Illustrated and Descriptive Catalogue and Price List of Stereopticons
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The Tragedy of Hamlet
THE TRAGEDY OF HAMLET THE WORKS OF SHAKESPEARE THE TRAGEDY OF HAMLET EDITED BY EDWARD DOWDEN n METHUEN AND CO. 36 ESSEX STREET: STRAND LONDON 1899 9 5 7 7 95 —— CONTENTS PAGE Introduction ix The Tragedy of Hamlet i Appendix I. The "Travelling" of the Players. 229 Appendix II.— Some Passages from the Quarto of 1603 231 Appendix III. Addenda 235 INTRODUCTION This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources—the Quarto of 1604 and the Folio of 1623 — in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa- sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. 1 The letter Q means Quarto 604 ; F means Folio 1623. The dates of the later Quartos are as follows: —Q 3, 1605 161 1 undated 6, For ; Q 4, ; Q 5, ; Q 1637. my few references to these later Quartos I have trusted the Cambridge Shakespeare and Furness's edition of Hamlet. Thirdly, it gives explanatory notes. Here it is inevitable that my task should in the main be that of selection and condensation. But, gleaning after the gleaners, I have perhaps brought together a slender sheaf. -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 113 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 113 CONGRESS, SECOND SESSION Vol. 160 WASHINGTON, THURSDAY, JANUARY 30, 2014 No. 18 House of Representatives The House was not in session today. Its next meeting will be held on Friday, January 31, 2014, at 3 p.m. Senate THURSDAY, JANUARY 30, 2014 The Senate met at 10 a.m. and was to the Senate from the President pro ahead, and I think it is safe to say that called to order by the Honorable CHRIS- tempore (Mr. LEAHY). despite the hype, there was not a whole TOPHER MURPHY, a Senator from the The legislative clerk read the fol- lot in this year’s State of the Union State of Connecticut. lowing letter: that would do much to alleviate the U.S. SENATE, concerns and anxieties of most Ameri- PRAYER PRESIDENT PRO TEMPORE, cans. There was not anything in there The Chaplain, Dr. Barry C. Black, of- Washington, DC, January 30, 2014. that would really address the kind of fered the following prayer: To the Senate: dramatic wage stagnation we have seen Let us pray. Under the provisions of rule I, paragraph 3, over the past several years among the Eternal Spirit, we don’t know all of the Standing Rules of the Senate, I hereby middle class or the increasingly dif- appoint the Honorable CHRISTOPHER MURPHY, that this day holds, but we know that a Senator from the State of Connecticut, to ficult situation people find themselves You hold this day in Your sovereign perform the duties of the Chair. -
The Philippine Islands, 1493-1803
Accessions Shelf ^o. if.ri FRl&M THE |f htUti& JMnnit /^ '^a/^ 'immmasmfHitimm CAUTION Do not write in this book or mark it with pen or pencil. Penalties are imposed by the Revised Laws of the Commonwealth of Mas- sachusetts, Chapter 208, Section 83. B.P.L. FORM NO. 609; 6.24.26; 400H. '..miiBSitnmwjmimii' The PHILIPPINE ISLANDS 1493-1898 Explorations by Early Navigators, Descriptions of the Islands and their Peoples, their History and Records of the Catholic Missions, as related in contemporaneous Books and Manuscripts, showing the Political, Eco- nomic, Commercial and Religious Conditions of those Islands from their earliest relations with European Nations to the close of the Nineteenth Century TRANSLATED FROM THE ORIGINALS Edited and annotated by Emma Helen Blair and James Alexander Robertson, with historical intro- duction and additional notes by Edward Gaylord Bourne. With maps, portraits and other illustrations Volume XXXVII—166(^-1676 The Arthur H. Clark Company Cleveland, Ohio MCMVI no<* '.? CONTENTS OF VOLUME XXXVII Preface 9 Miscellaneous Documents, 1669- 1676 Events in Filipinas, 1668. [Unsigned; Francisco de Figueroa?] ; Manila, Jan- uary 15, 1669 23 The Dominicans in the Philippines, 1641- 69. Baltasar de Santa Cruz, O.P. ; 1676. [From his Historia.'] . .64 The Augustinians in the Philippines, 1641- 70. Casimiro Diaz, O.S.A. ; Manila, 1718. [From his Conquistas.^ . 149 Manila and the Philippines about 1650 (to be concluded) . Domingo Fernandez Navarrete, O.P. ; Madrid, 1676. [From his Tratados historicos.~\ . 285 Bibliographical Data 307 ILLUSTRATIONS Map of the Philippine Islands, showing prov- ince of the Order of the Hermits of St. Au- gustine; photographic facsimile of engraving in Lubin's Orbis Augustinianus. -
