having been aware of this knowledge. Contemporary sources only show approximative construction methods. In the Middle Ages the form has been used in architectural elements such as window traceries, towers and apses. As opposed to the general opinion supposing that this polygon has rarely been used, numerous examples bear record that its application can be considered as rather common. Our paper at- tempts to give an overview of the different methods architects could have used for regular pentagon construction during the Middle Ages, and the ways of applying the form. -
Illustrated and Descriptive Catalogue and Price List of Stereopticons
—. ; I, £3,v; and Descriptive , Illustrated ;w j CATALOGUE AND PRICE LIST- t&fs — r~* yv4 • .'../-.it *.•:.< : .. 4^. ; • ’• • • wjv* r,.^ N •’«* - . of . - VJ r .. « 7 **: „ S ; \ 1 ’ ; «•»'•: V. .c; ^ . \sK? *• .* Stereopticons . * ' «». .. • ” J- r . .. itzsg' Lantern Slides 1 -f ~ Accessories for Projection Stereopticon and Film Exchange W. B. MOORE, Manager. j. :rnu J ; 104 to no Franlclin Street ‘ Washington . (Cor. CHICAGO INDEX TO LANTERNS, ETC. FOR INDEX TO SLIDES SEE INDEX AT CLOSE OF CATALOGUE. Page Acetylene Dissolver 28 Champion Lantern 3g to 42 “ Gas 60 Check Valve S3 •* 1 • .• Gas Burner.... ; 19 Chemicals, Oxygen 74, 81 ** < .' I j Gas Generator.. ; 61 to 66 Chirograph 136 “ Gas Generator, Perfection to 66 64 Chlorate of Potash, tee Oxygen Chemicals 74 Adapter from to sire lenses, see Chromatrope.... 164 Miscellaneous....... 174 Cloak, How Made 151 Advertising Slides, Blank, see Miscellaneous.. 174 ** Slides 38010,387 " Slides 144 Color Slides or Tinters .^140 “ Slides, Ink for Writing, see Colored Films 297 Miscellaneous, 174 Coloring Films 134 “ Posters * *...153 " Slides Alcohol Vapor Mantle Light 20A v 147 Combined Check or Safety Valve 83 Alternating.Carbons, Special... 139 Comic and Mysterious Films 155 Allen Universal Focusing Lens 124, 125 Comparison of Portable Gas Outfits 93, 94 America, Wonders cf Description, 148 “Condensing Lens 128 Amet's Oro-Carbi Light 86 to 92, 94 " Lens Mounting 128 •Ancient Costumes ....! 131 Connections, Electric Lamp and Rheostat... 96, 97 Approximate Length of Focus 123 " Electric Stage 139 Arc Lamp 13 to 16 Costumes 130 to 152, 380 to 3S7 ** Lamp and Rheostat, How to Connect 96 Cover Glasses, see Miscellaneous ,....174 Arnold's Improved Calcium Light Outfit. -
Functionalism and Caprice in Stonecutting. the Case of the Nativity Chapel in Burgos Cathedral
Proceedings of the Third International Congress on Construction History, Cottbus, May 2009 Functionalism and Caprice in Stonecutting. The Case of the Nativity Chapel in Burgos Cathedral Miguel Ángel Alonso Rodríguez, Ana López Mozo, José Carlos Palacios Gonzalo, Enrique Rabasa Díaz Technical University of Madrid, Spain José Calvo-López Polytechnic University of Cartagena, Spain Alberto Sanjurjo Álvarez San Pablo-CEU University, Madrid, Spain ABSTRACT: Starting from the inaugural text of Philibert de L'Orme, stereotomic treatises and manuscripts are subject to the opposing forces of reason and fancy. The Nativity Chapel in Burgos Cathedral provides an outstanding case study on this subject. It was built in 1571-1582 by Martín de Bérriz and Martín de la Haya, using an oval vault resting on trumpet squinches to span a rectangular bay. Bed joints and rib axes are not planar curves, as usual in oval vaults. This warping is not capricious; we shall argue that it is the outcome of a systematic tracing method. As a result of this process, the slope of the bed joints increases slightly in the first courses, but stays fairly constant after the third course; this solution prevents the upper courses from slipping. Thus, in the Nativity Chapel of Burgos Cathedral, the constraints of masonry construction fostered a singular solution verging on capriccio. It is also worthwhile to remark that the warping of the joints is not easily appreciable to the eye and that the tracing process does not seem to start from a previous conception of the resulting form. All this suggests that we should be quite careful when talking about the whimsical character of Late Gothic and Early Renaissance; in some occasions, apparent caprice is the offspring of practical thinking. -
Map of La Rioja Haro Wine Festival
TRAVEL AROUND SPAIN SPAIN Contents Introduction.................................................................6 General information......................................................7 Transports.................................................................10 Accommodation..........................................................13 Food.........................................................................15 Culture......................................................................16 Region by region and places to visit..............................18 Andalusia........................................................19 Aragon............................................................22 Asturias..........................................................25 Balearic Islands...............................................28 Basque Country................................................31 Canary Islands.................................................34 Cantabria........................................................37 Castille-La Mancha...........................................40 Castille and León.............................................43 Catalonia........................................................46 Ceuta.............................................................49 Extremadura....................................................52 Galicia............................................................55 La Rioja..........................................................58 Madrid............................................................61 -
Fribourg Region the Leisure Activities and Discoveries Guide Welcoming Delicious Unexpected 2019