From Your Belly Flow Song-Flowers: Mexica Voicings in Colonial New Spain (Toward a Culturally-Informed Voice Theory and Practice)
FROM YOUR BELLY FLOW SONG-FLOWERS: MEXICA VOICINGS IN COLONIAL NEW SPAIN (TOWARD A CULTURALLY-INFORMED VOICE THEORY AND PRACTICE) by BETHANY MARIE BATTAFARANO A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of requirements for the degree of Master of Arts March 2021 THESIS APPROVAL PAGE Student: Bethany Marie Battafarano Title: From Your Belly Flow Song-flowers: Mexica Voicings in Colonial New Spain (Toward a Culturally-informed Voice Theory and Practice) This thesis has been accepted and approved in partial fulfillment of the Master of Arts degree in the Department of Musicology by: Ed Wolf Chair Lori Kruckenberg Member Drew Nobile Member And Kate Mondloch Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2021. ii © 2021 Bethany Marie Battafarano This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii THESIS ABSTRACT Bethany Marie Battafarano Master of Arts School of Music and Dance March 2021 Title: From Your Belly Flow Song-flowers: Mexica Voicings in Colonial New Spain (Toward a Culturally-informed Voice Theory and Practice) In colonial New Spain, Indigenous peoples sang, played, and composed in western European musical styles, and Spanish composers incorporated Indigenous instruments, rhythms, and languages into their compositions. However, modern vocalists in the United States often overlook or misrepresent Indigenous features in performances of New Spanish repertoire. Vocalists typically must make choices about vocal techniques alone and, largely for lack of resources, in uninformed ways. -
Raffael Santi | Elexikon
eLexikon Bewährtes Wissen in aktueller Form Raffael Santi Internet: https://peter-hug.ch/lexikon/Raffael+Santi MainSeite 63.593 Raffael Santi 3'315 Wörter, 22'357 Zeichen Raffael Santi, auch Rafael, Raphael (ital. Raffaello), irrtümlich Sanzio,ital. Maler, geb. 1483 zu Urbino. Der Geburtstag selbst ist streitig: je nachdem man die vom Kardinal Bembo verfaßte Grabschrift R.s deutet, welche besagt, er sei «an dem Tage, an dem er geboren war, gestorben» («quo die natus est eo esse desiit VIII Id. April MDXX», d. i. 6. April 1520, damals Karfreitag), setzt man den Geburtstag auf den 6. April oder auf den Karfreitag, d. i. 28. März 1483, an. Seine erste künstlerische Unterweisung dankte er dem Vater Giovanni Santi (s. d.), den er jedoch bereits im 12. Jahre verlor, sodann einem unbekannten Meister in Urbino, vielleicht dem Timoteo Viti, mit dem er auch später enge Beziehungen unterhielt. Erst 1499 verließ er die Vaterstadt und trat in die Werkstätte des damals hochberühmten Malers Perugino (s. d.) in Perugia. Das älteste Datum, welches man auf seinen Bildern antrifft, ist das Jahr 1504 (auf dem «Sposalizio», s. unten); doch hat er gewiß schon früher selbständig für Kirchen in Perugia und in Città di Castello gearbeitet. 1504 siedelte Raffael Santi nach Florenz über, wo er die nächsten Jahre mit einigen Unterbrechungen, die ihn nach Perugia und Urbino zurückführten, verweilte. In Florenz war der Einfluß Leonardos und Fra Bartolommeos auf seine künstlerische Vervollkommnung am mächtigsten; von jenem lernte er die korrekte Zeichnung, von diesem den symmetrischen und dabei doch bewegten Aufbau der Figuren. Als abschließendes künstlerisches Resultat seines Aufenthalts in Florenz ist die 1507 für San Fancesco in Perugia gemalte Grablegung zu betrachten (jetzt in der Galerie Borghese zu Rom). -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
A „Szőke Tisza” Megmentésének Lehetőségei
A „SZŐKE TISZA” MEGMENTÉSÉNEK LEHETŐSÉGEI Tájékoztató Szentistványi Istvánnak, a szegedi Városkép- és Környezetvédelmi Bizottság elnökének Összeállította: Dr. Balogh Tamás © 2012.03.27. TIT – Hajózástörténeti, -Modellező és Hagyományőrző Egyesület 2 TÁJÉKOZTATÓ Szentistványi István, a szegedi Városkép- és Környezetvédelmi Bizottság elnöke részére a SZŐKE TISZA II. termesgőzössel kapcsolatban 2012. március 27-én Szentistványi István a szegedi Városkép- és Környezetvédelmi Bizottság elnöke e-mailben kért tájékoztatást Dr. Balogh Tamástól a TIT – Hajózástörténeti, -Modellező és Hagyományőrző Egyesület elnökétől a SZŐKE TISZA II. termesgőzössel kapcsolatban, hogy tájékozódjon a hajó megmentésének lehetőségéről – „akár jelentősebb anyagi ráfordítással, esetleges városi összefogással is”. A megkeresésre az alábbi tájékoztatást adom: A hajó 2012. február 26-án süllyedt el. Azt követően egyesületünk honlapján – egy a hajónak szentelt tematikus aloldalon – rendszeresen tettük közzé a hajóra és a mentésére vonatkozó információkat, képeket, videókat (http://hajosnep.hu/#!/lapok/lap/szoke-tisza-karmentes), amelyekből szinte napi ütemezésben nyomon követhetők a február 26-március 18 között történt események. A honlapon elérhető információkat nem kívánom itt megismételni. Egyebekben a hajó jelentőségéről és az esetleges városi véleménynyilvánítás elősegítésére az alábbiakat tartom szükségesnek kiemelni: I) A hajó jelentősége: Bár a Kulturális Örökségvédelmi Hivatal előtt jelenleg zajlik a hajó örökségi védelembe vételére irányuló eljárás (a hajó örökségi -
The Storstrd Responsible Have a New on Board Tenyo, Third Officer of Collier , Sugar Story Say Adherents Blamed for Wreck of The
From San Franctsco: Sonoma. July 13. For San Francisco i 3:30 Nippon Maru. July 14. From Vancouver: Makura, July 15. For Vancouver: i l Niagara, July 14. liJ Editio KvenliiK Bulletin. Kst. 18S2. No. ',903 20 --HONOLULU, TERRITORY OP HAWAII, JULY 11, 1911. 20 PAGES PRICE FIVE CENTS Hawaiian Star, Vol. XXII. No. 6942 PAGES SATURDAY, DEMOCRATS DR. SUN TAT SEN COMMISSION KINDS THE STORSTRD RESPONSIBLE HAVE A NEW ON BOARD TENYO, THIRD OFFICER OF COLLIER , SUGAR STORY SAY ADHERENTS BLAMED FOR WRECK OF THE McCandless ..Campaign on Whereabsuts of First Provi Declaration ' That Local sional President Mooted LINER EMPRESS OF IRELAND Question Republicans Refused to Among Chinese Accept Tariff a MAY RE EN ROUTE TO Failure to Call Captain Anderson When Fog Settled Over Compromise MAINLAND AFTER FUNDS Vessel, Given as Reason for Collision in St. Lawrence -- ,.. y-:-v VETERAN CANDIDATE Local Member of Young China River That Brought Death to Almost 1000 on Night ot SURE TO RUN AGAIN of -- Investigation Board Party ""'I J?- - " May 28 Lord Mersey Member Positive Leader Was A fym Iff 4. ' Aboard Japanese Liner ' --' Makes Informal Announcement 11 . v Associated Press servlr by Federal Wireless. ?2&i&e9E&- - No Statement Whether Did Dr. Sun Vat Sen. in the d sguise QUEBEC, Canada, July 11- - The commission appointed to make a Bourbons -- Indorse Duty of a lo!y cooUe, pass through Hono- thorough' investigation of the sinking of the S, S. Empress of Ireland, in the lulu Thus1ay as a st?erago passen- St Lawrence river ht night of May 23, has placed the responsibility for ger Toyo Informal announcement of his can- in the K!sn Kaisha liner the disaster upon the Norwegian collier Storstad. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
Fribourg Region the Leisure Activities and Discoveries Guide Welcoming Delicious Unexpected 2019
FRIBOURG REGION THE LEISURE ACTIVITIES AND DISCOVERIES GUIDE WELCOMING DELICIOUS UNEXPECTED 2019 THE UNEXPECTED THE NOCTURNAL ADVENTURES OF BEAVERS EXPERIENCE i'VE EXPERIENCED: AN EXTRAORDINARY ADVENTURE PASSION KEEPING WALKERS ON THE RIGHT TRACK... ALONG 1800 KM OF PATHWAYS! www.fribourgregion.ch 2 FRIBOURG REGION IT'S DZ¡N ! Discover unique activities and inspiring encounters with local MEADOWS: people. Create memories NATURE’S as a group or individual, TREASURES for children and adults alike. www.dzin.ch PAGE 4 CONTENTS Meadows: nature’s treasures ........................ 4 Hiking in Fribourg Region, Aline Hayoz-Andrey accompanies amateur botanists the joy factor! ................................................ 20 I've experienced: an extraordinary Life is a beautiful walk ...................................22 adventure ....................................................... 8 The Trans Swiss Trail, a shared long-distance project Jean-Claude Pesse perpetuates an ancestral tradition Keeping walkers on the right track... “The philosophical sweeper” .......................10 along 1800 km of pathways! ...................... 26 Interview with Michel Simonet on the streets of Fribourg The diligent professionals who maintain the waymarks The nocturnal adventures Valuable advice from Bruno Jelk ................ 28 of beavers ....................................................... 14 A leading expert on safety in the mountains Nature and people get along together in the Grande Cariçaie A visit to Romont that’s full of surprises ....................................................32