FRIBOURG REGION THE LEISURE ACTIVITIES AND DISCOVERIES GUIDE WELCOMING DELICIOUS UNEXPECTED 2019 THE UNEXPECTED THE NOCTURNAL ADVENTURES OF BEAVERS EXPERIENCE i'VE EXPERIENCED: AN EXTRAORDINARY ADVENTURE PASSION KEEPING WALKERS ON THE RIGHT TRACK... ALONG 1800 KM OF PATHWAYS! www.fribourgregion.ch 2 FRIBOURG REGION IT'S DZ¡N ! Discover unique activities and inspiring encounters with local MEADOWS: people. Create memories NATURE’S as a group or individual, TREASURES for children and adults alike. www.dzin.ch PAGE 4 CONTENTS Meadows: nature’s treasures ........................ 4 Hiking in Fribourg Region, Aline Hayoz-Andrey accompanies amateur botanists the joy factor! ................................................ 20 I've experienced: an extraordinary Life is a beautiful walk ...................................22 adventure ....................................................... 8 The Trans Swiss Trail, a shared long-distance project Jean-Claude Pesse perpetuates an ancestral tradition Keeping walkers on the right track... “The philosophical sweeper” .......................10 along 1800 km of pathways! ...................... 26 Interview with Michel Simonet on the streets of Fribourg The diligent professionals who maintain the waymarks The nocturnal adventures Valuable advice from Bruno Jelk ................ 28 of beavers ....................................................... 14 A leading expert on safety in the mountains Nature and people get along together in the Grande Cariçaie A visit to Romont that’s full of surprises ....................................................32 -
The Art of Italy June 5Th -26Th
The IPFW Department of Fine Arts 2016 Study Abroad Program The Art of Italy June 5th -26th In our 14th year of Study Abroad travel, the IPFW Department of Fine Arts is excited to an- nounce its 2016 program, The Art of Italy. After flying to Rome, we will tour the city that is home to such wonders as the Colosseum and Forum, the Vatican Museum with its Sistine Chapel, and the Borghese Palace, full of beautiful sculptures by Bernini and paintings by Caravaggio. Outside of Rome, we will visit the ancient Roman site of Ostia Antica; on an- other day we will journey to the unique hill town of Orvieto, site of one of the most beautiful cathedrals in Italy and the evocative frescos of Luca Signorelli. We will next stay in Venice, one of the most unique cities in the world and a UNESCO World Heritage site. While there, we will tour the Doge’s Palace and the Academia Museum which displays paintings by such masters as Veronese and Giorgione. From Venice we will travel to Padua and view the ground breaking frescos of Giotto in the Arena Chapel as well as visit the pilgrimage church of Saint Anthony. Lastly, while residing in Florence, travelers will understand why this city was the epicenter of the Italian Renaissance. Art venues will include the Uffizi The beautiful Doge’s Palace and St. Mark’s Bell Tower seen Museum holding paintings such as Botticelli’s Birth of from the lagoon of Venice. Venus, the Academia Museum with Michelangelo’s David, and the impressive Pitti Palace and Gardens. -
The Acoustics of the Choir in Spanish Cathedrals
acoustics Article The Acoustics of the Choir in Spanish Cathedrals Alicia Alonso * , Rafael Suárez and Juan J. Sendra Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla, Seville 41012, Spain; [email protected] (R.S.); [email protected] (J.J.S.) * Correspondence: [email protected]; Tel.: +34-954-559-51 Received: 13 November 2018; Accepted: 4 December 2018; Published: 6 December 2018 Abstract: One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private character. Regarding the generation and transformation of ecclesial interior spaces, the choir commands a role of the first magnitude. Its shape and location produce, on occasions, major modifications that significantly affect the acoustics of these indoor spaces. In the case of Spanish cathedrals, whose design responds to the so-called “Spanish type”, the central position of the choir, enclosed by high stonework walls on three of its sides and with numerous wooden stalls inside, breaks up the space in the main nave, thereby generating other new spaces, such as the trascoro. The aim of this work was to analyse the acoustic evolution of the choir as one of the main elements that configure the sound space of Spanish cathedrals. By means of in situ measurements and simulation models, the main acoustic parameters were evaluated, both in their current state and in their original configurations that have since disappeared. -
Church of Saint Michael
WLOPEFM QFJBPJBP Church of Saint Michael Saturday: 4:30PM God's sons and daughters in Sunday: 8:00AM, 10:30AM Tuesday: 6:30PM Chapel Farmington, Minnesota Wednesday: 8:30AM Chapel Thursday: 8:30AM Chapel Our Mission Friday: 8:30AM Chapel To be a welcoming Catholic community CLKCBPPFLKLK centered in the Eucharist, inving all to live the Saturday: 3:15-4:15PM Gospel and grow in faith. AKLFKQFKD LC QEB SF@HF@H If you or a family member needs to October 6, 2019 receive the Sacrament of Anoinng please call the parish office, 651-463-3360. B>MQFPJJ Bapsm class aendance is required. Bapsm I is offered the 3rd Thursday of the month at 7pm. Bapsm II is offered the 2nd Thursday of the month at 6:30pm. Group Bapsm is held the 2nd Sunday of the month at 12:00noon. (Schedule can vary) Email [email protected] or call 651-463-5257. M>QOFJLKVLKV Please contact the Parish Office. Allow at least 9 months to prepare for the Sacrament of Marriage. HLJB?LRKA ER@E>OFPQFPQ If you or someone you know is homebound and would like to receive Holy Communion, please contact Jennifer Schneider 651-463-5224. PO>VBO LFKBFKB Email your prayer requests to: [email protected] or call 651-463-5224 P>OFPE OCCF@B HLROPROP Monday through Friday 8:00am-4:00pm Phone—651-463-3360 [email protected] BRIIBQFK DB>AIFKBFKB Monday noon for the following Sunday bullen, submit to: info@stmichael- farmington.org 22120 Denmark Avenue—Farmington MN 55024—www.stmichael-farmington.org ▪ October 6, 2019 2 A glimpse of Orvieto Italy—Where Fr.